A primer for Fleur Designer’s Paint Verdigris effect. Use for a singular coat with a brush or roller. For absorbent surfaces, dilute with 20% water. With non absorbent surfaces sand the surface beforehand to improve adhesion.

Fleur Designer’s Paint Verdigris contains tiny copper particles that oxidize when you apply the specific Reagent. Verdigris is the common name for a green pigment obtained through the application of acetic acid to copper plates or the natural patina formed when copper, brass or bronze is weathered and exposed to air or seawater over a period of time.

The result of these products is a real verdigris coating, which can be more or less homogeneous according to the type of application (roller, brush, sea sponge, etc.). Once you have reached the desired effect, the application of the Anti-oxidant Finish protects the Verdigris and stops the oxidation process.

Fleur Designer’s Paint Verdigris products are professional, water based, easy to use and perfect for obtaining real verdigris coatings on all surfaces such as wood, metal, plastic, glass, etc.

Holbein has created their Coloured Acrylic Gesso to provide artists with a unique range of acrylic grounds. They can be used as a traditional underpainting on all surfaces, including canvas, paper, cloth, wood, stone, and primed metal. The gesso also acts as an extremely opaque and ultra-matt finish acrylic paint medium.

Holbein Colored Gesso is highly pigmented, with an extremely smooth texture. It can be mixed with any acrylic paint or medium and finishes to a matte surface. It may be overpainted with water-based or oil-based colours or pastels.

Liquid Acrylic Primer (Black) is one of three Bob Ross Liquid Basecoats essential to the Bob Ross Wet-on-Wet Technique. Each basecoat allows artists to actually blend and mix colours right on the canvas rather than working on the palette. The Liquid White can also be used to thin other colours for application over thicker paints. The idea that a thin paint will stick to a thick paint is the basis for this entire technique.

Bob Ross colours are an excellent choice for artists who are painting in the same style as Joy of Painting host Bob Ross. This range of Bob Ross artists’ materials has been exclusively designed to create beautiful oil paintings using the successful wet-on-wet techniques made popular by the late leading TV artist Bob Ross.

Bob Ross products are part of a unique system that help even complete beginners to create realistic landscapes, animals or flowers in oil within a few hours. The system uses a special, slow-drying primer ideal for wet in wet techniques, special brushes and painting knives, and a comprehensive range of instruction manuals and videos.

Liquid Acrylic Primer (White) is one of three Bob Ross Liquid Basecoats essential to the Bob Ross Wet-on-Wet Technique. Each basecoat allows artists to actually blend and mix colours right on the canvas rather than working on the palette. The Liquid White can also be used to thin other colours for application over thicker paints. The idea that a thin paint will stick to a thick paint is the basis for this entire technique.

Bob Ross colours are an excellent choice for artists who are painting in the same style as Joy of Painting host Bob Ross. This range of Bob Ross artists’ materials has been exclusively designed to create beautiful oil paintings using the successful wet-on-wet techniques made popular by the late leading TV artist Bob Ross.

Bob Ross products are part of a unique system that help even complete beginners to create realistic landscapes, animals or flowers in oil within a few hours. The system uses a special, slow-drying primer ideal for wet in wet techniques, special brushes and painting knives, and a comprehensive range of instruction manuals and videos.

A primer of high opacity and an intense white. Suitable for most surfaces including canvas, wood, board, etc. Very flexible and ready for use undiluted. Dries quickly with a matt, slightly textured surface. Suitable for acrylic and oil paintings. No sizing required.

Instructions:
1. Stir contents before use.
2. Surface to be primed should be clean and free of loose particles.
3. Do not size ground before application. When final coat is thoroughly dry, a second may be applied. Ready for use after 24 hours
4. Glossy or smooth surfaces should be slightly roughed to improve adhesion before applying primer.
Avoid exposure to frost and do not apply at temperatures below 5C.

A primer of high opacity and an intense white. Suitable for most surfaces including canvas, wood, board, etc. Very flexible and ready for use undiluted. Dries quickly with a matt, slightly textured surface. Suitable for acrylic and oil paintings. No sizing required.

Instructions:
1. Stir contents before use.
2. Surface to be primed should be clean and free of loose particles.
3. Do not size ground before application. When final coat is thoroughly dry, a second may be applied. Ready for use after 24 hours
4. Glossy or smooth surfaces should be slightly roughed to improve adhesion before applying primer.
Avoid exposure to frost and do not apply at temperatures below 5C.

