Designed by the internationally renowned architect Renzo Piano and developed by Irvine Sellar, The Shard is one of the world's most striking new skyscrapers and is now, at 310m, the tallest building in Western Europe. From 1 February 2013, people will be able to visit The View on floors 68, 69 and 72 - almost twice the height of any other viewing gallery in London - from where they will experience a 360-degree, 40-mile view over one of the world's most historic and exciting cities. Organized spread by spread, easy to navigate and as elegantly designed as the building itself, the official guidebook sets The Shard in the context of Southwark, one of the capital's most historic boroughs, before outlining the design principles and construction story of the building. Also included are Q&As with both the architect and the developer and fascinating facts and stats relating to this extraordinary building. Central to the book's purpose as the official guidebook are a series of twelve high-resolution double-page panoramic photographs of the views from The Shard (three per compass point: looking left, looking right and looking down), each annotated to identify London's key buildings, monuments and landmarks. An informative souvenir for visitors to The Shard, the book will also be available in the trade, making it available to all Londoners and visitors to the capital.

Bricks, mortar, memories, and magic! Create children's and YA spaces that work and welcome youth into the world of knowledge. Get the "inside story" on creating those special spaces in your library that promote and encourage children's and young adult's curiosity, learning, and reading - and support their lifelong love of books and information.Nolan Lushington - expert library design consultant - covers the complete planning process from concept to "grand opening." He takes you from the technical aspects of design and construction, to the finer points of lighting, acoustics, furnishings, equipment, and multimedia areas, storywells, YA spaces, and more. Whether you're a children's or YA librarian, library director, school facilities planner or architect, you'll discover valuable, practical tips and insights to help you create that inviting environment called the library.

Store Design will show you how to design great retail spaces. Learn how to analyze your design needs according to type of store, location, the product, price-point, and budget. Find out how to design and organize a store that reinforces a desired image, attracts shoppers and motivates buying behavior. Create flexible, timeless and tasteful stores that stimulate today's sophisticated customers to enter the store, shop and buy. The book identifies the main components of store design and segments them into either/or axiomatic subsets, which are the core of the design process. You can use these design principles to build a store design that responds to every concern of the retailer - the right store image, a sensible floor plan, totally effective product presentation, arresting storefront design, and vibrant, energy-efficient lighting. When you are done, you will have the confidence to know that your store design will work functionally, aesthetically, and psychologically. You will be able to create the right store for every product, every location, and every retailer, because you will have sound design principles on which to base every decision. Loaded with numerous photos and illustrations, Store Design spells it all out in five major chapters. In addition, there is a useful glossary of retail architecture terms, and a step-by-step checklist to take you through the design process. Store Design is a guided tour through the entire design process for a retail store. If you are already a retail design maven, this book will serve you well, providing a structure for design and reinforcing your skills and experience, and it will be a knowledge base for your staff so they too can design retail spaces. If you are a novice to the world of retail, you will gain the equivalent of years of experience simply by reading and adopting its ideas. Store Design is a Complete Guide to Designing Successful Retail Stores. Includes 42 photos & illustrations plus design checklist.

Do you like to go treasure hunting in obvious or out of the way places? Do you like to view fine art in galleries large and small? This book will give you directions to New Mexico's amazing New Deal treasures and to buildings and bridges, murals and sculptures, paintings and people who made them. They are not necessarily in the most obvious places, and yet many are in places that one routinely visits. They have been patiently waiting in our cities, our villages, our parks, rarely witnessed as being "treasures." They were constructed perhaps even by your own artistic ancestors. This book is full of clues. Go sleuthing Growing up in Portales, New Mexico, Kathryn Akers Flynn lived in an area with a New Deal courthouse, a New Deal post office, and New Deal schools. She worked at the local swimming pool and partied in the city park, both built during the Depression era. In high school she was a cheerleader on 1930s football fields for onlookers in Work Progress Administration bleachers and camped out at a nearby Civilian Conservation Corps created park and lake. She never knew any of these structures were fashioned by the New Deal, nor did she notice the New Deal treasures in Salt Lake City while at the University of Utah where she received her Bachelor's Degree or the New Deal structures in Carbondale, Illinois where she earned her Master's Degree at Southern Illinois University. Returning to New Mexico, she had a career in the state health and mental health administration that included directorship of Carrie Tingley Hospital, a New Deal facility with many public art treasures. It wasn't until she became Deputy Secretary of State of New Mexico that she realized what was around her. As a result she went on to edit three editions of the "New Mexico Blue Book" featuring information about New Deal creations all over the state. This book presents the history and whereabouts of many such treasures found since compiling an earlier book, "Treasures on New Mexico Trails," and another that focuses on New Deal programs nationwide, "The New Deal: A 75th Anniversary Celebration." She also assisted with the compilation of "A More Abundant Life, New Deal Artists and Public Art in New Mexico" by Jacqueline Hoefer, also from Sunstone Press and an apt companion for "Public Art and Architecture in New Mexico." She was instrumental in creating the National New Deal Preservation Association, and now serves as Executive Director.

