Every war has its "bridge"--Old North Bridge at Concord, Burnside's Bridge at Antietam, the railway bridge over Burma's River Kwai, the bridge over Germany's Rhine River at Remagen, and the bridges over Korea's Toko Ri. In Vietnam it was the bridge at Thanh Hoa, called Dragon's Jaw. For many years hundreds of young US airmen flew sortie after sortie against North Vietnam's formidable and strategically important bridge, dodging a heavy concentration of anti-aircraft fire, surface-to-air missiles and enemy fighters. Many American airmen were shot down, killed, or captured and taken to the infamous POW prisons in Hanoi. But after each air attack, when the smoke cleared and the debris settled, the bridge stubbornly remained standing. For the North Vietnamese it became a symbol of their invincibility; for US war planners an obsession; for US airmen a testament to American mettle and valor. Using after-action reports, official records, and interviews with surviving pilots, as well as previously untapped Vietnamese sources, Dragon's Jaw chronicles American efforts to destroy the bridge, strike by bloody strike, putting readers into the cockpits, under fire. The story of the Dragon's Jaw is a story rich in bravery, audacity, sometimes luck and sometimes tragedy. The "bridge" story of Vietnam is an epic tale of war against a determined foe.

Throughout American history, Christianity has shaped public opinion, guided leaders in their decision making, and stood at the center of countless issues. To gain complete knowledge of an era, historians must investigate the religious context of what transpired, why it happened, and how. Yet too little is known about American Christianity's foreign policy opinions during the Cold and Vietnam Wars. To gain a deeper understanding of this period (1964-75), David E. Settje explores the diversity of American Christian responses to the Cold and Vietnam Wars to determine how Americans engaged in debates about foreign policy based on their theological convictions.

Settje uncovers how specific Christian theologies and histories influenced American religious responses to international affairs, which varied considerably. Scrutinizing such sources as the evangelical "Christianity Today," the mainline Protestant, "Christian Century," a sampling of Catholic periodicals, the African Methodist Episcopal Church, the Southern Baptist Convention, and the United Church of Christ, "Faith and War" explores these entities' commingling of religion, politics, and foreign policy, illuminating the roles that Christianity attempted to play in both reflecting and shaping American foreign policy opinions during a decade in which global matters affected Americans daily and profoundly.

A groundbreaking new history of how the Vietnam War thwarted U.S. liberal ambitions in the developing world and at home in the 1960s At the start of the 1960s, John F. Kennedy and other American liberals expressed boundless optimism about the ability of the United States to promote democracy and development in Asia, Africa, the Middle East, and Latin America. With U.S. power, resources, and expertise, almost anything seemed possible in the countries of the Cold War's "Third World"-developing, postcolonial nations unaligned with the United States or Soviet Union. Yet by the end of the decade, this vision lay in ruins. What happened? In The End of Ambition, Mark Atwood Lawrence offers a groundbreaking new history of America's most consequential decade. He reveals how the Vietnam War, combined with dizzying social and political changes in the United States, led to a collapse of American liberal ambition in the Third World-and how this transformation was connected to shrinking aspirations back home in America. By the middle and late 1960s, democracy had given way to dictatorship in many Third World countries, while poverty and inequality remained pervasive. As America's costly war in Vietnam dragged on and as the Kennedy years gave way to the administrations of Lyndon B. Johnson and Richard M. Nixon, America became increasingly risk averse and embraced a new policy of promoting mere stability in the Third World. Paying special attention to the U.S. relationships with Brazil, India, Iran, Indonesia, and southern Africa, The End of Ambition tells the story of this momentous change and of how international and U.S. events intertwined. The result is an original new perspective on a war that continues to haunt U.S. foreign policy today.

