In the midst of the Vietnam War, two titans of the Senate, J. William Fulbright and John C. Stennis, held public hearings to debate the conflict's future. In this intriguing new work, historian Joseph A. Fry provides the first comparative analysis of these inquiries and the senior southern Senators who led them. The Senators' shared aim was to alter the Johnson administration's strategy and bring an end to the war-but from dramatically different perspectives. Fulbright hoped to pressure Johnson to halt escalation and seek a negotiated settlement, while Stennis wanted to prompt the President to bomb North Vietnam more aggressively and secure a victorious end to the war. Publicized and televised, these hearings added fuel to the fire of national debate over Vietnam policy and captured the many arguments of both hawks and doves. Fry details the dramatic confrontations between the Senate committees and the administration spokesmen, Dean Rusk and Robert McNamara, and he probes the success of congressional efforts to influence Vietnam policy. Ultimately, Fry shows how the Fulbright and Stennis hearings provide vivid insight into the debate over why the United States was involved in Vietnam and how the war should be conducted.

The Viet Cong have long remained a mystery even to those who fought against them during America's longest and most divisive war. They have been given many acronyms and slang names by the American fighting men; included among them are V.C., Charlie and other less complimentary terms. They have been portrayed in many guises by the American press and popular Hollywood films. None, however, have really addressed the Viet Cong in human terms. This work will strip away the myth and mystery which surrounds the Viet Cong and, through the medium of their own candid photography, present them in human terms. They were everything we were - resourceful, cunning, adaptable, and most of all, human. As did our own American soldiers, they endured life in some of the harshest, most inhospitable terrain on earth. In doing so, they exhibited the will to sacrifice and be sacrificed for the collective goal of unification. Little did they know that we were serving the hidden agenda of the Politburo in Hanoi. In the end, they, like many of our soldiers, were betrayed and abandoned. This book portrays the Viet Cong as seen through their own photography. A cultural obsession, photographs were taken wherever and whenever possible. On many occasions, Allied forces were able to capture such photos. It is from such sources that these photographs are made available, most for the first time ever, to the general public.

In the midst of the Vietnam War, two titans of the Senate, J. William Fulbright and John C. Stennis, held public hearings to debate the conflict's future. In this intriguing new work, historian Joseph A. Fry provides the first comparative analysis of these inquiries and the senior southern Senators who led them. The Senators' shared aim was to alter the Johnson administration's strategy and bring an end to the war-but from dramatically different perspectives. Fulbright hoped to pressure Johnson to halt escalation and seek a negotiated settlement, while Stennis wanted to prompt the President to bomb North Vietnam more aggressively and secure a victorious end to the war. Publicized and televised, these hearings added fuel to the fire of national debate over Vietnam policy and captured the many arguments of both hawks and doves. Fry details the dramatic confrontations between the Senate committees and the administration spokesmen, Dean Rusk and Robert McNamara, and he probes the success of congressional efforts to influence Vietnam policy. Ultimately, Fry shows how the Fulbright and Stennis hearings provide vivid insight into the debate over why the United States was involved in Vietnam and how the war should be conducted.

As an Observer correspondent in Vietnam before the American withdrawal in 1975, Gavin Young met many courageous Vietnamese people. He frequently stayed with one such person, Madame Bong, a woman who had lost her husband when she was only twenty-five, had recovered the mangled limbs of one son from a battlefield and watched as another son was sent off to a 're-education camp' for seven years. When Young was allowed to return to Vietnam he helped many of Madame Bong's relatives emigrate to the US. A Wavering Grace is a personal account of how one ordinary family survived the horrors of war and a political process that was beyond their control. 'By far ... the most moving account of Vietnam to be written in recent years.' Norman Lewis 'This delicate, terrible and enchanting book ... brings the atmosphere of Vietnam so near that you can almost taste and smell it.' Jonathan Mirsky, The Times 'Full of passion and feeling ... A Wavering Grace could be described as a love story [and] tells the story of Vietnam and Mme Bong's family in its many conflicting complexions.' Andrew Barrow, Spectator

