|
|
Books > Arts & Architecture > Performing arts
What is the legacy of Martha Graham and why does it endure? How and
why did the philosophy and subsequent canon of Martha Graham flood
out into an artistic diaspora that is still a wellspring of
inspiration for contemporary artists? How do dancers that have
never studied with, or worked under, Martha Graham maintain her
vision? All of these questions, and many more, are considered in
this fascinating book, authored by one of the Martha Graham
Company's ex-principal dancers, which illuminates the ongoing
significance of the Martha Graham Dance Company almost 100 years
after it was founded. Through doing so, we are offered a study of
the history of the Martha Graham Dance Company - the
longest-standing modern dance company in America, its international
diaspora and the current generation of dancers taking up the
mantel. Drawing on extensive interviews conducted for the book, the
company's story is told through the experiences, inspirations,
motivations and words of performers from Graham's iconic artistic
lineage.
Tarot cards have been around since the Renaissance and have become
increasingly popular in recent years, often due to their prevalence
in popular culture. While Tarot means many different things to many
different people, the cards somehow strike universal chords that
can resonate through popular culture in the contexts of art,
television, movies, even comic books. The symbolism within the
cards, and the cards as symbols themselves, make Tarot an excellent
device for the media of popular culture in numerous ways. They make
horror movies scarier. They make paintings more provocative. They
provide illustrative structure to comics and can establish the
traits of television characters. The Cards: The Evolution and Power
of Tarot begins with an extensive review of the history of Tarot
from its roots as a game to its supposed connection to ancient
Egyptian magic, through its place in secret societies, and to its
current use in meditation and psychology. This section ends with an
examination of the people who make up today's tarot community.
Then, specific areas of popular culture-art, television, movies,
and comics-are each given a chapter in which to survey the use of
Tarot. In this section, author Patrick Maille analyzes such works
as Deadpool, Books of Magic by Neil Gaiman, Disney's Haunted
Mansion, Sherlock Holmes: Game of Shadows, The Andy Griffith Show,
Buffy the Vampire Slayer, and King of the Hill. The cards are
evocative images in their own right, but the mystical fascination
they inspire makes them a fantastic tool to be used in our favorite
shows and stories.
The number one bestseller and Sunday Times Humour Book of the Year
by national treasure Bob Mortimer.'The most life-affirming, joyful
read of the year' - Sunday Times 'Winningly heartfelt' - The
Guardian 'A triumph' - Daily Mail Bob Mortimer's life was trundling
along happily until suddenly in 2015 he was diagnosed with a heart
condition that required immediate surgery and forced him to cancel
an upcoming tour. The episode unnerved him, but forced him to
reflect on his life so far. This is the framework for his hilarious
and moving memoir, And Away... Although his childhood in
Middlesbrough was normal on the surface, it was tinged by the loss
of his dad, and his own various misadventures (now infamous from
his appearances on Would I Lie to You?), from burning down the
family home to starting a short-lived punk band called Dog Dirt. As
an adult, he trained as a solicitor and moved to London. Though he
was doing pretty well (the South London Press once crowned him 'The
Cockroach King' after a successful verdict), a chance encounter in
a pub in the 1980s with a young comedian going by the name Vic
Reeves set his life on a different track. And now, six years on,
the heart condition that once threatened his career has instead led
to new success on BBC2's Gone Fishing. Warm, profound, and
irrepressibly funny, And Away... is Bob's full life story (with a
few lies thrown in for good measure.)
In the wake of the 1688 revolution, England's transition to
financial capitalism accelerated dramatically. Londoners witnessed
the rise of credit-based currencies, securities markets,
speculative bubbles, insurance schemes, and lotteries. Many
understood these phenomena in terms shaped by their experience with
another risky venture at the heart of London life: the public
theater. Speculative Enterprise traces the links these observers
drew between the operations of Drury Lane and Exchange Alley,
including their hypercommercialism, dependence on collective
opinion, and accessibility to people of different classes and
genders.Mattie Burkert identifies a discursive ""theater-finance
nexus"" at work in plays by Colley Cibber, Richard Steele, and
Susanna Centlivre as well as in the vibrant eighteenth-century
media landscape. As Burkert demonstrates, the stock market and the
entertainment industry were recognized as deeply interconnected
institutions that, when considered together, illuminated the nature
of the public more broadly and gave rise to new modes of publicity
and resistance. In telling this story, Speculative Enterprise
combines methods from literary studies, theater and performance
history, media theory, and work on print and material culture to
provide a fresh understanding of the centrality of theater to
public life in eighteenth-century London.
|
|