England has a long and involved relationship with the sea. It has provided a final line of defence against invasion, the route over which the country's global trade has travelled, the source of a bountiful harvest of fish and seafood that has sustained the population, the essential links in the empire that saw Britain emerge as the world's first 'Great Power', and, more recently, it has fostered the leisure industry. For many, the sea was to provide their final view of their homeland as emigration took them to far-flung corners of the world, while for others, perhaps fleeing religious or political persecution, the sea offered them a route to safety. For almost a century the photographers from the Aerofilms company recorded Britain from the air. Alongside the photographs taken of the great castles and abbeys of the country, the views also recorded industrial and commercial activity - including the docks and ports that were an essential part in maintaining Britain's place in the world. In this book, Peter Waller has delved through the collection of Aerofilms photographs held by Historic England to explore the country's maritime heritage. Selecting 150 images, the author looks at how the docks and ports have evolved since the years immediately after World War I, how traditional patterns of trade have changed, how the Royal Navy has shrunk and how the leisure industry has come to dominate.

Roger Bamber, for fifty years one of Britain’s leading photojournalists, has poured his life’s work into this unique reflection of a career that encompassed not only riots and bombings and the crazy world of rock and pop in the twentieth century but recorded with a sympathetic eye the demise of traditional British industries and the old steam railways. His graphic photographs are well known for their distinctive, often wryly humorous, style and strong visual impact and have been widely published worldwide. He was British Press Photographer of the Year, twice British News Photographer of the Year and won many awards for his features on the arts. Towards the end of his career he worked mainly for the Guardian and was happiest finding creative people with a story to tell. He preferred working outdoors, ideally within sight of the sea, and showcasing ordinary people – celebrating just how extraordinary all of us can be.

Join photographer Susan Puder as she takes an intimate look at the resident and visiting bird species that inhabit the shores, fields, and forests of New Jersey. The state's geographic position along the Atlantic flyway provides the opportunity to see a great variety of species at different times of the year. A natural haven for birds, mammals, amphibians, and reptiles, New Jersey offers ample viewing opportunities for photographers and nature lovers alike. Here find 358 striking color images and delightful observations of over 180 bird species, along with other native flora and fauna. Whether a casual or serious birder, or a chance visitor to the state's environs, these photographs will give a sense of the great diversity in habitats and species that can be found in New Jersey all year round.

This new paperback edition features 'No Less a Woman', the breast cancer awareness campaign with Stella McCartney. 100 women bravely share un-airbrushed photographs of their breasts alongside honest, courageous, powerful and humorous stories about their breasts and their lives. Women from all walks of life took part, aged from 19 to 101, sized AAA to K, from Buddhist nun to burlesque dancer. Their perspectives and experiences are revealing and profoundly moving. Intimate, visually refreshing, maybe even surprising, Bare Reality will make you reconsider how you think and feel about your own body, and those of the women in your life.

This innovative volume explores the idea that while photographs are images, they are also objects, and this materiality is integral to their meaning and use. The case studies presented focus on photographs active in different institutional, political, religious and domestic spheres, where physical properties, the nature of their use and the cultural formations in which they function make their 'objectness' central to how we should understand them. The book's contributions are drawn from disciplines including the history of photography, visual anthropology and art history, with case studies from a range of countries such as the Netherlands, North America, Australia, Japan, Romania and Tibet. Each shows the methodological strategies they have developed in order to fully exploit the idea of the materiality of photographic images.

This innovative volume explores the idea that while photographs are images, they are also objects, and this materiality is integral to their meaning and use. The case studies presented focus on photographs active in different institutional, political, religious and domestic spheres, where physical properties, the nature of their use and the cultural formations in which they function make their 'objectness' central to how we should understand them. The international contributors are drawn from disciplines including the history of photogarphy, visual anthropology and art history, and their pieces focus on areas ranging from the Netherlands, North America and Australia to Japan, Romania and Tibet. Each shows the methodological strategies they have developed in order to fully exploit the idea of the materiality of photographic images. Inspiring and instructive, the book can be used either as an overview of this exciting new area of investigation, or as a practical guide to the student or academic on how to understand photographs as objects in diverse contexts.

The transformation of man to beast is a central aspect of traditional pagan rituals that are centuries old and which celebrate the seasonal cycle, fertility, life and death. Each year, throughout Europe, from Scotland to Bulgaria, from Finland to Italy, from Portugal to Greece via France, Switzerland and Germany, people literally put themselves into the skin of the 'savage', in masquerades that stretch back centuries. By becoming a bear, a goat, a stag or a wild boar, a man of straw, a devil or a monster with jaws of steel, these people celebrate the cycle of life and of the seasons. Their costumes, made of animal skins or of plants, and decorated with bones, encircled with bells, and capped with horns or antlers, amaze us with their extraordinary diversity and prodigious beauty. Work on this project took photographer Charles Freger to eighteen European countries in search of the mythological figure of the Wild Man: Austria, Italy, Hungary, Slovenia, Slovakia, Spain, Poland, Portugal, Germany, Greece, Macedonia, Bulgaria, Czech Republic, Switzerland, Croatia, Finland, Romania and the UK.

