"Ed's photos take us behind the scenes and in the middle of the action. I always felt like I was being transported to the location of the shot, and was experiencing it all first hand. The Stooges Funhouse sessions are my favorite rock photos of all time. I wanted to be those guys. Those images have stayed with me my entire life and continue to inspire me to this day !!!!!" - John Varvatos In May 1970, The Stooges were in the middle of recording their celebrated album, Fun House at Elektra Records Recording Studio in Los Angeles. That same month, they appeared at the Whisky a Go-Go on Sunset Boulevard for two incredible nights. Ed Caraeff, a new rock photographer who had burst onto the scene three years prior with his now-iconic image of Jimi Hendrix burning his guitar onstage at Monterey, happened to be in that crowd, and took a plethora of wonderful pictures. Only a few stills from that phenomenal gig were ever reproduced. Most famously, one was used on the cover of Fun House. The rest were filed away. Until now. Ed Caraeff's coverage of this monumental moment is reprinted here for the first time in book form. He not only captures the energy, madness and raw power of Iggy Pop's performance, but also the preceding minutes before the band stepped onto stage and made history. Along with images and contact sheets, original interviews shed new light on that unforgettable night. Interviewed by pop-culture historian Jennifer Otter Bickerdike, names include Jac Holzman, Head of Elektra Records during the recording of Fun House; Mikael Maglieri, son of Mario Maglieri, owner of the Whisky a Go-Go when The Stooges played in 1970; Danny Fields, a DJ/publicist credited for signing MC5 and The Stooges; and Jeff Gold, music historian and noted Iggy Pop biographer. A tribute to the band that rocked the world, Iggy & The Stooges: One Night at the Whisky, 1970 will revolutionise your view of music.

Delegation is the first comprehensive monograph by Apsaalooke/Crow artist Wendy Red Star, whose photography recasts historical narratives with wit, candor, and a feminist, Indigenous perspective. Red Star centers Native American life and material culture through imaginative self-portraiture, vivid collages, archival interventions, and site-specific installations. Whether referencing nineteenth-century Crow leaders or 1980s pulp fiction, museum collections or family pictures, she constantly questions the role of the photographer in shaping Indigenous representation. Including a dynamic array of Red Star's lens-based works from 2006 to the present, and a range of essays, stories, and poems, Delegation is a spirited testament to an influential artist's singular vision. Copublished by Aperture and Documentary Arts

The extraordinary experiences of ordinary people-their suffering and their unimaginable bravery-are the subject of Judy Glickman Lauder's remarkable photographs. Beyond the Shadows responds to the world's looking the other way as the Nazis took power and their hate-fueled nationalism steadily turned to mass murder. In the context of the horror of the Holocaust, it also tells the uplifting story of how the citizens and leadership of Denmark, under occupation and at tremendous risk to themselves, defied the Third Reich to transport the country's Jews to safety in Sweden. Over the past thirty years, Glickman Lauder has captured the intensity of death camps in Germany, Poland, and Czechoslovakia, in dark and expressive photographs, telling of a world turned upside down, and, in contrast, the redemptive and uplifting story of the "Danish exception." Including texts by Holocaust scholars Michael Berenbaum and Judith S. Goldstein, and a previously unpublished original text by survivor Elie Wiesel, Beyond the Shadows demonstrates passionately what hate can lead to, and what can be done to stand in its path. "This is photography and storytelling for our times, about what hate leads to, and how we can stand up to it. Beyond the Shadows is powerful and revealing, and sharply relevant to all of us who believe in the human family." - Sir Elton John

Liam Wong's debut monograph, a cyberpunk-inspired exploration of nocturnal Tokyo. 'I want to take real moments and transform them into something surreal, to make the viewer question the reality depicted in each photograph. This body of work encompasses my three years as a photographer and ultimately the completion of my debut photo series.' Liam Wong A testament to the deep art of colour composition, this publication - art directed by Wong himself and produced to the highest printing standard - brings together a complete and refined body of images that are evocative, timeless and completely transporting. Rounding out the book's special treatment is the first publication use of the 45/90 font, designed by Henrik Kubel, of London-based A2-TYPE. The book also features a section that reveals the creative and technical process of Wong's method, from identifying the right scene to composition, from capturing the essence of a moment to enhancing colour values and deepening an image's impact - insights are invaluable to admirers and photography enthusiasts alike.

