"Belgian solutions is first of all a title, that became a way of speaking: 'Look, a Belgian solution.' It all started with me stopping to take pictures of situations that I later began publishing on Facebook under this title. After some time people were sending me more and more photos, not only from Belgium of course, but from all over the globe, pictures that in very different and individual ways always kept saying: 'Look, a Belgian solution.' or simply: 'Look, a solution.'" - David Helbich. Not every solution is an answer to a problem. The Brussels-based artist David Helbich started collecting 'Belgian Solutions' in 2006. Once he started to share his photos online on Facebook in 2008 (the Belgian Solutions page has over 23,000 fans), the project gathered speed, with contributions by Belgian Solutions spotters all over the world. Luster is publishing the third, updated and improved edition of the original publication.

Counterfactual thinking has become an established method to evaluate decisions in a range of disciplines, including history, psychology and literature. Elke Reinhuber argues it also has valuable applications in the fine arts and popular media. A fascination with the path not taken is a logical consequence of a world saturated with choices. Art which provokes and explores these tendencies can help to recognise and contextualise the impulse to avoid or endlessly revisit individual or collective decisions. Reinhuber describes the term in broad strokes through the disciplines to show how counterfactualism finds shape in contemporary art forms, especially in photography, film, and immersive and interactive media art (such as 360 Degrees content, virtual reality and augmented reality). She analyses the different stages of counterfactuals with examples where artists experience counterfactual thoughts in the process of art production, explore these thoughts in their artwork, and where the artwork itself evokes counterfactual thoughts in the audience. A fascinating exploration for scholars and students of art, media and the humanities, and anybody else with an interest in choices, the art of decisionmaking and counterfactualism.

The Wunderkammer, or "cabinet of curiosities," saw collectors gathering objects from many strands of artistic, scientific, and intellectual endeavor, in an ambitious attempt to encompass all of humankind's knowledge in a single room. From the Grand Duke Francesco I de' Medici and Holy Roman Emperor Rudolf II to Archduke Ferdinand II of Habsburg, these aristocratic virtuosos acquired, selected, and displayed the objects in real-life catalogues that represented the entire world-spanning architecture, interior design, painting, sculpture, gemology, geology, botany, biology and taxonomy, astrology, alchemy, anthropology, ethnography, and history. Marvel at the unicorn horns (narwhal tusks), gems, rare coral growths, Murano glasswork, paintings and peculiar mechanical automata. Browse through illustrations of exotic and mythical creatures and discover the famed "Coburg ivories," an astounding collection of crafted artifacts. These collections are nothing short of a journey through time, from the Renaissance and Age of Discovery, the Mannerist and Baroque periods, up to the present day. Although many of these cabinets of curiosities no longer exist, others have been meticulously reconstructed, and new ones born. These marvelous cabinets of curiosities can now be explored by all in this collection. To realize this mammoth undertaking, Massimo Listri traveled to seven European countries over several decades; the result is a set of gorgeous photographs, an authoritative yet accessible introduction, and detailed commentary on each of the 19 chambers highlighting the most remarkable items in each collection. Discover how these timeless treasures both describe and defined civilization, the modern concept of the museum, and our very knowledge of the universe. About the series TASCHEN is 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program-now more compact, friendly in price, and still realized with the same commitment to impeccable production.

Winner of the National Book Critics' Circle Award for Criticism.

One of the most highly regarded books of its kind, On Photography first appeared in 1977 and is described by its author as “a progress of essays about the meaning and career of photographs.” It begins with the famous “In Plato’s Cave”essay, then offers five other prose meditations on this topic, and concludes with a fascinating and far-reaching “Brief Anthology of Quotations.”

