The Vietnam War generated controversy long after the guns went silent in Southeast Asia. At first, a consensus emerged that the war had been a tragic 'mistake' in US foreign policy. But with the revival of the Cold War under President Ronald Reagan, who proclaimed that the Vietnam conflict had been a 'noble cause', revisionists began to reinterpret the history and meaning of the war. As a new conflict emerged in Central America, some argued that the lesson of Vietnam was to avoid direct involvement in such struggles, while others insisted that the US could not afford to be paralyzed by a 'Vietnam syndrome' equating all intervention with failure. Among the additional lessons and legacies of the war was its impact on the men who fought in Vietnam. For complex reasons, explored by authors in this volume, powerful myths about Vietnam veterans emerged in postwar American culture.

Contents:
1. Haines, Harry W Disputing the Wreckage: Ideological Struggle at the Vietnam Veterans Memorial, Vietnam Generation 1 [1989]
2. Wagner-Pacifici, Robin and Barry Schwartz The Vietnam Veterans Memorial: Commemorating A Difficult Past, American Journal of Sociology 97 [1991]
3. Sturken, Marita The Wall, the Screen, and the Image: The Vietnam Veterans Memorial, Representations 35 [1991]
4. Jeffords, Susan Women, Gender and the War, Critical Studies in Mass Communication 6 [1989]
5. Smith, Lorrie Back Against the Wall: Anti-Feminist Backlist in Vietnam War Literature, Vietnam Generation 1 [1989]
6. Mithers, Carol Lynn Missing in Action: Women Warriors in Vietnam, Cultural Critique 3 [1986]
7. Marling, Carol Ann The Statute Near the Wall, Smithsonian Studies in American Art 1 [1987]
8. Bellhouse, Mary L and Lawrence Litchfield Vietnam and Loss of Innocence: An Analysis of the Political Implications of the Popular Literature of the Vietnam War, Journal of Popular Culture 16 [1982]
9. Uchmanowicz, Pauline Vanishing Vietnam: Whiteness and the Technology of Memory, Literature and Psychology 41 [1995]
10. Charlot, John Vietnamese Cinema: First Views, Journal of Southeast Asian Studies 22 [1991]
11. Katzman, Jason From Outcast to Cliche: How Film Shaped, Warped and Developed the Image of the Vietnam Veteran, 1967-1990, Journal of American Culture 16 [1993]
12. Clark, Michael Remembering Vietnam, Cultural Critique 3 [1986]
13. Berg, Rick Losing Vietnam: Covering the War in an Age of Technology, Cultural Critique 3 [1986]
14. Rowe, John Carlos From Documentary to Docudrama: Vietnam on Television in the 1980s, Genre 21 [1988]
15. Auster, Albert Reflections of the Way Life Used to Be: Tour of Duty, China Beach, and the memory of the Sixties, Television Quarterly 24 [1990]
16. Ballard-Reisch, Deborah China Beach and Tour of Duty: American Television and Revisionist History of The Vietnam War, Journal of Popular Culture 25 [1991]
17. Jason, Philip K The Noise is Always in My Head: Auditory Images in the Literature of the Vietnam War, Midwest Quarterly 37 [1996]

This six-volume collection of essential articles on the American involvement in the Vietnam Wa encompasses the political, social, and military aspects of the war.

This six-volume collection of essential articles on the American involvement in the Vietnam Wa encompasses the political, social, and military aspects of the war.

Did Ajax and Achilles ever suffer from Post-traumatic stress syndrome?

In this absorbing account, Vietnam veteran and classics scholar Lawrence A Tritle offers an incisive analysis of war and its impact upon the soldier and civilian from the classical age to the present day.
Tritle discusses the links between battlefield experiences that affect the participants and victims of war in every age, drawing examples from sources as diverse as the Iliad, Michael Herr's Dispatches, Thucydides' account of the Pelopenesian Wars, and the Oliver Stone film Platoon. Each instance sheds light on some of the most puzzling phemonena of war and shows how the heroes of epic responded to battle with their own forms of "shellshock," battle-madness and bonding. Tritle examines such issues as:

How can ordinarily decent men can commit acts of extraordinary savagery?

