Track Listing:
1 : Demon Time
2 : Bbycakes (Feat. Shygirl)
3 : Slomo
4 : 2gether
5 : Up All Week
6 : Prada (I Like It)
7 : Hollaback Bitch
8 : No Ish
9 : Blessing Me
10 : Tonto
11 : E-motions
12 : Blush

'demon time' is the third studio album from South London via Guernsey artist/producer Mura Masa. The head-spinning project features brooding first track '2gether', recent single 'bbycakes' with Lil Uzi Vert, PinkPantheress and Shygirl plus latest offering 'blessing me' with Pa Salieu and Skillibeng, along with even more surprises from the one-of-a-kind UK trailblazer.

Track Listings
Disc: 1
Side: 1
1 : Running Away
2 : Wolves
3 : Medicine
4 : September
Side: 2
1 : Always
2 : Emily
3 : Last Of The Whiskey

Disc: 2
Side: 1
1 : Never Let You Go
2 : 4000 Miles
3 : Deja Vu
4 : Ride
Side: 2
1 : Avalanche
2 : SOS
3 : Take It Or Leave It

Fourth studio album by the English singer and songwriter, featuring the singles 'Medicine' and 'September'.

Track Listing:
1 : Baby Kingdom
2 : Raw Thoughts
3 : You Shaped Hole
4 : American Dream
5 : Narcissist
6 : Dover Beach
7 : Dover Beach Pt. 2
8 : These Drugs
9 : Fake Believe
10 : I'm a Mess

Baby Queen grew up in Durban, South Africa, and moved to London aged 18. It was at this time, as she joined rock bands, fell in love and headfirst into the city's party scene, that the experiences that informed her new musical era unfolded. They're bittersweet and brilliant. 'It's important to be able to capture a full range of emotion', she says of the songs on 'The Yearbook'. 'I want the listener to feel like they're on the top of a London bus, travelling through a city they've moved to for the very first time, seeing the world through new eyes'. 'It's an American coming-of-age film', she says of the final project's concept. 'It feels confusing, happy, free, lonely. all of these things you go through when you are growing up'.

Track Listing:
1 : Free Yourself
2 : Free Yourself (Eats Everything Remix)

Track Listing:
1 : Baby Kingdom
2 : Raw Thoughts
3 : You Shaped Hole
4 : American Dream (Feat. MAY-A)
5 : Narcissist
6 : Dover Beach
7 : Dover Beach Pt. 2
8 : These Drugs
9 : Fake Believe
10 : I'm a Mess

Baby Queen grew up in Durban, South Africa, and moved to London aged 18. It was at this time, as she joined rock bands, fell in love and headfirst into the city's party scene, that the experiences that informed her new musical era unfolded. They're bittersweet and brilliant. 'It's important to be able to capture a full range of emotion', she says of the songs on 'The Yearbook'. 'I want the listener to feel like they're on the top of a London bus, travelling through a city they've moved to for the very first time, seeing the world through new eyes'. 'It's an American coming-of-age film', she says of the final project's concept. 'It feels confusing, happy, free, lonely. all of these things you go through when you are growing up'.

The Joshua Tree is the fifth studio album by Irish rock band U2, released March 9, 1987 on Island Records. Recording sessions took place from July to November of 1986 at Windmill Lane Studios in Dublin. The album features the band's exploration of roots rock, with their music exhibiting influences from blues-rock, folk rock, Southern rock, and gospel music. Lyrically, The Joshua Tree depicts the band's fascination with America and many of the ideas it stands for. The album was produced and engineered by Brian Eno and Daniel Lanois.

The King of Limbs is the eighth studio album by English alternative rock band Radiohead, produced by Nigel Godrich. It was released on 18 February 2011 as a download in MP3 and WAV formats. It will be followed by a physical CD release in the UK on 28 March and a special "newspaper" edition on 9 May 2011. The "newspaper" edition will contain two 10-inch vinyl records in a special record sleeve, many large sheets of artwork, 625 tiny pieces of artwork, a compact disc, and a colour piece of oxo-degradable plastic package.