The year is 1970; the war in Vietnam is five years from over. The women's movement is newly resurgent, and feminists are summarily reviled as "libbers." Inette Miller is one year out of college-a reporter for a small-town newspaper. Her boyfriend gets drafted and is issued orders to Vietnam. Within their few remaining days together, Inette marries her US Army private, determined to accompany him to war. There are obstacles. All wives of US military are prohibited in country. With the aid of her newspaper's editor, Miller finagles a one-month work visa and becomes a war reporter. Her newspaper cannot afford life insurance beyond that. After thirty days, she is on her own. As one of the rare woman war correspondents in Vietnam and the only one also married to an Army soldier, Miller's experience was pathbreaking. Girls Don't shines a light on the conflicting motives that drive an ambitious woman of that era and illustrates the schizophrenic struggle between the forces of powerful feminist ideology and the contrarian forces of the world as it was. Girls Don't is the story of what happens when a twenty-three-year-old feminist makes her way into the land of machismo. This is a war story, a love story, and an open-hearted confessional within the burgeoning women's movement, chronicling its demands and its rewards.

'The best 'bird's eye view' of the helicopter war in Vietnam in print today ... Mills has captured the realities of a select group of aviators who shot craps with death on every mission' R.S. Maxham, Director, US Army Aviation Museum The aeroscouts of the 1st Infantry Division have three words emblazoned on their unit patch: Low Level Hell. It was the perfect concise defininition of what those intrepid aviators experienced as they ranged the skies of Vietnam from the Cambodian border to the Iron Triangle. The Outcasts, as they were known, flew low and slow. They were the aerial eyes of the division in search of the enemy. Too often for longevity's sake they found the Viet Cong and the fight was on. These young pilots, who were usually 19 to 22 years old, invented the book as they went along.

This book assesses the emergence and transformation of global protest movements during the Vietnam War era. It explores the relationship between protest focused on the war and other emancipatory and revolutionary struggles, moving beyond existing scholarship to examine the myriad interlinked protest issues and mobilisations around the globe during the Indochina Wars. Bringing together scholars working from a range of geographical, historiographical and methodological perspectives, the volume offers a new framework for understanding the history of wartime protest. The chapters are organised around the social movements from the three main geopolitical regions of the world during the 1960s and early 1970s: the core capitalist countries of the so-called first world, the socialist bloc and the Global South. The final section of the book then focuses on international organisations that explicitly sought to bridge and unite solidarity and protest around the world. In an era of persistent military conflict, the book provides timely contributions to the question of what war does to protest movements and what protest movements do to war.

#1 New Release in Military & Wars Follow the Coming of Age Adventures of a U.S. Military Brat During the Early Vietnam War Years in Saigon.The early Vietnam war years through the eyes of a U.S. military brat: In May of 1962, Naval Chief Petty Officer Bryant Arbuckle flew to Saigon to establish a new Armed Forces radio station. Next to follow were his wife and three boys, Leslie among them. Saigon Kids is the candid, recondite slice of fourteen-year-old military brat Les Arbuckle's experience at the American Community School (ACS) during the critical months of the Vietnam War when events would, quite literally, ignite in downtown Saigon. In 1963, Saigon was beautiful, violent, and dirty and the most exciting place a fourteen-year-old American boy could live. Saigon offered a rich array of activities, and much to the consternation of their parents and teachers, Les and his fellow military brats explored the dangers with reckless abandon running from machine gun fire, watching a Buddhist monk burn to death, visiting brothels late at night or, trading currency on the black market. Coming of age in the streets of Vietnam War torn Saigon: When Les first arrives in Vietnam, he is a stranger in a strange land, expecting boredom in a country he doesn't know. But the American social scene is more vibrant than he expected. The American Community School is a blend of kids from all over the globe who arrived in Saigon as the fuse on Saigon was about to ignite. As the ACS students continue their American lifestyle behind barbed wire, Saigon unravels in chaos and destruction. In spite of this ugliness an ever-present feature of everyday life Les tells his story of teenage angst with humor and precocity. Coming of age tale with a twist: The events leading up to the Vietnam War provide an unusual backdrop for this coming-of-age tale with a twist. Saigon Kids will also make a perfect companion to the documentary film (sponsored by the New York Foundation for the Arts) currently in production. The film chronicles the lives of "military brats" living in Saigon in the volatile years from 1958 to 1964.