Attitudes toward the "enemy"

The impact of war on waiting wives, lovers and civilian bystanders

Remembering the fallen soldier: from the classic Athenian funeral speech to the Vietnam Wall

How veterans live with physical and psychological injury

This memorable book is for readers who wonder about the meaning and experience of battle, about the impact of war and violence on our culture, and for anyone interested in the culture of ancient Greece.

From Melos to My Lai presents an erudite, provocative and moving analysis of the accounts of violence in the literature and history of ancient Greece and in the film literature and veterans' accounts of the Vietnam War. This comparative investigation examines the nature of violence, its impact on society and culture, especially as reflected from the perspective of the survivors. The survivors include not only actual combatants, but those with whom they interact: their comrades, their wives and children, families and society as a whole.
From Melos to My Lai provides a unique contribution to the study of the impact of violence on its participants and its audience which combines an examination of the artistic representations of violence and the real-life accounts of those involved in it.

This book explores the international leadership of the AFL-CIO, the UAW and UAW Local 600, the world's largest union local, and reveals that overall, working-class response to the Vietnam War mirrored that of the American society as a whole.

This book is a unique source of information about U.S. troop involvement in South Vietnam from 1965 to 1972. It stresses that Vietnam was a war without fronts or battle lines-a war different from any that the United States had previously fought.

T his BOOK EXAMINES the world confronted by the men of an American combat division during the Vietnam War. Although the unit in question is the 25th Infantry Division, this is not a unit history or standard military chronology. Instead, I try to view all of the major parts of the soldiers' world-including subjects as diverse as climate, living conditions, deadly combat, and morale. The world inhabited by the soldiers of the 25th Division was not theirs alone; the men and women who served with other frontline units in Vietnam will immediately recognize the major landmarks. Using the 25th Division as a focal point, I hope to help the people of today better understand what the Vietnam War was like in fact, not fiction. This work is based on a variety of sources. The documentary foundations come from a great number of 25th Division records generated during the war; the most important of which are the large quarterly Division reports. They, in turn, are complemented by the quarterly reports that came from II Field Force, Vietnam, the Army headquarters for the units operating in the provinces near Saigon. The Center of Military History, Department of the Army, provided these documents to me while I was doing research on the village war in a Vietnamese province. I used this research to write The Dynamics of Defeat: The Vietnam War in Hau Nghia Province (Westview Press, 1991), which deals with the political and military struggle waged by both sides in an important part of the 25th Division's area of operations.

The story of an extraordinary campaign in the Vietnam War - fought in a 200-mile labyrinth of underground tunnels and chambers. The campaign in the tunnels of Cu Chi was fought with cunning and savagery between Viet Cong guerrillas and special teams of US infantrymen called 'Tunnel Rats'. The location: the 200-mile labyrinth of underground tunnels and secret chambers that the Viet Cong had dug around Saigon. The Tunnel Rats were GIs of legendary skill and courage. Armed only with knives and pistols, they fought hand-to-hand against a cruel and ingenious enemy inside the booby-trapped blackness of the tunnels. For the Viet Cong the tunnel network became their battlefield, their barracks, their arms factories and their hospitals, as the ground above was pounded to dust by American shells and bombs.

