Met sy heel eerste verskyning op televisie as hoërskool-laaitie het Rian van Heerden reeds die volk die josie ingemaak. Sedertdien het hy dikwels koerantvoorblaaie gehaal - en is telkens afgedank! - vir sy omstrede uitlatings. In dié boek skryf hy onbeskaamd oor al die goed wat mense meen hy eerder nié moes gesê het nie. Hy maak vir die eerste keer sy hart oop oor sy persoonlike lewe, sy worsteling met gaywees en sy eerste liefdesverhouding. Blatant eerlik, skreeusnaaks, aangrypend.

Founded as a counterweight to the Communist broadcasters in East Germany, Radio in the American Sector (RIAS) became one of the most successful public information operations conducted against the Soviet Bloc. Cold War on the Airwaves examines the Berlin-based organization's history and influence on the political worldview of the people--and government--on the other side of the Iron Curtain. Nicholas J. Schlosser draws on broadcast transcripts, internal memoranda, listener letters, and surveys by the U.S. Information Agency to profile RIAS. Its mission: to undermine the German Democratic Republic with propaganda that, ironically, gained in potency by obeying the rules of objective journalism. Throughout, Schlosser examines the friction inherent in such a contradictory project and propaganda's role in shaping political culture. He also portrays how RIAS's primarily German staff influenced its outlook and how the organization both competed against its rivals in the GDR and pushed communist officials to alter their methods in order to keep listeners. From the occupation of Berlin through the airlift to the construction of the Berlin Wall, Cold War on the Airwaves offers an absorbing view of how public diplomacy played out at a flashpoint of East-West tension.

Digital Broadcasting presents an introduction to how the classic notion of 'broadcasting' has evolved and is being reinterpreted in an age of digitization and convergence. The book argues that 'digital broadcasting' is not a contradiction in terms, but-on the contrary-both terms presuppose and need each other. Drawing upon an interdisciplinary and international field of research and theory, it looks at current developments in television and radio broadcasting on the level of regulation and policy, industries and economics, production and content, and audience and consumption practices.

Nearly everyone is familiar with Lucille Ball's work on screen, but few realize her influence behind the scenes. Fewer still are aware that Judith Waller developed television's first all-education children's show, "Ding Dong School."

Since its beginnings television has been heavily influenced by women, but their contributions are sometimes missing from histories of the medium. In this work, the lives and careers of 15 television broadcasting pioneers (Mildred Freed Alberg, Ball, Gertrude Berg, Peggy Charren, Joan Ganz Cooney, Faye Emerson, Pauline Frederick, Dorothy Fuldheim, Betty Furness, Frieda Hennock, Lucy Jarvis, Ida Lupino, Irna Phillips, Waller, and Betty White) are covered. The focus is on their work in the medium, but there is also discussion of the obstacles they were forced to overcome to reach positions of influence in the industry.

"This book analyses issues of the internet and mass media in a rapidly changing environment. It covers a wide range of fundamentals which will be in effect for a longer time, and reflects the benefits of international and interdisciplinary collaboration." - Heinz-Werner Nienstedt, President, European Media Management Education Association "This excellent book will be of great use to researchers, teachers and students interested in the relationship between the Internet and the mass media and it offers an invaluable contribution to the literature. The overall picture that emerges from this book is one that is very balanced, stressing both the radical potential of the internet and the ways in which the various media sectors have experienced the impact differently." - Colin Sparks, University of Westminster What impact has the Internet really had on the media industries? What new regulatory policies and business models are driven by the Internet? And what are the effects of the Internet on how we produce, access and consume music, film, television and other media content? After an initial flurry of analysis and prediction of the future of the dot com boom, this is the first book to review the developments of the first Internet era and investigate its actual outcomes. Bringing together sophisticated analyses from leading scholars in the field, The Internet and the Mass Media explores the far-reaching implications of the Internet from economic, regulatory, strategic and organizational perspectives. This cross-disciplinary, international view is essential for a rich, nuanced understanding of the many technological, economic, and social changes the Internet has brought to the way we live and work.

In Waves of Opposition, Elizabeth Fones-Wolf describes and analyzes the battles over the powerful new medium of radio, which helped spark the massive upsurge of organized labor during the Depression. She demonstrates its importance as a weapon in an ideological war between labor and business, where corporations used radio to sing the praises of individualism and consumerism, while unions emphasized equal rights, industrial democracy, and social justice. Organized chronologically, the work explores the advent of local labor radio stations such as WCFL and WEVD, labor's anti-censorship campaigns, and unionist experiments with early FM broadcasting, Through extensive use of business and union archives, as well as broadcasting industry records, Fones-Wolf demonstrates how radio became a key component of organized labor's efforts to contest businesses' domination of political discourse throughout the thirties, forties, and fifties. Waves of Opposition concludes by claiming that labor's virtual disappearance from American media today helps explain in part why unions have become so marginalized and offers important historical lessons to those seeking to revitalize organized labor.