A primer of high opacity and an intense white. Suitable for most surfaces including canvas, wood, board, etc. Very flexible and ready for use undiluted. Dries quickly with a matt, slightly textured surface. Suitable for acrylic and oil paintings. No sizing required.

Instructions:
1. Stir contents before use.
2. Surface to be primed should be clean and free of loose particles.
3. Do not size ground before application. When final coat is thoroughly dry, a second may be applied. Ready for use after 24 hours
4. Glossy or smooth surfaces should be slightly roughed to improve adhesion before applying primer.
Avoid exposure to frost and do not apply at temperatures below 5C.

Pouches are the green way to buy your Jackson's Acrylic Primer. Purchasing a primer in a pouch means less wasteful packaging that can harm the environment. These light bags are also great for easy lifting and pouring. The clear packaging tells you instantly how much primer you have left.

Space saving bags such as these, are excellent for both transportation and storage. The ability to squeeze the air out of your primer pouch for storage between uses, reduces the dried up edges that can crumble in and contaminate the rest of your gesso. Imagine no more dried up lumps in your primer!

A primer of high opacity and an intense white. Suitable for most surfaces including canvas, wood, board, etc. Very flexible and ready for use undiluted. Dries quickly with a matt, slightly textured surface. Suitable for acrylic and oil paintings. No sizing required.

Instructions:
1. Stir contents before use.
2. Surface to be primed should be clean and free of loose particles.
3. Do not size ground before application. When final coat is thoroughly dry, a second may be applied. Ready for use after 24 hours
4. Glossy or smooth surfaces should be slightly roughed to improve adhesion before applying primer.
5. Avoid exposure to frost and do not apply at temperatures below 5C.

A primer of high opacity and an intense white with a good 'tooth'. Suitable for most surfaces including canvas, wood, board, etc. Very flexible and ready for use undiluted. Dries quickly with a matt, slightly textured surface. Suitable for acrylic and oil paintings. No sizing required.

Instructions:
1. Stir contents before use. Thin with water up to 10% when applying to absorbent surfaces.
2. Surface to be primed should be clean and free of loose particles.
3. Do not size ground before application. When final coat is thoroughly dry, a second may be applied. Ready for use after 24 hours.
4. Glossy or smooth surfaces should be slightly roughed to improve adhesion before applying primer.
Avoid exposure to frost and do not apply at temperatures below 5C.

For various surfaces like canvas, painting boards, wood etc. May be tinted with tube water-colour or acrylics. To be applied with a spatula. Start painting with water-colour after drying. Clean spatula with water immediately after use.

pdf=schaquaprimercoarse.pdf Schmincke Watercolour AQUA Primer Coarse Safety Data

Holbein White Acrylic Gesso is a high-quality and versatile painting ground. It is available in four types of texture and can be used as a traditional underpainting on all surfaces, including canvas, paper, cloth, wood, stone, and primed metal.

This Gesso can be mixed with regular acrylic colour to tint it. It has an excellent tooth for pastel and coloured pencil.

Holbein White Gesso is available in the following textures:

Holbein has created their Coloured Acrylic Gesso to provide artists with a unique range of acrylic grounds. They can be used as a traditional underpainting on all surfaces, including canvas, paper, cloth, wood, stone, and primed metal. The gesso also acts as an extremely opaque and ultra-matt finish acrylic paint medium.

Holbein Colored Gesso is highly pigmented, with an extremely smooth texture. It can be mixed with any acrylic paint or medium and finishes to a matte surface. It may be overpainted with water-based or oil-based colours or pastels.

A flexible acrylic ground with a high grit content designed to provide a stable white surface on which to paint. Atelier Gesso may be used directly from the container and has a thinner consistency then the regular Atelier Gesso Primer, it spreads more easily for a smoother painting surface.

Michael Harding Non-Absorbent Acrylic Primer ensures a smooth paint surface and will provide a strong bond to the layers of paint applied, with just enough tooth so as not to be greasy in feel.

Application:

A flexible acrylic ground with a high grit content designed to provide a stable white surface on which to paint. Atelier Gesso may be used directly from the container for all over thick textural effects.

Holbein Clear Acrylic Gesso is a high-quality and versatile translucent painting ground. It can be used as a traditional underpainting on all surfaces, including canvas, paper, cloth, wood, stone, and primed metal.

This Gesso can be mixed with regular acrylic colour and has an excellent tooth for pastel and coloured pencil.