Ask most folks to depict a year, and they'll show you a calendar. Ask veteran naturalist Mike Blair, and he'll show you the wonders to be found in Kansas, season by season.

Mike Blair has spent a lifetime outdoors, venturing beyond fences to closely observe "natural things" while recording his observations in both words and images. In this sumptuous book he presents some of those observations as the cycle of a year, beginning with a hike through January's deep snowdrifts that "gets you down to business" only to later encounter the white driftings of summer as cottonwood seeds take to the air.

"A Kansas Year" is a breathtaking journey through the seasons. In dazzling color photographs, Blair illuminates the magic of Kansas through 120 journal entries-ten per month-that capture the beauty of the Sunflower State's wild places. Through his lens, we watch the land "green from the bottom up" in Spring, then later witness colors glowing in Autumn's soft and muted light. And through his contemplations, we learn much about the natural world and our connections to it.

In text that is both personal and inspiring, Blair shares his knowledge of plants and insects, wildlife behavior and weather. From the tomato hornworms found in most gardens to the seldom-noticed migration of monarch butterflies, he shows us things we may overlook every day-and what we might hope to see if we only look a little harder. His entries on cedar rust and bark beetles will inform the curious, just as his images of fox kits and birds of prey will enthrall anyone who treasures such sightings.

Covering the breadth of the state, Blair's captivating book appeals equally to the emotions and intellect, to the seasoned naturalist as well as the casual observer. It opens our eyes to genuine joy and allows us to see time in a new way. It is a book to be savored throughout the year-and one sure to lure readers out of doors to discover and rediscover these wild places and wildlife on their own.

Asylum of the Birds is a new body of work by Roger Ballen, one of the most original image-makers of our times. Ballen has always sought to push the boundaries of photographic practice and has created an aesthetic and artistic vision unlike any other contemporary photographer. The images in Asylum of the Birds have been photographed entirely within the confines of a house in a Johannesburg suburb, the location of which remains a tightly guarded secret. The inhabitants of the house, both people and animals, and most notably the ever-present birds, are the cast who perform within a sculptural and decorated theatrical interior that Ballen creates and orchestrates. The resulting images are painterly, complex and surreal. They are richly layered with graffiti, drawings, animals and found objects. In a world where photographers seek to avoid definition, and whose work is often banal, Ballen is a true original who not only defies genres, but has defined his own artistic space as well.

Following a run of New Year's concerts at San Francisco's legendary Fillmore, Patti Smith finds herself tramping the coast of Santa Cruz, about to embark on a year of solitary wandering. Unfettered by logic or time, she draws us into her private wonderland, with no design yet heeding signs, including a talking sign that looms above her, prodding and sparring like the Cheshire Cat. In February, a surreal lunar year begins, bringing with it unexpected turns, heightened mischief, and inescapable sorrow. In a stranger's words, "Anything is possible: after all, it's the year of the monkey." For Patti Smith - inveterately curious, always exploring, tracking thoughts, writing the year evolves as one of reckoning with the changes in life's gyre: with loss, aging, and a dramatic shift in the political landscape of America.

Smith melds the Western landscape with her own dreamscape. Taking us from Southern California to the Arizona desert; to a Kentucky farm as the amanuensis of a friend in crisis; to the hospital room of a valued mentor; and by turns to remembered and imagined places - this haunting memoir blends fact and fiction with poetic mastery. The unexpected happens; grief and disillusionment. But as Patti Smith heads toward a new decade in her own life, she offers this balm to the reader: her wisdom, wit, gimlet eye, and above all, a rugged hope of a better world.

Riveting, elegant, often humorous, illustrated by Smith's signature Polaroids, Year of the Monkey is a moving and original work, a touchstone for our turbulent times.

It is often said that you can't take the same walk twice in New York. Its history may be short compared to that of European cities, but it is also a history marked by lightning-fast change. This pictorial journey into the history of New York City starts from the small town that began as New Amsterdam in the 17th century, tracing the unbridled expansion of the 18th century and waves of mass immigration of the 19th and 20th centuries. The authors, both experienced NYC tour guides, explore iconic districts like Times Square, Harlem, Wall Street, Central Park, Ellis Island and the Bronx, bringing the past and people to life through engaging stories and images. An inspired selection of archival photos, prints, vintage maps, stereographs, and ephemera make this publication, with its elegant, silver-edged finish, a fascinating visual homage to the vibrant city that is New York today.