In this book James E. Westheider explores the social and professional paradoxes facing African-American soldiers in Vietnam. Service in the military started as a demonstration of the merits of integration as blacks competed with whites on a near equal basis for the first time. Military service, especially service in Vietnam, helped shape modern black culture and fostered a sense of black solidarity in the Armed Forces. But as the war progressed, racial violence became a major problem for the Armed Forces as they failed to keep pace with the sweeping changes in civilian society. Despite the boasts of the Department of Defense, personal and institutional racism remained endemic to the system. Westheider tells this story expertly and accessibly by providing the history and background of African American participation in the U.S. Armed Forces then following all the way through to the experience of African Americans returning home from the Vietnam war.

The Vietnam War is anything but a forgotten war. Even today, the strategies that led to an unexpected American defeat are hotly debated, and much remains controversial and unclear, which is not surprising given the nature of the combat in which the Vietnamese guerrilla warfare eventually won out over high-tech weaponry. The task of clarifying the issues without oversimplifying this complex war that impacted the world is undertaken by The A to Z of the Vietnam War: first in its chronology, then in its introduction, but mainly in a substantial dictionary section including hundreds of entries on significant persons (military and political), places, events, armed units, battles and lesser engagements, and weapons. And for those seeking further information, an extensive bibliography is included.

With first-hand insight into the into the key role of the US Air Force's fighter-bomber from the Vietnam War through to Operation Desert Storm during the First Gulf War, this book is an unmissable account of some of the most dangerous and demanding missions in the two wars. The advent of the surface-to-air missile (SAM) in the early 1950s threatened the whole concept of aerial bombing from medium and high altitude. Countermeasures were developed during the Korean War, but with little initial success. It was only in the closing stages of the Vietnam War, with the F-4Cww Phantom II (Wild Weasel 4), that this equipment started to become successful enough to allow a substantial investment in converting 116 F-4E Phantom IIs into dedicated SEAD aircraft. This move introduced a new generation of anti-radar missiles which became invaluable in later operations including operations Desert Shield, Desert Storm and Northern Watch over Iraq. This volume features dynamic archival photography from crews who flew the jet, alongside mission accounts and technical details of the development and fielding of the F-4 Wild Weasel in its various iterations. Including specially commissioned artwork of 'sharkmouthed' Phantom IIs in Vietnam jungle camouflage and more modern USAF 'Ghost Gray', this book is the ultimate visual and technical guide to the F-4 Phantom II Wild Weasel Units in combat.

Vietnam War on Film illustrates how to employ film as a teaching tool. It also stands on its own as an account of the war and the major films that have depicted it. Even for many people who experienced the Vietnam War first hand, memories of that conflict have often been shaped by the popular films that depicted it: The Quiet American, The Green Berets, The Deer Hunter, Coming Home, Platoon, Full Metal Jacket, and Apocalypse Now, among others. Vietnam War on Film examines how the war is portrayed through a selection of ten iconic films that represent the war through dramatization and storytelling as opposed to through documentary footage. The book includes an introduction to the war's history and a timeline of events, followed by ten chapters, each of which focuses on a specific Vietnam War movie. Chapters offer a uniquely detailed level of historical context for the films, weighing their depiction of events against the historical record and evaluating how well or how poorly those films reflected the truth and shaped public memory and discourse over the war. A final section of "Resources" provides a comprehensive annotated bibliography of print and electronic sources to aid students and teachers in further research. Provides a unique guide to the Vietnam War experience for film history buffs, students and scholars of history, and fans of the cinema Offers equal emphasis on the films themselves and the historical events depicted Presents carefully researched and highly informative coverage Stimulates debate over the various ways the war was interpreted and experienced

