This set of eight detailed A3 images depicts work-related scenes from around the UK in the late Victorian and Edwardian periods. Taken from the National Monuments Record, the pictures include maids in service, railway labourers, a blacksmith's shop, the construction of eel traps from willow bark, and various trades at a carriage works. The pack also contains links to other resources, along with some fascinating facts.

A photography project charting 100 weeks in the life of Scotland, and the people who live there. The photos are of all aspects of Scottish culture - politics, art, social issues, sport, energy and anything else that catches the eye. It is an interesting time to be living in Scotland and McCredie was keen to record and document this vibrant and exciting period to show the country, and those who live there, in a positive light by examining the many varied aspects that make up a modern country.

The impact of people and places in Wolstanton and May Bank is recorded in this pictorial record that recognises the contribution of village notables, dear old friends and long-gone institutions. A wealth of photographs depicting the joys of community life mingle with contemporary pictures, showing, often with dramatic impact, the shocking demolition of facilities we perhaps took for granted, such as The Plough, the Oxford Arms and The Marsh Head. Elsewhere, images of former shops such as Holdridge's, Swettenham's and the Spinning Wheel show how High Street shopping patterns have changed. Author Mervyn Edwards has only ever lived in Wolstanton and May Bank, and through this unique selection of old and new images, he presents a tribute to the place he happily calls home.

A new revised 3rd edition of this much loved guide contains 36 walks, including 7 completely new routes, located in all parts of the county. Several walks feature fine hill walking on the Welsh borders and others start from delightful villages and hamlets in the north and east of the county. The Shropshire countryside really comes alive in this well-researched book. All of the walks include stories about the locality: folklore and legends, attractions and facilities. There are clear maps and a selection of photographs to make for an enjoyable and informative read.

"You may have the universe," composer Giuseppe Verdi once said, "if I can have Italy." Back in the mid-19th century, Verdi's emotive language appealed to the patriotic sentiments of an emergent nation state. After decades of struggle and bloodshed, the movement known as Risorgimento triumphed with the 1861 proclamation of Italian Unity, assembling disparate kingdoms, territories, and borders that had hitherto been ruled by Austria, the Kingdom of Sardinia, and the Papal States. Today, Verdi's call to Italy resounds not only for its native patriots, but for the millions around the world who look upon this peninsula shaped like a boot and delight in a land of light, art, and sensuality. This collection is a fascinating visual document of Italy at the turn of the century, gathering photochromes and vintage colored prints. From coast to coast, through classical sites and Renaissance wonders, down beguiling Venetian waterways and along the dappled shores of the Amalfi coast, each evocative image impresses as much for its color clarity as for the vivid evocation of times gone by. As if in an enchanted dream, we walk an empty and dusklit St. Mark's Square, stroll the shady Uffizi courtyard alone, and find just a few horse carts pulled up in front of the Pantheon in Rome. In place of cameras, guides, and tour groups, we find ordinary traders and laborers, quiet street scenes, and humble settlements. As sunlit charms and historic reality combine, the result is an unrivaled record of this young nation that fought hard to exist, and went on to win the world's hearts.

Roger Redfern - author, writer and photographer - had been writing about his travels and exploration of different areas of Britain and abroad for over 50 years, most notably as a regular contributor to The Guardian newspaper's Country Diary feature. He is the author of over 30 books and was once described as 'the doyen of countryside writers', an accolade that recognised his lyrical and poetic writings about his travels. This book, the first in a short series, reveals the unknown side of Redfern, his photography, in stunning fashion. This first volume, to be followed by A Mountain Camera and An Island Camera, focuses upon his images of Britain's countryside from his wanderings amongst the hills, valleys and villages of rural England, Wales and Scotland. He always had a camera with him to record his journeys; the countryside, the people and animals, and the weather - all captured on colour slides that date back to the 1950s. Many of his early images constitute valuable documents of social history - each one is meticulously captioned and dated to give an accurate record of its content and captures the changing nature of our countryside over the decades. Many would qualify as 'art' images because of the careful balance of colour, composition and atmosphere in these stunning colour photographs. The author, a life-long friend of Roger Redfern, inherited the entire Redfern Collection of images and in the process of reviewing and sorting them has unearthed some absolutely magnificent photographs that deserve a wider audience. He has included quotations from Roger's books and Country Diary articles, as well as snippets of personal information, to help the reader gain more of an insight into his life and character - a highly enjoyable mix of memorable images and colourful nostalgia from the past 50 years.

Photographs by Reynaldo Rivera that document a vanished LA of cheap rent, house parties, subversive fashion, and underground bands, and long-closed gay and transvestite bars. Throughout the 1980s and 1990s, Reynaldo Rivera took personal photos of the Los Angeles that he lived in and knew: a world of cheap rent, house parties, subversive fashion, underground bands, and a handful of Latino gay and transvestite bars: Mugi's, The Silverlake Lounge, and La Plaza. Most of these bars are long closed and many of the performers have died. But in Rivera's photographs, these men and women live on in a silvery landscape of makeshift old-style cinematic glamour, a fabulous flight from unacceptable reality. As a teenager, Rivera took refuge in used bookstores and thrift stores, where he discovered old photo books of Mexican film stars and the work of Lisette Model, Brassai, and Bresson. Inspired, he bought a camera and began photographing people at his hotel. In 1981 he moved to Echo Park and began taking photos for the LA Weekly. This book is an ensemble of almost 200 images selected by Hedi El Kholti and Lauren Mackler spanning more than two decades in Los Angeles and Mexico. The book also includes Luis Bauz's story, "Tatiana," about one of the subjects of these photographs; a critical essay on Rivera's work by Chris Kraus; and a novella-length conversation between Rivera and his friend and contemporary Vaginal Davis about their lives, work, fantasies, and collective histories.