Did you know that Penguins have wings and feathers but they can't fly? Instead they have evolved into the most efficient swimmers and divers of all birds. Even on land penguins are surprisingly agile and can travel vast distances on foot or by 'toboganning', sliding on their stomachs over the ice' propelled by their wings and feet. Penguins is an outstanding collection of photographs showing these intriguing animals in their natural habitat. You'll discover how penguins survive the frozen Antarctic; their short outer feathers overlap, like tiles on a roof, to form a thick waterproof layer, and underneath are fluffier feathers for warmth. They also huddle together to keep warm. How do penguins sleep? They take short naps during the day and evening. They have the unique ability to sleep while standing up or in the water. Penguins features a variety of species, from the Emperor, Chinstrap and Adelie penguins in the Antarctic to the Magellanic, Southern Rockhopper and Yellow- crested Macaroni penguins of Chile. With full captions explaining how these animals hunt and feed, rear their young and cope with such adverse weather conditions, Penguins is a brilliant examination in 150 outstanding colour photographs of this fascinating animal.

Go beyond the ordinary with this remarkable travelogue, guidebook, and coffee table keepsake filled with spectacular color photography that showcases Iceland's stunning beauty and hidden gems, from its fjords and highlands to the Western Islands and the capital Reykjavik-the first entry in the Hedonist's Guide travel series. Combining essential insider details, cultural information, must-see attractions, and detailed maps with glorious custom photography, Stunning Iceland is the ultimate handbook for modern nomads, including both savvy travelers and novice tourists. Designed for twenty-first century globetrotters, Stunning Iceland features stylish graphics and an elegant visual design, as well as a breakdown of must-visit places, thematic double-page photographic spreads to help you discover and understand the city, and walking routes to explore each district away from the crowds. Whether you prefer a more traditional visit or want to chart your own unique course, this user-friendly handbook includes everything you need-and more: Discover the charm of a luxury ecolodge surrounded by nature Meet the surfers of the Arctic Taste the new Nordic gastronomy Follow in the footsteps of the heroes of the Icelandic sagas Meet the polar fox and the blue whale Bathe in the natural hot springs Admire the Icelandic flora Learn about the battle between the tectonic plates beneath Iceland and its active volcanoes Experience Reykjavik, the nation's beating heart Stunning Iceland offers inspiration and insight for armchair travelers and dreamers alike. Best of all, the gorgeous photography transforms the book into a keepsake that will transport you back to your favorite places and sights long after returning home. Experience Iceland as never before with the Hedonist's Guide!

The first monograph by sculptor, filmmaker, and photographer Shikeith, Notes towards Becoming a Spill brings together a series of striking studio portraits of Black male subjects as they inhabit various states of meditation, prayer, and ecstasy. Shikeith describes the work as "leaning into the uncanny," visualizing ritual and the process of excavating Black men's erotic potential, the better to exorcise the "intangible presences that haunt their bodies and psyches." The men's faces and bodies glisten with sweat (and tears)-the manifestation and evidence of desire. This ecstasy is what critic Antwaun Sargent proclaims as "an ideal, a warm depiction that insists on concrete possibility for another world." In this revelatory volume, Shikeith redefines the idea of sacred space and positions a Queer ethic identified by its investment in vulnerability, tenderness, and joy. Shikeith: Notes towards Becoming a Spill is made possible, in part, thanks to the generous contribution of 7G Foundation.

Kern does not ask his subjects to pose for him, nor does he direct them. He doesn't even contact or cast them. Rather, the subjects contact him, and pose for him in any way they are comfortable. They sometimes choose to be portrayed in the nude and they have full control of the way their bodies are photographed. Therefore, the work is a collaboration between the model and the photographer, as they both construct the image. This process plays out an interesting power dynamic, as the photographer is an older man and the subject is a young woman. Yet, by being seemingly opposed, the photographs are shaped by the male gaze, but simultaneously express the subjects' agency over their sexuality and their bodies. However, how far is the performance of these young women a true expression of their new-found sexuality? Or is that performance rather shaped by the patriarchy and influenced by the endless stream of pop culture on what it is to be a woman?

Small World spotlights photographer Steve Rolfe, whose tiny scenes echo real life at an impossible scale. Sometimes witty, sometimes earnest, Rolfe's work opens up a world within a world and reminds us that we're all part of something larger than ourselves. Small World is great for anyone who loves small-scale art, or just appreciates a new perspective on life. Even life's serious moments are more fun in miniature!