While not a production study, this book attempts to provide an insight into the inner workings of the television industry. As such its central concern is with processes, not texts or techniques or histories. "Television Industries" focuses on the essential elements of the industry: the policy and regulatory frameworks, the swiftly changing world of video production technology, all of which provides the backdrops against which broadcasters shape and sell their products. The book also examines the working practices of scheduling, budgeting, selling advertising air-time and so forth. Where issues may be familiar to readers (for example debates around public service broadcasting) the entries aim to be explanatory and fresh. Of course, it's not possible to cover every aspect of what is a complex and ever changing industry. Nonetheless, the aim is to provide a starting point for students and new scholars as they start to research into the nature of the broadcasting industry. Hence, this volume is extensively cross-referenced, to guide the reader as they tease out for themselves some of the complexity of this industry. There are several other elements that are distinctive about this volume. Perhaps the most striking of these is its blend of contributions from the UK and US. This book will raise as many questions as it provides answers. It aims to make a contribution to the on-going debates in the now well-established world of television studies with fresh perspectives on some familiar, and some not so familiar, landscapes. Fully illustrated, "Television Industries" is intended as an authoritative and accessible guide to the inner workings of the television industry.

This essential text provides a detailed account of the complex character of modern television. Covering issues ranging from television's historical development to its impact on culture and society in general, the text provides an insightful analysis of television's strengths and limitations. The book's scope and clarity make it an ideal text for all media students, as well as others, interested in the historical, cultural and social contexts of broadcasting.

Offers a first look at the all-Arab news network and its controversial role in the Arab world. Al-Jazeera, the independent, all-Arab television news network based in Qatar, emerged as ambassador to the Arab world in the events following September 11, 2001. Arabic for the island, Al-Jazeera has scooped the western media conglomerates many times. With its exclusive access to Osama Bin Laden and members of the Taliban, its reputation was burnished quickly through its exposure on CNN. During the 2003 war in Iraq, Al-Jazeera seemed to be everywhere, reporting dramatic stories and images, even as it strived to maintain its independence as an international free press news network. Al-Jazeera sheds light on the background of the network: how it operates, the programs it broadcasts, its effects on Arab viewers, the reactions of the West and Arab states, the implications for the future of news broadcasting in the Middle East, and its struggle for a free press and public opinion in the Arab world.

Silvio Berlusconi, a self-made man with a taste for luxurious living, owner of a huge television empire and the politician who likened a German MEP to a Nazi concentration camp guard-small wonder that much of democratic Europe and America has responded with considerable dismay and disdain to his governance of Italy. Paul Ginsborg, contemporary Italy's foremost historian, explains here why we should take Berlusconi seriously. His new book combines historical narrative-Berlusconi's childhood in the dynamic and paternalist Milanese bourgeoisie, his strict religious schooling, a working life which has encompassed crooning, large construction projects and the creation of a commercial television empire-with careful analysis of Berlusconi's political development. While highlighting the particular italianita of Berlusconi's trajectory, Ginsborg also finds international tendencies, such as the distorted relationship between the media system and politics. Throughout, Ginsborg suggests that Berlusconi has gotten as far as he has thanks to the wide-open space left by the strategic weaknesses of modern left-wing politics.

In transcending territorial boundaries, satellite television has the potential to liberate viewers from government controls on national media. Why is this potential liberation yet to be fully realized in the Middle East? This dynamic book explores the development through the 1990s into the 21st century of cross-border television in the Middle East, exploring issues at the heart of the international political economy of communication. With much attention currently focused on media reform in the Middle East, this is a timely book, relevant to Media and Communications Studies, Middle Eastern Studies and international relations.

Journalists, TV producers, and other media workers are members of newly powerful occupations. Media Occupations and Professions is the first book in the field to provide a broad selection of research studies on media workers, from studies of career entry patterns and job security in the various media occupations through to studies of the media moguls and media stars, from the historical origins of the various media occupations to an analysis of the differences between media occupations in different countries.

This book is both a personal journey and an introduction to the cinema cultures of Africa. A book about the politics of cultural survival, it is also a major overview of African cinema and television. The first part of the book traces the development of African cinema - from colonization to Afrocentrism. The author examines this development through a variety of fundamental themes: the decolonization of the imagination; the quest for legendary African origins and the mobilization of African cultural values. The second part of the book analyses specific films, particularly through narrative and in terms of their African specificity - in the use of silence, orality and humour. Finally, the author explores the social and economic contexts of the African cinema and television industry - including its often vexed relations with the West and the problems of production and distribution African film-makers face. Exploring the achievements and challenges of those who seek to affirm African cultural values through film, the book also covers the African television industry and African-American cinema. It includes interviews with film-makers, stills from the films and, ultimately, a plea for seeing and respecting the otherness of the Other. Winner of the French National Film Centre's best filmbook of 1997 and now available in four languages, this is book which takes us into a process of learning how to look.

