The occupational world of electronic news-gathering photographers is the focus of this study, which seeks to reveal their perceptions of their work and the knowledge and competence that underlie it. These goals are accomplished through the ethnographic analysis of qualitative data gathered through participant observation in their natural setting--at work. A reflexive description of the data explores the emerging nature of the occupation, the context of markets within which it exists, the people involved, and the practical skills required for the work.

Thirty years after his death, Edward R. Murrow is still a cult figure in American broadcast journalism, and his company has achieved the distinction of standard bearer in the field of broadcast news. This examination of key CBS broadcasts and the people behind them that helped to establish the network as the prototype for excellence provides a unique perspective on the early era of broadcasting. Included are interviews with major contributors such as former CBS News presidents Fred W. Friendly and Bill Leonard. Going beyond personalities, the specific focus is on major broadcasts, from the early era up to the present-day 60 Minutes, some of which have been overlooked in spite of their formative role in helping CBS to gain its reputation in the field.

"Writing News for Broadcast" is the Strunk and White of broadcast newswriting books. Long considered the gold standard of broadcast journalism textbooks, this guide for the student and the professional has inspired generations of newscasters through its eloquent examples and emphasis on the writer's responsibility, commitment, and integrity. It is written in a conversational style reflecting years of professional and teaching experience in radio and television newswriting.

This new edition is fully revised with examples throughout, drawn from fine writing by journalists at networks and local stations. It includes updated chapters covering use of the wire services and special formats that have become popular in recent years such as the newsmagazine. But the third edition retains the inspirational quality that has for years made this text so widely respected. In this process of providing clear, succinct instruction in the basics of the trade, it conveys to students and practicing newswriters a sense of the extraordinary tradition within which they work. The authors' emphasis on skill and creativity, responsibility to the listener, and appreciation of the profession's finest hours and finest writers make this book unique.

Today hundreds of millions of people throughout the world depend on international radio broadcasting for their understanding of national and international political affairs. Broadcasting Propaganda represents the first application of theory and research in sociology and communication to analyze the contents of this medium of international political communication. Wasburn illustrates how two theoretical perspectives, social construction of reality theory and media-system-dependency theory, can be applied to understand the ways in which nations use symbolic means to position themselves in the international arena of political competition. The study begins with two chapters that outline the history of international radio broadcasting, identifying the medium's involvement in maintaining colonial empires, supporting wars, promoting revolutionary and counterrevolutionary action, and legitimating the policies of sponsoring states. The third chapter introduces social construction of reality theory and media-system-dependency theory, indicating their relevance to understanding the newscasts and other programming of international broadcasting organizations. The two following chapters present empirical case studies of international broadcasting: one analyzes Voice of America and Radio Moscow broadcasts to the Third World toward the end of the Cold War; the other explores South Africa's use of radio to broadcast counter-propaganda. In the sixth and final chapter, Wasburn winds up his discussion by charting the the possible course of broadcasting in light of the world political situation since 1989 and suggests an agenda for future research

This book is a critical examination of how newspaper and television journalists reported three catastrophes. The focus is on the processes by which journalists identified news sources and gathered data, on the professional values of the journalists and on the ways that those values contributed to or interfered with good reporting. The book is based on examination of several thousand newspaper and television stories, on surveys of more than 600 journalists and their sources, on evaluations of news accounts by independent experts, on personal visits to the sites of the catastrophes, and on interviews with more than 100 reporters, correspondents, producers, editors, and their sources. The scholarly goal of the book is to provide a theoretical understanding of the process by which reporters gather information for these kinds of stories and thus to identify changes in the journalistic routine that might encourage more accurate and comprehensive coverage of public issues. He shows how television reports sometimes influence the ways print reporters structure their stories, an effect he calls journalistic priming. He examines the ways in which Pulitzer Prize-winning stories are different from others, and attempts to integrate reporters' and sources' comments with the theoretical literature. This is the first book-length effort that uses a single research design to compare how both print and television journalists covered several major events, and to examine the interrelationship between the television and newspaper reporting. Other scholars often ignore one or the other, as though the two media operated independently.