Expert advice from several industrial professionals who have worked for some of the world's biggest tech and interactive companies. Best practices that not only prepare writers on how to apply their craft to new fields, but also prepare them for the common ambiguity they will find in corporate and start-up environments. Breakdown of platforms that shows how tech capabilities can fulfill content expectations and how content can fulfill tech expectations. Basic storytelling mechanics customized to today's popular technologies and traditional gaming platforms.

Liz Wells is a leading figure in the field and this collection brings together otherwise difficult to find works for the first time. There is a great depth and range of essays in this collection, both in terms of geographical coverage and artistic styles, and addressing the work of well-known and lesser-known artists. These essays draw on the key focal points of the author’s scholarly expertise. The collection opens with a conversation with Martha Langford, providing an excellent introduction to Wells’ thought and reflection and contextualization about each of the themes and the pieces and their contemporary relevance. Section introductions by Wells provide further context and tie older essays to current concerns in the field.

The prospect of public speaking is daunting and often frightening for many people. Despite this, most students and professionals must make public presentations in one capacity or another over the course of their careers. What makes dealing with their fear difficult is that most have never been taught how to give a professional presentation. The purpose of this book is to provide some guidance in the 'how to's' of giving professional presentations in the behavioral sciences and related professions.
The book is written specifically for students and professionals who have little or no experience of giving presentations and for those who are particularly anxious about public speaking. It gives concrete advice about designing, delivering, and defending presentations. This advice includes recognition of the appropriate goals of the presentation, using the appropriate fonts, projecting one's voice, and dealing with stage fright. Also included is advice on giving persuasive presentations, drawing on recent social psychological research, and advice on lecturing to students.
Each chapter also includes summary tables to help readers organize their thoughts after each section. The book ends with some examples of good and bad overhead displays and slides.

Related link: Free Email Alerting

This book is for all who have wanted to capture the beauty of flowers in photographs, but felt they lacked the experience to succeed. With 215 vivid color photos of a wide range of flowers, professional photographer Lucian Niemeyer takes readers through the steps necessary to create artful color photographs, including the right choices of setting, lighting, color palette, and equipment, photographic techniques, and documentation and storage of the resulting images. He shows how flowers from the United States, Brazil, Africa, Bali, the Caribbean, Europe, and Canada were photographed in widely varied settings, under morning and evening skies. He shows various tones and moods that may be achieved when proper photographic techniques are applied.

Ruined cities overgrown by jungle. Towns buried beneath the ground. Statues lying half- hidden in the sand. Why do civilisations collapse? Why are towns abandoned? And how do once mighty cities come to be forgotten about? From the pyramids of Egypt to the ruins at Angkor in Cambodia and on to the mysteries of the Easter Island moai statues, Abandoned Civilisations is a brilliant pictorial work examining lost worlds. What emerges is a picture of how vast societies can rise, thrive and then collapse. We admire how whole cities develop, but equally fascinating is what happens when their moment has passed. From the 9th century temples at Khajuraho in India which were lost in the date palm trees until stumbled across by European engineers in the 19th century to Mayan pyramids in the Guatemalan jungle to Roman cities semi-buried - but consequently preserved - in the North African desert, the book explores why societies fall and what, once abandoned, they leave behind to history. With 150 striking colour photographs exploring 100 worlds, Abandoned Civilisations is a fascinating visual history of the mysteries of lost societies.

The prospect of public speaking is daunting and often frightening for many people. Despite this, most students and professionals must make public presentations in one capacity or another over the course of their careers. What makes dealing with their fear difficult is that most have never been taught how to give a professional presentation. The purpose of this book is to provide some guidance in the 'how to's' of giving professional presentations in the behavioral sciences and related professions.
The book is written specifically for students and professionals who have little or no experience of giving presentations and for those who are particularly anxious about public speaking. It gives concrete advice about designing, delivering, and defending presentations. This advice includes recognition of the appropriate goals of the presentation, using the appropriate fonts, projecting one's voice, and dealing with stage fright. Also included is advice on giving persuasive presentations, drawing on recent social psychological research, and advice on lecturing to students.
Each chapter also includes summary tables to help readers organize their thoughts after each section. The book ends with some examples of good and bad overhead displays and slides.

Related link: Free Email Alerting

Schatz presents 96 full-color photographs of this picturesque state. The images convey the area's beauty and moods, with landscapes large and small, as well as lively city scenes. Old-timers and newcomers will see Tennessee in original ways, as Schatz's photographs convey clear impressions of urban amenities, public attractions, and woodland scenes. Dramatic, vividly orange sky scenes of the sun dropping into the mountains are counterbalanced by pastel-colored sunrises and misty panoramas of tranquil streams and startlingly bright autumn foliage. The region's unique history provides a focal point throughout the book. Architecture, wildflowers, and the rich tapestry of lush vegetation and abundant waterways round out the offerings. Informative captions complement the photographs, providing enough detail that even casual readers who simply browse through the photos will learn about Tennessee's fascinating history and contemporary culture. Tennessee Impressions is a bright, inclusive, and affectionate tribute to the state. Visitors and locals alike will cherish this fine book of photography.

