A heartwarming story of perseverance, friendship, fun and alpacas! Macca is an alpaca. He likes eating pickles, and loves getting tickles! When Macca and his best friend Al decide they want to take part in a talent show, they set to work figuring out what they're good at. But when they try all sorts of things and can't seem to get any of it right, they start to wonder if there's anything they do well... Also in this series: Macca the Alpaca, Macca's Christmas Crackers and A Stack of Alpacas

Kule ncwadi entle kangakanana nenika inkuthazo, uMiss South Africa, uShudufhadzo Musida, ubalisa ngebali lakhe lobuntwana; eyintombazana ethanda ukucula, ukudanisa nelincoko, ekhulele kwilali eyaziwa ngokuba yiHa-Vhangani, egcwele uthando, ingakumbi elikamama wakhe noGogo Gugu.

Kodwa izinto zange zimhambele kakuhle uShudu ngelixa ethuthela kwidolophu entsha, apho afika agezelwe ngabanye afunda nabo, bemenza isigculelo sabo.

Funda ngendlela uShudu ajongana nazo ngayo iintsizi zakhe nemingeni adibana nayo, aze abe yintombazana, nenina eliqolileyo elifunde kabanzi ngokuzithanda!

Jonathan Hopkirk and Adam 'Kurl' Kurlansky are partnered in English class, writing letters to one another in a weekly pen pal assignment. With each letter, the two begin to develop a friendship that grows into love. But with homophobia, bullying, and familial abuse, Jonathan and Kurl must struggle to overcome their conflicts and hold onto their relationship, and each other.We Contain Multitudes is the sort of novel that has readers falling in love with their characters, becoming so invested in their stories and conflicts that it's impossible to put the book down. The literary languages and references throughout (particularly to Walt Whitman) bring to mind award-winning novels such as I'll Give You the Sun, Aristotle and Dante Discover the Secrets of the Universe, and more.With a growing appreciation for LGBTQ+ characters and stories, and such a compelling novel with engaging characters and stunning language, We Contain Multitudes has the potential to be a commercial and literary success.

"You know I'm coming. You're dead already." Hector has always minded his own business, working hard to make his way to a better life someday. He's the chess team champion, helps the family with his job at the grocery, and teaches his little sister to shoot hoops overhand. Until Joey singles him out. Joey, whose older brother, Chavo, is head of the Discipulos gang, tells Hector that he's going to kill him: maybe not today, or tomorrow, but someday. And Hector, frozen with fear, does nothing. From that day forward, Hector's death is hanging over his head every time he leaves the house. He tries to fade into the shadows -- to drop off Joey's radar -- to become no one. But when a fight between Chavo and Hector's brother Fili escalates, Hector is left with no choice but to take a stand. The violent confrontation will take Hector places he never expected, including a reform school where he has to live side-by-side with his enemy, Joey. It's up to Hector to choose whether he's going to lose himself to revenge or get back to the hard work of living.

An ode to Put the Damn Guns Down, this is National Book Award finalist and New York Times bestseller Jason Reynolds’s fiercely stunning novel that takes place in sixty potent seconds—the time it takes a kid to decide whether or not he’s going to murder the guy who killed his brother.

A cannon. A strap.

A piece. A biscuit.

A burner. A heater.

A chopper. A gat.

A hammer

A tool

for RULE

Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES.

And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if WILL gets off that elevator.

Told in short, fierce staccato narrative verse, Long Way Down is a fast and furious, dazzlingly brilliant look at teenage gun violence, as could only be told by Jason Reynolds.