A Guardian Best Book of the Year "A gripping study of white power...Explosive." -New York Times "Helps explain how we got to today's alt-right." -Terry Gross, Fresh Air The white power movement in America wants a revolution. Returning to a country ripped apart by a war they felt they were not allowed to win, a small group of Vietnam veterans and disgruntled civilians who shared their virulent anti-communism and potent sense of betrayal concluded that waging war on their own country was justified. The command structure of their covert movement gave women a prominent place. They operated with discipline, made tragic headlines in Waco, Ruby Ridge, and Oklahoma City, and are resurgent under President Trump. Based on a decade of deep immersion in previously classified FBI files and on extensive interviews, Bring the War Home tells the story of American paramilitarism and the birth of the alt-right. "A much-needed and troubling revelation... The power of Belew's book comes, in part, from the fact that it reveals a story about white-racist violence that we should all already know." -The Nation "Fascinating... Shows how hatred of the federal government, fears of communism, and racism all combined in white-power ideology and explains why our responses to the movement have long been woefully inadequate." -Slate "Superbly comprehensive...supplants all journalistic accounts of America's resurgent white supremacism." -Pankaj Mishra, The Guardian

1970 - the height of the Vietnam War. A group of young Forward Air Controllers based in Thailand are assigned with supporting the Truck War and the People's War in southern Laos, where the fate of the Vietnam War, and Laos' very future, is being decided. Tasked with shutting down the Ho Chi Minh Trail - the North Vietnamese supply lines running into South Vietnam - literally stopping the constant stream of trucks in their tracks, these American airmen, call sign "Nail," fly missions 24 hours a day. Daily they run the gauntlet of intense anti-aircraft fire to bring in accurate attacks by American fighter bombers. At night, streams of red tracers scream up from the ground, seeking the metallic flesh of their fragile craft. During the day, they search the skies for the telltale black puffs of smoke that reveal the self-destructive warheads of the North Vietnamese gunners. Even when tragedy befalls the group, they perserve with their mission. But will courage and dedication be enough?

This book explores the international leadership of the AFL-CIO, the UAW and UAW Local 600, the world's largest union local, and reveals that overall, working-class response to the Vietnam War mirrored that of the American society as a whole.

This new, extensively researched volume (volume two in the series) is a comprehensive guide to the history, development, wear, and use of uniforms and equipment during American military advisors involvement in the Vietnam War. Included are insignia, headgear, camouflage uniforms, modified items, Flak vests, boots, clothing accessories, paper items and personal items from the years 1957-1972, all examined in great detail. Using re-constructed and period photos, the author presents the look and appearance of American Army, Navy, and Marine Corps advisors in Vietnam. ARVN Ranger, Airborne, and ARVN infantry advisors, all have their own chapter, along with Junk Force, RAG Force, and South Vietnamese Naval and Marine Corps advisors.

When American forces arrived in Vietnam, they found themselves embedded in historical village and frontier spaces already shaped by past conflicts. American bases and bombing targets followed spatial and political logics influenced by the footprints of previous wars in central Vietnam, and these militarized landscapes continue to shape postwar land-use politics. Footprints of War traces the long history of conflict-produced spaces in Vietnam, beginning with early modern wars and the French colonial invasion in 1885 and continuing through the collapse of the Saigon government in 1975. Drawing on extensive archival research and years of interviews and fieldwork in the hills and villages around the city of Hue, David Biggs integrates historical geographic information system (GIS) data and uses aerial, high-altitude, and satellite imagery to render otherwise inscrutable sites as living, multidimensional spaces. This personal and multilayered approach yields an innovative history of the lasting traces of war in Vietnam and a model for understanding other militarized landscapes.

First published in 1978. Routledge is an imprint of Taylor & Francis, an informa company.

This guide showcases knives used by America's clandestine military in Southeast Asia during the Vietnam War. It provides the collector and others interested in the period a way of identifying honest SOG (Studies and Observations Group) specimens and separating them from counterfeits. With beautiful color photographs that show a high level of detail, the book identifies all known SOG specimens (over 165 knives) and includes rare personalized knives and custom combat knives made in the United States. Sections of the book focus on Randalls, Eks, Gerbers, and the knives made by tribal artisans in Southeast Asia. This is the eighth in Mike Silvey's series on military knives.

