In Movies with Stanley Cavell in Mind, some of the scholars who have become essential for our understanding of Stanley Cavell's writing on film gather to use his landmark contributions to help us read new films-from Hollywood and elsewhere-that exist beyond his immediate reach and reading. In extending the scope of Cavell's film philosophy, we naturally find ourselves contending with it and amending it, as the case may be. Through a series of interpretive vignettes, the group effort situates, for the expert and novitiate alike, how Cavell's writing on film can profitably enrich one's experience of cinema generally and also inform how we might continue the practice of serious philosophical criticism of specific films mindful of his sensibility. The resulting conversations between texts, traditions, disciplines, genres, and generations creates propitious conditions for discovering what it means to watch and listen to movies with Stanley Cavell in mind.

What is Dance? What is Theatre? What is the boundary between enacting a character and narrating a story? When does movement become tinted with meaning? And when does beauty shine alone as if with no object? These universal aesthetic questions find a theoretically vibrant and historically informed set of replies in the oeuvre of the eleventh-century Kashmirian author Abhinavagupta. The present book offers the first critical edition, translation, and study of a crucial and lesser known passage of his commentary on the Natyasastra, the seminal work of Sanskrit dramaturgy. The nature of dramatic acting and the mimetic power of dance, emotions, and beauty all play a role in Abhinavagupta's thorough investigation of performance aesthetics, now presented to the modern reader.

This edited collection provides an in-depth and wide-ranging exploration of pragmatist philosopher Richard Shusterman's distinctive project of "somaesthetics," devoted not only to better understanding bodily experience but also to greater mastery of somatic perception, performance, and presentation. Against contemporary trends that focus narrowly on conceptual and computational thinking, Shusterman returns philosophy to what is most fundamental-the sentient, expressive, human body with its creations of living beauty. Twelve scholars here provide penetrating critical analyses of Shusterman on ontology, perception, language, literature, culture, politics, aesthetics, cuisine, music, and the visual arts, including films of his work in performance art.

Explore over eighty years of Batman history in this updated edition that features a wealth of new content, including a new chapter on acclaimed feature film The Batman. Featuring two new chapters and exclusive content from the new feature film The Batman, this updated volume tells the complete story of Batman across comics, TV, animation, film, video games, and beyond. Covering the complete history of Batman in vivid detail, this deluxe edition features exclusive commentary from the key creatives who have been instrumental in building the Dark Knight's ongoing legacy, including Neal Adams, Tim Burton, Paul Dini, Steve Englehart, Mark Hamill, Grant Morrison, Julie Newmar, Christopher Nolan, Denny O'Neil, Joel Schumacher, Scott Snyder, and Zack Snyder. Along with taking readers on an unparalleled journey into the creation of the most memorable Batman moments in the character's eighty-year history-from the "Knightfall" comics arc to Tim Burton's films and the Arkham video game series the book busts open the DC Comics and Warner Bros. archives to deliver an avalanche of never-before-seen visual treasures that are guaranteed to blow the minds of Batman fans everywhere. Filled with exclusive insert items that further deepen the reading experience, this updated edition of Batman: The Definitive History of the Dark Knight in Comics, Film, and Beyond, is the ultimate exploration of a true legend whose impact on our culture has no limits.

Featuring case studies, essays, and conversation pieces by scholars and practitioners, this volume explores how Indian cinematic adaptations outside the geopolitical and cultural boundaries of India are revitalizing the broader landscape of Shakespeare research, performance, and pedagogy. Chapters in this volume address practical and thematic concerns and opportunities that are specific to studying Indian cinematic Shakespeares in the West. For instance, how have intercultural encounters between Indian Shakespeare films and American students inspired new pedagogic methodologies? How has the presence and popularity of Indian Shakespeare films affected policy change at British cultural institutions? How can disagreement between eastern and western perspectives on the politics of a Shakespeare film become the site for productive cross-cultural dialogue? This is the first book to explore such complex interactions between Indian Shakespeare films and Western audiences to contribute to the assessment of the new networks that have emerged as a result of Global Shakespeare studies and practices. The volume argues that by tracking critical currents from India towards the West new insights are afforded on the wider field of Shakespeare Studies - including feminist Shakespeares, translation in Shakespeare, or the study of music in Shakespeare - and are shaping debates on the ownership and meaning of Shakespeare itself. Contributing to the current studies in Global Shakespeare, this book marks a discursive shift in the way Shakespeare on Indian screen is predominantly theorised and offers an alternative methodology for examining non-Anglophone cinematic Shakespeares as a whole.

Our Blessed Rebel Queen: Essays on Carrie Fisher and Princess Leia is the first full-length exploration of Carrie Fisher's career as actress, writer, and advocate. Fisher's entangled relationship with the iconic Princess Leia is a focal point of this volume. Editors Linda Mizejewski and Tanya D. Zuk have assembled a collection that engages with the multiple interfaces between Fisher's most famous character and her other life-giving work. The contributors offer insights into Fisher as science-fiction idol, author, feminist inspiration, and Lucasfilm commodity. Jennifer M. Fogel examines the thorny ""ownership"" of Fisher's image as a conflation of fan nostalgia, merchandise commodity, and eventually, feminist icon. Philipp Dominik Keidl looks at how Carrie Fisher and her iconic character are positioned within the male-centric history of Star Wars. Andrew Kemp-Wilcox researches the 2016 controversy over a virtual Princess Leia that emerged after Carrie Fisher's death. Tanya D. Zuk investigates the use of Princess Leia and Carrie images during the Women's March as memetic reconfigurations of historical propaganda to leverage political and fannish ideological positions. Linda Mizejewski explores Carrie Fisher's autobiographical writing, while Ken Feil takes a look at Fisher's playful blurring of truth and fiction in her screenplays. Kristen Anderson Wagner identifies Fisher's use of humor and anger to challenge public expectations for older actresses. Cynthia Hoffner and Sejung Park highlight Fisher's mental health advocacy, and Slade Kinnecott personalizes how Fisher's candidness and guidance about mental health were especially cherished by those who lacked a support system in their own lives. Our Blessed Rebel Queen is distinct in its interdisciplinary approach, drawing from a variety of methodologies and theoretical frameworks. Longtime fans of Carrie Fisher and her body of work will welcome this smart and thoughtful tribute to a multimedia legend.