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Books > Humanities > History > American history > From 1900 > Postwar, from 1945
The author was born in 1940 and spent his childhood in two small villages, the paternal and the maternal, in southern Vietnam: Binh Chuan and Tuy An (An Phu). The villages were deeply affected by the powerful political events of the next fifty years. In this memoir (first sentence: ""I was born as the Japanese Troops were invading northern Vietnam""), the author writes of what he saw, heard and knew, providing an invaluable social history of the country.Readers will learn about people who have endured separation, dictatorship, carnage, persistent suffering and poverty, all the while yearning for independence and prosperity. Included are many stories - some funny, some heartbreaking - that reveal how the Vietnamese people lived, as well as their thoughts on war, on the French, Japanese and Americans, on the Nationalist and Communist governments, and on escape. The result is a heartfelt ""social painting"" of the nation.
Drafted in October 1968, John A. Nesser left behind his wife and young son to fight in the controversial Vietnam War. Like many in his generation, he was deeply at odds with himself over the U.S. involvement in Vietnam, instilled with a strong sense of duty to his country but uncertain about its mission and his role in it. Nesser was deployed to the Ashau Valley, site of some of the war's heaviest fighting, and served eight months as an infantry rifleman before transferring to become a door gunner for a Chinook helicopter. In this stirring memoir, he recalls in detail the exhausting missions in the mountainous jungle, the terror of walking into an ambush, the dull-edged anxiety that filled quiet days, and the steady fear of being shot out of the sky. The accounts are richly illustrated with Nesser's own photographs of the military firebases and aircraft, the landscapes, and the people he encountered.
The mission: Become the most skilled, highly-trained, and deadliest fighter pilots in the world. The place: TOP GUN In the darkest days of the Vietnam War, the U.S. Navy's kill ratio had fallen to 2:1 -- a deadly decline in pilot combat effectiveness. To improve the odds, a corps of hardened fighter pilots founded the Fighter Weapons School, a.k.a. TOP GUN. Utilizing actual enemy fighter planes in brutally realistic dogfights, the Top Gun instructors dueled their students and each other to achieve a lethal new level of fighting expertise. The training paid off. Combining the latest weaponry and technology, mental endurance, and razor-sharp instincts, the Top Gunners drove the Navy's kill ratio up to an astounding 12:1, dominating the skies over Vietnam. This gripping account takes you inside the cockpit for an adventure more explosive than any fiction -- in a dramatic true story of the legendary military school that has created the most dangerous fighter pilots the world has ever seen.
"Matterhorn" author Karl Marlantes' nonfiction debut is a powerful book about the experience of combat and how inadequately we prepare our young men and women for the psychological and spiritual stresses of war. One of the most important and highly-praised books of 2011, Karl Marlantes' "What It Is Like to Go to War" is set to become just as much of a classic as his epic novel "Matterhorn". In 1968, at the age of twenty-two, Karl Marlantes was dropped into the highland jungle of Vietnam, an inexperienced lieutenant in command of a platoon of forty Marines who would live or die by his decisions. In his thirteen-month tour he saw intense combat. He killed the enemy and he watched friends die. Marlantes survived, but like many of his brothers in arms, he has spent the last forty years dealing with his experiences. In "What It Is Like to Go to War", Marlantes takes a deeply personal and candid look at the experience and ordeal of combat, critically examining how we might better prepare our young soldiers for war. War is as old as humankind, but in the past, warriors were prepared for battle by ritual, religion, and literature - which also helped bring them home. In a compelling narrative, Marlantes weaves riveting accounts of his combat experiences with thoughtful analysis, self-examination, and his readings - from Homer to the Mahabharata to Jung. He tells frankly about how he is haunted by the face of the young North Vietnamese soldier he killed at close quarters and explains how he finally found a way to make peace with his past. He makes it clear just how poorly prepared our nineteen-year-old warriors - mainly men but increasingly women - are for the psychological and spiritual aspects of their journey.
