In the last few years, concerns about dancers' health and the consequences of physical training have increased considerably. The physical requirements and type of training dancers need to achieve to reach their highest level of performance while decreasing the rate of severe injuries has awakened the necessity of more scientific knowledge concerning the area of dance, in part considering its several particularities. Scientific Perspectives and Emerging Developments in Dance and the Performing Arts is a pivotal reference source that provides vital research designed to reduce the gap between the scientific theory and the practice of dance. While highlighting topics such as burnout, mental health, and sport psychology, this publication explores areas such as nutrition, psychology, and education, as well as methods of maintaining the general wellbeing and quality of the health, training, and performance of dancers. This book is ideally designed for dance experts, instructors, sports psychologists, researchers, academicians, and students.

From the Page to the Stage: An Introduction to Theatre provides students with a comprehensive exploration of the critical elements involved in the creation of live theatre. In Unit I, students enter the theatre as audience members. They learn about the different types of theatres and stages they may encounter, the unwritten contract that exists between actors and audience members during a performance, and how to become an informed theatre critic. Part II focuses on the two most widely studied theatre artists: the playwright and the actor. These chapters discuss the origin of scripted theatre, how it has evolved over time, and the various forms, styles, and genres of theatre. Students read about the roles and responsibilities of playwrights, how actors create their characters, and influential men and women in the history of acting. Unit III examines the theatre artists who combine forces to make a play a fully realized production, including set, costume, lighting, sound, makeup, and property designers. Students learn how directors unify the script, cast, and various design elements into one complete work of art, and how managers, publicists, producers, and choreographers contribute to the success of a production. The final unit explores the history and theatrical practices of non-Western drama, as well as various types of religious theatre.

Focusing on films from Chile since 2000 and bringing together scholars from South and North America, Chilean Cinema in the Twenty-First-Century World is the first English-language book since the 1970s to explore this small, yet significant, Latin American cinema. The volume questions the concept of "national cinemas" by examining how Chilean film dialogues with trends in genre-based, political, and art-house cinema around the world, while remaining true to local identities. Contributors place current Chilean cinema in a historical context and expand the debate concerning the artistic representation of recent political and economic transformations in contemporary Chile. Chilean Cinema in the Twenty-First-Century World opens up points of comparison between Chile and the ways in which other national cinemas are negotiating their place on the world stage. The book is divided into five parts. "Mapping Theories of Chilean Cinema in the Worl"" examines Chilean filmmakers at international film festivals, and political and affective shifts in the contemporary Chilean documentary. "On the Margins of Hollywood: Chilean Genre Flicks" explores on the emergence of Chilean horror cinema and the performance of martial arts in Chilean films. "Other Texts and Other Lands: Intermediality and Adaptation Beyond Chile(an Cinema)" covers the intermedial transfer from Chilean literature to transnational film and from music video to film. "Migrations of Gender and Genre" contrasts films depicting transgender people in Chile and beyond. "Politicized Intimacies, Transnational Affects: Debating (Post)memory and History" analyzes representations of Chile's traumatic past in contemporary documentary and approaches mourning as a politicized act in postdictatorship cultural production. Intended for scholars, students, and researchers of film and Latin American studies, Chilean Cinema in the Twenty-First-Century World evaluates an active and emergent film movement that has yet to receive sufficient attention in global cinema studies.

The first comprehensive study of the films of Guillermo del Toro, "The Golden Labyrinth" covers all del Toro's work to date--from "Pan's Labyrinth" to "Hellboy II" to the upcoming production of "The Hobbit"--and goes further, covering their inspirations, genesis, and production.