By the end of the American War in Vietnam, the coastal province of PhU YEn was one of the least-secure provinces in the Republic of Vietnam. It was also a prominent target of the American strategy of pacification-an effort, purportedly separate and distinct from conventional warfare, to win the "hearts and minds" of the Vietnamese. In Robert J. Thompson III's analysis, the consistent, and consistently unsuccessful, struggle to place PhU YEn under Saigon's banner makes the province particularly fertile ground for studying how the Americans advanced pacification and why this effort ultimately failed. In March 1970 a disastrous military engagement began in PhU YEn, revealing the enemy's continued presence after more than three years of pacification. Clear, Hold, and Destroy provides a fresh perspective on the war across multiple levels, from those making and implementing policy to those affected by it. Most pointedly, Thompson contends that pacification, far from existing apart from conventional warfare, actually depended on conventional military forces for its application. His study reaches back into PhU YEn's storied history with pacification before and during the French colonial period, then focuses on the province from the onset of the American war in 1965 to its conclusion in 1975. A sharply focused, fine-grained analysis of one critical province during the Vietnam War, Thompson's work demonstrates how pacification is better understood as the foundation of U.S. fighting in Vietnam.

In the fall of 1965, the North Vietnamese Army launched its first major campaign against American forces, targeting, with 4,000 men, the U.S. Special Forces camp at Plei Me in the Central Highlands, where about a dozen green berets were training a few hundred South Vietnamese troops. In response, the U.S. choppered in a relief force of elite soldiers from Project Delta under legendary Chargin' Charlie Beckwith and dropped an unprecedented million pounds of munitions just yards from the camp's perimeter. The camp held out, but operations in the area continued. Within weeks, the Battle of Ia Drang broke out, the first major battle between the U.S. Army and North Vietnamese regulars. Based on archival research and interviews with veterans, Saliba covers the battle for Plei Me camp in close, vivid, and very human detail. He also gives careful attention to the strategic picture and shows how this clash laid the groundwork for the Battle of Ia Drang.

Hailed as a "pithy and compelling account of an intensely relevant topic" (Kirkus Reviews), this wide-ranging volume offers a superb account of a key moment in modern U.S. and world history. Drawing upon the latest research in archives in China, Russia, and Vietnam, Mark Lawrence creates an extraordinary, panoramic view of all sides of the war. His narrative begins well before American forces set foot in Vietnam, delving into French colonialism's contribution to the 1945 Vietnamese revolution, and revealing how the Cold War concerns of the 1950s led the United States to back the French. The heart of the book covers the "American war," ranging from the overthrow of Ngo Dinh Diem and the impact of the Tet Offensive to Nixon's expansion of the war into Cambodia and Laos, and the final peace agreement of 1973. Finally, Lawrence examines the aftermath of the war, from the momentous liberalization-"Doi Moi"-in Vietnam to the enduring legacy of this infamous war in American books, films, and political debate.

The March 1965 landing of the US Marine Corps at Da Nang, South Vietnam, marked the first large-scale deployment of US forces to the region. From then on, the Marine Corps fought continuously until May 1975, when two Marines became the last US servicemen killed in that war during the Mayaguez battle. With over 200 archival photos, many never before published, the weapons, vehicles, and equipment of the Marines in theater are documented in this volume. Small arms, mortars and artillery, tanks, amphibious, armored and soft-skinned vehicles, helicopters, uniforms, and personal and specialist equipment are featured in superb-quality photos and detailed captions, including photos from such legendary Marine Corps battles as Hue and Khe Sanh.

Memories of a Lost War is a unique study of poetry born of the Vietnam War, out of the trauma of rewritten history. The book analyses poems written by American veterans, protest poets, and Vietnamese, within political, aesthetic, and cultural contexts. It highlights the haunting, indeed, deliberately ignored presence of Vietnam in mainstream culture.

