This revised work provides a basic introduction to prints and printmaking. It provides explanations of different techniques of printmaking and illustrates both details and whole prints to show the effects that can be achieved. Woodcut, engraving and mezzotint are among the different processes explained and placed within an historical context.

Screenprinting is essentially a stencil method of printing, but is has vast potential. This beautiful book explains the techniques behind the art and introduces ideas to explore its exciting and versatile qualities. Packed with step-by-step sequences and practical advice, it not only explains the process but inspires designers and makers to experiment with the creative potential of this striking art form. It introduces the basic technical aspects of printing on fabric, as well as the equipment and materials. Ideas for designing and developing different types of motifs, images, patterns and repeats are given and how to combine the different elements together. It covers effective low-tech methods that exploit physical skills and simple tools, as well as contemporary printed textile practice with digital input and sophisticated technologies. Advice on the use of colour is given as well as dye recipes and the instructions for their use on fabric. Methods are included such as cross dyeing, crimping and mark making on fabric, which can be used in conjunction with screenprinting. Drawing on the author's over forty years of experience, it shares her practical tips and ideas for both the traditional processes of screenprinting and the latest techniques that embrace contemporary practice ready for a new textile audience.

The book demonstrates how illustrated printed books played an active role in identity-building processes in the Hungarian Kingdom. It shows the influence of Latin-language histories of Hungary in the areas of imagery of the Hungarian political community, visual representations of Hungarian patron saints, rulers, nobility and aristocracy. These books were and still are influential carriers of messages about the shared past. They were used as an important means of communication and as objects through which models of self- and collective identifications were imprinted. Their long afterlives, due to numerous editions, translations, adaptations and transpositions into other media, gradually unified the historical imagery, thus forming a key component for the identifications of the books' recipients.

This atmospheric calendar features 12 wood engravings from the collections at the Ashmolean Museum in Oxford. With artworks from Paul Nash, Thomas Edmund Chadwick, William Nicholson and others, these intricate engravings are beautifully reproduced. Informative text accompanies each work and the datepad features previous and next month's views. Printed on FSC-certified paper.

This pack contains 500 high-quality origami sheets printed with delicate and cheerful cherry blossom designs. These colorful origami papers were developed to enhance the creative work of origami artists and paper crafters. The pack contains 12 unique designs, and all of the papers are printed with coordinating colors on the reverse to provide aesthetically pleasing combinations in origami models that show both the front and back. There's enough paper here to assemble amazing modular origami sculptures, distribute to students for a class project, or put to a multitude of other creative uses. This origami paper pack includes: 500 sheets of high-quality origami paper 12 unique designs Bright, vibrant colors Double-sided color 4 x 4 inch (10 cm) squares

This volume presents a cross-disciplinary analysis of academic poster presentations, taking into consideration the text and visuals that posters display depending on the discipline within which they are created. As the academic poster is a multimodal genre, different modal aspects have been taken into consideration when analysing it, a fact that has somehow complicated the genre analysis conducted, but has also stimulated the research work involved and, in the end, provided interesting results. The analysis carried out here has highlighted significant cross-disciplinary differences in terms of word count, portrait/landscape orientation and layout of posters, as well as discipline and subdiscipline-specific patterns for what concerns the use of textual interactive and interactional metadiscourse resources and visual interactive resources. The investigation has revealed what textual and visual metadiscourse resources are employed, where and why, and as a consequence, what textual and visual metadiscourse strategies should be adopted by poster authors depending on the practices and expectations of their academic community.

The book Art Forms in Nature is a collection of prints, made by the scientist Ernst Haeckel, of an enormous variety of flora and fauna from the sea-including microscopic Radiolaria, starfish and jelly fish-and since Prestel published it in 1998, it has been a favourite with artists, designers, illustrators and anyone who enjoys the wondrous forms of the natural world. Now paper engineer Maike Biederstaedt has transformed Haeckel's transcendent work into a three-dimensional book that allows readers to appreciate Haeckel's vivid colours, exceptional precision and fascination with patterns and geometry. This stunning book features seven pop-ups that allow readers to see nature's brilliance the way that Haeckel did-as marvellous, mathematically based creations that support his theory of the unity of all living things. Certain to appeal to his huge variety of fans, this pop-up version of a timeless classic will be treasured for years to come.