Japan's capital city for over 1000 years, Kyoto is the country's cultural and spiritual heart. Picturesque temples and prewar machiya - traditional townhouses - populate its historic districts, and are what most visitors expect to see. But one of Kyoto's many gifts is for finding new ways to use and preserve its ancient appearance while continuing to evolve. In Kyoto introduces photographer Taro Moberly, who guides readers through the many faces of his adopted hometown. His images capture the mystery of the city's traditional architecture, bamboo gardens, and luscious sakura. He then turns his distinctive eye to Kyoto's more modern areas and street photography, layering them with the same atmospheric allure. Sprinkled throughout In Kyoto are traditional poems about the city, in both English and Japanese, to add another dimension of time to the images.

Bringing together an international team of scholars, this book offers new perspectives on the impact that the Bauhaus and its teaching had on a wide range of artistic practices. Three of the fields in which the Bauhaus generated immediately transformative effects were housing, typography, and photography. Contributors go further to chart the surprising relation of the school to contemporary developments in hairstyling and shop window display in unprecedented detail. New scholarship has detailed the degree to which Bauhaus faculty and students set off around the world, but it has seldom paid attention to its impact in communist East Germany or in countries like Ireland where no Bauhausler settled. This wide-ranging collection makes clear that a century after its founding, many new stories remain to be told about the influence of the twentieth century's most innovative arts institution. The book will be of interest to scholars working in art history, design history, photography, and architectural history.

"Alternate Light Source Imaging" provides a brief guide to digital imaging using reflected infrared and ultraviolet radiation for crime scene photographers. Clear and concise instruction illustrates how toaccomplish good photographs in a variety of forensic situations. It demonstrates how tunable wavelength light sources and digital imaging techniques can be used to successfully locate and document physical evidence at the crime scene, in the morgue, or in the laboratory. The scientific principles that make this type of photography possible are described, followed by the basic steps that can be utilized to capture high quality evidentiary photographs.

About the Forensic Studies for Criminal Justice Series: The Forensic Studies for Criminal Justice series consists of short-format content on new developments, unique perspectives, or how-to information on areas in forensic science all specifically designed to meet the needs of the criminal justice community. Instructors wishing to provide their students with more in-depth coverage on certain forensic areas can add these digestible, inexpensive works to their syllabi without having to completely redesign their course, introduce overly complex material, or financially overburden their students. Law enforcement and other criminal justice professionals will find a wealth of valuable information to improve training sessions. Written by experts in the disciplines they are covering and edited by a senior scholar in criminal justice, Forensic Studies for Criminal Justice opens up the world of forensic science to the criminal justice community.
Part of a new Anderson series presenting brief works on forensic science, written especially for students and law enforcementClear, concise instruction on the fundamentals of alternate light source imagingCovers a variety of crime scene situationsFull-color images"

Temples have been places of worship, a focus for spirituality and a place for communities to gather since the earliest days of human civilisation. The first temples date back to ancient Mesopotamia and Egypt, deriving from the cult of deities and residing places for gods and immortals. Today, temple buildings remain lively focal points for the Jewish, Buddhist, Hindu, Jain and Sikh religions. Organised by continent, Amazing Temples of the World offers the reader an intimate portrait of some spectacular and unusual places of worship dating from the fourth millennium BCE to the present. Ornate or spartan, immense or intimate, from the Middle East to California, this book features such impressive places of worship as the Mahabodi Temple, India, built in the location where Buddha is thought to have achieved enlightenment; the fifth century BCE Temple of Confucius in Qufu, China, the largest Confucian temple in the world; Abu Simbel, in southern Egypt, the great carved monument to the Pharaoh Ramses II; the Golden Temple in Amritsar, Punjab, the spiritual home of the world's 25 million Sikhs; and the Shri Swaminarayan Temple in Neasden, London, the biggest Hindu temple outside India. Illustrated with more than 180 photographs, Amazing Temples of the World includes more than 150 places of worship, from Ancient Greece and Rome, through traditional synagogues to modern Buddhist, Taoist and Sikh temples.