During the crucial three days of combat at Gettysburg, the most nightmarish place on the entire battlefield was appropriately named the Devil's Den. This jumble of huge boulders situated at the southern end of Houck's Ridge was truly a hell on earth during the decisive afternoon of July 2, 1863. The tenacious struggle that raged beyond control at the battle-line's southern end was all-important, because the Devil's Den and Houck's Ridge anchored the left flank of the over-extended Union battle-line, before Federal troops occupied Little Round Top to the east. The battle-hardened veterans of Lieutenant General James Longstreet's First Corps captured this vital sector-- the first Union left flank--in one of the few Southern successes of the second day, after some of the war's most bitter fighting. Nevertheless, the dramatic story of the successful turning of the first Union left flank has been long overlooked and ignored largely because of the giant historical shadow cast by the more famous struggle at Little Round Top, which was only the second and last fight for the southern flank of both armies on July 2. Therefore, the important contest for possession of the first Union left flank at the Devil's Den and Houck's Ridge was crucial on the bloody afternoon that decided the fate of America.

Brandon Stanton’s Humans is a book that connects readers as global citizens at a time when erecting more borders is the order of the day. It shows us the entire world, one story at a time…

Brandon Stanton’s Humans – his most moving and compelling book to date – shows us the world. After five years of traveling the globe, the creator of Humans of New York brings people from all parts of the world into a conversation with readers. He ignores borders, chronicles lives and shows us the faces of the world as he saw them. His travels took him from London, Paris and Rome to Iraq, Dubai, Ukraine, Pakistan, Jordan, Uganda, Vietnam, Israel and every other place in between. His interviews go deeper than before. His chronicling of peoples’ lives shows the experience of a writer who has traveled widely and thought deeply about the state of our world.

Including hundreds of photos and stories of the people he met and talked with in over forty countries, Humans is classic Brandon Stanton – a fully color illustrated book that includes many photos and stories never seen before. For the first time for a HONY title, Humans will contain several of the essays Brandon’s posted online which have been read, loved and enthusiastically shared by his followers.

Soul and Glory takes you on a journey through football history, spanning four unforgettable and unique decades from 1950 to 1989. Using beautiful images, it's a celebration of the game, from the life and soul of the packed-out terraces to the glory and despair on the pitch. The book showcases the diversity and individuality of football going back to an era when things looked very different than now, for better or worse. Whether it's muddy pitches, players celebrating with fans, larger-than-life characters or stadiums packed out an hour before kick-off, Soul and Glory will take you on a nostalgia-filled trip down memory lane. Legends such as George Best, Jimmy Greaves, Bobby Charlton, Bobby Moore, Paul Gascoigne and Stanley Matthews all feature, as well as a wide selection of teams and stadia. This stunning pictorial celebration of English football is sure to leave you reminiscing about the uniqueness and flamboyance of the nation's football heritage.

Must 22 is a series of inspirational travel books which combine accurate information on key locations in individual countries and outstanding photography. The books are carefully packaged by awarded designers and written by a team of experienced travel writers. The Must 22 series is designed to inspire the armchair traveller and to provide a reliable source of information for the visitor.This edition reveals twenty-two places you just can't miss when you come to Iceland. The island is sparsely populated and the enormity of nature dominates it wherever you look - in contrast to the warmth of the people who make themselves known at every opportunity, parading the cultural heritage of the 1,200 years that the island has been populated. Even once you've seen these 22 places, you're still far from uncovering all of Iceland's secrets. But you will have come a little closer to understanding why this enigmatic rock in the middle of the Atlantic Ocean is one of the most peculiar, yet more charming places in the world.

"Both an homage and a final warning highlighting some of the treasures we stand to lose forever, Last of Their Kind is a powerful record of nature's splendour and fragility." - Outdoor Photography There are exactly two black rhinos left in the world, a subspecies of the white rhino, the very last of their kind. In this deeply poignant tribute, photographer Joachim Schmeisser presents these rhinos as well as other wild animals in the Amboseli National Park in Kenya, where Maasai tribespeople ensure that nobody endangers them. With his breathtaking black-and-white images, Schmeisser brings us up close to these extraordinary and endangered creatures, creating a powerful document of nature's splendour and fragility. Text in English and German.

Fred Herzog is known for his unusual use of colour in the fifties and sixties, a time when art photography was almost exclusively associated with black and white imagery. The Canadian photographer worked almost exclusively with Kodachrome slide film for over 50 years, and only in the past decade has technology allowed him to make archival pigment prints that match the exceptional color and intensity of the Kodachrome slide. In this respect, his photographs can be seen as a pre-figuration of the New Color photographers of the seventies.This book will bring together over 230 images, many never before reproduced, and will feature essays by acclaimed authors David Campany and Hans-Michael Koetzle. Fred Herzog will be the most comprehensive publication on this important photographer to date.

