Whereas rational choice theory has enjoyed considerable success in economics and political science, due to its emphasis on individual behavior sociologists have long doubted its capacity to account for non-market social outcomes. Whereas they have conceded that rational choice theory may be an appropriate tool to understand strictly economic phenomena - that is, the kinds of social interactions that occur in the gesellschaft- many sociologists have contended that the theory is wholly unsuitable for the analysis of the kinds of social interactions in the gemeinschaft - such as those occurring in families, in social groups of all kinds, and in society at large. In a variety of non-technical chapters, Rational Choice Sociology shows that a sociological version of rational choice theory indeed can make valuable contributions to the analysis of a wide variety of non-market outcomes, including those concerning social norms, family dynamics, crime, rebellion, state formation and social order. 'Michael Hechter is one of the major proponents of rational actor theory in the social sciences. The book is a useful collection of some of the major articles that cover important issues that are of general interest - in particular collective action and social order. The book shows the wide range of application of the theory and, hopefully, will contribute to further increase its recognition as an important tool to explain social phenomena.' - Karl-Dieter Opp, University of Leipzig, Germany and University of Washington, US 'An early pioneer of sociological rational choice, Michael Hechter has made seminal contributions to rational choice theory over a career spanning nearly 50 years. This book brings those contributions together in a single volume. Although the chapters address a range of substantive topics--fertility decisions, the value of children, collective action, the genesis of mutiny, and state formation--at its core is a deep concern with a fundamental question for social science: How is social order, solidarity, and control possible in human societies? This book provides a compelling answer from a rational choice perspective.' - Ross L. Matsueda, University of Washington, US

This book tells the story of human civilisation as a series of historical periods, from Prehistory to the present day, describing the way each evolved into the next. In so doing, it explains the reasons behind what happened in each period, in terms of their contribution to the whole. It describes the way the ideas process evolves along with society, and explains the myths, religions and philosophical ideas which developed in the Ancient world, and the way its great empires appeared. Then, according to new technology and principles, how the events of the Middle Ages led to the rediscovery of the Americas and took us into the Modern periods, where the industrial revolution gave rise to the Middle Classes, and a new type of politics featured more representative forms of government. However, after two world wars which redefined the era, Postmodernity emerged as a term for the structure of Cold War society, which gave rise to the success of digital technology, but also led to the new problem of terrorism. Hence, many questions have arisen over the direction of human society, how it has evolved out of history, and how we address its issues. What type of problems can we solve at each stage? Perhaps with computers we are now able to analyse data in a way which was not possible before and this will lead to the next era.

What can philosophy reveal about painting and how might it deepen our understanding of this enduring art form? Philosophy of Painting investigates the complex relationship between the painted surface and the depicted subject, opening up current debates to address questions concerning the historicality of art. Embracing contemporary painting, it examines topics such as the post-medium condition and the digital divide, and the work of artists such as Lynette Yiadom-Boakye, Amy Sillman and Katharina Grosse. Illustrated with 24 colour plates and highly readable throughout, Philosophy of Painting provides a philosophically rigorous defence of the relevance of painting in the 21st century, making an original contribution to the major ideas informing painting as an art. Here is a clear and coherent account of the contemporary significance of painting and the pressures and possibilities that distinguish it from other art forms.

Metaphor, which allows us to talk about things by comparing them to other things, is one of the most ubiquitous and adaptable features of language and thought. It allows us to clarify meaning, yet also evaluate and transform the ways we think, create and act. While we are alert to metaphor in spoken or written texts, it has, within the visual arts, been critically overlooked. Taking into consideration how metaphors are inventively embodied in the formal, technical, and stylistic aspects of visual artworks, Mark Staff Brandl shows how extensively artists rely on creative metaphor within their work. Exploring the work of a broad variety of artists - including Dawoud Bey, Dan Ramirez, Gaelle Villedary, Raoul Deal, Sonya Clark, Titus Kaphar, Charles Boetschi, and more- he argues that metaphors are the foundation of visual thought, are chiefly determined by bodily and environmental experiences, and are embodied in artistic form. Visual artistic creation is philosophical thought. By grounding these arguments in the work of philosophers and cultural theorists, including Noel Carroll, Hans Georg Gadamer, and George Lakoff, Brandl shows how important metaphor is to understanding contemporary art. A Philosophy of Visual Metaphor in Contemporary Art takes a neglected feature of the visual arts and shows us what a vital role it plays within them. Bridging theory and practice, and drawing upon a capacious array of examples, this book is essential reading for art historians and practitioners, as well as analytic philosophers working in aesthetics and meaning.

