Can theatre change the world? If so, how can it productively connect with social reality and foster spectatorial critique and engagement? This open access book examines the forms and functions of political drama in what has been described as a post-Marxist, post-ideological, even post-political moment. It argues that Bertolt Brecht's concept of dialectical theatre represents a privileged theoretical and dramaturgical method on the contemporary British stage as well as a valuable lens for understanding 21st-century theatre in Britain. Establishing a creative philosophical dialogue between Brecht, Walter Benjamin, Theodor W. Adorno and Jacques Ranciere, the study analyses seminal works by five influential contemporary playwrights, ranging from Mark Ravenhill's 'in-yer-face' plays to Caryl Churchill's 21st century theatrical experiments. Engaging critically with Brecht's theatrical legacy, these plays create a politically progressive form of drama which emphasises notions of negativity, ambivalence and conflict as a prerequisite for spectatorial engagement and emancipation. This book adopts an interdisciplinary and intercultural theoretical approach, reuniting English and German perspectives and innovatively weaving together a variety of theoretical strands to offer fresh insights on Brecht's legacy, on British theatre history and on the selected plays. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com.

No woman in the three-hundred-year history of the karyukai has ever come forward in public to tell her story -- until now.

"Many say I was the best geisha of my generation," writes Mineko Iwasaki. "And yet, it was a life that I found too constricting to continue. And one that I ultimately had to leave." Trained to become a geisha from the age of five, Iwasaki would live among the other "women of art" in Kyoto's Gion Kobu district and practice the ancient customs of Japanese entertainment. She was loved by kings, princes, military heroes, and wealthy statesmen alike. But even though she became one of the most prized geishas in Japan's history, Iwasaki wanted more: her own life. And by the time she retired at age twenty-nine, Iwasaki was finally on her way toward a new beginning.

Geisha, a Life is her story -- at times heartbreaking, always awe-inspiring, and totally true.

This book examines the dynamics of the relational and spatial politics of contemporary French theatrical production, with a focus on four theatres in the Greater Paris region. It situates these dynamics within the intersection of the histories of the public theatre and theatre decentralization in France, and the dialogues between live performances and the larger frameworks of artistic direction and programming as well as various imaginations of the "public". Understanding these phenomena, as well as the politics that underscore them, is key to understanding not only the present status of the public theatre in France, but also how theatre as a publicly funded institution interacts with the notion of the plurality, rather than the homogeneity, of its publics.

A laugh-out-loud romantic comedy from top 10 bestseller Portia MacIntoshWhen life goes off track sometimes the only thing you can do is go back to where it all began... Emmy Palmer is the star of Bragadon Forest, the biggest fantasy series on TV; adored by the public, living the life of glamour and luxury in London. But when scandal breaks, Emmy must escape the city and return to her seaside hometown to lie low and wait for the storm to pass. And as tragedy strikes for her family, it is good timing to go back to her roots. Emmy's agent decides it would be a good look to star in the community Christmas pantomime, but who else could be playing her leading man but her ex-boyfriend who she may or may not have ditched to move to London a decade ago... As the show approaches, love and friendships blossom and the real question is - Will they? Won't they? The brand new laugh-out-loud romantic comedy from top 10 bestseller Portia MacIntosh, guaranteed to put a smile on your face this winter. Praise for Portia MacIntosh:'A hilarious, roaringly fun, feel good, sexy read. I LOVED it!' Holly Martin 'This is a heartwarming fun story, perfect for several hours of pure escapism.' Jessica Redland 'Super-romantic and full of festive spirit. I loved it!' Mandy Baggot

Fred Rogers was an international celebrity. He was a pioneer in children's television, an advocate for families, and a multimedia artist and performer. He wrote the television scripts and music, performed puppetry, sang, hosted, and directed Mister Rogers' Neighborhood for more than thirty years. In his almost nine-hundred episodes, Rogers pursued dramatic topics: divorce, death, war, sibling rivalry, disabilities, racism. Rogers' direct, slow, gentle, and empathic approach is supported by his superior emotional strength, his intellectual and creative courage, and his joyful spiritual confidence. The Green Mister Rogers: Environmentalism in "Mister Rogers' Neighborhood" centers on the show's environmentalism, primarily expressed through his themed week "Caring for the Environment," produced in 1990 in coordination with the twentieth anniversary of Earth Day. Unfolding against a trash catastrophe in the Neighborhood of Make-Believe, Rogers advances an environmentalism for children that secures children in their family homes while extending their perspective to faraway places, from the local recycling center to Florida's coral reef. Rogers depicts animal wisdom and uses puppets to voice anxiety and hope and shows an interconnected world where each part of creation is valued, and love is circulated in networks of care. Ultimately, Rogers cultivates a practical wisdom that provides a way for children to confront the environmental crisis through action and hope and, in doing so, develop into adults who possess greater care for the environment and a capacious imagination for solving the ecological problems we face.

