Who would have thought that participating in group improv could be so enlightening and rewarding? Peter Gwinn and his colleagues at the i.O. Theatre in Chicago developed The Group Mind to create a new awareness in the mind and spirit of any group or team. The Group Mind, the Holy Grail of improvisation, is created by a synergy among improv participants. It's like ESP. It's the feeling of being part of a greater entity, a sense of excitement, belonging, importance that takes teamwork to a new level. Over forty improv games are included for developing group chemistry: creation, bonding, dynamics, energy, focus and more. Techniques are discussed for breaking the ice, agreement, listening and support, teawork, quick thinking and having fun! Sample chapters: An Introduction to Mind Reading. The Morale Majority. The Games and Their Explanations, Bonding, Focus, Awareness, Creation, Energy, Dynamics, Party Games and more.

A laugh-out-loud romantic comedy from top 10 bestseller Portia MacIntoshWhen life goes off track sometimes the only thing you can do is go back to where it all began... Emmy Palmer is the star of Bragadon Forest, the biggest fantasy series on TV; adored by the public, living the life of glamour and luxury in London. But when scandal breaks, Emmy must escape the city and return to her seaside hometown to lie low and wait for the storm to pass. And as tragedy strikes for her family, it is good timing to go back to her roots. Emmy's agent decides it would be a good look to star in the community Christmas pantomime, but who else could be playing her leading man but her ex-boyfriend who she may or may not have ditched to move to London a decade ago... As the show approaches, love and friendships blossom and the real question is - Will they? Won't they? The brand new laugh-out-loud romantic comedy from top 10 bestseller Portia MacIntosh, guaranteed to put a smile on your face this winter. Praise for Portia MacIntosh:'A hilarious, roaringly fun, feel good, sexy read. I LOVED it!' Holly Martin 'This is a heartwarming fun story, perfect for several hours of pure escapism.' Jessica Redland 'Super-romantic and full of festive spirit. I loved it!' Mandy Baggot

Ranging from adaptations of traditional tales to original and contemporary short plays, The Three Billy Goats Gruff and Other Plays is an entertaining book of plays which is perfect for schools and at home.

Includes the following plays: 1. The Three Billy Goats Gruff 2. The Boy Who Cried Wolf 3. Turtle Tug 4. The Magic Twig 5. Birthday Surprise 6. Name Games

Discover more original Julia Donaldson plays with The Trial of Wilf Wolf and Other Plays and Books and Crooks and Other Plays.

How do we approach a figure like Mario Bava, a once obscure figure promoted to cult status? This book takes a new look at Italy's 'maestro of horror' but also uses his films to address a broader set of concerns. What issues do his films raise for film authorship, given that several of them were released in different versions and his contributions to others were not always credited? How might he be understood in relation to genre, one of which he is sometimes credited with having pioneered? This volume addresses these questions through a thorough analysis of Bava's shifting reputation as a stylist and genre pioneer and also discusses the formal and narrative properties of a filmography marked by an emphasis on spectacle and atmosphere over narrative coherence and the ways in which his lauded cinematic style intersects with different production contexts. Featuring new analysis of cult classics like Kill, Baby ... Kill (1966) and Five Dolls for an August Moon (1970), Mario Bava: The Artisan as Italian Horror Auteur sheds light on a body of films that were designed to be ephemeral but continue to fascinate us today.

In the last few years, concerns about dancers' health and the consequences of physical training have increased considerably. The physical requirements and type of training dancers need to achieve to reach their highest level of performance while decreasing the rate of severe injuries has awakened the necessity of more scientific knowledge concerning the area of dance, in part considering its several particularities. Scientific Perspectives and Emerging Developments in Dance and the Performing Arts is a pivotal reference source that provides vital research designed to reduce the gap between the scientific theory and the practice of dance. While highlighting topics such as burnout, mental health, and sport psychology, this publication explores areas such as nutrition, psychology, and education, as well as methods of maintaining the general wellbeing and quality of the health, training, and performance of dancers. This book is ideally designed for dance experts, instructors, sports psychologists, researchers, academicians, and students.

How do you decide what stories an audience should hear? How do you make your theatre stand out in a crowded and intensely competitive marketplace? How do you make your building a home for artistic risk and innovation, while ensuring the books are balanced? It is the artistic director's job to answer all these questions, and many more. Yet, despite the central role that these people play in the modern theatre industry, very little has been written about what they do or how they do it. In The Art of the Artistic Director, Christopher Haydon (former artistic director of the Gate Theatre, 'London's most relentlessly ambitious theatre' - Time Out) compiles a fascinating set of interviews that get to the heart of what it is to occupy this unique role. He speaks to twenty of the most prominent and successful artistic directors in the US and UK, including: Oskar Eustis (Public Theater, New York), Diane Paulus (American Repertory Theater, Boston), Rufus Norris (National Theatre, London) and Vicky Featherstone (Royal Court Theatre, London), uncovering the essential skills and abilities that go into making an accomplished artistic director. The only book of its kind available, The Art of the Artistic Director includes a foreword by Michael Grandage, former artistic director of the Sheffield Crucible and the Donmar Warehouse in London.