The 2nd edition of The Care of Prints and Drawings provides practical, straightforward advice to those responsible for the preservation of works on paper, ranging from curators, facility managers, conservators, registrars, collection care specialists, private collectors, artists, or students of museum studies, visual arts, art history, or conservation. A greater emphasis is placed on preventive conservation, a trend among collecting institutions, which reflects the growing recognition that scarce resources are best expended on preventing deterioration, rather than on less effective measures of reversing it. Expanded and richly illustrated chapters include: *Supports for Prints and Drawings discusses the properties of parchment and paper and introduces the general preservation needs and conservation problems of all works on paper, regardless of their media. *Conservation Problems Related to the Paper Support of Prints and Drawings presents a guide to recognizing the symptoms and diagnosing the causes of damage specific to paper. *Conservation Problems Related to the Materials and Techniques of Prints describes the conservation problems that affect certain printmaking materials and arise from specific processes. *Conservation Problems Related to the Materials and Techniques of Drawings focuses on the various materials used to create marks on paper. *Item-Level Collection Protection: Envelopes, Sleeves, Folders, Enclosures, Mats, Boxes, Frames, and Furniture, discusses measures taken for prints and drawings so that they can better withstand the rigors of handling, examination, exhibition, travel, and adverse environmental conditions. *Preventive Conservation for Prints and Drawings describes how the integration of a comprehensive Collections Care Program into a Collections Management Policy can reduce the need for item-level conservation treatments. *Basic Paper Conservation Procedures provides instructions on how to stabilize damaged works. *How to Make Starch Paste and Methyl Cellulose Adhesive and Suppliers of Paper Conservation Materials and Equipment are appended as well as a Glossary.

This pack contains 100 high-quality origami sheets printed in colorful and traditional Japanese Kimono Patterns. These paper patterns were developed to enhance the creative work of origami artists and paper crafters. The pack contains 12 unique patterns, and all of the papers are printed with coordinating colors on the reverse to provide aesthetically pleasing combinations in origami models that show both the front and back of the papers. This origami paper pack includes: 100 sheets of high-quality origami paper 12 different patterns Vibrant and bright colors Double-sided color 6 x 6 inch (15 cm) squares Instructions for 6 simple origami projects

This facsimile edition of a 1922 children's book features seventy-three dynamic and whimsical woodcut illustrations-the first woodcuts that the famed American craftsman Wharton Esherick produced. A high-quality replica authorized by the Wharton Esherick Museum, this book reveals the foundation of Esherick's direction as an artist. Edited by Museum director Paul Eisenhauer, it also features a foreword by Museum assistant curator Laura Heemer. The illustrations frame verses that introduce children to the principles of evolution, a highly controversial topic at the time: the book was published three years before the famous Scopes "Monkey" trial of 1925 that resulted in the inclusion of the teaching of evolution in public schools. Drawn by the excitement of the controversy, Esherick threw his passion into these illustrations. Afterward he would go on to carve over 300 woodcuts, leading to decorative carving, and ultimately, to Esherick's realization that he was a sculptor rather than a painter.

'Buy my Dish of great Eeles, Any Old Iron take money for, Twelve Pence a Peck Oysters, Buy my fat Chickens, Fair Lemons & Oranges' Marcellus Laroon's 'The Cryes of the City of London drawne after the Life' presents, in seventy-four striking portraits, a panorama of London's marginal men and women: street vendors, hustlers and petty criminals together with the shouts (or cries) they used to hawk their wares, as they existed at the end of the seventeenth century. Following an illustrated introduction which sets Laroon's engravings within the tradition of the Cries, each portrait is beautifully reproduced with a commentary that illuminates the individual street-seller and their trade. The commentaries provide a wealth of detail about their dress, the equipment they used to ply their trade, the meat and drink of those they served and their own diets. This book also mines historical archives for contemporary reports about the colourful and often desperate lives of these hawkers. Drawing on the historic material found in the Burney Collection of English newspapers, this book provides a fascinating insight into the men and women who made their livelihood, legally and illegally, on the streets of England's capital.

