This intriguing volume sheds light on the diverse world of collecting film- and media-related materials. Lucy Fischer's introduction explores theories of collecting and representations of collecting and collections in film, while arguing that collections of film ephemera and other media-related collections are an important way in to understanding the relationship between material culture and film and media studies; she notes that the collectors have various motivations and types of collections. In the eleven chapters that follow, media studies scholars analyze a variety of fascinating collected materials, from Doris Day magazines to Godzilla action figures and LEGOs. While most contributors discuss their personal collections, some also offer valuable insight into specific collections of others. In many cases, collections that began as informal and personal have been built up, accessioned, and reorganized to create teaching and research materials which have significantly contributed to the field of film and media studies. Readers are offered glimpses into diverse collections comprised of films, fan magazines, records, comics, action figures, design artifacts, costumes, props- including Buffy the Vampire Slayer costumes, Planet of the Apes publicity materials, and Amazing Spider Man comics. Recollecting Collecting interrogates and illustrates the meaning and practical nature of film and media collections while also considering the vast array of personal and professional motivations behind their assemblage.

What is the legacy of Martha Graham and why does it endure? How and why did the philosophy and subsequent canon of Martha Graham flood out into an artistic diaspora that is still a wellspring of inspiration for contemporary artists? How do dancers that have never studied with, or worked under, Martha Graham maintain her vision? All of these questions, and many more, are considered in this fascinating book, authored by one of the Martha Graham Company's ex-principal dancers, which illuminates the ongoing significance of the Martha Graham Dance Company almost 100 years after it was founded. Through doing so, we are offered a study of the history of the Martha Graham Dance Company - the longest-standing modern dance company in America, its international diaspora and the current generation of dancers taking up the mantel. Drawing on extensive interviews conducted for the book, the company's story is told through the experiences, inspirations, motivations and words of performers from Graham's iconic artistic lineage.

When we bury our secrets, they always come back to haunt us...Their rise was meteoric. Only a few years before, they had been three friends from Glasgow, just trying to survive tough lives of danger and dysfunction. But on one Hollywood evening in 1993, they were on the world's biggest stage, accepting their Oscar in front of the watching world. That night was the beginning of their careers. But it was also the end of their friendship. Over the next twenty years, Mirren McLean would become one of the most powerful writers in the movie industry. Zander Leith would break box-office records as cinema's most in-demand action hero. And Davie Johnson would rake in millions as producer of some of the biggest shows on TV. For two decades they didn't speak, driven apart by a horrific secret. Until now... Their past is coming back to bite them, and they have to decide whether to run, hide, or fight. Because when you rise to the top, there's always someone who wants to see you fall. An exciting new glam thriller for the fans of Taylor Jenkins Reid, Liane Moriarty and Jo Spain Previously published in the UK as TAKING HOLLYWOOD by Shari King. 'Brilliant, a white-knuckle ride of a novel. Gripping and wildly glamorous' Tilly Bagshawe 'It's a real slice of Hollywood and a brilliant read' Gerard Butler 'A glam, edgy thriller, just the way I like them' Martina Cole 'Sex, scandal and secrets galore' Jackie Collins 'A high-stakes thriller with a dark, moving story at its core. Page-turning entertainment at its very best' - TJ Emerson 'It's a thriller that's gritty, sexy and a sensational page turner. You won't be able to put it down. I loved it!' Lorraine Kelly 'I loved this Hollywood tale with deep Scottish roots. It's dark, sinful, glittering and thrilling. An absolute adventure from the very first page' Carmen Reid 'The mean streets of Glasgow meet the glitz of Hollywood. A riveting read!' - Evie Hunter

Why do so many writers and audiences turn to theatre to resolve overwhelming topics of pain and suffering? This collection of essays from international scholars reconsiders how theatre has played a crucial part in encompassing and preserving significant human experiences. Plays about global issues, including terrorism and war, are increasing in attention from playwrights, scholars, critics and audiences. In this contemporary collection, a gathering of diverse contributors explain theatre's special ability to generate dialogue and promote healing when dealing with human tragedy. This collection discusses over 30 international plays and case studies from different time periods, all set in a backdrop of war. The four sections document British and American perspectives on theatres of war, global perspectives on theatres of war, perspectives on Black Watch and, finally, perspectives on The Great Game: Afghanistan. Through this, a range of international scholars from different disciplines imaginatively rethink theatre's unique ability to mediate the impacts and experiences of war. Featuring contributions from a variety of perspectives, this book provides a wealth of revealing insights into why authors and audiences have always turned to the unique medium of theatre to make sense of war.