This book offers the first detailed English-language examination of the Great Vietnamese Famine of 1945, which left at least a million dead, and links it persuasively to the largely unexpected Viet Minh seizure of power only months later. Drawing on extensive research in French archives, Geoffrey C. Gunn offers an important new interpretation of Japanese-Vichy French wartime economic exploitation of Vietnam's agricultural potential. He analyzes successes and failures of French colonial rice programs and policies from the early 1900s to 1945, drawing clear connections between colonialism and agrarian unrest in the 1930s and the rise of the Viet Minh in the 1940s. Gunn asks whether the famine signaled a loss of the French administration's "mandate of heaven," or whether the overall dire human condition was the determining factor in facilitating communist victory in August 1945. In the broader sweep of Vietnamese history, including the rise of the communist party, the picture that emerges is not only one of local victimhood at the hands of outsiders-French and, in turn, Japanese- but the enormous agency on the part of the Vietnamese themselves to achieve moral victory over injustice against all odds, no matter how controversial, tragic, and contested the outcome. As the author clearly demonstrates, colonial-era development strategies and contests also had their postwar sequels in the "American war," just as land, land reform, and subsistence-sustainable development issues persist into the present.
Based on new archival research in many countries, this volume broadens the context of the U.S. intervention in Vietnam. Its primary focus is on relations between China and Vietnam in the mid-twentieth century; but the book also deals with China's relations with Cambodia, U.S. dealings with both China and Vietnam, French attitudes toward Vietnam and China, and Soviet views of Vietnam and China. Contributors from seven countries range from senior scholars and officials with decades of experience to young academics just finishing their dissertations. The general impact of this work is to internationalize the history of the Vietnam War, going well beyond the long-standing focus on the role of the United States.
"Air Cav: History of the 1st Cavalry Division in Vietnam 1965-1969 is the story of the small, close world of fighting men in action. This volume can be many things to many people a book of memories, a souvenir, a pictorial essay on airmobility, or simply a story of gallant men at war. It can be many things, but one thing it is not, nor does it pretend to be a complete history of the 1st Air Cavalry Division in Vietnam. The task and burden of history must lie with the objectivity of future generations, far removed from current pressures and restraints. It is true, of course, that much research for this book has been done from available official records, the ultimate source of written history. But even more has been drawn from the vivid recollections of the Cavalrymen who fought, tasted the brassy bile of fear, shared the fierce exultation of victory, or were drenched in the dark despair of death. This volume contains the memoirs of a fighting team the FIRST TEAM. It is a memory
J. William Fulbright was the longest serving and most powerful chair of the Senate Foreign Relations Committee. Both an intellectual and an internationalist, he had great influence over the course of American foreign relations in the 1960s and 1970s. Fulbright was also the most prominent, and the most effective, of the first American critics of the Vietnam War. His criticism was particularly galling and damning to Lyndon Johnson because Fulbright was a principled internationalist who could not be dismissed as an ideologue. Fulbright used hearings by the Foreign Relations Committee as a forum in which to advance his powerful critique of the war, and his writings constitute an ongoing, comprehensive critique of American foreign policy. This abridgement of Woods' prize-winning biography of J. William Fulbright presents the full story of Fulbright's role as one of the leading congressional opponents of the Vietnam War.
J. William Fulbright was the longest serving and most powerful chair of the Senate Foreign Relations Committee. Both an intellectual and an internationalist, he had great influence over the course of American foreign relations in the 1960s and 1970s. Fulbright was also the most prominent, and the most effective, of the first American critics of the Vietnam War. His criticism was particularly galling and damning to Lyndon Johnson because Fulbright was a principled internationalist who could not be dismissed as an ideologue. Fulbright used hearings by the Foreign Relations Committee as a forum in which to advance his powerful critique of the war, and his writings constitute an ongoing, comprehensive critique of American foreign policy. This abridgement of Woods' prize-winning biography of J. William Fulbright presents the full story of Fulbright's role as one of the leading congressional opponents of the Vietnam War.
When John F. Kennedy was shot, millions were left to wonder how
America, and the world, would have been different had he lived to
fulfill the enormous promise of his presidency. For many historians
and political observers, what Kennedy would and would not have done
in Vietnam has been a source of enduring controversy.