IN THIS WARM AND INVITING CULINARY ADVENTURE, HOME COOKS WILL LEARN TO MAKE DISHES THAT CELEBRATE ICONIC MOMENTS FROM THE SERIES--RECREATING TASTY TREATS SEEN ON SCREEN AS WELL AS THE FRIENDLY FACES OF FAN-FAVORITE CHARACTERS FROM AANG TO FOO FOO CUDDLY POOPS. THESE SIGNATURE DISHES, BOTH SWEET AND SAVORY, WILL BRING THE EPIC BATTLES, HEARTFELT ACTS, AND HUMOROUS LESSONS TO LIFE IN YOUR HOME. WITH PICTURE-PERFECT TEA CAKES TO MAKE UNCLE IROH PROUD AND A FEW FUN APPEARANCES OF CABBAGE MAN'S MOST DURABLE PRODUCE, THIS BOOK WILL SWEEP YOU OFF YOUR FEET AND INTO AANG'S WORLD - NO AIRBENDING REQUIRED. MORE THAN 50 RECIPES:

More than 50 recipes for baked goods and desserts inspired by Avatar: The Last Airbender, including Pentapox Mochi Cake, Toph 's Mud Brownies, and Momo Meringues, SHOWSTOPPING PHOTOGRAPHY: Vibrant, stunning images of finished recipes bring life to these creative confections. RECIPES FOR ALL SKILL LEVELS: With accessible step-by-step instructions and helpful baking tips, Avatar: The Last Airbender: The Official Baking Book is a great guide for fans of any skill level, from kitchen novices to seasoned bakers. OFFICIALLY LICENSED: Created in collaboration with the studio behind the beloved animated series. COMPLETE YOUR COLLECTION: Avatar: The Last Airbender: The Official Baking Book joins Insight Edition 's line of Avatar: The Last Airbender titles, including Avatar: The Last Airbender: The Official Cookbook, Avatar: The Last Airbender: Legacy, and Avatar: The Last Airbender: Legacy of The Fire Nation

Aestheticization of evil is a frequently used formula in cinema and television. However, the representation of evil as an aesthetic object pushes it out of morality. Moral judgments can be pushed aside when evil is aestheticized in movies or TV series because there is no real victim. Thus, situations such as murder or war can become a source of aesthetic pleasure. Narratives in cinema and television can sometimes be based on a simple good-evil dichotomy and sometimes they can be based on individual or social experiences of evil and follow a more complicated method. Despite the various ways evil is depicted, it is a moral framework in film and television that must be researched to study the implications of aestheticized evil on human nature and society. International Perspectives on Rethinking Evil in Film and Television examines the changing representations of evil on screen in the context of the commonness, normalization, aestheticization, marginalization, legitimization, or popularity of evil. The chapters provide an international perspective of the representations of evil through an exploration of the evil tales or villains in cinema and television. Through looking at these programs, this book highlights topics such as the philosophy of good and evil, the portrayal of heroes and villains, the appeal of evil, and evil's correspondence with gender and violence. This book is ideal for sociologists, professionals, researchers and students working or studying in the field of cinema and television and practitioners, academicians, and anyone interested in the portrayal and aestheticization of evil in international film and television.

Like many national cinemas, the French cinema has a rich tradition of film musicals beginning with the advent of sound to the present. This is the first book to chart the development of the French film musical. The French film musical is remarkable for its breadth and variety since the 1930s; although it flirts with the Hollywood musical in the 1930s and again in the 1950s, it has very distinctive forms rooted in the traditions of French chanson. Defining it broadly as films attracting audiences principally because of musical performances, often by well-known singers, Phil Powrie and Marie Cadalanu show how the genre absorbs two very different traditions with the advent of sound: European operetta and French chanson inflected by American jazz (1930-1950). As the genre matures, operetta develops into big-budget spectaculars with popular tenors, and revue films also showcase major singers in this period (1940-1960). Both sub-genres collapse with the advent of rock n roll, leading to a period of experimentation during the New Wave (1960-1990). The contemporary period since 1995 renews the genre, returning nostalgically both to the genre's origins in the 1930s, and to the musicals of Jacques Demy, but also hybridising with other genres, such as the biopic and the documentary.