Delmer Daves (1904-1977) was an American screenwriter, director, and producer known for his dramas and Western adventures, most notably Broken Arrow and 3:10 to Yuma. Despite the popularity of his films, there has been little serious examination of Daves's work. Filmmaker Bertrand Tavernier has called Daves the most forgotten of American directors, and to date no scholarly monograph has focused on his work. In The Films of Delmer Daves: Visions of Progress in Mid-Twentieth-Century America, author Douglas Horlock contends that the director's work warrants sustained scholarly attention. Examining all of Daves's films, as well as his screenplays, scripts that were not filmed, and personal papers, Horlock argues that Daves was a serious, distinctive, and enlightened filmmaker whose work confronts the general conservatism of Hollywood in the mid-twentieth century. Horlock considers Daves's films through the lenses of political and social values, race and civil rights, and gender and sexuality. Ultimately, Horlock suggests that Daves's work-through its examination of bigotry and irrational fear and depiction of institutional and personal morality and freedom-presents a consistent, innovative, and progressive vision of America.

Go under the hood of Batman's iconic vehicle in this user's manual for the Batmobile. Ever since its first appearance in the pages of Detective Comics back in 1939, the Batmobile has captured the imaginations of fans around the world, becoming an essential component of the Dark Knight's crime-fighting arsenal. This user's manual reveals the secrets behind the most iconic versions of the Batmobile across decades of comics and films, giving readers a never-before-seen look at the most beloved vehicle in pop culture. Featuring detailed cutaways, schematics, blueprints, and more, this book is full of original art, giving fans the most detailed exploration of the Batmobile to date. A definitive volume, Batmobile Owner's Manual examines the vehicle's many iterations throughout Batman's history, from films such as Batman (1989), The Dark Knight Trilogy, and Batman v. Superman: Dawn of Justice, to graphic novels including The Dark Knight Returns and the most current run of Batman comics. An immersive, must-have collectible, Batmobile Owner's Manual will reveal the technological wonders behind the most awe-inspiring, powerful, and feared vehicle in Gotham City.

Documents media studies by N.P.James in the collection of Cv/VAR archive. Beginning with split second scans of TV transmissions in 1976, the series progressed to xerox collages and carbon trace drawings. The studies are light and elusive, read slant-wise across images, texts and borders, like blind drawing that produced unpredictable results. From tabloid headlines of UK power shifts in 1977-79 the series moved through the Falklands War 1982, to catch the booming 1980s. Resumed in July 2003 a random trawl of 250 collages scanned fragments of newsprint: arenas of gossip, fashion, sport and celebrities with episodes of accident, loss and tragedy: which form a template for the general culture.

The ultimate lesson for the successful One Minute Manager: teaching how a healthy lifestyle is the key to success. The One Minute Manager is a book that has sold a staggering 12 million copies in 27 languages and has become the world's most popular management method. Unfortunately, it is easy for a One Minute Manager to be so successful in every way that he or she forgets one important thing: to look after number one. This book, published now for the first time outside the USA, tells the story of a One Minute Manager who is so much in demand that he eats on the run, doesn't take time to exercise, and never puts himself, his family or his well-being top of his list of priorities. He soon discovers that his life is out of balance and that success in business is endangering his health. For all those busy, achieving people with overcrowded schedules, this useful blueprint shows how to manage stress and keep healthy. By following four important strategies for balancing a complicated life, everyone can get their lives into proper perspective. For the millions of readers of Ken Blanchard's bestselling books, The One Minute Manager Balances Work and Life offers a way to achieve not only a new, healthier style of living but increased productivity as well.