With words and photographs, Rain in Our Hearts takes readers into Alpha Company, 4th Battalion, 31st Infantry, 196th LIB, Americal Division in 1969-1970. Jim Logue, a professional photographer, was drafted and served as an infantryman; he also carried a camera. "In order to take my mind off the war," he would say, "I took pictures." Logue's photos showcase the daily lives of infantrymen: setting up a night laager, chatting with local children, making supply drops, and "humping" rucksacks miles each day in search of the enemy. His camera records the individual experiences and daily lives of the men who fought the war. Accompanying Logue's over 100 photographs is the narrative written by Gary D. Ford. Wanting to reconstruct the story of Alpha Company during the time in which Logue served, Ford and Logue trekked across America to meet with and interview every surviving member whom they could locate and contact. Each chapter of Rain in Our Hearts focuses on the viewpoint and life of one member of Alpha Company, including aspects of life before and after Vietnam. The story of the Company's movements and missions over the year unfold as readers are introduced to one soldier at a time. Taken together, Rain in Our Hearts offers readers a window into the words and sights of Alpha Company's Vietnam War.

The Vietnam War is an outstanding collection of primary documents related to America s conflict in Vietnam which includes a balance of original American and Vietnamese perspectives, providing a uniquely varied range of insights into both American and Vietnamese experiences. * Includes substantial non-American content, including many original English translations of Vietnamese-authored texts which showcase the diversity and complexity of Vietnamese experiences during the war * Contains original American documents germane to the continuing debates about the causes, consequences and morality of the US intervention * Incorporates personal histories of individual Americans and Vietnamese * Introductory headnotes place each document in context * Features a range of non-textual documents, including iconic photographs and political cartoons

#1 New Release in Military & Wars Follow the Coming of Age Adventures of a U.S. Military Brat During the Early Vietnam War Years in Saigon.The early Vietnam war years through the eyes of a U.S. military brat: In May of 1962, Naval Chief Petty Officer Bryant Arbuckle flew to Saigon to establish a new Armed Forces radio station. Next to follow were his wife and three boys, Leslie among them. Saigon Kids is the candid, recondite slice of fourteen-year-old military brat Les Arbuckle's experience at the American Community School (ACS) during the critical months of the Vietnam War when events would, quite literally, ignite in downtown Saigon. In 1963, Saigon was beautiful, violent, and dirty and the most exciting place a fourteen-year-old American boy could live. Saigon offered a rich array of activities, and much to the consternation of their parents and teachers, Les and his fellow military brats explored the dangers with reckless abandon running from machine gun fire, watching a Buddhist monk burn to death, visiting brothels late at night or, trading currency on the black market. Coming of age in the streets of Vietnam War torn Saigon: When Les first arrives in Vietnam, he is a stranger in a strange land, expecting boredom in a country he doesn't know. But the American social scene is more vibrant than he expected. The American Community School is a blend of kids from all over the globe who arrived in Saigon as the fuse on Saigon was about to ignite. As the ACS students continue their American lifestyle behind barbed wire, Saigon unravels in chaos and destruction. In spite of this ugliness an ever-present feature of everyday life Les tells his story of teenage angst with humor and precocity. Coming of age tale with a twist: The events leading up to the Vietnam War provide an unusual backdrop for this coming-of-age tale with a twist. Saigon Kids will also make a perfect companion to the documentary film (sponsored by the New York Foundation for the Arts) currently in production. The film chronicles the lives of "military brats" living in Saigon in the volatile years from 1958 to 1964.

In 1968, at the age of 22, Karl Marlantes abandoned his Oxford University scholarship to sign up for active service with the US Marine Corps in Vietnam. Pitched into a war that had no defined military objective other than kill ratios and body counts, what he experienced over the next thirteen months in the jungles of South East Asia shook him to the core. But what happened when he came home covered with medals was almost worse. It took Karl four decades to come to terms with what had really happened, during the course of which he painstakingly constructed a fictionalized version of his war, MATTERHORN, which has subsequently been hailed as the definitive Vietnam novel.

WHAT IT IS LIKE TO GO TO WAR takes us back to Vietnam, but this time there is no fictional veil. Here are the hard-won truths that underpin MATTERHORN: the author's real-life experiences behind the book's indelible scenes. But it is much more than this. It is part exorcism of Karl's own experiences of combat, part confession, part philosophical primer for the young man about to enter combat. It It is also a devastatingly frank answer to the questions '"What is it like to be a soldier?"' "What is it like to face death?"' and "'What is it like to kill someone?"'