From Andrew Wiest, the bestselling author of The Boys of '67: Charlie Company's War in Vietnam and one of the leading scholars in the study of the Vietnam War, comes a frank exploration of the human experience during the conflict. Vietnam allows the reader a grunt's-eye-view of the conflict - from the steaming rice paddies and swamps of the Mekong Delta, to the triple-canopy rainforest of the Central Highlands and the forlorn Marine bases that dotted the DMZ. It is the definitive oral history of the Vietnam War told in the uncompromising, no-holds barred language of the soldiers themselves.

Few historians of the Vietnam War have covered the post-1975 era or engaged comprehensively with refugee politics, humanitarianism, and human rights as defining issues of the period. After Saigon's Fall is the first major work to uncover this history. Amanda C. Demmer offers a new account of the post-War normalization of US-Vietnam relations by centering three major transformations of the late twentieth century: the reassertion of the US Congress in American foreign policy; the Indochinese diaspora and changing domestic and international refugee norms; and the intertwining of humanitarianism and the human rights movement. By tracing these domestic, regional, and global phenomena, After Saigon's Fall captures the contingencies and contradictions inherent in US-Vietnamese normalization. Using previously untapped archives to recover a riveting narrative with both policymakers and nonstate advocates at its center, Demmer's book also reveals much about US politics and society in the last quarter of the twentieth century.

Each pilot and bombardier/navigator sat side by side in an all-weather jet built for low-level bombing runs, precision targeting, and night strikes. Their success--and their very lives--depended on teamwork in flying their versatile A-6 Intruders. And when the North Vietnamese mounted a major offensive in 1972, they answered the call.

Carol Reardon chronicles the operations of Attack Squadron 75, the "Sunday Punchers," and their high-risk bombing runs launched off the U.S.S. Saratoga during the famous LINEBACKER campaigns. Based on unparalleled access to crew members and their families, her book blends military and social history to offer a unique look at the air war in Southeast Asia, as well as a moving testament to the close-knit world of naval aviators.

Theirs was one of the toughest jobs in the military: launching off the carrier in rough seas as well as calm, flying solo and in formation, dodging dense flak and surface-to-air missiles, delivering ordnance on target, and recovering aboard safely. Celebrating the men who climbed into the cockpits as well as those who kept them flying, Reardon takes readers inside the squadron's ready room and onto the flight decks to await the call, "Launch the Intruders " Readers share the adrenaline-pumping excitement of each mission--as well as those heart-stopping moments when a downed aircraft brought home to all, in flight and on board, that every aspect of their lives was constantly shadowed by danger and potential death.

More than a mere combat narrative, Launch the Intruders interweaves human drama with familial concerns, domestic politics, and international diplomacy. Fliers share personal feelings about killing strangers from a distance while navy wives tell what it's like to feel like a stranger at home. And as the war rages on, headlines like Jane Fonda's visit to Hanoi and the Paris Peace Accords are all viewed through the lens of this heavily tasked, hard-hitting attack squadron.

A rousing tale of men and machines, of stoic determination in the face of daunting odds, Reardon's tale shines a much-deserved light on group of men whose daring exploits richly deserve to be much better known.

How the Vietnam War changed American art By the late 1960s, the United States was in a pitched conflict in Vietnam, against a foreign enemy, and at home-between Americans for and against the war and the status quo. This powerful book showcases how American artists responded to the war, spanning the period from Lyndon B. Johnson's fateful decision to deploy U.S. Marines to South Vietnam in 1965 to the fall of Saigon ten years later. Artists Respond brings together works by many of the most visionary and provocative artists of the period, including Asco, Chris Burden, Judy Chicago, Corita Kent, Leon Golub, David Hammons, Yoko Ono, and Nancy Spero. It explores how the moral urgency of the Vietnam War galvanized American artists in unprecedented ways, challenging them to reimagine the purpose and uses of art and compelling them to become politically engaged on other fronts, such as feminism and civil rights. The book presents an era in which artists struggled to synthesize the turbulent times and participated in a process of free and open questioning inherent to American civic life. Beautifully illustrated, Artists Respond features a broad range of art, including painting, sculpture, printmaking, performance and body art, installation, documentary cinema and photography, and conceptualism. Published in association with the Smithsonian American Art Museum Exhibition Schedule Smithsonian American Art Museum, Washington, DC March 15-August 18, 2019 Minneapolis Institute of Art September 28, 2019-January 5, 2020