Bernad creates projects to express his keen eye and spirit. Despite his having explored American spaces and cities in Japan and Europe, Bernad has always maintained his focus on Spain, attentive to the evolution of its landscape and the dcor of its interiors that is linked to very different worlds. He casts an amusing look at the details that only he is able to see and makes them distinct. His images turn reality into a theatre set. The boundaries between the real and the unlikely become blurred. Beyond Bernad's vision of the superficial world and his form of satire, one is given a glimpse of his inspired personality on this guided tour of the 20th-century playwrights who have brought the senseless and the ridiculous to the stage, even the grotesque, as embodied in the writings of Cervantes and the paintings of Goya. And behind this cumulus of symbols, there is the depiction of absurdity.

Look inside: http://issuu.com/actar/docs/wellcome/

Chinese civilization first developed 5,000 years ago in North China along the middle and lower reaches of the Yellow River. And the Yellow River remained the center of Chinese civilization for the next 4,000 years. Then a thousand years ago, this changed. A thousand years ago, the center of Chinese civilization moved to the Yangtze. And the Yangtze, not the Yellow River, has remained the center of its civilization. A thousand years ago, the Chinese came up with a name for this new center of its civilization. They called it Chiangnan, meaning "South of the River," the river in question, of course, being the Yangtze. The Chinese still call this region Chiangnan. Nowadays it includes the northern parts of Chekiang and Kiangsi provinces and the southern parts of Anhui and Kiangsu. And some would even add the northern part of Hunan. But it's not just a region on the map. It's a region in the Chinese spirit. It's hard to put it into words. Ask a dozen Chinese what  Chiangnan" means, and they'll give you a dozen different answers. For some the word conjures forests of pine and bamboo. For others, they envision hillsides of tea, or terraces of rice, or lakes of lotuses and fish. Or they might imagine Zen monasteries, or Taoist temples, or artfully-constructed gardens, or mist-shrouded peaks. Oddly enough, no one ever mentions the region's cities, which include some of the largest in the world. Somehow, whatever else it might mean to people, Chiangnan means a landscape, a landscape and a culture defined by mist, a landscape and a culture that lacks the harder edges of the arid North.In the Fall of 1991, Bill Porter decided to travel through this vaporous land, following the old post roads that still connected its administrative centers and scenic wonders, its most famous hometowns and graves, its factories and breweries, its dreamlike memories and its mist, and he was joined on this journey by his poet and photographer friends, Finn Wilcox and Steve Johnson. South of the Yangtze is a record in words and black and white images of their trip.

Lonely Planet: The world's leading travel guide publisher Where To Go When, the ultimate trip planner for every month of the year, is a beautifully illustrated book that is both practical and inspiring. For every month of the year it presents 30 recommendations of destinations that are at their best during each month, whether due to their climate, or value or because there's a lot going on. The suggestions feature every flavour of travel experience from culture-rich city breaks and tropical beach holidays to adventurous road trips and wildlife-watching expeditions. Every corner of the planet is covered so you'll find out when the best time to see mountain gorillas is or to go shopping in Paris. The book is organised by month. At the start of each chapter a flowchart guides you through the options so readers can filter the recommendations according to their interests. Whether you're into beaches, trying the local specialities or backpacking off the beaten path, there will suggestions for you. Diagrams also depict the climate, value for money and family friendliness of each suggestion in the month. Then Lonely Planet's authors explain in detail why each destination has been selected. The text describes the place and why it's speci(more...)

Eighty miles south of Savannah lies St. Simons Island, one of the most beloved seaside destinations in Georgia and home to some twenty thousand year-round residents. In "Island Time," Jingle Davis and Benjamin Galland offer a fascinating history and stunning visual celebration of this coastal community.
Prehistoric people established some of North America's first permanent settlements on St. Simons, leaving three giant shell rings as evidence of their occupation. People from other diverse cultures also left their mark: Mocama and Guale Indians, Spanish friars, pirates and privateers, British soldiers and settlers, German religious refugees, and aristocratic antebellum planters. Enslaved Africans and their descendants forged the unique Gullah Geechee culture that survives today. Davis provides a comprehensive history of St. Simons, connecting its stories to broader historical moments. Timbers for Old Ironsides were hewn from St. Simons's live oaks during the Revolutionary War. Aaron Burr fled to St. Simons after killing Alexander Hamilton. Susie Baker King Taylor became the first black person to teach openly in a freedmen's school during her stay on the island. Rachel Carson spent time on St. Simons, which she wrote about in "The Edge of the Sea."
The island became a popular tourist destination in the 1800s, with visitors arriving on ferries until a causeway opened in 1924. Davis describes the challenges faced by the community with modern growth and explains how St. Simons has retained the unique charm and strong sense of community that it is known for today. Featuring more than two hundred contemporary photographs, historical images, and maps, "Island Time" is an essential book for people interested in the Georgia coast.
A Friends Fund Publication.

An Austin photographer with nearly forty books and countless magazine articles to his credit, Laurence Parent turns his lens on his hometown, capturing the soul of the Lone Star State's beloved capital city in 121 stunning photographs. Experience Austin's rich history, with visits to Lyndon Baines Johnson Library and Museum, the Texas State Capitol, the University of Texas. Take in the rivers and lakes, the lifeblood the city, from Lady Bird Lake to the Colorado River. Feel the heartbeat of the "Live Music Capital of the World," with its long history in blues, country, rock, jazz, and Tejano music.