"Radio in the Global Age "offers a fresh, up-to-date, and wide-ranging introduction to the role of radio in contemporary society. It places radio, for the first time, in a global context, and pays special attention to the impact of the Internet, digitalization and globalization on the political-economy of radio. It also provides a new emphasis on the links between music and radio, the impact of formatting, and the broader cultural roles the medium plays in constructing identities and nurturing musical tastes.

Individual chapters explore the changing structures of the radio industry, the way programmes are produced, the act of listening and the construction of audiences, the different meanings attached to programmes, and the cultural impact of radio across the globe. David Hendy portrays a medium of extraordinary contradictions: a cheap and accessible means of communication, but also one increasingly dominated by rigid formats and multinational companies; a highly 'intimate' medium, but one capable of building large communities of listeners scattered across huge spaces; a force for nourishing regional identity, but also a pervasive broadcaster of globalized music products; a 'stimulus to the imagination', but a purveyor of the banal and of the routine. Drawing on recent research from as far afield as Africa, Australasia and Latin America, as well as from the UK and US, the book aims to explore and to explain these paradoxes - and, in the process, to offer an imaginative reworking of Marshall McLuhan's famous dictum that radio is one of the world's 'hot' media.

"Radio in the Global Age "is an invaluable text for undergraduates and researchers in media studies, communicationstudies, journalism, cultural studies, and musicology. It will also be of interest to practitioners and policy-makers in the radio industry.

During the Cold War, one of America's most powerful weapons struck a major blow against tyranny every day over the airwaves. Radio Liberty became a critical source of information for listeners within the Soviet Union, broadcasting in Russian and more than a dozen other languages, and covering all aspects of Soviet life.

Sparks of Liberty provides an insider's look at the origins, development, and operation of Radio Liberty. Gene Sosin, a key executive with the station for thirty-three years, combines vivid eyewitness reports with documents from his personal archives to offer the first complete account of Radio Liberty, tracing its evolution from Stalin's death to the demise of the USSR, to its current role in the post-Soviet world.

Sosin describes Radio Liberty's early efforts to cope with KGB terrorism and Soviet jamming, to minimize interference from the CIA, and to survive pressure exerted by J. William Fulbright, chairman of the Senate Foreign Relations Committee, who considered Radio Liberty a deterrent to detente. The insider's perspective sheds important light on world affairs as Sosin tells how, over the years, Radio Liberty took the advice of experts on Soviet politics to adapt the content and tone of its messages to changing times.

The book is rich in anecdotes that bring home the realities of the Cold War. Sosin tells how famous Western political figures, educators, and writers broadcast messages about workers' rights, artistic freedom, and unfettered scholarly inquiry--and also how, beginning in the late 1960s, Radio Liberty beamed the writings of Soviet dissidents back into the country. During these tumultuous years, Sosin and his associates saturated the airwaves with the words of Sakharov, Solzhenitsyn, and others, while many dissidents who had emigrated from the Soviet Union joined Radio Liberty to help strengthen its credibility among listeners. Radio Liberty ultimately became the most popular station from the West, its influence culminating with the crucial support of Gorbachev and Yeltsin during the attempted coup against them in August 1991.

As Radio Liberty entered the post-Soviet era, it became a model for the Russian media. It is now a voice for democratic education in the post-Soviet nations--broadcasting from Prague, with local bureaus in several major cities of the former Soviet Union. Capturing the work and legacy of this enterprise with authority and exhilaration, Sparks of Liberty is a testament to an enterprise that saw its message realized and continues to broadcast a message of hope.

Since the 1970s, American society has provided especially fertile ground for the growth of the Christian right and its influence on both political and cultural discourse. In "Stations of the Cross" political theorist Paul Apostolidis shows how a critical component of this movement's popular culture--evangelical conservative radio--interacts with the current U.S. political economy. By examining in particular James Dobson's enormously influential program, "Focus on the Family"--its messages, politics, and effects--Apostolidis reveals the complex nature of contemporary conservative religious culture.
Public ideology and institutional tendencies clash, the author argues, in the restructuring of the welfare state, the financing of the electoral system, and the backlash against women and minorities. These frictions are nowhere more apparent than on Christian right radio. Reinvigorating the intellectual tradition of the Frankfurt School, Apostolidis shows how ideas derived from early critical theory--in particular that of Theodor W. Adorno--can illuminate the political and social dynamics of this aspect of contemporary American culture. He uses and reworks Adorno's theories to interpret the nationally broadcast "Focus on the Family," revealing how the cultural discourse of the Christian right resonates with recent structural transformations in the American political economy. Apostolidis shows that the antidote to the Christian right's marriage of religious and market fundamentalism lies not in a reinvocation of liberal fundamentals, but rather depends on a patient cultivation of the affinities between religion's utopian impulses and radical, democratic challenges to the present political-economic order.
Mixing critical theory with detailed analysis, "Stations of the Cross" provides a needed contribution to sociopolitical studies of mass movements and will attract readers in sociology, political science, philosophy, and history.