What do we see when we observe? What do we see when we observe a photograph? Ghirri's work is distinguished by the tension between the object and its representation, and there is nothing that he loves more than those situations in which boundaries become permeable; his work has taught us a new way of seeing, giving meaning to what is seemingly obvious. This is not the landscape that is normally perceived, but the one that is supposed to be latent, inscribed on the reverse: landscape of memory and fairytale, the landscape of hidden figures and wonders. In this direction, Ghirri has always preferred common and familiar places, already seen, but for the first time 'observed' with different eyes, where everything is suspended between past and future and where, like in the countryside, the world can be imagined as a vision which still arouses wonder. A thought-landscape. Text in English and Italian.

Through images taken by Rasmussen across dozens of states- introducing him to hundreds of people along the way-and essays by renowned legal scholar Frank H. Wu, the book seeks to provoke thought and conversation around the complicated nature of American identity. 'The Good Citizen does not pretend to provide answers,' says Rasmussen,"This is not a polemic, a textbook or a political tract. Rather, it is a series of images and essays that seek to provoke thought and conversation around the complicated nature of American identity.'

Angus Stewart has spent 10 years backstage with London's burlesque community, getting to know the performers and documenting their shared world to create what he calls 'a family album'. From the beginning, his focus was on the personalities, rather than the performances. He deliberately eschews the 'big reveal'. Instead, his photographs capture the friendships, the laughter and the camaraderie that characterise the burlesque scene. We are introduced to a thriving community that values dedication and loyalty, and where the exotic is always laced with humour; and we hear from performers Rara Avis, Belle de Beauvoir, Cerise Rei, Lady Cheek, Lady May, Lynn Ruth Miller and Vixen Victoire. Burlesque can be provocative, it can be political, and it can be serious. But it can also be a lot of fun. 'I discovered that while some performers earn a living from burlesque, most have other jobs - anything from seamstresses to doctors, to company directors. This huge melting pot of professional experience, coupled with a variety of reasons for wanting to perform, means that personal development is encouraged. It's an incredibly supportive community, and I wanted to try to capture that spirit.' - Angus Stewart

PHOTOGRAPHING WILDLIFE IN THE UK is a photography-location guidebook. Author and professional wildlife photographer Andrew Marshall describes 70 of the best locations for wildlife photography in the UK in this lavishly illustrated guidebook with over 450 stunning wildlife photographs. It includes detailed advice on how to take great wildlife photographs.The book features the best locations in Scotland, England and Wales for wildlife photography with detailed directions, accessibility information and maps and best times to visit. There is information on species and field craft with tips on how to get closer to wildlife, insights on equipment, clothing and wildlife welfare. For the less experienced, there is advice on getting started, cameras, lenses, camera settings, composition, light and photography tips.From the Foreword by IOLO WILLIAMS, WELSH NATURALIST AND TV PRESENTER"This book is a wildlife photographer's bible. It describes some of the best places to see wildlife and gives tips on fieldcraft, techniques and equipment. It travels the whole country from the northernmost tip of Shetland down to Brownsea Island and from Skomer in West Wales across to Norfolk in the east. This guidebook will prove invaluable to beginners and experienced wildlife photographers alike."