This book explores the public policy involved in memorialising and preserving the nation's historical sites. Topics discussed include: national monuments and the Antiquities Act; commemorative works in the District of Columbia; the establishment of national heritage areas to commemorate, conserve, and promote areas that include important natural, scenic, historic, cultural and recreational resources; establishing new units in the national park system and the significance of the different titles for individual units of the national park system and the advantages and disadvantages of system-wide recommendations to simplify park nomenclature.

Architect, scholar, and civil leader, Samuel Wilson, Jr. was the founding president of the Louisiana Landmarks Society, which advocates historic preservation in New Orleans. A complement to Learning From Samuel Wilson, Jr., this second volume offers new information on historic preservation. The collection of interviews between Abbye A. Gorin and the renowned architect offers an intimate glimpse of what was involved in carrying out projects and executing research. Through candid conversations, the book exposes the complexities of architecture and the intricate steps involved in a restoration project. In addition to documenting Wilson's career, Conversations puts his contributions to American architecture into context. Period illustrations of such establishments as Banque de la Louisiane, the Hermann-Grima House, and the Beauregard House are interspersed throughout the text. The book also includes general information about the modern preservation movement and a list of suggested references.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

American forces, commanded by Maj. Gen. Andrew Jackson, defeated the British Army in Louisiana during the last major battle of the War of 1812. Not only did this victory save New Orleans from British conquest, but it also made the Mississippi an American river, opened the way for westward expansion, and increased the nation's prestige. Twenty-four years after the Battle of New Orleans, the Young Men's Jackson Committee formed in an effort to create a memorial commemorating the battle's heroes. Beginning with an overview of the Battle of New Orleans, this book details the history of the Chalmette Monument. Firsthand accounts and excerpts from the Times-Picayune chronicle the process, from its conception in 1839 through its completion in 1908. The study also includes period photographs of the monument and portraits of such historical figures as Gen. Andrew Jackson; Abdiel Daily Crossman, a chairman of the Jackson Monument Association and three-time mayor of New Orleans; along with Newton Richards, the designer of the original monument.

This book speaks to lovers of art, Santa Fe, historic architecture, guidebooks, and books as art. The imaginative images are combined with historical documentation, illuminating the diverse period-architecture found in a simple crisscross of seven streets. The historic McKenzie Neighborhood is just a five-minute walk from the downtown Plaza, bordered by the Georgia O'Keeffe Museum on Johnson Street. With its charming buildings, old-fashioned street lamps, bright hollyhocks and leggy branches of wild sunflowers along the sidewalks, and distant sounds of church bells or train horns, it's genuinely New Mexico, where not hurrying is a way of life. So, pause as you travel through the pages of this book, seeing the past with the eyes of now, and return to its treasures again and again. Creative collaborators Victoria Rogers and Cal Haines are responsible for the art, much of the writing and the concept for this book. Victoria's originality and eye for color, composition and refinement combined adeptly with Cal's technical, improvisational and rhythmic design skills to produce the imagery. Prior to this time, Victoria Rogers has been best known as an artist for her portfolio of color landscape photography with selections archived in the New Mexico Museum of Art's historic Jane Reese Williams Collection. Cal Haines is a lifelong jazz drummer whose multidimensional thinking patterns find additional expression through photographic and abstract representations of auditory experiences. In a short time, the pair has been highly productive in a variety of mediums and garnered recognition in print, on the web and in a documentary film for their works on paper.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

During periods of close collaboration, championed by figures like John Ruskin and William Morris, architecture and craft were referred to as "the allied arts." By the mid-twentieth century, however, it was more common for the two disciplines to be considered distinct professional fields, with architecture having little to do with studio craft. The Allied Arts investigates the history of the complex relationship between craft and architecture by examining the intersection of these two areas in Canadian public buildings. Sandra Alfoldy explains the challenges facing the development of the field of public craft and documents the largely ignored public craft commissions of the post-war era in Canada. The book highlights the global concerns of material, scale, form, ornament, and identity shared by architects and craftspeople. It also examines the ways in which the allied arts are mediated by institutions and the fragility of craft commissions once considered an integral part of the built environment. Considering a wide range of craftspeople, materials, and forms - from the ceramics of Jack Sures and Jordi Bonnet to the textile work of Mariette Rousseau Vermette and Carole Sabiston - Alfoldy celebrates the successes of architectural craftsmanship. The first work of its kind, The Allied Arts develops ideas about the complex relationship between architecture and craft that reach well beyond national boundaries.

Using contemporary color photographs, Survivors treats the reader to a statewide tour of Missouri's remaining 19th century county courthouses. Some are grandiose, others are modest, but all deserve the spotlight after more than 100 years of service. Packed with interesting historical facts and human interest tidbits, Survivors pays tribute to these important community assets. This is the 2011 second edition and contains updates from the original book published in the year 2000.