By now the world knows well the exploits of World War II admirals Ernest King, Chester Nimitz, and "Bull" Halsey. These brilliant strategists and combat commanders--backed by a powerful Allied coalition, a nation united, gifted civilian leaders, and abundant war-making resources--led U.S. and allied naval forces to victory against the Axis powers. Leadership during the Vietnam War was another story. The Vietnam War and its aftermath sorely tested the professional skill of four-star admirals Harry D. Felt, Ulysses S. Grant Sharp, Thomas H. Moorer, Elmo R. Zumwalt Jr., and James L. Holloway III. Unlike their World War II predecessors, these equally battle-tested leaders had to cope with a flawed American understanding of U.S. and Vietnamese Communist strengths and weaknesses, distrustful and ill-focused Washington leaders, an increasingly discontented American populace, and an ultimately failing war effort. Like millions of other Americans, these five admirals had to come to terms with America's first lost war, and what that loss meant for the future of the nation and the U.S. armed forces. The challenges were both internal and external. A destabilized U.S. Navy was troubled by racial discord, drug abuse, anti-war and anti-establishment sentiment, and a host of personnel and material ills. At the same time, increasingly serious global threats to US interests, such as the rise of Soviet nuclear-missile and naval power, were shaping confrontations on the postwar stage. Critical to the story is how these naval leaders managed their relationships with Presidents Kennedy, Johnson, Nixon, Ford, and Carter, and Secretaries of Defense McNamara, Laird, and Schlesinger. Based on prodigious research into many formerly classified sources, Edward J. Marolda relates in dramatic detail how America's top naval leaders tackled their responsibilities, their successes, and their failures. This is a story of dedication to duty, professionalism, and service by America's top admirals during a time of great national and international adversity.

After the failed April 1972 invasion of South Vietnam and the heavy US tactical bombing raids in the Hanoi area, the North Vietnamese agreed to return to the Paris peace talks, yet very quickly these negotiations stalled.

In an attempt to end the war quickly and 'persuade' the North Vietnamese to return to the negotiating table, President Nixon ordered the Air Force to send the US' ultimate conventional weapon, the B-52 bomber, against their capital, Hanoi. Bristling with the latest Soviet air defence missiles, it was the most heavily defended target in Vietnam. Taking place in late December, this campaign was soon dubbed the 'Christmas Bombings'.

Using specially commissioned artwork and maps, ex-USAF fighter colonel Marshall Michel describes Linebacker II, the climax of the air war over Vietnam, and history's only example of how America's best Cold War bombers performed against contemporary Soviet air defences.

How American soldiers opposed and resisted the war in Vietnam While mainstream narratives of the Vietnam War all but marginalize anti-war activity of soldiers, opposition and resistance from within the three branches of the military made a real difference to the course of America's engagement in Vietnam. By 1968, every major peace march in the United States was led by active duty GIs and Vietnam War veterans. By 1970, thousands of active duty soldiers and marines were marching in protest in US cities. Hundreds of soldiers and marines in Vietnam were refusing to fight; tens of thousands were deserting to Canada, France and Sweden. Eventually the US Armed Forces were no longer able to sustain large-scale offensive operations and ceased to be effective. Yet this history is largely unknown and has been glossed over in much of the written and visual remembrances produced in recent years. Waging Peace in Vietnam shows how the GI movement unfolded, from the numerous anti-war coffee houses springing up outside military bases, to the hundreds of GI newspapers giving an independent voice to active soldiers, to the stockade revolts and the strikes and near-mutinies on naval vessels and in the air force. The book presents first-hand accounts, oral histories, and a wealth of underground newspapers, posters, flyers, and photographs documenting the actions of GIs and veterans who took part in the resistance. In addition, the book features fourteen original essays by leading scholars and activists. Notable contributors include Vietnam War scholar and author, Christian Appy, and Mme Nguyen Thi Binh, who played a major role in the Paris Peace Accord. The book originates from the exhibition Waging Peace, which has been shown in Vietnam and the University of Notre Dame, and will be touring the eastern United States in conjunction with book launches in Boston, Amherst, and New York.