This history of public television over the last twenty years shows how powerful political actors and the budget process in the United States have severely restricted the strategic behavior and programming of public TV. This hard-hitting story fills a real void in the literature on the subject and should be required reading for station managers, broadcasters, students and professionals in communications, and public policymakers. The ancillary text with its analysis of organizations theory and models is intended also for undergraduate and graduate students in mass media and communications, public policy, and organizational behavior. This practical analysis of public television funding, organization, and programming opens with an overview of organizations theory and a discussion of two models of organizational behavior. A brief history of public TV policy follows with a description of critical developments under the last four American presidents. The legislative history of the Corporation of Public Broadcasting demonstrates the effects of the budgetary process in TV programming, employment diversity, and services to different audiences. The case study closes with an evaluation of public television in terms of organizational strengths and weaknesses and offers practical suggestions for reform.

As the title implies, the business of television rather than its programming is the focus of this historical dictionary. Its entries briefly relate the histories of production companies, networks, cable stations, industry associations, and public interest pressure groups. The focus is on the American television industry from its origins through early 1991, but it also selctively covers the industry worldwide. . . . Because entries relate only essential facts, many are amplified by brief bibliographies of books and articles, many of the latter from trade magazines. An appendix profiling Goldenson, Paley, and Sarnoff, the guiding spirits of ABC, CBS, and NBC, respectively, precedes a brief bibliography and the names index. Slide has produced another hit, another basic source on one of America's basic industries. "Wilson Library Bulletin

"

This unique dictionary is the first what's what of television. Its more than 1,000 entries provide succinct factual data on production companies, distributors, organizations, genres, historical and technical terms, and much more. All areas of the industry, including free, public, and cable television, are covered. While the majority of the entries relate to the American television industry, the book is international in scope. Following many of the entries is an address, if the company or organization is still active, and, where appropriate, a bibliography. An asterisk following a name indicates that there is a separate entry for that subject. Headings are based on the best-known name of the company or technical innovation and are not necessarily the final names by which the subjects are known. However, all such alternative names are included in the index. Wherever feasible, birth and death years are noted for key figures. A general bibliography of reference books on television appears at the end of the volume. The index provides immediate access to all the entries and to the personalities discussed in each entry. In addition, there is a program index, providing the reader with speedy information as to which company or distributor is responsible for which series.

"The Television Industry" will serve as an essential reference tool for any scholar, student, or librarian involved in the study of the television industry. It will also prove enlightening and interesting for the casual reader.

?There can be no political sovereignty without culture sovereignty.? So argued the CBC in 1985 in its evidence to the Caplan/Sauvageau Task Force on Broadcasting Policy. Richard Collins challenges this assumption. He argues in this study of nationalism and Canadian television policy that Canada's political sovereignty depends much less on Canadian content in television than has generally been accepted. His analysis focuses on television drama, at the centre of television policy in the 1980s.

Collins questions the conventional image of Canada as a weak national entity undermined by its population's predilection for foreign television. Rather, he argues, Canada is held together, not by a shared repertoire of symbols, a national culture, but by other social forces, notably political institutions.

Collins maintains that important advantages actually and potentially flow from Canada's wear national symbolic culture. Rethinking the relationships between television and society in Canada may yield a more successful broadcasting policy, more popular television programming, and a better understanding of the links between culture and the body politic.

As the European Community moves closer to political unity, the Canadian case may become more relevant to Europe, which, Collins suggests, already fears the ?Canadianization? of its television. He maintains that a European multilingual society, without a shared culture or common European audio-visual sphere and with viewers watching foreign television, can survive successfully as a political entity ? just as Canada has.