Throughout the past decade, defenders of the U.S. role in Vietnam have argued that America's defeat was not the result of an illegitimate intervention or military shortcomings, but rather a failure of will because national leaders, principally Lyndon B. Johnson, forced the troops to "fight with one hand tied behind their backs." In this volume, Robert Buzzanco disproves this theory by demonstrating that political leaders, not the military brass, pressed for war; that American policymakers always understood the problems and peril of war in Indochina; and that civil-military acrimony and the political desire to defer responsibility for Vietnam helped lead the United States into the war. For the first time, these crucial issues of military dissent, interservice rivalries, and civil-military relations and politics have been tied together to provide a cogent and comprehensive analysis of the U.S. role in Vietnam.
Featured in Stylist's guide to 2019's best non-fiction books The true story of the fierce band of women who battled Washington - and Hanoi - to bring their husbands home from the jungles of Vietnam. On 12 February, 1973, one hundred and sixteen men who, just six years earlier, had been high flying Navy and Air Force pilots, shuffled, limped, or were carried off a huge military transport plane at Clark Air Base in the Philippines. These American servicemen had endured years of brutal torture, kept shackled and starving in solitary confinement, in rat-infested, mosquito-laden prisons, the worst of which was The Hanoi Hilton. Months later, the first Vietnam POWs to return home would learn that their rescuers were their wives, a group of women that included Jane Denton, Sybil Stockdale, Louise Mulligan, Andrea Rander, Phyllis Galanti, and Helene Knapp. These women, who formed The National League of Families, would never have called themselves 'feminists', but they had become the POW and MIAs most fervent advocates, going to extraordinary lengths to facilitate their husbands' freedom - and to account for missing military men - by relentlessly lobbying government leaders, conducting a savvy media campaign, conducting covert meetings with antiwar activists, and most astonishingly, helping to code secret letters to their imprisoned husbands. In a page-turning work of narrative non-fiction, Heath Hardage Lee tells the story of these remarkable women for the first time. The League of Wives is certain to be on everyone's must-read list.
Throughout the past decade, defenders of the U.S. role in Vietnam have argued that America's defeat was not the result of an illegitimate intervention or military shortcomings, but rather a failure of will because national leaders, principally Lyndon B. Johnson, forced the troops to "fight with one hand tied behind their backs." In this volume, Robert Buzzanco disproves this theory by demonstrating that political leaders, not the military brass, pressed for war; that American policymakers always understood the problems and peril of war in Indochina; and that civil-military acrimony and the political desire to defer responsibility for Vietnam helped lead the United States into the war. For the first time, these crucial issues of military dissent, interservice rivalries, and civil-military relations and politics have been tied together to provide a cogent and comprehensive analysis of the U.S. role in Vietnam.
Based on extensive research in the Russian archives, this book
examines the Soviet approach to the Vietnam conflict between the
1954 Geneva conference on Indochina and late 1963, when the
overthrow of the South Vietnamese president Ngo Dinh Diem and the
assassination of John F. Kennedy radically transformed the
conflict.
In this new collection of essays on the Vietnam War, eminent scholars of the Second Indochina conflict consider several key factors that led to the defeat of the United States and its allies. The book adopts a candid and critical look at the U.S.’s stance and policies in Vietnam, and refuses to condemn, excuse, or apologize for America’s actions in the conflict. Rather, the contributors think widely and creatively about the varied reasons that may have accounted for the U.S.’s failure to defeat the North Vietnamese Army, such as role played by economics in America’s defeat. Other fresh perspectives on the topic include American intelligence failure in Vietnam, the international dimensions of America’s defeat in Vietnam, and the foreign policy of the Democratic Republic of Vietnam.
A study of poetry written primarily by Vietnam veterans during and after the war. Drawing on a wealth of material often published in small presses and journals, the book highlights the horrors of war and the continuing traumas of veterans in a post-Vietnam America that has largely rewritten the Vietnam war to suit dominant national ideologies. The analysis dwells on poems of solidarity wherein American veterans reach out to their former enemy. The concluding chapter on Vietnamese poems in translation extends the circle of memory and trauma In its inclusion of Vietnamese perspectives Chattarji's study marks a departure from earlier works that have largely concentrated on Vietnam as a war rather than as a country. This is a significant addition to Vietnam studies and should be of interest to specialists in literature and culture studies, as well as those with a more general interest in the subject.