The Royal Academy of Music is one of the most prestigious conservatoires in the world, training generations of eminent musicians for all parts of the profession. Its alumni include Henry Wood, John Barbirolli, Myra Hess, Felicity Lott, Simon Rattle, Harrison Birtwistle, Elton John, Annie Lennox, Max Richter and Jacob Collier. Royal Academy graduates populate all the great orchestras, opera houses and musical theatre venues of the world, including the London Symphony, Berlin Philharmonic, the Metropolitan Opera and Broadway in New York and the West End. They are players, singers, composers, conductors, curators, animateurs and teachers. Approaching its bicentenary, the Royal Academy is Britain's oldest conservatoire. An international organisation from its foundation, it has just completed a transformative programme of new building at the heart of its Marylebone Road site. Bright ancillary spaces, refurbished studios and two exceptional additions designed by Ian Ritchie Architects, the Susie Sainsbury Theatre and the Angela Burgess Recital Hall, have already won major national and international awards for their breath-taking designs and outstanding acoustics, ideal for talented young singers, instrumentalists and composers. Recent decades have seen the Royal Academy extend its interests to jazz, musical theatre and vital outreach, educational and celebrated collaborative projects to foster future generations of musicians and music lovers. This book reveals how virtuoso architecture and technology have brilliantly fused the Academy's famous Edwardian building with the modern institution's creative values and aspirations as it moves towards its third century.

In response to the 1845 Lunacy Act, initial, and what appeared to be perfunctory discussions took place in 1846 on the need for Newcastle to build its own asylum for pauper lunatics. It wasn't until 1863 however, that proper consideration was given for the first time on whether the city should indeed build its own asylum or at least look into possible alternatives. When it eventually opened in 1869, the high ideals associated with such a venture were superseded almost from the outset by the need for enlargement to address the continual problems of overcrowding. This subsequently led to an almost constant programme of expansion that saw the asylum grow ever bigger in size over the next few decades. In the 1960's - almost one hundred years later - proposals were put forward for a programme of closure that would herald the end of the asylum era. These proposals, in effect, were to be the precursor of care in the community initiatives which would eventually see the demise of mental hospitals such as St. Nicholas - although this would take many years to come to fruition. The physical manifestation of this process, for example, only began to have an impact from the early 1980's onwards through the gradual contraction and displacement of hospital services as they became increasingly community-based. St Nicholas Hospital has had a long and varied history in its role as both lunatic asylum and psychiatric hospital. Nevertheless, despite various references to its presence in a number of local histories, its past has never been fully investigated in any great depth - until now. This book attempts to encapsulate the origins and history of Newcastle's lunatic asylum in its entirety, from first opening in 1869 until what may be regarded as its eventual demise in 2001.

The Apollo legend retold...When the rock'n'roll revolution came, Scotland was in the thick of the action. Every big name in the business wanted to be there for one reason: the Glasgow Apollo. Between 1973 and 1985 the 'Purple Palace' played host to everyone who ever mattered. From ABBA to Zappa, Johnny Cash to the Style Council, they all played and they all came back. The former cinema was a one-off, with its high stage, infamous bouncers - and the terrifying bouncing balcony. This book, first published in 2005, explains what made the venue so special, with the addition of new interviews, unseen photos and commentary. It ties in with the GlasgowApollo.com website to bring you the story of a rock'n'roll legend, told by the people who made it: those who played there, those who worked there and the unforgettable Glasgow choir, who inspired dozens of acts to record their Apollo shows for live release. Martin Kielty is a Glaswegian music journalist, band manager and drummer.

If we looked at Nature as a model for design, we could find that in its intelligence everything is connected. This connectivity is expressed on the smallest electron arrangement to largest macroscopic stellar alignment. Everything seems to produce an effect on something else, a connection... a link between its surroundings... a relation to its Whole. Quietly, the World with its equilibrium, is telling us what harmony and balance really are... and patiently how to achieve them... Listening to this "never-ending" conversation that happens in Nature, enhances our designs, the way we think and the way we live life. In architecture we could use buildings that use energy more efficiently; buildings that react to environment with the sensitivity of a natural organism; buildings that act a little more like they are part of Nature rather than a complete separate organism from the environment. The possibility exists, that buildings can become better at the conversation with our natural surroundings. This thesis will try to uncover the readability of nature and will project a design that explains how to react to Nature in architectural terms.

The captivating tale of the plans and personalities behind one of New York City's most radical and recognizable buildings Considered the crowning achievement of Frank Lloyd Wright (1867-1959), the Solomon R. Guggenheim Museum in Manhattan is often called iconic. But it is in fact iconoclastic, standing in stark contrast to the surrounding metropolis and setting a new standard for the postwar art museum. Commissioned to design the building in 1943 by the museum's founding curator, Baroness Hilla von Rebay, Wright established residence in the Plaza Hotel in order to oversee the project. Over the next 17 years, Wright continuously clashed with his clients over the cost and the design, a conflict that extended to the city of New York and its cultural establishment. Against all odds, Wright held fast to his radical design concept of an inverted ziggurat and spiraling ramp, built with a continuous beam-a shape recalling the form of an hourglass. Construction was only completed in 1959, six months after Wright's death. The building's initial critical response ultimately gave way to near-universal admiration, as it came to be seen as an architectural masterpiece. This essential text, offering a behind-the-scenes story of the Guggenheim along with a careful reading of its architecture, is beautifully illustrated with more than 150 images, including plans, drawings, and rare photographs of the building under construction.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.