In the midst of the Vietnam War, two titans of the Senate, J. William Fulbright and John C. Stennis, held public hearings to debate the conflict's future. In this intriguing new work, historian Joseph A. Fry provides the first comparative analysis of these inquiries and the senior southern Senators who led them. The Senators' shared aim was to alter the Johnson administration's strategy and bring an end to the war-but from dramatically different perspectives. Fulbright hoped to pressure Johnson to halt escalation and seek a negotiated settlement, while Stennis wanted to prompt the President to bomb North Vietnam more aggressively and secure a victorious end to the war. Publicized and televised, these hearings added fuel to the fire of national debate over Vietnam policy and captured the many arguments of both hawks and doves. Fry details the dramatic confrontations between the Senate committees and the administration spokesmen, Dean Rusk and Robert McNamara, and he probes the success of congressional efforts to influence Vietnam policy. Ultimately, Fry shows how the Fulbright and Stennis hearings provide vivid insight into the debate over why the United States was involved in Vietnam and how the war should be conducted.

Code-named the Studies and Observations Group, SOG was the most secret elite U.S. military unit to serve in the Vietnam War-its very existence denied by the government. Composed entirely of volunteers from such ace fighting units as the Army Green Berets, Air Force Air Commandos, and Navy SEALs, SOG took on the most dangerous covert assignments, in the deadliest and most forbidding theaters of operation.
John L. Plaster, a three-tour SOG veteran, shares the gripping account of SOG's stunning operations behind enemy lines-penetrating heavily- defended North Vietnamese military facilities, holding off mass enemy attacks, and launching daring missions to rescue downed U.S. pilots. From sabotage to espionage to hand-to-hand combat, these are some of the most extraordinary true stories of honor and heroism in the history of the U.S. military.

Scorned by allies and enemies alike, the Army of the Republic of Vietnam (ARVN) was one of the most maligned fighting forces in modern history. Cobbled together by U.S. advisers from the remnants of the French-inspired Vietnamese National Army, it was effectively pushed aside by the Americans in 1965. When toward the end of the war the army was compelled to reassert itself, it was too little, too late for all concerned.

In this first in-depth history of the ARVN from 1955 to 1975, Robert Brigham takes readers into the barracks and training centers of the ARVN to plumb the hearts and souls of these forgotten soldiers. Through his masterly command of Vietnamese-language sources-diaries, memoirs, letters, oral interviews, and more-he explores the lives of ordinary men, focusing on troop morale and motivation within the context of traditional Vietnamese society and a regime that made impossible demands upon its soldiers.

Offering keen insights into ARVN veterans' lives as both soldiers and devout kinsmen, Brigham reveals what they thought about their American allies, their Communist enemies, and their own government. He describes the conscription policy that forced these men into the army for indefinite periods with a shameful lack of training and battlefield preparation and examines how soldiers felt about barracks life in provinces far from their homes. He also explores the cultural causes of the ARVN's estrangement from the government and describes key military engagements that defined the achievements, failures, and limitations of the ARVN as a fighting force. Along the way, he explodes some of the myths about ARVN soldiers' cowardice, corruption, and lack of patriotism that have made the ARVN the scapegoat for America's defeat.

Ultimately, as Brigham shows, without any real political commitment to a divided Vietnam or vision for the future, the ARVN retreated into a subnational culture that redefined the war's meaning: saving their families. His fascinating book gives us a fuller understanding not only of the Vietnam War but also of the problems associated with U.S. nation building through military intervention.