This acrylic primer can be used on a wide variety of surfaces and will dry quickly. No sizing needed before use on unprimed canvas, card, paper, hardboard or wood-panel. It should be ready to paint on - using oil, acrylic or tempera - within hours.This bucket contains 1 litre of primer. 1 litre of primer will cover approximately 14 square metres in an even, non-yellowing white. Contains acrylic resin and titanium dioxide.

Dries to a completely transparent finish, as this is a primer with no pigment.

On some of these surfaces it is recommended a basecoat of the Polyurethane Primer (62.601) for best results. Premium colours are flexible and exceptionally durable and permit prolonged exposure to weather without fading or losing their brilliance.

Premium colours have been formulated with micronized, permanent pigments and an extremely resistant, exterior grade hybrid resin-polyurethane base, which withstands impacts, resists chipping and cracking, as well as direct exposure to heat and outdoor elements without cracking or fading, and is fuel residue proof up to a least 35% Nitro.

AV Premium colours have superior flow, they are self-levelling and brush on with exceptional ease. For
airbrushing, the colours can be used directly from the bottle when using a nozzle size 0,3. For the metallic colours some dilution might be necessary, and for smaller nozzles (O.2mm or less) the use of the Reducer (62.068) may be required. The recommended compressor setting is 30-60psi (2-4 bar).

The range consists of 20 bright opaque colours, 23 dazzling metallics and fluorescents, and 9 shimmering transparent Candy Colours. All colours are as suitable for detail work as for covering large surfaces and can be applied by brush as well as by airbrush.

The range is complete with 8 auxiliary products including the Transparent Basecoat and the Reducer, Primer, Varnishes and Drying Retarder. For an automotive refinishing and as an extra protective final coating, we recommend a catalyzed urethane clear varnish (spray can or airbrush).

A primer of high opacity and an intense white with a good 'tooth'. Suitable for most surfaces including canvas, wood, board, etc. Very flexible and ready for use undiluted. Dries quickly with a matt, slightly textured surface. Suitable for acrylic and oil paintings. No sizing required.

Instructions:
1. Stir contents before use. Thin with water up to 10% when applying to absorbent surfaces.
2. Surface to be primed should be clean and free of loose particles.
3. Do not size ground before application. When final coat is thoroughly dry, a second may be applied. Ready for use after 24 hours.
4. Glossy or smooth surfaces should be slightly roughed to improve adhesion before applying primer.
Avoid exposure to frost and do not apply at temperatures below 5C.

A primer of high opacity and an intense white with a good 'tooth'. Suitable for most surfaces including canvas, wood, board, etc. Very flexible and ready for use undiluted. Dries quickly with a matt, slightly textured surface. Suitable for acrylic and oil paintings. No sizing required.

Instructions:
1. Stir contents before use. Thin with water up to 10% when applying to absorbent surfaces.
2. Surface to be primed should be clean and free of loose particles.
3. Do not size ground before application. When final coat is thoroughly dry, a second may be applied. Ready for use after 24 hours.
4. Glossy or smooth surfaces should be slightly roughed to improve adhesion before applying primer.
Avoid exposure to frost and do not apply at temperatures below 5C.

A primer of high opacity and an intense white with a good 'tooth'. Suitable for most surfaces including canvas, wood, board, etc. Very flexible and ready for use undiluted. Dries quickly with a matt, slightly textured surface. Suitable for acrylic and oil paintings. No sizing required.

Pouches are the green way to buy your Jackson's Acrylic Gesso Primer. Purchasing a primer in a pouch means less wasteful packaging that can harm the environment. These light bags are also great for easy lifting and pouring. The clear packaging tells you instantly how much primer you have left.

Space saving bags such as these, are excellent for both transportation and storage. The ability to squeeze the air out of your primer pouch for storage between uses, reduces the dried up edges that can crumble in and contaminate the rest of your gesso. Imagine no more dried up lumps in your primer!

Instructions:
1. Stir contents before use. Thin with water up to 10% when applying to absorbent surfaces.
2. Surface to be primed should be clean and free of loose particles.
3. Do not size ground before application. When final coat is thoroughly dry, a second may be applied. Ready for use after 24 hours.
4. Glossy or smooth surfaces should be slightly roughed to improve adhesion before applying primer.
Avoid exposure to frost and do not apply at temperatures below 5C.

Art Spectrum Colourfix Primer is a fine tooth, quick drying acrylic primer which bonds agressively to practically any clean, dry surface - all types of papers (300 gsm or heavier recommended), canvas, card, ply, plastic, glass, timber, ceramic and metal.

Suitable for a wide range of applications including pastels, charcoal, pencils, inks, acrylics, gouache or even watercolours.