During World War II, author Dale J. Satterthwaite was a B-25 pilot who flew more than seventy missions over Italy and France in 1944. "Truth Flies with Fiction," his memoir, presents a truthful, firsthand account of the missions and adventures of the real Catch-22 airmen.

A personal tale full of humor and tragedy, this memoir provides insight into the life of a B-25 bomber pilot, as well as the experience of being part of an elite and highly decorated bomb group. Satterthwaite was awarded the Distinguished Flying Cross twice, the Presidential Unit Citations twice, and the Air Metal eight times.

Told through journal entries and letters written home to Satterthwaite's fiancee, Eleanor, "Truth Flies with Fiction" includes dozens of photos showing the airplanes in action, including the aftermath of the Vesuvius eruption that destroyed eight-eight airplanes at the Pompeii airbase. With a unique perspective, this firsthand account explains the equipment, missions, and tactics of World War II airmen and brings their experiences to life."

Discover the history of the brave settlers who faced and survived innumerable hardships in the unforgiving St. Croix River Valley.

As we withdraw farther from American canonical literature and poetry and move closer to a re-appraisal of literature's impact upon the arts through media, we may easily find a match for greater humanism and popular interaction in American rock culture through Paul Bowles. In this work, Bowles is re-invented within the postmodern, the postcolonial, and the renegade future underscored by liberal elites that had breathed new life into the American counterculture. Re-Creating Paul Bowles attests to the moments of relentless humanism and imaginative transformation that are most dreamlike, engaging the antagonism of psychology with imperialism at last. In his youth a classical composer and critic, Bowles deserves credit for spawning new generations of rock and pop music through his use of sound and tapping of non-Western or non-European folk music, bringing classic ethnography to the rock generation with Music of Morocco. Re-Creating Paul Bowles examines the Latin American, American, African, and Arab moments of his scholastic effort, a primary beginning for understanding modern popular music's free transcription of tradition. Re-Creating Paul Bowles includes several examples of films that adapt the author's personal life and times, the production of surrealist technique in film and literature, and the re-invention of classic works such as The Sheltering Sky and Collected Stories. It assumes the technique for re-production allows the elder Bowles greater freedom in crossing cultural boundaries and overruling the colonialist separateness that guarded cultural content for centuries. Bowles has always deserved re-appraisal in the American academy-and liberation from his stereotypical cult figure identity, a positive force in the ethnic comprehension of Self and society.