Friendly Fire, in this instance, refers not merely to a tragic error of war, witnessed at least as much in Vietnam as in American wars before and since - it also refers, metaphorically, to America's war with itself during the Vietnam years. Starting from this point, Kinney's book considers the concept of 'friendly fire' from multiple vantage points, and portrays the Vietnam age as a crucible where America's cohesive image of itself shattered - pitting soldiers against superiors, doves against hawks, feminism against patriarchy, racial fear against racial tolerance. Through the use of extensive evidence from the film and popular fiction of Vietnam (e.g Kovic's Born on the Fourth of July, Didion's Democracy, O'Brien's Going After Cacciato, Rabe's Sticks and Stones and Streamers), Kinney draws a powerful picture of a nation politically, culturally, and socially divided, and a war that has been memorialized as a contested site for art, media, politics, and ideology.
"Hunt deliciously complicates the history of the 1960s by
introducing a protest element not bound to college campuses or the
counterculture. . . . It is a disturbing story, one that Hunt tells
well." "All students of the concluding years of America's longest war
should be grateful to Andrew Hunt for the clarity and grace with
which he has told V.V.A.W.'s story." "This extraordinary and deeply moving history explodes all the
encrusted stereotypes of GIs on one side of the barricades and
anti-war protestors on the other. At along last we can again hear
the voices of the thousands of courageous veterans who refused to
be silent about the immoral war in Indochina." "A splendid addition to the growing literature on Vietnam
veterans and their experiences during and after the war. Hunt's
complex and moving history is a vital corrective to accounts which
equate the anti-war movement with student activists as well as to
those who persist in seeing veterans as passive victims." "Explodes one of the most persistent and pernicious myths
attached to the 1960s: that the anti-war movement was anti-GI and
anti-veteran. How could that be, when, as Hunt shows, many of the
most committed and eloquent opponents of the Vietnam war were
themselves veterans of the conflict in Southeast Asia. The Vietnam
Veterans Against the War were heroes then, and they deserve to be
remembered as heroes today." "For all kinds of veterans of the Sixties era, this book offers
powerful testimony on the meaning of patriotismand moral courage.
For younger people, whose images of the Sixties are often caught in
the caricatures of the mass media, Hunt's sophisticated account of
veterans' anti-war protest evokes new understanding, and I think,
hard questions about a difficult time." The anti-Vietnam War movement in the United States is perhaps best remembered for its young, counterculture student protesters. However, the Vietnam War was the first conflict in American history in which a substantial number of military personnel actively protested the war while it was in progress. In The Turning, Andrew Hunt reclaims the history of the Vietnam Veterans Against the War (VVAW), an organization that transformed the antiwar movement by placing Vietnam veterans in the forefront of the nationwide struggle to end the war. Misunderstood by both authorities and radicals alike, VVAW members were mostly young men who had served in Vietnam and returned profoundly disillusioned with the rationale for the war and with American conduct in Southeast Asia. Angry, impassioned, and uncompromisingly militant, the VVAW that Hunt chronicles in this first history of the organization posed a formidable threat to America's Vietnam policy and further contributed to the sense that the nation was under siege from within. Based on extensive interviews and in-depth primary research, including recently declassified government files, The Turning is a vivid history of the men who risked censures, stigma, even imprisonment for a cause they believed to be "an extended tour of duty."
In 1963, a frustrated President Kennedy turned to the Pentagon for help in carrying out subversive operations against North Vietnam- a job the CIA had not managed to handle effectively. Thus was born the Pentagon's Special Operations Group(SOG). Under the cover name"Studies and Observation Group," SOG would, over the next eight years, dispatch numerous spies to North Vietnam, create a triple-cross deception program, wage psychological warfare by manipulating North Vietnamese POW's and kidnapped citizens, and stage deadly assaults on enemy soldiers traveling the Ho Chi Minh Trail. Written by the country's leading expert on SOG, here is the story of that covert war-one that would have both spectacular and disastrous results.