Finalist, National Book Critics Circle Award Finalist, National Book Award in Nonfiction A New York Times Book Review "The Year in Reading" Selection All wars are fought twice, the first time on the battlefield, the second time in memory. From the author of the Pulitzer Prize-winning novel The Sympathizer comes a searching exploration of the conflict Americans call the Vietnam War and Vietnamese call the American War-a conflict that lives on in the collective memory of both nations. "[A] gorgeous, multifaceted examination of the war Americans call the Vietnam War-and which Vietnamese call the American War...As a writer, [Nguyen] brings every conceivable gift-wisdom, wit, compassion, curiosity-to the impossible yet crucial work of arriving at what he calls 'a just memory' of this war." -Kate Tuttle, Los Angeles Times "In Nothing Ever Dies, his unusually thoughtful consideration of war, self-deception and forgiveness, Viet Thanh Nguyen penetrates deeply into memories of the Vietnamese war...[An] important book, which hits hard at self-serving myths." -Jonathan Mirsky, Literary Review "Ultimately, Nguyen's lucid, arresting, and richly sourced inquiry, in the mode of Susan Sontag and W. G. Sebald, is a call for true and just stories of war and its perpetual legacy." -Donna Seaman, Booklist (starred review)

On June 7, 1998 CNN broadcast Valley of Death, the story of a 1970 raid into Laos by U.S. Special Forces. According to the report, Operation Tailwind had used sarin nerve gas to kill U.S. soldiers who had defected to the North Vietnamese. After a firestorm of controversy, CNN retracted the report, ruining the career of rising star April Oliver and compromising the network's credibility. Called "the TV news story of the year" by TV Guide, CNN's Operation Tailwind fiasco was the biggest news scandal of the 1990s. Hearing about the story after its broadcast, Jerry Lembcke was struck by its resemblance to war legends and myths. His search for the origins of the tale, and an explanation for why top-level journalists would believe it, led him into the shocking world of political paranoia, where conspiracy theory, popular culture, religious fundamentalism, and the fantasies of war veterans cross paths. Approaching the story as a case study in why people believe what they do, Lembcke reversed the normal inquiry into how journalists shape what the rest of us know, to ask questions about the social forces that shape what journalists know. With a likeness to Herbert Gans' 1980 classic, Deciding What's News, Jerry Lembcke's CNN's Tailwind Tale is at once a study of American journalism that opens a window on America itself. Special link to the author's interview on Radio Nation discussing this new book - CNN's Tailwind Tale

First published in 1915, Towards International Government considers the consequences of war for global diplomacy and the alliance system. Hobson argues that, to reduce armaments and the possibility of another world war, an organisational structure of international government must be put into place. An extension of the League of Nations, Hobson proposes that this council would need to hold legislative powers enabling it to impose economic sanctions and, if necessary, the ability to deploy an international force. This is a fascinating and exceptionally forward-thinking work, of great importance to economic and political historians of the twentieth century.

Peter Clark's year in Vietnam began in July 1966, when he was shipped out with hundreds of other young recruits, as a replacement in the 1st Infantry Division. Clark was assigned to the Alpha Company. Clark gives a visceral, vivid and immediate account of life in the platoon, as he progresses from green recruit to seasoned soldier over the course of a year in the complexities of the Vietnamese conflict. Clark gradually learns the techniques developed by US troops to cope with the daily horrors they encountered, the technical skills needed to fight and survive, and how to deal with the awful reality of civilian casualties. Fighting aside, it rained almost every day and insect bites constantly plagued the soldiers as they moved through dense jungle, muddy rice paddy and sandy roads. From the food they ate (largely canned meatballs, beans and potatoes) to the inventive ways they managed to shower, every aspect of the platoon's lives is explored in this revealing book. The troops even managed to fit in some R&Rwhilst off-duty in the bars of Tokyo. Alpha One Sixteen follows Clark as he discovers how to cope with the vagaries of the enemy and the daily confusion the troops faced in distinguishing combatants from civilians. The Viet Cong were a largely unseen enemy who fought a guerrilla war, setting traps and landmines everywhere. Clark's vigilance develops as he gets used to 'living in mortal terror,' which a brush with death in a particularly terrifying fire fight does nothing to dispel. As he continues his journey, he chronicles those less fortunate; the heavy toll being taken all round him is powerfully described at the end of each chapter.