By tracing the evolving worldview of Vietnamese communists over 80 years as they led Vietnam through wars, social revolution, and peaceful development, this book shows the depth and resilience of their commitment to the communist utopia in their foreign policy. Unearthing new material from Vietnamese archives and publications, this book challenges the conventional scholarship and the popular image of the Vietnamese revolution and the Vietnam War as being driven solely by patriotic inspirations. The revolution not only saw successes in defeating foreign intervention, but also failures in bringing peace and development to Vietnam. This was, and is, the real tragedy of Vietnam. Spanning the entire history of the Vietnamese revolution and its aftermath, this book examines its leaders' early rise to power, the tumult of three decades of war with France, the US, and China, and the stubborn legacies left behind which remain in Vietnam today.

By tracing the evolving worldview of Vietnamese communists over 80 years as they led Vietnam through wars, social revolution, and peaceful development, this book shows the depth and resilience of their commitment to the communist utopia in their foreign policy. Unearthing new material from Vietnamese archives and publications, this book challenges the conventional scholarship and the popular image of the Vietnamese revolution and the Vietnam War as being driven solely by patriotic inspirations. The revolution not only saw successes in defeating foreign intervention, but also failures in bringing peace and development to Vietnam. This was, and is, the real tragedy of Vietnam. Spanning the entire history of the Vietnamese revolution and its aftermath, this book examines its leaders' early rise to power, the tumult of three decades of war with France, the US, and China, and the stubborn legacies left behind which remain in Vietnam today.

A Distinguished and Bestselling Historian and Army Veteran Revisits the Culture War that Raged around the Selection of Maya Lin's Design for the Vietnam Memorial A Rift in the Earth tells the remarkable story of the ferocious "art war" that raged between 1979 and 1984 over what kind of memorial should be built to honor the men and women who died in the Vietnam War. The story intertwines art, politics, historical memory, patriotism, racism, and a fascinating set of characters, from those who fought in the conflict and those who resisted it to politicians at the highest level. At its center are two enduring figures: Maya Lin, a young, Asian-American architecture student at Yale whose abstract design won the international competition but triggered a fierce backlash among powerful figures; and Frederick Hart, an innovative sculptor of humble origins on the cusp of stardom. James Reston, Jr., a veteran who lost a close friend in the war and has written incisively about the conflict's bitter aftermath, explores how the debate reignited passions around Vietnam long after the war's end and raised questions about how best to honor those who fought and sacrificed in an ill-advised war. Richly illustrated with photographs from the era and design entries from the memorial competition, A Rift in the Earth is timed to appear alongside Ken Burns's eagerly anticipated PBS documentary, The Vietnam War. "The memorial appears as a rift in the earth, a long polished black stone wall, emerging from and receding into the earth." Maya Lin "I see the wall as a kind of ocean, a sea of sacrifice. . . . I place these figures upon the shore of that sea." Frederick Hart

'Reporter is just wonderful. Truly a great life, and what shines out of the book, amid the low cunning and tireless legwork, is Hersh's warmth and humanity. Essential reading for every journalist and aspiring journalist the world over' John le Carre In the early 1950s, teenage Seymour Hersh was finishing high school and university - while running the family's struggling dry cleaning store in a Southside Chicago ghetto. Today, he is one of America's premier investigative journalists, whose fearless reporting has earned him fame, front-page bylines in virtually every newspaper in the world, a staggering collection of awards, and no small amount of controversy. Reporter is the story of how he did it. It is a story of slog, ingenuity and defiance, following Hersh from his first job as a crime reporter for the Chicago City News Bureau, through his Pulitzer Prize-winning freelance investigative exposes, to the heights of his reporting for The New York Times and the New Yorker. It is a tale of night-time encounters with great Civil Rights leaders, unauthorised meetings with Pentagon officials, raucous dinners with Canadian soldiers in Hanoi, tense phone calls with Secretaries of State, desperate to save face; of exposing myriad military and political wrongdoing, from My Lai to Watergate to Abu Ghraib, and the cynical cover-ups that followed in Washington and New York. Here too are unforgettable encounters with some of the most formidable figures from recent decades, from Saul Bellow to Martin Luther King Jr., from Henry Kissinger to Bashar al-Assad. Ultimately, in unfurling Seymour Hersh's life and career, Reporter tells a story of twentieth-century America, in all its excitement and darkness.