The triumphant story of how an all-Black Broadway cast and crew changed musical theatre-and the world-forever. "This musical introduced Black excellence to the Great White Way. Broadway was forever changed and we, who stand on the shoulders of our brilliant ancestors, are charged with the very often elusive task of carrying that torch into our present."-Billy Porter, Tony, Grammy, and Emmy Award-winning actor If Hamilton, Rent, or West Side Story captured your heart, you'll love this in-depth look into the rise of the 1921 Broadway hit, Shuffle Along, the first all-Black musical to succeed on Broadway. No one was sure if America was ready for a show featuring nuanced, thoughtful portrayals of Black characters-and the potential fallout was terrifying. But from the first jazzy, syncopated beats of composers Noble Sissle and Eubie Blake, New York audiences fell head over heels. Footnotes is the story of how Sissle and Blake, along with comedians Flournoy Miller and Aubrey Lyles, overcame poverty, racism, and violence to harness the energy of the Harlem Renaissance and produce a runaway Broadway hit that launched the careers of many of the twentieth century's most beloved Black performers. Born in the shadow of slavery and establishing their careers at a time of increasing demands for racial justice and representation for people of color, they broke down innumerable barriers between Black and white communities at a crucial point in our history. Author and pop culture expert Caseen Gaines leads readers through the glitz and glamour of New York City during the Roaring Twenties to reveal the revolutionary impact one show had on generations of Americans, and how its legacy continues to resonate today. Praise for Footnotes: "A major contribution to culture."-Brian Jay Jones, New York Times bestselling author of Jim Henson: The Biography "With meticulous research and smooth storytelling, Caseen Gaines significantly deepens our understanding of one of the key cultural events that launched the Harlem Renaissance."-A Lelia Bundles, New York Times bestselling author of On Her Own Ground: The Life and Times of Madam C.J. Walker "Absorbing..."-The Wall Street Journal

The Tragedy of Hamlet, Prince of Denmark, is widely considered Shakespeare's greatest play. Hamlet is confronted by the ghost of his father, who tells him that Hamlet's uncle and mother conspired to poison him. Knowing that his uncle, who now sits upon the throne, and his mother, who has married his uncle and is now his queen, have murdered his father, Hamlet sets out to avenge his father's death and set things to right. But his plan could destroy the entire realm. To be, or not to be-that is the question: Whether 'tis nobler in the mind to suffer The slings and arrows of outrageous fortune Or to take arms against a sea of troubles, And by opposing end them. To die-to sleep- No more; and by a sleep to say we end The heartache, and the thousand natural shocks

* THE LANDS OF WESTEROS * THE HISTORY OF WESTEROS * AGES * CHARACTER BIOS * THE GREAT HOUSES * INDEPENDENTS AND PEOPLES OF WESTEROS * THE STORIES BEHIND 'THE BROTHERS WITHOUT BANNERS', 'THE KINGSGUARD', AND DOZENS MORE * CUSTOMS & LAWS OF THE SEVEN KINGDOMS * THE SMALL COUNCIL * FAITH OF WESTEROS * DETAILED GUIDES TO EVERY EPISODE * ACTOR BIOGRAPHIES * STORIES OF THE GREAT BATTLES * DIREWOLVES * WEAPONS OF WESTEROS * GREAT SWORDS * COSTUMES * MAPS AND LOCATIONS With more than 320 individual chapters and guides, Collection Editions: A Game of Thrones is by far the largest, most detailed, and comprehensive guide to the show yet, giving the reader unparralled access and information on every detail of the series. A must have for every fan of the show.

In the last few years, concerns about dancers' health and the consequences of physical training have increased considerably. The physical requirements and type of training dancers need to achieve to reach their highest level of performance while decreasing the rate of severe injuries has awakened the necessity of more scientific knowledge concerning the area of dance, in part considering its several particularities. Scientific Perspectives and Emerging Developments in Dance and the Performing Arts is a pivotal reference source that provides vital research designed to reduce the gap between the scientific theory and the practice of dance. While highlighting topics such as burnout, mental health, and sport psychology, this publication explores areas such as nutrition, psychology, and education, as well as methods of maintaining the general wellbeing and quality of the health, training, and performance of dancers. This book is ideally designed for dance experts, instructors, sports psychologists, researchers, academicians, and students.

From the Page to the Stage: An Introduction to Theatre provides students with a comprehensive exploration of the critical elements involved in the creation of live theatre. In Unit I, students enter the theatre as audience members. They learn about the different types of theatres and stages they may encounter, the unwritten contract that exists between actors and audience members during a performance, and how to become an informed theatre critic. Part II focuses on the two most widely studied theatre artists: the playwright and the actor. These chapters discuss the origin of scripted theatre, how it has evolved over time, and the various forms, styles, and genres of theatre. Students read about the roles and responsibilities of playwrights, how actors create their characters, and influential men and women in the history of acting. Unit III examines the theatre artists who combine forces to make a play a fully realized production, including set, costume, lighting, sound, makeup, and property designers. Students learn how directors unify the script, cast, and various design elements into one complete work of art, and how managers, publicists, producers, and choreographers contribute to the success of a production. The final unit explores the history and theatrical practices of non-Western drama, as well as various types of religious theatre.