When Art Disrupts Religion opens at London's Tate Modern Museum, with a young Evangelical man contemplating a painting by Mark Rothko, an aesthetic experience that proves disruptive to his religious life. Without those moments with Rothko, he says, "there never would have been an undoing of my conservative Evangelical worldview." The memoirs, interviews, and ethnographic field notes gathered by Philip Francis for this book lay bare the power of the arts to unsettle and overturn deeply ingrained religious beliefs and practices. Francis explores the aesthetic disturbances of more than 80 Evangelical respondants. From the paintings of Rothko to the films of Ingmar Bergman, from The Brothers Karamozov to The Freewheelin' Bob Dylan, Francis finds that the arts function as sites of "defamiliarization," "comfort in uncertainty," "a stand-in for faith" and a "surrogate transcendence." Bridging the gap between aesthetic theory and lived religion, this book sheds light on the complex interrelationship of religion and art in the modern West, and the role of the arts in education and social life.

This is the first full-length detailed survey and critique of modern Jerome scholarship, covering the crucial period 1880-2014. At one level, the author ably argues that, despite Jerome's faults, his work holds many important insights into the Early Church's formation of Christian identity and Christian orthodoxy. On another level, by examining aspects of Jerome's writing through the lens of modern scholarship, the study also illumines the changing directions and perspectives of Jerome studies. As such, it is a valuable and unique account of the scholarly representation of Jerome's oeuvre. Christopher Knight's work will continue to have a respected place amongst Jerome studies for years to come. Content 1. Introduction 2. Jerome and Biblical Interpretation in the Early Church 3. Early Modern Jerome Scholarship: 1880-1965 4. Later Modern Jerome Scholarship: 1966-2012 5. Present Jerome Scholarship: 2013-2015 6. The Future of Jerome Studies 7. Conclusion

This book presents a theological and missiological argument for pentecostals to engage more forcefully in higher education by expanding and renewing their commitment toward operating their own colleges and universities. The volume's first part describes past and present developments within higher education, highlighting strengths and weaknesses of both pentecostal and (post)secular institutions. The second part highlights the future potential of pentecostal higher education, which is enriched by a Spirit-empowered and mission-minded spirituality that focuses on forming the hearts, heads, and hands of students. Pentecostals increasingly desire to influence all spheres of society, an endeavor that could be amplified through a strengthened engagement in higher education, particularly one that encompasses a variety of institutions, including a pentecostal research university. In developing such an argument, this research is both comprehensive and compelling, inviting pentecostals to make a missional difference in the knowledge-based economies that will characterize the twenty-first century.

Documentary as Exorcism is an interdisciplinary study that builds upon the insights of postcolonial studies, critical race theory, theological and religious studies and media and film studies to showcase the role of documentary film as a system of signifying capable of registering complex theological ideas while pursuing the authentic aims of documentary filmmaking. Robert Beckford marries the concepts of 'theology as visual practice' and 'theology as political engagement' to develop a new mode of documentary filmmaking that embeds emancipation from oppression in its aesthetic. In various documentaries made for Channel 4 and the BBC, Beckford narrates the complicit relationship of Christianity with European expansion, slavery, and colonialism as a historic manifestation of evil. In light of the cannibalistic practices of colonialism that devoured black life, and the church's role in the subjugation and theological legitimation of black bodies, Beckford characterises this form of historic Christian faith as 'colonial Christianity' and its malevolent or 'occult' practices as a form of 'bewitchment' that must be 'exorcised'. He identifies and exorcises the evil practices of colonialism and their present impact upon African Caribbean Christian communities in Britain in films such as Britain's Slave Trade and Empire Pays Back through a deliberate process of encoding/decoding. The emancipatory impact of this form of documentary filmmaking is demonstrated by its ability to bring issues such as reparations to the public square for debate, and its capacity to change a corporation's trade policies for the good of Africans.

Methodism is growing, both in numbers and influence, according to the World Methodist Council there are 78 Methodist, Wesleyan, and related Uniting and United churches representing over 80 million people in more than 130 nations. There are clear reasons for its success. Among them are commitment to evangelize and nurture people with the message of God's presence, love, and direction. That includes an appreciation for, and practice of, the holistic nature of the Wesleyan tradition which involves faith nurtured in the biblical narrative, disciplined personal and communal spirituality and holy living, vibrant preaching, worship, and fellowship, and a faith which rejoices in personal and social reform. This third edition of Historical Dictionary of Methodism presents the history of Methodism through a detailed chronology, an introductory essay, an extensive bibliography, and over 500 cross-referenced dictionary entries on important institutions and events, doctrines and activities, and especially persons who have contributed to the church and also broader society in the three centuries since it was founded. This book is an ideal access point for students, researchers, or anyone interested in the history of the Methodist Church.

This is a significant in-depth study that explores the cultural context of the religious experience of West Indian immigrant communities. Whereas most studies to date have focussed on how immigrants settle in their new home contexts, Janice A. McLean-Farrell argues for a more comprehensive perspective that takes into account the importance of religion and the role of both 'home' and the 'host' contexts in shaping immigrant lives in the Diaspora. West Indian Pentecostals: Living Their Faith in New York and London explores how these three elements (religion, the 'home' and 'host' contexts) influence the ethnic-religious identification processes of generations of West Indian immigrants. Using case studies from the cities of New York and London, the book offers a critical cross-national comparison into the complex and indirect ways the historical, socio-economic, and political realities in diaspora contribute to both the identification processes and the 'missional' practices of immigrants. Its focus on Pentecostalism also provides a unique opportunity to test existing theories and concepts on the interface of religion and immigration and makes important contributions to the study of Pentecostalism.