Documentary as Exorcism is an interdisciplinary study that builds upon the insights of postcolonial studies, critical race theory, theological and religious studies and media and film studies to showcase the role of documentary film as a system of signifying capable of registering complex theological ideas while pursuing the authentic aims of documentary filmmaking. Robert Beckford marries the concepts of 'theology as visual practice' and 'theology as political engagement' to develop a new mode of documentary filmmaking that embeds emancipation from oppression in its aesthetic. In various documentaries made for Channel 4 and the BBC, Beckford narrates the complicit relationship of Christianity with European expansion, slavery, and colonialism as a historic manifestation of evil. In light of the cannibalistic practices of colonialism that devoured black life, and the church's role in the subjugation and theological legitimation of black bodies, Beckford characterises this form of historic Christian faith as 'colonial Christianity' and its malevolent or 'occult' practices as a form of 'bewitchment' that must be 'exorcised'. He identifies and exorcises the evil practices of colonialism and their present impact upon African Caribbean Christian communities in Britain in films such as Britain's Slave Trade and Empire Pays Back through a deliberate process of encoding/decoding. The emancipatory impact of this form of documentary filmmaking is demonstrated by its ability to bring issues such as reparations to the public square for debate, and its capacity to change a corporation's trade policies for the good of Africans.

This is a significant in-depth study that explores the cultural context of the religious experience of West Indian immigrant communities. Whereas most studies to date have focussed on how immigrants settle in their new home contexts, Janice A. McLean-Farrell argues for a more comprehensive perspective that takes into account the importance of religion and the role of both 'home' and the 'host' contexts in shaping immigrant lives in the Diaspora. West Indian Pentecostals: Living Their Faith in New York and London explores how these three elements (religion, the 'home' and 'host' contexts) influence the ethnic-religious identification processes of generations of West Indian immigrants. Using case studies from the cities of New York and London, the book offers a critical cross-national comparison into the complex and indirect ways the historical, socio-economic, and political realities in diaspora contribute to both the identification processes and the 'missional' practices of immigrants. Its focus on Pentecostalism also provides a unique opportunity to test existing theories and concepts on the interface of religion and immigration and makes important contributions to the study of Pentecostalism.

War on the Saints is Jessie Penn-Lewis's masterwork, wherein she outlines the occurrences of Satan within the Christian world, and the eternal battle between good and evil. The book aims to prepare and assist Christians who are caught unguarded against the onslaught of evil and deception which has ensued for thousands of years. In so doing, the reader will - assuming they heed the advice upon these pages - be better equipped versus the various obstacles, trickery and evils that Satan and his ilk will hurl in the path of the righteous. Penn-Lewis firmly believed that the devil was a master manipulator, with a keen knowledge of when and who to target in his schemes. Several of the chapters within this book detail the different techniques employed by Satan, and how to guard against them. Quotations of Scripture abound, boosting the author's authority and lending much credence to her arguments.

Since World War II, historians have analysed a phenomenon of "white flight" plaguing the urban areas of the northern United States. One of the most interesting cases of "white flight" occurred in the Chicago neighborhoods of Englewood and Roseland, where seven entire church congregations from one denomination, the Christian Reformed Church, left the city in the 1960s and 1970s and relocated their churches to nearby suburbs. In Shades of White Flight, sociologist Mark T. Mulder investigates the migration of these Chicago church members, revealing how these churches not only failed to inhibit white flight, but actually facilitated the congregations' departure. Using a wealth of both archival and interview data, Mulder sheds light on the forces that shaped these midwestern neighborhoods and shows that, surprisingly, evangelical religion fostered both segregation as well as the decline of urban stability. Indeed, the Roseland and Englewood stories show how religion - often used to foster community and social connectedness - can sometimes help to disintegrate neighborhoods. Mulder describes how the Dutch CRC formed an insular social circle that focused on the local church and Christian school - instead of the local park or square or market - as the center point of the community. Rather than embrace the larger community, the CRC subculture sheltered themselves and their families within these two places. Thus it became relatively easy - when black families moved into the neighborhood - to sell the church and school and relocate in the suburbs. This is especially true because, in these congregations, authority rested at the local church level and in fact they owned the buildings themselves. Revealing how a dominant form of evangelical church polity - congregationalism - functioned within the larger phenomenon of white flight, Shades of White Flight lends new insights into the role of religion and how it can affect social change, not always for the better.