After the failed April 1972 invasion of South Vietnam and the heavy US tactical bombing raids in the Hanoi area, the North Vietnamese agreed to return to the Paris peace talks, yet very quickly these negotiations stalled.

In an attempt to end the war quickly and 'persuade' the North Vietnamese to return to the negotiating table, President Nixon ordered the Air Force to send the US' ultimate conventional weapon, the B-52 bomber, against their capital, Hanoi. Bristling with the latest Soviet air defence missiles, it was the most heavily defended target in Vietnam. Taking place in late December, this campaign was soon dubbed the 'Christmas Bombings'.

Using specially commissioned artwork and maps, ex-USAF fighter colonel Marshall Michel describes Linebacker II, the climax of the air war over Vietnam, and history's only example of how America's best Cold War bombers performed against contemporary Soviet air defences.

Poems by Nguyen Phan Que Mai

Translated from the Vietnamese by Bruce Weigl and Nguyen Phan Que Mai

Nguyen Phan Que Mai is among the most exciting writers to emerge from post-war Vietnam. Bruce Weigl, driven by his personal experiences as a soldier during the war in Vietnam, has spent the past 20 years translating contemporary Vietnamese poetry. These penetrating poems, published in bilingual English and Vietnamese, build new bridges between two cultures bound together by war and destruction. "The Secret of Hoa Sen," Que Mai's first full-length U.S. publication, shines with craft, art, and deeply felt humanity.

"I cross the Lam River to return to my homeland
where my mother embraces my grandmother's tomb in the rain,
the soil of Nghe An so dry the rice plants cling to rocks.
My mother chews dry corn; hungry, she tries to forget."

This book is a fascinating study of the Vietnamese experience and memory of the Vietnam War through the lens of popular imaginings about the wandering souls of the war dead. These ghosts of war play an important part in postwar Vietnamese historical narrative and imagination, and Heonik Kwon explores the intimate ritual ties with these unsettled identities which still survive in Vietnam today as well as the actions of those who hope to liberate these hidden but vital historical presences from their uprooted social existence. Taking a unique approach to the cultural history of war, he introduces gripping stories about spirits claiming social justice and about his own efforts to wrestle with the physical and spiritual presence of ghosts. Although these actions are fantastical, this book shows how examining their stories can illuminate critical issues of war and collective memory in Vietnam and the modern world more generally.

Lieutenant General Sir Thomas Daly was a renowned soldier and one of the most influential figures in Australia's military history. As Chief of the General Staff during the Vietnam War, he oversaw a significant re-organisation of the Army as he fought a war under political and resource restrictions. In this unique biography, Jeffrey Grey shows how Daly prepared himself for the challenges of command in a time of great political upheaval. A Soldier's Soldier examines Daly's career from his entry to Duntroon in the early 1930s until his retirement forty years later, covering the key issues in the development of the Australian Army along the way. Drawing on extensive interview transcripts, the book provides a compelling portrait of Sir Thomas Daly and his distinguished career.

"Fulbright was erudite and eloquent in all the books he wrote, but this one is his masterpiece. Within its pages lie his now historic remonstrations against a great nation's overreach, his powerful argument for dissent, and his thoughtful propositions for a new way forward . . . lessons and cautions that resonate just as strongly today." - From the foreword by Bill Clinton J. William Fulbright (1905-1995), a Rhodes scholar and lawyer, began his long career in public service when he was elected to serve Arkansas's Third District in Congress in 1942. He quickly became a prominent member of the House Foreign Affairs Committee, where he introduced the Fulbright Resolution calling for participation in an organization that became the United Nations. Elected to the Senate in 1944, he promoted the passage of legislation establishing the Fulbright exchange program, and he served as chairman of the Senate Foreign Relations Committee from 1959 to 1974, longer than any senator in American history. Fulbright drew on his extensive experience in international relations to write The Arrogance of Power, a sweeping critique of American foreign policy, in particular the justification for the Vietnam War, Congress's failure to set limits on it, and the impulses that gave rise to it. The book-with its solid underpinning the idea that "the most valuable public servant, like the true patriot, is one who gives a higher loyalty to his country's ideals than to its current policy"-was published in 1966 and sold 400,000 copies. The New York Times called it "an invaluable antidote to the official rhetoric of government." Enhanced by a new forward by President Bill Clinton, this eloquent treatise will resonate with today's readers pondering, as Francis O. Wilcox wrote in the original preface, the peril of nations whose leaders lack ""the wisdom and the good judgment to use their power wisely and well.