Between 1965 and 1973, hundreds of thousands of ordinary Americans participated in one of the most remarkable and significant people's movements in American history. Through marches, rallies, draft resistance, teach-ins, civil disobedience, and non-violent demonstrations at both the national and local levels, Americans vehemently protested the country's involvement in the Vietnam War.

Rethinking the American Anti-War Movement provides a short, accessible overview of this important social and political movement, highlighting key events and key figures, the movement's strengths and weaknesses, how it intersected with other social and political movements of the time, and its lasting effect on the country. The book is perfect for anyone wanting to obtain an introduction to the Anti-War movement of the twentieth century.

The body of work assembled in this collection falls within the tradition of how wars are remembered, and written of, by their surviving veterans. The War I Survived Was Vietnam, and my writing about it, excepting a few poems, has been confined to the staples of non-fiction: memoir, reporting, criticism and commentary. Among the articles reproduced here, criticism is by far the dominant voice in which I have processed my post-war reflections. A good deal of this work also ventures into the exploratory realm of the American veteran identity, to include my personal struggle to outdistance the demons of PTSD. As print has evolved into digital media, my criticism has migrated increasingly to the blogosphere permitting the restrictive boundaries of the book review to blossom over the more far ranging horizons of the essay. Several of these works are of relevance to how the Vietnam experience is being archived by scholars for historical interpretation. Prior to my career in the writing life, I was a political activist advocating for the welfare of GIs and veterans, notably around the health effects of exposure during active service to deadly radiation and poisonous herbicides. Selected material on these topics has also been included in this collection.

In late January 1968, some 84,000 North Vietnamese and Viet Cong troops launched a country-wide general offensive in South Vietnam, mounting simultaneous assaults on 36 of 44 provincial capitals, and five of the six autonomous cities (including the capital city of Saigon). The longest and bloodiest battle occurred in Hue, the most venerated place in Vietnam. The bitter fighting that raged there for more than three weeks drew the attention of the world. Hue was the ancient capital of Vietnam, and as such, had been previously avoided by both sides; it had not seen any serious fighting prior to 1968. All that changed on the night of January 31 that year when four North Vietnamese battalions and supporting Viet Cong units simultaneously attacked and occupied both parts of the city straddling the Perfume River. The Communist forces dug in and prepared to defend their hold on the city. US Marines and South Vietnamese soldiers were ordered to clear the city, supported by US Army artillery and troops. A brutal urban battle ensued as combat raged from house to house and door to door. It was a bloody fight and resulted in large-scale destruction of Hue. Eventually, the Marines and the South Vietnamese forces retook Hue, but it turned out to be one of the longest and bloodiest battles of the Tet Offensive, and led to a sea change in US policy in Vietnam.