One of Britains foremost printmakers, Norman Ackroyd CBE RA has spent a lifetime recording the coastal landscapes of the British Isles. A Shetland Notebook contains forty of his vivid landscape sketches in watercolour. Made in the open air, often aboard a pitching and tossing fishing boat, these lively, spontaneous works capture the unique atmosphere of these remote and beautiful islands. The notebooks unusual format is due entirely to the artist, who uses sheets of various types of paper torn to fit into a loose-leaf ring binder made from two pieces of wooden picture-backing; this he tucks into his coat pocket, ready for use whenever the need arises. His brief but engaging commentaries place each sketch in its context. Following the success of A Line in the Water , Ackroyds collaboration with the award-winning poet Douglas Dunn OBE, published by the Royal Academy in 2009, A Shetland Notebook is an essential purchase for all admirers of this most characterful artists work.

This guide to printmaking plunges you into dozens of ways to leave your mark on the world-and on your walls, tablecloths, garments, and every other surface imaginable. Emphasizing the joy and energy of printmaking, the 41 projects use everyday materials, and don't require any previous experience. Learn 15 main printmaking methods and their submethods, including relief printing, stamping, screen printing, collagraphy, monoprinting, cyanotypes, botanical prints, and many more. Transform your fingerprint into a huge graphic print with the "We're All Thumbs" project. Using cut stamps, make the exciting combination of bandanna and coordinating game-pieces in "Mr. Potatohead Plays Chess." Enjoy solar printing with "Like Snowflakes in the Sun." Included throughout are plenty of options, variations, and encouragement to make your prints your own way.

Make a difference in Ukraine and start folding with this beautiful sunflower paper today! A portion of the sales are donated in support of World Central Kitchen's humanitarian efforts in Ukraine This paper pack contains 100 high-quality origami sheets printed in colorful Sunflower Patterns with coordinating Yellow and Blues on the back-- to inspire Peace Cranes for Ukraine. In Japanese tradition it is said that those who fold 1,000 origami cranes will have their wish of peace granted. We hope for peace in Ukraine, and encourage you to start folding your own sunflower peace cranes for Ukraine today! This origami paper pack includes: 100 sheets of high-quality origami paper 12 Beautiful sunflower patterns, in Ukranian yellow and blues Vibrant and bright colors Double-sided color 6 x 6 inch (15 cm) squares Instructions for 5 simple origami projects About World Central Kitchen: World Central Kitchen is first to the frontlines, providing meals in response to humanitarian, climate, and community crises. They build resilient food systems with locally led solutions, and have created a new model for disaster relief helping devastated communities recover and establish resilient food systems. Over 170 million meals served across eight countries: Across Ukraine, WCK is bringing hundreds of thousands of daily meals and pounds of food to over 8,000 distribution sites. With your purchase of this beautiful paper pack you are also bringing food to a country in need!

Each chapter of this stimulating book collects a wide variety of images show the different ways that historical events can be represented. Metal and wood engravings, lithographs, woodcuts, etchings, watercolors, and drawings all reflect changing attitudes towards gender, politics, the family, education, and industrialization. This revised second edition has many new illustrations which further assist the interpretation of popular graphic images from the 18th and 19th centuries. -- .

This book examines the early development of the graphic arts from the perspectives of material things, human actors and immaterial representations while broadening the geographic field of inquiry to Central Europe and the British Isles and considering the reception of the prints on other continents. The role of human actors proves particularly prominent, i.e. the circumstances that informed creators', producers', owners' and beholders' motivations and responses. Certainly, such a complex relationship between things, people and images is not an exclusive feature of the pre-modern period's print cultures. However, the rise of printmaking challenged some established rules in the arts and visual realms and thus provides a fruitful point of departure for further study of the development of the various functions and responses to printed images in the sixteenth century. The book will be of interest to scholars working in art history, print history, book history and European studies. The introduction of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license at https://www.taylorfrancis.com/chapters/oa-edit/10.4324/9781003029199-1/introduction-gra%C5%BCyna-jurkowlaniec-magdalena-herman?context=ubx&refId=b6a86646-c9f3-490d-8a06-2946acd75fda

The geometric shapes and natural forms, captured with exceptional precision in Ernst Haeckel's prints, still influence artists and designers to this day. This attractive volume highlights the research and findings of this outstanding natural scientist. Powerful modern microscopes have confirmed the accuracy of HaecKel's prints winch, even in their day, rightly became world famous.

Haeckel's outstanding portfolio, first published between 1899 and 1904 in separate installments, is described in the opening essays. The plates illustrate Haeckel's fundamental monistic notion of the "unity of all living things", and the wide variety of forms are executed with utmost delicacy. Incipient microscopic organisms are juxtaposed with highly developed plants and animals. The pages, ordered according to geometric and "constructive" aspects, handsomely document the oneness of the world in its most diversified forms.