This is an authoritative dictionary, with a distinguished editorial board representing all facets of communications and broadcasting. A solid purchase for public, academic, or special libraries serving media programs. "Choice"

This revised and expanded third edition of Diamant's now-classic "The Broadcast Communications Dictionary" contains almost three times as many entries as the original volume, providing both beginning and experienced communications personnel with an invaluable lexicographical tool. Hailed as highly recommended by "Millimeter" and a must by "Television/Radio Age," "The Broadcast Communications Dictionary" is a unique guide to the technical, slang, and commonly-used words that broadcast communicators and engineers use in English-speaking countries everywhere. Here--completely cross-referenced to British terminology--are more than 5,000 terms currently in use in all areas of radio and television programing and production; network and station operations; broadcast equipment and engineering; audio and video tape recording; performing talent; agency and client advertising procedures; media usage; research; defense, government, trade, and allied groups.

Among the entries new to the third edition are several hundred items generated by the development of computerization and satellite technology and a host of fresh definitions spawned by the accelerating expansion of cable television. As in previous editions, all entries are in alphabetical order. Extensive cross-referencing offers additional information where appropriate. A brief up-to-date bibliography lists more detailed technical reference works in individual fields. Logically organized, easy to use, and now extensively revised and expanded, "The Broadcast Communications Dictionary" underlines the complex interrelationships among all spheres of contemporary communications activity. It will be an indispensable resource for broadcasting and communications students, as well as for those employed in production and broadcasting facilities nationwide.

A major scholarly and readable history of women in broadcast news, covering the broadcast journalistic roles of women from the 1920s through the mid-1980s. Authors Hosley and Yamada, both with extensive professional experience in broadcasting and broadcast news as well as serving on the faculty of Stanford University's Mass Media Institute, have produced a heavily researched and well-written book, which gives attention not only to the more familiar names but also to the many women whose pioneer work in broadcast journalism had led to gradual acceptance of women in what had been considerd a male field. Choice There are a lot of names in this book. Some are immediately recognizable . . . other names are virtually unknown, making this book a valuable reference text for students interested in researching the careers of women broadcasters who have been all but forgotten. The authors, both of whom have extensive backgrounds in broadcasting, have done a commendable job of identifying women who have pioneered in electronic journalism. . . Indeed, this book is so engrossing one only wishes that it were longer. The authors touch on complex issues--such as the impact of the Civil Rights Act of 1964 and the FCC's decision to mandate affirmative action programs to remedy past discrimination--that call for more complete treatment in future works. Yet this book is an excellent starting point for serious study of women and broadcast news. It is highly recommended for courses in communications history and broadcasting and women's studies. Journalism Quarterly This is the first book to tell the story of women in broadcast news. It presents a historical overview of how the evolution of women in news has contributed to, and reflected, changes in our society. It identifies the newswomen who were pioneers in radio and television's developing years and focuses on those whose careers have had the greatest influence on American society through their impact on radio and television. Included are profiles of the major trail-blazers in the industry, such as Sigrid Schultz, the first female radio foreign correspondent; Helen Sioussat, the first woman network news executive; Dorothy Fuldheim, the first woman to anchor a news program; and network correspondent Pauline Frederick, the dean of women electronic journalists.

Product information not available.

"[Slide's] blockbuster effort fills a gap in this area and is essential for all libraries supporting popular culture or film studies." Library Journal

If you're not a tree lover now, this pocket-sized gem -- dedicated to the idea that every species of tree has a story and every individual tree has a history -- will make you one. Produced in consultation with the City's Parks and Recreation department and the New York Tree Trust, this book is a reference to the stories of New York City's trees, complete with photographs, tree silhouettes, leaf and fruit morphologies, and charming and informative explanatory texts. It is divided into four sections: "The Best Places to See Trees," full of insider's tips and helpful maps; "New York City's Great Trees," a directory of the oldest, strangest, most beautiful trees; "The Tree Guide," arranged for ease of identification by leaf shape and size; and, finally, "Sources and Resources" for future investigation.With over 700 beautiful color photographs, drawings, and detailed maps, this is the ultimate field guide to the trees of the Big Apple and the metropolitan region.

