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After "Happily Ever After - Romantic Comedy in the Post-Romantic Age (Hardcover)
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After "Happily Ever After - Romantic Comedy in the Post-Romantic Age (Hardcover)
Series: Contemporary Approaches to Film and Media Series
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In defiance of the alleged "death of romantic comedy," After
"Happily Ever After": Romantic Comedy in the Post-Romantic Age
edited by Maria San Filippo attests to rom-com's continuing
vitality in new modes and forms that reimagine and rejuvenate the
genre in ideologically, artistically, and commercially innovative
ways. No longer the idyllic fairy tale, today's romantic comedies
ponder the realities and complexities of intimacy, fortifying the
genre's gift for imagining human connection through love and
laughter. It has often been observed that the rom-com's "happily
ever after" trope enables the genre to avoid addressing the
challenges of coupled life. This volume's contributors confront how
recent rom-coms contend with a "post-romantic age" of romantic
disillusionment and seismically shifting emotional and relational
bonds. Fifteen chapters contemplate the resurgence of the "radical
romantic comedy" and uncoupling comedy, new approaches in genre
hybridity and serial narrative, and how recent rom-coms deal with
divisive topical issues and contemporary sexual mores from
reproductive politics and marriage equality to hook-up culture and
technology-enabled sex. Rom-coms remain underappreciated and
underexamined-and still largely defined within Hollywood's
parameters of culturally normative coupling and its persistent
marginalization of racial and sexual minorities. Making the case
for taking romantic comedy seriously, this volume employs critical
perspectives drawn from feminist, queer, postcolonial, and race
studies to critique the genre's homogeneity and social and sexual
conservatism, recognizing innovative works inclusive of LGBTQ
people, people of color, and the differently aged and abled.
Encompassing a rich range of screen media from the last decade,
After "Happily Ever After" celebrates works that disrupt and
subvert rom-com fantasy and formula so as to open audience's eyes
along with our hearts. This volume is intended for all readers with
an interest in film, media, and gender studies.
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