Combat helicopter pilots in the Vietnam War flew each mission in the face of imminent death. Begun as a series of letters to Department of Veterans Affairs, this compelling memoir of an aircraft commander in the 116th Assault Helicopter Company-""The Hornets""-relates his experience of the war in frank detail. From supporting the 25th Infantry Division's invasion of Cambodia, to flying the lead aircraft in the 101st Airmobile Division's pivotal invasion of Laos, the author recounts the traumatic events of his service from March 1970 to March 1971.
'The best 'bird's eye view' of the helicopter war in Vietnam in print today ... Mills has captured the realities of a select group of aviators who shot craps with death on every mission' R.S. Maxham, Director, US Army Aviation Museum The aeroscouts of the 1st Infantry Division have three words emblazoned on their unit patch: Low Level Hell. It was the perfect concise defininition of what those intrepid aviators experienced as they ranged the skies of Vietnam from the Cambodian border to the Iron Triangle. The Outcasts, as they were known, flew low and slow. They were the aerial eyes of the division in search of the enemy. Too often for longevity's sake they found the Viet Cong and the fight was on. These young pilots, who were usually 19 to 22 years old, invented the book as they went along.
A poignant, angry, articulate book Newsweek 'Mr Fall's book is a dramatic treatment of a historic event graphic impact New York Times Originally published in 1961, before the United States escalated its involvement in South Vietnam, Street Without Joy offered a clear warning about what American forces would face in the jungles of Southeast Asia; a costly and protracted revolutionary war fought without fronts against a mobile enemy. In harrowing detail, Fall describes the brutality and frustrations of the Indochina War, the savage eight-year conflict, ending in 1954 after the fall of Dien Bien Phu, in which French forces suffered a staggering defeat at the hands of Communist-led Vietnamese nationalists. Street Without Joy was required reading for policymakers in Washington and GIs in the field and is now considered a classic.
And Bring the Darkness Home is a haunting exploration of how the mental scars of war destroyed an international cricket career, tore a family apart and left destitute a man who seemed to have it all. Tony Dell was the only Test cricketer to fight in the Vietnam War. His journey to the summit of the game, playing for Australia against England in the Ashes, was as unlikely and meteoric as any in cricket history. His descent was painful and harrowing. It was in his mid-60s, living in his mother's garage, that he learned the truth about what had led him on a path of self-destruction. A diagnosis of post-traumatic stress disorder allowed him to piece together the ruins of his life and also to search for answers, for himself and the thousands of other sufferers. The restlessness and urgency that once drove him to the top of the game was turned on authorities who refused to learn the lessons from history. PTSD robbed Tony Dell of memories of his playing career and left a palpable sense of loss. It also gave him a life-changing mission.
Every war has its "bridge"--Old North Bridge at Concord, Burnside's Bridge at Antietam, the railway bridge over Burma's River Kwai, the bridge over Germany's Rhine River at Remagen, and the bridges over Korea's Toko Ri. In Vietnam it was the bridge at Thanh Hoa, called Dragon's Jaw. For seven long years hundreds of young US airmen flew sortie after sortie against North Vietnam's formidable and strategically important bridge, dodging a heavy concentration of anti-aircraft fire and enemy MiG planes. Many American airmen were shot down, killed, or captured and taken to the infamous "Hanoi Hilton" POW camp. But after each air attack, when the smoke cleared and the debris settled, the bridge stubbornly remained standing. For the North Vietnamese it became a symbol of their invincibility; for US war planners an obsession; for US airmen a testament to American mettle and valor. Using after-action reports, official records, and interviews with surviving pilots, as well as untapped Vietnamese sources, Dragon's Jaw chronicles American efforts to destroy the bridge, strike by bloody strike, putting readers into the cockpits, under fire. The story of the Dragon's Jaw is a story rich in bravery, courage, audacity, and sometimes luck, sometimes tragedy. The "bridge" story of Vietnam is an epic tale of war against a determined foe. |
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