"For now - the 1980s - television is still in its prime time, and hearing the first intimations of mortality." And what will follow TV? More TV, TV that is different and yet not all that different. In this evocative book, Edwin Diamond points out that what we see on television today closely reflects our culture and society and politics and will continue to do so. Because the country is not changing as fast as the technology, Diamond's study of television in its "prime time" is also a glimpse of much of the content of the TV of the future, whether it comes to us over the air, by cable, or by satellite. Among other topics, Sign Off covers sex on television, the TV preachers of the "electronic church," the way television handled the Iranian hostage crisis, "Full Disclosure" as seen (or not seen) in the media's handling of Nelson Rockefeller s death and Ted Kennedy's reputed "womanizing," "Disco News" and Ted Turner's continuous news, the Three Mile Island reportage, the reign of the young and the white and the male on commercial television, and the twin myths of television's omnipotence and its liberalism. Although today's network-dominated, "free" television with limited channels will be superseded by cable and satellite transmissions with two-way, viewer-responsive features and add-on computer capabilities that will offer, usually for a fee, 60 to 100 channels precisely aimed at special-interest audiences, the content of TV will not be altered so much as the kinds of in-home services available. Edwin Diamond relates television to what is happening in other media, as might be expected from a writer who has spent his professional life working on newspapers and magazines in addition to being a commentator on (and about) television. He is Senior Lecturer in Political Science at MIT and was recently Associate Editor for the New York Daily News Tonight edition. Diamond was Senior Editor at Newsweek, a contributing editor of New York and Esquire, and a regular commentator on the Washington Post-Newsweek television stations. He is author of The Tin Kazoo and Good News, Bad News, both published in paperback by The MIT Press.

This book covers a variety of topics on newspaper and television coverage including the media and voting in presidential elections, coverage of the 1980 debates, the primaries, polls, economics and energy issues, print and broadcast coverage as compared with the 1976 and 1972 elections, and the influence of TV treatment of the campaign on voting behavior.

This volume brings together original analyses about how the Middle East is depicted on U.S. television news. It analyzes some of the most intensely reported news stories of the past decade. Its revealing studies also show how broadcasting on Middle Ease issues has changed in recent years. These studies offer important and provocative findings regarding crucual issues in Middle East coverage.

This book identifies, documents, and analyzes the major dimensions of U.S. prime-time TV content. By exmining fictional TV series run in prime-time and on Saturday mornings over three seasons, the author and his research team have put together a fascinating study of American society according to television.

This book identifies, documents, and analyzes the major dimensions of U.S. prime-time TV content. By exmining fictional TV series run in prime-time and on Saturday mornings over three seasons, the author and his research team have put together a fascinating study of American society according to television.

This book traces the development of the broadcasting system in Canada from the inception of television in 1952 to the passing of the Broadcast Act of 1968, focusing on the policy decisions made by governments and broadcasting authorities and the circumstances under which they were made. Several public investigations of the system and its performance took place during television's first sixteen years in Canada and their aims and outcomes form an important part of the story. The book deals with the relationships between the CBC, the private broadcasters, government, and the regulatory authority, and also with events that affected the perceptions of politicians and the public - the French network strike in 1959, the Preview Commentary affair of the same year, and the controversies surrounding the CBC program 'This Hour Has Seven Days' in 1965-6. Among those who figure prominently are A. Davidson Dunton and Alphonse Ouimet of the CBC; T.J. Allard and Don Jamieson of the Canadian Association of Broadcasters; Robert Fowler, chairman of two public inquiries into broadcasting; Andrew Stewart, chairman of the Board of Broadcast Governors; and Graham Spry, organizer of the Canadian Broadcasting League. The government officials involved include Prime Ministers Louis St Laurent, John Diefenbaker, and Lester B. Pearson, and ministers J.J. McCann, Goerge Nowlan, Jack Pickersgill, Maurice Lamontagne, and Judy LaMarsh. Frank Peers has unearthed a remarkable quantity of new material - from government documents, CBC records, interviews with key figures, and the records and manuscripts of a number of principals - and woven it into a fascinating and authoritative account of the state's involvement in broadcasting during these troubled and changeful years.