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Books > Arts & Architecture > Photography & photographs
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Bowie
(Hardcover)
Kathy Klump, Peta-Anne Tenney for the Sulphur Spr Hi, Peta-Anne Tenney Tenney
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R822
R718
Discovery Miles 7 180
Save R104 (13%)
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Ships in 10 - 15 working days
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Boring
(Hardcover)
Dan Bosserman
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R822
R718
Discovery Miles 7 180
Save R104 (13%)
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Ships in 10 - 15 working days
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Azle
(Hardcover)
Azle Historical Museum
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R686
Discovery Miles 6 860
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Ships in 12 - 19 working days
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One of South Africa's authors and photographers, Peter Steyn has
been travelling to the Antarctic and the islands of the Southern
Ocean for many years. Antarctic impressions is a record in words
and pictures of these journeys, spanning the period from his first
trip to Marion Island in 1979 to a 1997 visit to the Emperor
Penguin colonies on the Antarctic coast. The title covers visits to
the Antarctic Peninsula, the Falkland Islands, South Georgia,
Tristan da Cunha, Gough Island and other outposts of this remote
region. The author's particular interest is the magnificent and
prolific bird life of the Antarctic region, and this title will be
certain to attract birding enthusiasts. However, there is much to
offer readers interested in the exploration of the region and in
the ecology of these fragile environments.
Presidents Herbert Clark Hoover and George Walker Bush were
challenged many times during their political careers. "On Floods
and Photo Ops: How Herbert Hoover and George W. Bush Exploited
Catastrophes" focuses on the visual record of two such tests: the
relief efforts led by Commerce Secretary Hoover during the 1927
Mississippi River flood and the Bush team's response to Hurricane
Katrina. By concentrating on these two historic events, Paul Martin
Lester discusses political photography, particularly the use of
photo ops during catastrophes. He illuminates the evolution of a
genre and explores the differences and similarities between these
two American politicians. Hoover and Bush reached the pinnacle of
political achievement, only to lose in the court of popular
opinion.
From two photo ops that occurred almost eighty years apart,
Lester offers a model for close readings and comparisons of images
in practicing visual history. Under Lester's examination, these
otherwise unremarkable photographs speak volumes about political
response to natural disasters. He offers readers not just a deeper
appreciation of these pictures but a methodology for seriously
studying photographs and what they can reveal about a historical
moment.
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