After more than four decades, the Viet Nam War continues to haunt our national memory, culture, politics, and military actions. In this probing interdisciplinary study, Susan Lyn Eastman examines a range of cultural productions-from memorials and poetry to cinematic and fictional narratives-that have tried to grapple with the psychic afterlife of traumatic violence resulting from the ill-fated conflict in Southeast Asia. Underpinning the book is the notion of "prosthetic memory," which involves memories acquired by those with no direct experience of the war, such as readers and filmgoers. Prosthetic memories, Eastman argues, refuse to relegate the war to the forgotten past and challenge the authenticity of experience, thus ensuring its continued relevance to debates over America's self-conception, specifically her coinage of the "New Vietnam Syndrome," and the country's role in world affairs when it comes to contemporary military interventions. With the notable exception of the Veterans' Memorial in Washington, Eastman's focus is on works produced from the Persian Gulf War (1990-91) through the post-9/11 "War on Terror." She looks not only at American representations of the war-from movies like Randall Wallace's We Were Soldiers to poems by W. D. Ehrhart, Yusef Komunyakaa, and others-but also at novels by Vietnamese authors Bao Ninh and Huong Thu Duong. The experiences of women figure prominently in the book: Eastman devotes a chapter to the Vietnam Women's Memorial and another to Sandie Frazier's novel I Married Vietnam and Oliver Stone's film Heaven and Earth, based on memoirs by Le Ly Hayslip. And by examining Jessica Hagedorn's Dream Jungle, a novel inspired by the filming of Apocalypse Now, she considers how the war's repercussions were felt in other countries, in this case the Philippines. Her investigation of Vietnamese American authors Lan Cao, Andrew Lam, and GB Tran adds a transnational dimension to the study. With its up-to-date perspective on recent works that have heretofore received scant critical notice, this book offers new ways of thinking about one of the most polemic chapters in U.S. history. SUSAN LYN EASTMAN teaches in the Department of English at the University of Tennessee at Chattanooga.

Vietnam War on Film illustrates how to employ film as a teaching tool. It also stands on its own as an account of the war and the major films that have depicted it. Even for many people who experienced the Vietnam War first hand, memories of that conflict have often been shaped by the popular films that depicted it: The Quiet American, The Green Berets, The Deer Hunter, Coming Home, Platoon, Full Metal Jacket, and Apocalypse Now, among others. Vietnam War on Film examines how the war is portrayed through a selection of ten iconic films that represent the war through dramatization and storytelling as opposed to through documentary footage. The book includes an introduction to the war's history and a timeline of events, followed by ten chapters, each of which focuses on a specific Vietnam War movie. Chapters offer a uniquely detailed level of historical context for the films, weighing their depiction of events against the historical record and evaluating how well or how poorly those films reflected the truth and shaped public memory and discourse over the war. A final section of "Resources" provides a comprehensive annotated bibliography of print and electronic sources to aid students and teachers in further research. Provides a unique guide to the Vietnam War experience for film history buffs, students and scholars of history, and fans of the cinema Offers equal emphasis on the films themselves and the historical events depicted Presents carefully researched and highly informative coverage Stimulates debate over the various ways the war was interpreted and experienced

This book explores the international leadership of the AFL-CIO, the UAW and UAW Local 600, the world's largest union local, and reveals that overall, working-class response to the Vietnam War mirrored that of the American society as a whole.

First published in 1978. Routledge is an imprint of Taylor & Francis, an informa company.

The decade that followed James Stockdale's seven and a half years in a North Vietnamese prison saw his life take a number of different turns, from a stay in a navy hospital in San Diego to president of a civilian college to his appointment as a senior research fellow at the Hoover Institution. In this collection of essays he offers his thoughts on his imprisonment. Describing the horrors of his treatment as a prisoner of war, Stockdale tells how he discovered firsthand the capabilities and limitations of the human spirit in such a situation. As the senior officer in confinement he had what he humbly describes as 'the easiest leadership job in the world: to maintain the organization, resistance, and spirit of ten of the finest men I have ever known.' His reflections on his wartime prison experience and the reasons for his survival form the basis of the writings reprinted here. In subject matter ranging from methods of communication in prison to military ethics to the principles of leadership, the thirty-four selections contained in this volume are a unique record of what Stockdale calls a 'melting experience' - a pressure-packed existence that forces one to grow. Retired Vice Admiral James B. Stockdale, a Hoover Institution fellow from 1981 to 1996, was Ross Perot's 1992 presidential running mate and a recipient of the Medal of Honor after enduring seven and a half years as a prisoner of war in North Vietnam. He died in 2005 at the age of 81.