A spiritually uplifting and beautiful designed visual memoir by the hugely popular photographer on Instagram, Joe Greer, combining thoughtful essays and more than 100 gorgeous landscape photos-half fan favorites, and half never-before-seen. "Each photograph really does come down to a split second when you decide to freeze that moment in time. . . . You ask yourself what the story is that you want to tell, and let the rest unfold: Click."-from the introduction Joe Greer never imagined he would become a photographer. Raised in Florida by an aunt and uncle after his mother's death when he was four, Joe had a seemingly normal childhood, spending summers at church camp and dreaming of going to college. But nearly fifteen years later, the ground shifted beneath his feet when he discovered a family secret that would impact the rest of his life. Trying to make sense of that revelation and what it meant for his future, Greer set his sights on becoming a pastor at Spokane's Moody Bible Institute. There, he discovered Instagram-and a passion for photography. His pictures of the lush, wild beauty of the Pacific Northwest landscape attracted a large following that has grown to more than three quarters of a millions fans and continues to expand. The Lay of the Land is Joe's story in words and pictures. In this stunning compendium, he reflects on the trauma of his early life and what photography has taught him: how to find his light; how to slow down; how to appreciate the world around him, a reverence for the nature world that that both nurtures and amplifies his creativity and faith; how to love-his photography led him to his wife, Madison-and how to heal. For Joe, photography has been a way to find purpose, better understand his faith, and express himself. Though he began with landscapes, meeting his wife sparked a new love of portraiture, and he turned to making photos of street scenes that explored his complicated feelings about family. A love letter to the natural world, to faith, and to finding your calling in the most unexpected places, The Lay of the Land is a window into the beautiful mind and heart of one of the internet's favorite photographers. Moving and inspiring, it is a creative and spiritual journey that offers lessons on life and living. As Greer reminds us all, whatever it is you want, it's up to you to make the moment (and the photograph).

Many of the photographs are as familiar as they are iconic: Nelson Mandela gazing through the bars of his prison cell on Robben Island; a young Miriam Makeba smiling and dancing; Hugh Masekela as a schoolboy receiving the gift of a trumpet from Louis Armstrong; Henry ‘Mr Drum’ Nxumalo; the Women’s March of 1955; the Sophiatown removals; the funeral of the Sharpeville massacre victims …

Photographer Jürgen Schadeberg was the man behind the camera, recording history as it unfolded in apartheid South Africa, but his personal story is no less extraordinary. His affiliation for the displaced, the persecuted and the marginalised was already deeply rooted by the time he came to South Africa from Germany in 1950 and began taking pictures for the fledgling Drum magazine. In this powerfully evocative memoir of an international, award-winning career spanning over 50 years – in Europe, Africa and the US – this behind-the-scenes journey with a legendary photojournalist and visual storyteller is a rare and special privilege.

Schadeberg’s first-hand experiences as a child in Berlin during the Second World War, where he witnessed the devastating effect of the repressive Nazi regime, and felt the full wrath of the Allied Forces’ relentless bombing of the city, are vividly told. The only child of an actress, who left her son largely to his own devices, Jürgen became skilled at living by his wits, and developed a resourcefulness that held him in good stead throughout his life. At the end of the war, his mother married a British officer and emigrated to South Africa, leaving Jürgen behind in a devastated Germany to fend for himself. With some luck and a great deal of perseverance, he was able to pursue his interest in photography in Hamburg, undergoing training as an unpaid ‘photographic volunteer’ at the German Press Agency, then graduating to taking photos at football matches.

After two years there, Jürgen made the decision to travel to South Africa. He arrived at Johannesburg station on a cold winter’s morning. He had a piece of paper with his mother’s address on it, his worldly possessions in a small, cheap suitcase on the platform beside him, and his Leica camera, as always, around his neck.

'Time is different in Odesa. It's a city outside of time'. As a child growing up in Kyiv, Yelena Yemchuk was fascinated by the reputation of Odesa as a free place during Soviet times. The city seemed full of contradictions - "acceptance but also danger. A place of jokes and characters, populated by outlaws and intellectuals." She first visited Odesa in 2003 and returned in 2015 to begin to photograph the city and its inhabitants over a period of four years. In 1981, when Yemchuk was eleven years old, her family immigrated to the United States from their home in Kyiv, Ukraine. They could tell no-one out of their family of their plans to leave and going beyond the 'Iron Curtain' at the time meant they could never return to their home country. Ten years later, when Ukraine announced its independence, the artist was able to return to her home country to visit