This collection of plates was not only well-received by scientists, but by artists and architects as well. Rene Binet, a pioneer of glass and iron constructions, Emile Galle, a renowned Art Nouveau designer, and the photographer Karl Blossfeld all acknowledge and make explicit reference to Haeckel in their work.

This pack contains 200 high-quality origami sheets printed with fun and whimsical flower patterns. These colorful designs were developed to enhance the creative work of origami artists and paper crafters. The pack contains 12 unique patterns, and all of the papers are printed with coordinating colors on the reverse to provide aesthetically pleasing combinations in origami models that show both the front and back of the papers. This origami paper pack includes: 200 sheets of high-quality origami paper 12 different patterns Vibrant and bright colors Double-sided color 6 x 6 inch (15 cm) squares Instructions for 6 easy origami projects

This paper pack contains 500 high-quality, 6-inch origami sheets printed with colorful and psychedelic patterns. This origami paper pack includes: 500 sheets of high-quality origami paper 12 unique patterns Bright, vibrant colors Double-sided color 6 x 6 inch (15 cm) squares Step-by-step instructions for 5 easy-to-fold origami projects These stunning origami papers were developed to enhance the creative work of origami artists and paper crafters. The pack contains 12 unique patterns, and all of the papers are printed with coordinating colors on the reverse to provide aesthetically pleasing combinations in origami models that show both the front and back. Warm up your origami skills with included instructions for 5 classic origami models: Pinwheel Star Box Balloon Helmet Crane

A practical and inspirational book of printmaking techniques and modern working practices. This book is your basic and essential guide to a wide range of printmaking techniques. Through step-by-step instructions, it covers the processes of monotype, relief, intaglio, collagraph, screenprinting and lithography, explaining basic methods and recommending tools, types of paper, equipment and materials necessary for each, as well as highlighting safe and sensible working practices. A handy chapter also teaches you how to edition and frame your prints. This new, expanded edition covers modern working practices and recent techniques such as printing with carborundum. Designed as a practical book, it is also full of inspiration for all budding printmakers.

This pack contains 500 high-quality origami sheets printed with colorful and attractive nature photographs. These photographs of nature were chosen to enhance the creative work of origami artists and paper crafters. This pack contains 12 different unique nature photographic designs including: Honeycomb Butterflies Green leaves River pebbles Succulents Kiwi A booklet in the pack provides step-by-step instructions for 6 origami projects.

In seeing printed reproductions as a form of response to Michelangelo's work, Bernadine Barnes focuses on the choices that printmakers and publishers made as they selected which works would be reproduced and how they would be presented to various audiences. Six essays set the reproductions in historical context, and consider the challenges presented by works in various media and with varying degrees of accessibility, while a seventh considers how published verbal descriptions competed with visual reproductions. Rather than concentrating on the intentions of the artist, Barnes treats the prints as important indicators of the use of, and public reaction to, Michelangelo's works. Emphasizing reception and the construction of history, her approach adds to the growing body of scholarship on print culture in the Renaissance. The volume includes a comprehensive checklist organized by the work reproduced.

Using Pieter de Marees' Description and Historical Account of the Gold Kingdom of Guinea (1602) as her main source material, author Elizabeth Sutton brings to bear approaches from the disciplines of art history and book history to explore the context in which De Marees' account was created. Since variations of the images and text were repeated in other European travel collections and decorated maps, Sutton is able to trace how the framing of text and image shaped the formation of knowledge that continued to be repeated and distilled in later European depictions of Africans. She reads the engravings in De Marees' account as a demonstration of the intertwining domains of the Dutch pictorial tradition, intellectual inquiry, and Dutch mercantilism. At the same time, by analyzing the marketing tactics of the publisher, Cornelis Claesz, this study illuminates how early modern epistemological processes were influenced by the commodification of knowledge. Sutton examines the book's construction and marketing to shed new light on the social milieus that shared interests in ethnography, trade, and travel. Exploring how the images and text function together, Sutton suggests that Dutch visual and intellectual traditions informed readers' choices for translating De Marees' text visually. Through the examination of early modern Dutch print culture, Early Modern Dutch Prints of Africa expands the boundaries of our understanding of the European imperial enterprise.