This book tells the full story of the US Naval air campaign during the Vietnam War between 1965 to 1975, where the US Seventh Fleet, stationed off the Vietnamese coast, was given the tongue-in-cheek nickname 'The Tonkin Gulf Yacht Club'. On August 2, 1964, USS Maddox became embroiled in the infamous 'Gulf of Tonkin incident' that lead directly to America's increased involvement in the Vietnam War. Supporting the Maddox that day were four F-8E Crusaders from the USS Ticonderoga, signalling the start of the US Navy's commitment to the air war over Vietnam. The Tonkin Gulf Yacht Club was the nickname for the US Navy's Seventh Fleet, Task Force 77, stationed off the coast of Vietnam which, at various points throughout the war, comprised as many as six carriers with 70-100 aircraft on board. The Seventh Fleet played an essential role in supporting operations over Vietnam, providing vital air support to combat troops on the ground and taking part in major operations such as Rolling Thunder and Linebacker I and II. Serving with the US Seventh Fleet during this period and involved in the dramatic history of The Tonkin Gulf Yacht Club was author Tom Cleaver, who was a 20-year-old member of Commander Patrol Forces Seventh Fleet which had operational control over Maddox and Turner Joy. His use of dramatic first-hand experiences from interviews with both American and Vietnamese pilots plus official Vietnamese accounts of the war provides a balanced and personal picture of the conflict from both sides. Detailing the very earliest incident in the Gulf of Tonkin through to the final evacuation of US nationals in 1975, he brings the story of US air intervention into Vietnam vividly to life.

On June 7, 1998 CNN broadcast Valley of Death, the story of a 1970 raid into Laos by U.S. Special Forces. According to the report, Operation Tailwind had used sarin nerve gas to kill U.S. soldiers who had defected to the North Vietnamese. After a firestorm of controversy, CNN retracted the report, ruining the career of rising star April Oliver and compromising the network's credibility. Called "the TV news story of the year" by TV Guide, CNN's Operation Tailwind fiasco was the biggest news scandal of the 1990s. Hearing about the story after its broadcast, Jerry Lembcke was struck by its resemblance to war legends and myths. His search for the origins of the tale, and an explanation for why top-level journalists would believe it, led him into the shocking world of political paranoia, where conspiracy theory, popular culture, religious fundamentalism, and the fantasies of war veterans cross paths. Approaching the story as a case study in why people believe what they do, Lembcke reversed the normal inquiry into how journalists shape what the rest of us know, to ask questions about the social forces that shape what journalists know. With a likeness to Herbert Gans' 1980 classic, Deciding What's News, Jerry Lembcke's CNN's Tailwind Tale is at once a study of American journalism that opens a window on America itself. Special link to the author's interview on Radio Nation discussing this new book - CNN's Tailwind Tale

"He seems to have brought to this book the ear of a musician and the eye of a painter . . . the premier war correspondence of Vietnam."--Washington Post. "The best book I have ever read on men and war in our time."--John le Carre." . . . Dispatches puts the rest of us in the shade."--Hunter S. Thompson.

This is a study of media and cultural artifacts that constitute the remembrance of a tragic war as reflected in the stories of eight people who lived it. Using memoir, history, and criticism, "Crossing the Street in Hanoi" is based on scholarly research, teaching, and writing as well as extensive personal journals, interviews, and exclusive primary source material. Each chapter uses a human story to frame an exploration in media and cultural criticism. What weaves these different threads into a whole cloth are the stories of the Vietnam War and the long shadow it casts over American and Vietnamese cultures.

First published in 1915, Towards International Government considers the consequences of war for global diplomacy and the alliance system. Hobson argues that, to reduce armaments and the possibility of another world war, an organisational structure of international government must be put into place. An extension of the League of Nations, Hobson proposes that this council would need to hold legislative powers enabling it to impose economic sanctions and, if necessary, the ability to deploy an international force. This is a fascinating and exceptionally forward-thinking work, of great importance to economic and political historians of the twentieth century.