Colonialist Photography is an absorbing collection of essays and photographs exploring the relationship between photography and European and American colonialism. Packed with over a hundred images, these captivating pictures range from the first experiments with photography as a documentary medium, up to the decolonisation of many regions after the Second World War.
With thirteen essays, Colonialist Photography considers:
* how photographs tended to support the cultural and political rhetoric of racial and geographic difference between the West and its colonies
* the range of images from 'scientific' categorizing and recording methods, to 'commercial' pictures for collection and display, such as postcards and magazine advertisements
* how photographers contributed to cultural, social, and political ideas of race by highlighting racial distinction in their work.

Addresses the relationship between law and the visual and the importance of photography in show trials. Includes case studies from Albania, East Germany, and Poland. Will appeal to legal and cultural theorists.

This book is a vivid photographic record of daily life in Istanbul from the 1940s to the 1980s. Captured through the unerring lens of the award winning Ara Guler, the 'Eye of Istanbul', it reflects the city's melancholy aesthetic as it oscillates between tradition and modernity. Guler's remarkable duotone photographs are accompanied by evocative commentaries from Orhan Pamuk, another leading figure in Turkish culture. Both writer and photographer each held in their youth the ambition of becoming a painter. Here, each in his own way paints a brushless picture of his hometown and captures, through image and word, its very soul.

In The Last Ten Years, author Brian J. Dickson presents stunning colour photographs from the collections of three enthusiasts of the Seafield Railway Club in north London. Meeting regularly at New Southgate station to record the steam-handled traffic, their focus was initially on all things connected with the former London and North Eastern Railway, but as steam traction became restricted to smaller and smaller areas of operation, regular visits were made further afield, to the north-east of England, Scotland and the former London Midland and Scottish Railway sheds and lines. This record of steam locomotion in its final years of mainline usage, from 1959 to 1968, is sure to enhance any steam railway enthusiast's library.

Johor: 300 Early Postcards will present a series of postcard galleries showing various aspects of the Peninsular Malaysian state of Johor from the late 19th century to the mid-20th century, in particular the changing landscapes and townscapes. The book will be a richly informative visual guide to a formative period in Johor's history. The postcards presented in the book will be drawn from the vast postcard collection of Dr Cheah Jin Seng, the author of Malaya: 500 Early Postcards, Penang: 500 Early Postcards, Perak: 300 Early Postcards, Selangor: 300 Early Postcards and Singapore: 500 Early Postcards.

This winter, Aperture magazine presents "Reference," an issue that considers the role images play in the creation of something else. Spanning fashion design, architecture, film, and print, "Reference" includes a conversation between renowned British author and curator Ekow Eshun and rising fashion designer Grace Wales Bonner; an interview with South African artist William Kentridge on the images that undergird his sprawling output; critic Mimi Zeiger on the work of Los Angeles-based architectural studio Johnston Marklee; an essay by Jesse Dorris on the potential of handmade zines; and David Campany on the function and purpose of photographs today. Further, works by James Welling, Jojo Gronostay, Deborah Turbeville, Sheida Soleimani, Katrien de Blauwer, and Stephanie Syjuco highlight each artist's unique use of source material. The Photobook Review for this issue opens with a sweeping interview with Ramon Reverte-the editor in chief and creative director at Editorial RM-and includes reviews of recent photobooks by Vince Aletti, Phyllis Christopher, Moe Suzuki, Nancy Holt, Richard Misrach, and N.V. Parekh.

A deep dive into the pioneering collection of nineteenth-century French photographs, equipment, and ephemera, which is a cornerstone of the George Eastman Museum In the early twentieth century, Parisian photographer, amateur historian, and collector Gabriel Cromer (1873-1934) amassed a collection that traced photography's prehistory, invention, and development to about 1890. His dream was to found a national museum of the photographic arts in France. Although Cromer's ambition was never realized, his collection was central to establishing the world's first museum dedicated to photography: the George Eastman Museum. The Cromer Collection of Nineteenth-Century French Photography considers the origin and circulation of the collection as well as the influence it has had on photography as a field of study. The book's six essays, written by French and American scholars, explore the Cromer Collection's complex passage across markets, borders, and functions. For more than half a century, curators and scholars worldwide have drawn extensively on the Gabriel Cromer Collection for exhibitions and publications; this book provides the first focused scholarly study of the foundational resource. Published in association with the George Eastman Museum

First published in 1992, The Creatures Time Forgot examines the representation of disabled people - in advertising, particularly that produced by disability charities, and in the work of photographers such as Diane Arbus and Gary Winogrand. He shows how such images construct disabled people as 'creatures,' the tragic-but-brave objects of photographic gaze, or as the ''appy 'andicapped' of 'positive imagery' advertising. As a disabled photographer and writer, David Hevey has been a pioneer in challenging such visual representations of disabled people. His work advocates a move away from medical, charity or impairment-fixated imagery towards a visual equivalent of 'Rights not Charity'. The book outlines David Hevey's own photographic practice and includes wide-ranging selections from his work to create a visual form which reflects the new social presence of disabled people. This book will be of interest to students of media studies, cultural studies, and disability studies.