This international and interdisciplinary volume examines the Vietnam War from new perspectives including those of the Vietnamese diaspora, and explores the ways in which perceptions of the war have altered in recent years. It differs from other titles on the Vietnam War in that it acknowledges the South Vietnamese experience of the war, and encompasses the perspectives of the Vietnamese diaspora in the US, Australia and France, as well as the work of American, Australian and French historians. The war is reinterpreted and reassessed through the lens of history, politics, biography and literature. The effects of the Vietnam War outside the boundaries of the Vietnamese state are ongoing. The presence of substantial Vietnamese communities in countries that participated in the conflict is contributing to changing interpretations of the war. This volume provides new insights into the reconstruction and memorialization of the war by Vietnamese, American, Australian and French scholars, and contains twelve chapters grouped under "War and Politics", "Memorials and Commemoration", "War and Women's Writing", and "Identities and Legacies", covering South Vietnamese leadership and policies, women and civilians, veterans overseas, the involvement of smaller allies in the war such as Australia, accounts by US, Australian and South Vietnamese servicemen as well as those of Indigenous soldiers in the US and Australia, memorials and commemoration, and the legacy of war on individual lives, contemporary memories, and government policy.

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JACKIE, ETHEL, JOAN If ever three women would be changed, and challenged, by their marriages, they would be Jacqueline Bouvier, Ethel Skakel, and Joan Bennett. None of them, as radiant brides, could have been prepared for the fame, tragedies, and difficult lives awaiting them. As they struggled to cope with their husbands' infidelities and scandals, the assassinations of Jack and Bobby Kennedy, and the harsh glare of constant media attention, they would become like sisters, reaching out to one another with comfort and consolation. But, like sisters, they would also compete with one another, argue, and become estranged, sometimes for years.

Now, from J. Randy Taraborrelli, the bestselling author of Sinatra: A Complete Life, comes a biography that for the first time truly captures their special sisterhood. JACKIE, ETHEL, JOAN carefully separates fact from innuendo and explores the women's complex relationships with one another, as well as with the ambitious, raucous, and powerful Kennedy clan that nearly devoured them all.

Here, in new details, are firsthand revelations about Jackie's determination to never allow her duties as First Lady to cloud her own sense of identity or interfere with her devotion to her children...Jackie's true feelings about JFK's relationship with Marilyn Monroe--and the surprising way she dealt with Marilyn's death...how Ethel and Joan chose to handle their husband' infidelities, each in her own distinctive way...how Joan courageously battled a drinking problem, with Jackie's support and advice...Ethel's and Joan's actions during the Chappaquiddick incident--and Jackie's opinion about that tragedy...and the jealousy and love that emerged among the Kennedy wives when it seemed that first Ethel and then Joan could be the next Kennedy First Lady.

J. Randy Taraborrelli shows us their most private lives with a wealth of information available to no other biographer. Based on extensive research, including copious interviews with those closest to the Kennedy family, never-before-published oral histories from the JFK and LBJ Libraries, and stunning insights from letters and tapes published here for the first time, JACKIE, ETHEL, JOAN presents a balanced, psychologically astute, affectionate, and fascinating portrayal of three extraordinary women...and shows us their courage in a way that may inspire our own.

In spite of her smile, Ethel immediately recognized Jackie's pain, as clearly visible as the newly etched lines on her forehead. With some trepidation, Ethel approached her.

"Oh, Jackie, I don't know what to say to you," Ethel told her. "I just wish I knew what to say, or how to help you. You know that Jack is with God, don't you?"

"I know," Jackie murmured back. She smiled genuinely at the other Mrs. Kennedy, visibly touched that Ethel would want to pass on to her the one thing that had never failed to help her through her own troubles--her unwavering faith. She told Ethel that they would "always be family," even if they did have their differences.

Upon hearing Jackie's reaffirmation of familial ties, Ethel let loose a torrent of words and tears so uncharacteristic of her it stunned everyone in the room. The two women embraced, with Ethel burying her head in Jackie's shoulder. Then Ethel fled from the room.

Afterward, Joan arrived with Eunice and Pat. When Jackie noticed Joan, she went to her. They embraced, and almost immediately Joan began to sob. Jackie appeared strong and tearless.

"It's all right, Joan," Jackie whispered. "Let it all out. Let every bit of it out."

A Featured Alternate of The Literary Guild® and of Doubleday Book Club®

Author interview!: Listen to the Yahoo/Broadcast.com interview with J. Randy Taraborrelli!