Documentary exploring the story of British pop rock band The Vamps to date. The band have scored a number of UK top ten hits including 'Can We Dance' and 'Wild Heart'.

Track Listings
1 : Fire (In the Heart of Hearts)
2 : Cosmic Whip
3 : Serving Purpose
4 : Praying Hands, Turtle Doves
5 : Amphetamine Luck
6 : Torcalon
7 : The Wall
8 : Old Human Material
9 : Anomia
10 : Never Ending Space

Welsh post-punk unit Chain of Flowers return with their lofty and long-simmering sophomore full-length, rich with reckonings, reverb, and redemption: Never Ending Space. Despite some of the songs dating back a few years, the record first began materialising in earnest during the pandemic, by which point most of the band had relocated from Cardiff to London. Reunited and rejuvenated, they picked up where they left off, booking two multi-day sessions at Hackney hub Total Refreshment Centre with producer Jonah Falco. In this time they successfully channelled their kinetic chemistry into 10 full-blooded anthems of torn dreams, poetic delirium, and “hope stretched too far.” Musically, Never Ending Space skews notably more maximal than the group’s previous work, fleshed out with trumpets, saxophone, synth, percussion boxes, and spoken word. (Smith jokingly calls them The Chain of Flowers Orchestra). Yet the songs still swing and soar with a charged heart, ripe with hooks, drama and ragged melody. Opener “Fire (In The Heart Of Hearts)” stirs to life on a tide of wiry guitar and defiant horns, facing down the embers of love that still glow in the wake of pain: “Peace came tumbling like a shower of bricks / The mind twists slowly till everything fits.” A tense energy ripples throughout – from the nocturnal rush of “Serving Purpose” and “Amphetamine Luck” to the bruised battle cries of “Torcalon” and “Old Human Material.” Outliers like “Praying Hands, Turtle Doves” hint at proggy possible futures, while instrumental vignette “Anomia” offers an intriguing glimpse at a lesser heard facet of the band: swaying, shadowy, subdued. The album’s title track is also its closing cut, a stomping, sparkling ode to “the wrong side of the night, where time goes to die.” Smith describes the scene: “Everyone’s talking, screaming, trauma bonding, but no one’s listening. Broken dialogue. Shouting over each other. You want to switch off, but everyone’s too fucked.” The guitars spiral and slide towards the oblivion of dawn, the chance to crash and do it all again. The song’s refrain captures the elision of time, spilling through the haze of days, from chaos to acceptance: “I can’t see the clock through the shrouds of smoke / Does it matter? / Common ground / In a never ending space.” Genre: Alternative / Post-punk

Track Listings
1 : Recycled Paper Planes
2 : Come Around (Sunny Day)
3 : I'm Just High
4 : Kids!
5 : Melody (From You to Me)
6 : So, Just Smile
7 : Treat Me Right
8 : In My House

Commenting on the mini-album, Pixey says: 'Dreams, Pains & Paper Planes is my biggest release to date. The majority of the record was written, recorded and produced by myself in my bedroom, alongside a couple of studio tracks. Genre bending was something I wanted to experiment with, tailoring to the moods of each song but still keeping to the core big beat elements. I wanted to write a record that kept a sunny sound but was more anxious lyrically. More than anything, I want the listener to feel like they can dip into an alternate world for a while, whether it's comforting or not'.

Track Listings
1 : Worm's Dream
2 : Wyrmlands
3 : The End Is Now
4 : Days
5 : Saddest Worm Ever
6 : Liverpool Street
7 : The Worm
8 : Past Life (Sinnerman's Song)
9 : Lay Me Down

Created over the course of two years with a cast of 47 musicians - including a gospel choir and a 16-piece string orchestra - 'The Worm' is less a concept album than a fully-fledged musical universe, transcending genre and medium. Set in a disorienting anachronistic version of Medieval England - as steeped in dystopian sci-fi fantasy as it is folklore and Old English mythology - it's part political polemic, part deeply moving psychological journey.