Indispensable to the research practice carried out by so-called "contracting researchers," who are often based in the Global North, "facilitating researchers," often based in those conflict-affected areas of the Global South that contracting researchers are contracted to study, are usually the ones who truly regulate the access and flow of knowledge. Yet as often as not, they are referred to merely as 'fixers', with their contributions systematically erased in final research texts. Facilitating Researchers in Insecure Zones brings together first-hand accounts by several facilitating or "brokering" researchers in three settings afflicted by armed conflict--namely, DR Congo, Sierra Leone and Jharkhand, India--in order to highlight the varied and crucial roles they play. In so doing, this volume also bears witness to the insecurities and resource-scarcities they have to navigate in order to facilitate the research of others. Ultimately, their experiences and insights point to more equitable fieldwork and more collaborative processes of knowledge production. For its first-hand accounts of fieldwork in insecure zones, as well as for its diverse geographical and topical coverage, this book is a must-read for researchers and students researching interested in ethnographic and fieldwork methods and ethics, particularly as they apply to conflicts and to research in the Global South.

From one of the most influential thinkers of our time, an enlightening, essential account of how a fear of gender is fuelling reactionary politics around the world

Judith Butler, the ground-breaking philosopher whose work has redefined how we think about gender and sexuality, confronts the attacks on gender that have become central to right-wing movements today. Global networks have formed ‘anti-gender ideology movements’ dedicated to circulating a fantasy that gender is a dangerous threat to families, local cultures, civilization – and even ‘man’ himself. Inflamed by the rhetoric of public figures, this movement has sought to abolish reproductive justice, undermine protections against violence, and strip trans and queer people of their rights.

But what, exactly, is so disturbing about gender? In this vital, courageous book, Butler carefully examines how ‘gender’ has become a phantasm for emerging authoritarian regimes, fascist formations and transexclusionary feminists, and the concrete ways in which this phantasm works. Operating in tandem with deceptive accounts of critical race theory and xenophobic panics about migration, the anti-gender movement demonizes struggles for equality and leaves millions of people vulnerable to subjugation.

An essential intervention into one of the most fraught issues of our moment, Who's Afraid of Gender? is a galvanizing call to make a broad coalition with all those who struggle for equality and fight injustice. Imagining new possibilities for freedom and solidarity, Butler offers us an essentially hopeful work that is both timely and timeless.

Metaphysical thought has been excluded from much of the discourse on modern art, especially abstract painting. By connecting ideas about faith with the initiators of abstract painting, Joseph Masheck reveals how an underlying religiosity informed some of our most important abstract painters. Covering Wassily Kandinsky, Kazimir Malevich, Piet Mondrian, and El Lissitzky, Masheck shows how ‘revealed religion’ has been an underlying but fundamental determinant of the thinking and practice of abstract painting from its originators down to the present. He contextualizes their art within some of the historical moments of the early 20th century, including the Russian revolution and the Stalinist period, and explores the appeal of certain themes, such as the Passion of Christ. A radical new theorization of the influence of religion over visual art, Faith in Art asks why metaphysics has been eliminated from the discussion where it might have something to say. This is a new way of thinking about a hundred years of abstract painting.

This book introduces the reader to the exciting new field of plant philosophy and takes it in a new direction to ask: what does it mean to say that plants are sexed? Do 'male' and 'female' really mean the same when applied to humans, trees, fungi and algae? Are the zoological categories of sex really adequate for understanding the - uniquely 'dibiontic' - life cycle of plants? Vegetal Sex addresses these questions through a detailed analysis of major moments in the history of plant sex, from Aristotle to the modern day. Tracing the transformations in the analogy between animals and plants that characterize this history, it shows how the analogy still functions in contemporary botany and asks: what would a non-zoocentric, plant-centred philosophy of vegetal sex be like? By showing how philosophy and botany have been and still are inextricably entwined, Vegetal Sex allows us to think vegetal being and, perhaps, to recognize the vegetal in us all.