***One of The New Yorker's Best Books of 2022*** ***One of The New York Time's 100 Notable Books of 2022*** 'Exuberantly entertaining' NYT Book Review 'Mark Braude's writing and subject make this book irresistible, as was Kiki herself.' Jim Jarmusch 'A delightful, marvelously readable, meticulously-researched romp of a book, Kiki Man Ray brings to life not just the kaleidoscopically talented Kiki herself, but the endlessly fascinating Montparnasse milieu over which she reigned.' Whitney Scharer, author of THE AGE OF LIGHT Though many have never heard her name, Alice Prin - Kiki de Montparnasse - was the icon of 1920s Paris. She captivated as a ground-breaking nightclub performer, wrote a bestselling memoir, sold out exhibitions of her paintings, and shared drinks and ideas with the likes of Pablo Picasso, Peggy Guggenheim, and Marcel Duchamp. She also shepherded along the career of a then-unknown American photographer: Man Ray. Following Kiki in the years between 1921 and 1929, when she lived and worked with Man Ray, Kiki Man Ray charts their complicated entanglement and reveals how Man Ray - always the unabashed careerist - went on to become one of the most famous photographers of the twentieth century, enjoying wealth and prestige, while Kiki's legacy was lost. But this isn't a story of an overbearing male genius and his defeated muse. During the 1920s it was Kiki, not Man Ray, who was the brighter of the two rising stars and a powerful figure among the close-knit community of models, painters, writers and cafe wastrels who made their homes in gritty Montparnasse. Following the couple as they created art, struggled for power and competed for fame, Kiki Man Ray illuminates for the first time Kiki's seminal influence on the culture of 1920s Paris, and challenges ideas about artists and muses, and the lines separating the two. 'Kiki de Montparnasse was more than a muse - she was a vivacious, independent woman whose talent and magnetism helped make Paris the center of the art world in the 1920s. In Mark Braude's riveting cultural history, the Queen of Montparnasse rises again. This is a lively and compassionate tribute to the chanteuse, model, and portraitist who held center stage in her life, and who inspired some of the finest Surrealist art of the twentieth century.' Heather Clark, author of Pulitzer Prize-finalist Red Comet: The Short Life and Blazing Art of Sylvia Plath

Photography is ubiquitous. The visual image is the predominant form of communication. Arguably it is a very democratic medium, since billions of people all over the planet take photographs on their phones, and digital storage means that expensive printing is not necessary and therefore the practice is not prohibitive. Photography is important to political and social movements and connects people in emotionally meaningful relationships. This book explores the myriad ways in which photographs can be used: to document events, places or things; to consolidate personal identity; to pose a challenge to an idea or regime; to animate the inanimate (in other words, to breathe life into objects); to capture the fleeting and transitory; to create stories; to reveal what may be taken for granted, including seeing social practices; to enhance our perception and allow us to notice previously unnoticed details; to consolidate relationships; to represent the overlooked or marginalised; to commemorate; to authenticate; to tantalise. All these modes of photography have different possibilities, different intentions and different effects.

Like hardly any other artist of his generation, Wolfgang Tillmans has shaped our perception of the world. From early portraits of his friends to still lifes, travel shots, nudes, landscape and sky photographs, to his abstract work, Tillmans has created a multitude of iconic works in his unmistakable visual language, opening up new paths and possibilities for both photography and contemporary art. In 2000 he was the first photographer and the first non-British person to receive the renowned Turner Prize. His first volume for TASCHEN (1995) shows the young generation of the 1990s, of which Tillmans himself was a member, in clubs, at Gay Pride, at fashion events, and in everyday life. His dense, realistic photographs conjure up tangible utopias of community and society and are important documents of their time as well. With the follow-up volume Burg (1998), Tillmans enriches his subject matter with another array of beautiful, now iconic photographs. In truth study center (2005), his images condense into even more subtle compositions and now stand alongside completely abstract works. Finally, Neue Welt (2012) documents Wolfgang Tillmans' travels around the globe: from London to Tierra del Fuego, India, Papua New Guinea, Saudi Arabia, and Central Africa, we follow his ever-inquisitive eye for the realities of our planet, for social situations with people and markets, technology and architecture, and last but not least, nature and astronomy. For this volume, the artist for the first time made use of the new possibilities of digital photography. This enabled a density of information and incisiveness hardly seen in photographs until then. This 40th-anniversary publication from TASCHEN combines the best of the four books in one volume. Wolfgang Tillmans himself has compiled this edition, partly redesigned it, added some recent works, and written a new foreword. Paging through this collection of images, which spans three decades, there are countless moments to delight in, moments that are held not only in our collective memory but in our individual ones too. About the series TASCHEN is 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program-now more compact, friendly in price, and still realized with the same commitment to impeccable production.