Winner of the Kiriyama Pacific Rim Book Prize
A New York Times Notable Book of the Year
Winner of the Whiting Writers' Award
A Seattle Post-Intelligencer Best Book of the Year

Catfish and Mandala is the story of an American odyssey—a solo bicycle voyage around the Pacific Rim to Vietnam—made by a young Vietnamese-American man in pursuit of both his adopted homeland and his forsaken fatherland.

Andrew X. Pham was born in Vietnam and raised in California. His father had been a POW of the Vietcong; his family came to America as "boat people." Following the suicide of his sister, Pham quit his job, sold all of his possessions, and embarked on a year-long bicycle journey that took him through the Mexican desert, around a thousand-mile loop from Narita to Kyoto in Japan; and, after five months and 2,357 miles, to Saigon, where he finds "nothing familiar in the bombed-out darkness." In Vietnam, he's taken for Japanese or Korean by his countrymen, except, of course, by his relatives, who doubt that as a Vietnamese he has the stamina to complete his journey ("Only Westerners can do it"); and in the United States he's considered anything but American. A vibrant, picaresque memoir written with narrative flair and an eye-opening sense of adventure, Catfish and Mandala is an unforgettable search for cultural identity.

Initially stationed at the U.S. Army's counterintelligence headquarters in Saigon, David Noble was sent north to launch the army's first covert intelligence-gathering operation in Vietnam's Central Highlands. Living in the region of the Montagnards-Vietnam's indigenous tribal people, deemed critical to winning the war-Noble documented strategic hamlets and Green Beret training camps, where Special Forces teams taught the Montagnards to use rifles rather than crossbows and spears. In this book, he relates the formidable challenges he confronted in the course of his work. Weaving together memoir, excerpts from letters written home, and photographs, Noble's compelling narrative throws light on a little-known corner of the Vietnam War in its early years-before the Tonkin Gulf Resolution and the deployment of combat units-and traces his transformation from a novice intelligence agent and believer in the war to a political dissenter and active protester.

At the height of the Vietnam conflict, a complex system of secret underground tunnels sprawled from Cu Chi Province to the edge of Saigon. In these burrows, the Viet Cong cached their weapons, tended their wounded, and prepared to strike. They had only one enemy: U.S. soldiers small and wiry enough to maneuver through the guerrillas' narrow domain.
The brave souls who descended into these hellholes were known as "tunnel rats." Armed with only pistols and K-bar knives, these men inched their way through the steamy darkness where any number of horrors could be awaiting them-bullets, booby traps, a tossed grenade. Using firsthand accounts from men and women on both sides who fought and killed in these underground battles, authors Tom Mangold and John Penycate provide a gripping inside look at this fearsome combat. The Tunnels of Cu Chi" "is a war classic of unbearable tension and unforgettable heroes.

Beyond Combat investigates how the Vietnam War both reinforced and challenged the gender roles that were key components of American Cold War ideology. While popular memory of the Vietnam War centers on the combat moment, refocusing attention onto women and gender paints a more complex and accurate picture of the war's far-reaching impact beyond the battlefields. Encounters between Americans and Vietnamese were shaped by a cluster of intertwined images used to make sense of and justify American intervention and use of force in Vietnam. These images included the girl next door, a wholesome reminder of why the United States was committed to defeating Communism; the treacherous and mysterious dragon lady, who served as a metaphor for Vietnamese women and South Vietnam; the John Wayne figure, entrusted with the duty of protecting civilization from savagery; and the gentle warrior, whose humanitarian efforts were intended to win the favor of the South Vietnamese. Heather Stur also examines the ways in which ideas about masculinity shaped the American GI experience in Vietnam and, ultimately, how some American men and women returned from Vietnam to challenge homefront gender norms.

Ho Chi Minh is one of the towering figures of the twentieth century, considered an icon and father of the nation by many Vietnamese. Pierre Brocheux's biography of Ho Chi Minh is a brilliant feat of historical engineering. In a concise and highly readable account, he negotiates the many twists and turns of Ho Chi Minh's life and his multiple identities, from impoverished beginnings as a communist revolutionary to his founding of the Indochina Communist Party and the League for the Independence of Vietnam, and ultimately to his leadership of the Democratic Republic of Vietnam and his death in 1969. Biographical events are adroitly placed within the broader historical canvas of colonization, decolonization, communism, war, and nation building. Brocheux's vivid and convincing portrait of Ho Chi Minh goes further than any previous biography in explaining both the myth and the man, as well as the times in which he was situated.