In the summer of 1967, the Marines in I Corps, South Vietnam's northernmost military region, were doing everything they could to lighten the pressure on the besieged Con Thien Combat Base. Still fresh after months of relatively light action around Khe Sanh, the 3d Battalion, 26th Marines, was sent to the Con Thien region to secure the combat bases' endangered main supply route. On 7 September 1967, its first full day in the new area of operations, separate elements of the battalion were attacked by at least two battalions of North Vietnamese infantry, and both were nearly overrun in night-long battles. On 10 September, while advancing to a new sector near Con Thien, the 3d Battalion, 26th Marines, was attacked by at least a full North Vietnamese regiment, the same NVA unit that had attacked it two days earlier. Divided into two separate defensive perimeters, the Marines battled through the afternoon and evening against repeated assaults by waves of NVA regulars intent upon achieving a major victory. In a battle described as 'Custer's Last Stand-With Air Support', the Americans prevailed by the narrowest of margins. Ambush Valley is an unforgettable account of bravery and survival under impossible conditions. It is told entirely in the words of the men who faced the ordeal together - an unprecedented mosaic of action and emotion woven into an incredibly clear and vivid combat narrative by one of today's most effective military historians. Ambush Valley achieves a new standard for oral history. It is a war story not to be missed.

Speaking to an advisor in 1966 about America's escalation of forces in Vietnam, Secretary of Defense Robert S. McNamara confessed: 'We've made mistakes in Vietnam ... I've made mistakes. But the mistakes I made are not the ones they say I made'. In 'I Made Mistakes', Aurelie Basha i Novosejt provides a fresh and controversial examination of Secretary of Defense Robert S. McNamara's decisions during the Vietnam War. Although McNamara is remembered as the architect of the Vietnam War, Novosejt draws on new sources - including the diaries of his advisor and confidant John T. McNaughton - to reveal a man who resisted the war more than most. As Secretary of Defense, he did not want the costs of the war associated with a new international commitment in Vietnam, but he sacrificed these misgivings to instead become the public face of the war out of a sense of loyalty to the President.

Few historians of the Vietnam War have covered the post-1975 era or engaged comprehensively with refugee politics, humanitarianism, and human rights as defining issues of the period. After Saigon's Fall is the first major work to uncover this history. Amanda C. Demmer offers a new account of the post-War normalization of US-Vietnam relations by centering three major transformations of the late twentieth century: the reassertion of the US Congress in American foreign policy; the Indochinese diaspora and changing domestic and international refugee norms; and the intertwining of humanitarianism and the human rights movement. By tracing these domestic, regional, and global phenomena, After Saigon's Fall captures the contingencies and contradictions inherent in US-Vietnamese normalization. Using previously untapped archives to recover a riveting narrative with both policymakers and nonstate advocates at its center, Demmer's book also reveals much about US politics and society in the last quarter of the twentieth century.

North and South Vietnamese youths had very different experiences of growing up during the Vietnamese War. The book gives a unique perspective on the conflict through the prism of adult-youth relations. By studying these relations, including educational systems, social organizations, and texts created by and for children during the war, Olga Dror analyzes how the two societies dealt with their wartime experience and strove to shape their futures. She examines the socialization and politicization of Vietnamese children and teenagers, contrasting the North's highly centralized agenda of indoctrination with the South, which had no such policy, and explores the results of these varied approaches. By considering the influence of Western culture on the youth of the South and of socialist culture on the youth of the North, we learn how the youth cultures of both Vietnams diverged from their prewar paths and from each other.