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Books > Arts & Architecture > Performing arts
The training of elite dancers has not changed in the last 60 years;
it is often only those that have survived the training that go on
to have a career, not necessarily the most talented. It is time to
challenge and change how we train tomorrow's professional dancers.
This book brings you the reasons why and all tools to implement
change. 10 years ago, Matthew Wyon and Gaby Allard introduced a new
pedagogical approach to training vocational dancers: Periodization.
This ground-breaking new methodology provides an adaptable
framework to optimise training - it's goal-focused, fits to
performance schedules, and is highly sustainable for the dancer. It
is the future. For the first time, Wyon and Allard have put their
discoveries to paper. Periodization provides clear context to why
change is needed, and explores the theoretical underpinnings of
this new approach and how it can be effectively applied to a dance
environment.
The revival of the Olympic games in 1896 and the subsequent rise of
modern athletics prompted a new, energetic movement away from more
sedentary habits. In Russia, this ethos soon became a key facet of
the Bolsheviks' shared vision for the future. In the aftermath of
the revolution, glorification of exercise persevered, pointing the
way toward a stronger, healthier populace and a vibrant Socialist
society. With interdisciplinary analysis of literature, painting,
and film, Faster, Higher, Stronger, Comrades! traces how physical
fitness had an even broader impact on culture and ideology in the
Soviet Union than previously realized. From prerevolutionary
writers and painters glorifying popular circus wrestlers to Soviet
photographers capturing unprecedented athleticism as a means of
satisfying their aesthetic ideals, the nation's artists embraced
sports in profound, inventive ways. Though athletics were used for
doctrinaire purposes, Tim Harte demonstrates that at their core,
they remained playful, joyous physical activities capable of
stirring imaginations and transforming everyday realities.
This pivot offers an innovative approach to dance education,
bringing a creative and inclusive dance education pedagogy into
Chinese dance classrooms. Associate Professor Ralph Buck's
experiences of teaching dance at the Beijing Dance Academy and the
possible implications for dance education in China lie at the heart
of this text. Through a critical examination of personal teaching
practice, pedagogical issues, trends and rationales for dance
education in the curriculum are highlighted. Informed by
constructivist ideals that recognise dialogue and interaction, this
pivot suggests that dance can be re-positioned and valued within
educational contexts when pedagogical strategies and objectives are
framed in terms of teaching and learning in, about and through
dance education.
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Metallica
(Hardcover)
Kieran James, Christopher Tolliday
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R639
Discovery Miles 6 390
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Ships in 10 - 15 working days
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Exploring the controversial history of an aesthetic - realism -
this book examines the role that realism plays in the negotiation
of social, political, and material realities from the mid-19th
century to the present day. Examining a broad range of literary
texts from French, English, Italian, German, and Russian writers,
this book provides new insights into how realism engages with
themes including capital, social decorum, the law and its
politicisation, modern science as a determining factor concerning
truth, and the politics of identity. Considering works from Gustave
Flaubert, Charles Baudelaire, Emile Zola, Henry James, Charles
Dickens, and George Orwell, Docherty proposes a new philosophical
conception of the politics of realism in an age where politics
feels increasingly erratic and fantastical.
Curated from the first four volumes of Peter Lang's Playing
Shakespeare's Characters series, this omnibus edition selects the
most practical essays for actors and directors wanting to play and
produce Shakespeare's plays. The dozen contributors in this volume
explore ways to play Shakespeare's lovers, villains, monarch,
madmen, rebels, and tyrants. It gives critical guidance for
directors and producers wanting to stage Shakespeare in the age of
Black Lives Matter and #MeToo. The book is a valuable companion for
students, actors, directors, and designers who want insight into
playing Shakespeare today.
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