British television has been a success story. One factor in this success has been the distinctive institutional structure of British broadcasting, a mix of state-regulated and publicly-funded services with commercial services. This book attempts to give a broad overview of British television by examining both the institutional framework and the programmes that it has produced. A range of reprinted writings from the work of acknowledged experts is supplemented by specially commissioned essays on such key topics as sport and British television in the global context.

After World War II, when thousands of African Americans left farms, plantations, and a southern way of life to migrate north, African American disc jockeys helped them make the transition to the urban life by playing familiar music and giving them hints on how to function in northern cities. These disc jockeys became cultural heroes and had a major role in the development of American broadcasting. This collection of interviews documents the personalities of the pioneers of Black radio, as well as their personal struggles and successes. The interviewees also define their roles in the civil rights movement and relate how their efforts have had an impact on how African Americans are portrayed over the air.

?A must read for any advertisers. A well-designed experiment that sheds light on the critical issue of the effect of audience program involvement on advertising effectiveness.? ?Jerry Wind, Director, The Wharton School ?Uncover the Hidden Power of Television Programming does exactly that?demonstrates that consumer involvement in a program can mean the difference between a commercial?s success and it being unwept, unmourned, and unremembered. This is another tool that advertisers and their agencies can use to obtain more mileage from their campaigns.? -Jack Connors, CEO, Hill, Holiday Communications ?The work that Clancy and Lloyd describe in this clearly-written and definitive book could-and should-change the way advertisers and their agencies think about (and buy) media. Advertisers who take the lessons of this study to heart will never buy television and print media the same way again. Clancy and Lloyd?s concept of the CPMI?s (cost per thousand people involved) is to CPM?s as cruise missiles are to artillery? -John Bernbach, CEO, The Bernbach ?With all the hype and nonsense predicting the death of traditional media, it?s refreshing and important to understand the factual intelligence Kevin J. Clancy and David W. Lloyd offer to advertisers and agencies alike.? -Allen Rosenshine, Chairman/CEO, BBDO Worldwide This ground-breaking book shows that television (and print) can be much more powerful advertising vehicles than has ever been supposed?a key issue in a time of fragmenting audiences?by measuring the involvement level of viewers in television programs, newspapers, and magazines. The original research reported in this book finds that the more involved viewers are in a television programs, the greater the impact of the advertising carried by the program. Since advertisers buy programs based on audience size and composition (e.g., demographics), and since these factors have little to do with viewer involvement, advertisers are missing a significant opportunity to improve the effectiveness of their adverting. As television audiences continue to fragment and commercial costs continue to rise, the book?s message grows even more important to television advertisers. Uncover the Hidden Power of Television Programming provides insight into how an advertiser can make the firm?s advertising dollars work harder and smarter.

Television has radically reshaped the contours of knowledge and of pleasure in modern society and become a regular subject of scrutiny and argument. This important book, fully accesible to students yet a contribution to international debate, is the first to offer a systematic review of the ideas which have been most influential across a full range of television criticism and research from the first pioneering studies to the most recent theory and analysis. In the course of exploring key ideas, John Corner develops a clear and close engagement with television itself and the way it is changing. After an Introduction which provides a concise overview of how television has been studied and why, ten chapters take key features of the medium in order to raise questions and and assess arguments. With its focused summaries and its scope of reference, Critical Ideas in Television Studies will help the teaching and study of television to enter a new phase of improved clarity and self-awareness.

This unique and timely guide offers teachers an introduction to using cable television in the classroom. Randi Stone, a 1996 Continental Cablevision National Cable Educator Award Winner, shares her experience in teaching with cable TV. The book caters for novices and teachers already using cable who are looking for new ideas.

The Untouchables television series was produced at the high point of the US film series drama in the early 1960s. The series featured the crusade of Federal agent Eliot Ness (played by Robert Stack) against the Prohibition era underworld of "Scarface" Al Capone. The long-running series featured early roles from a variety of screen personalities (such as Leslie Nielson, Peter Falk, James Coburn, Charles Bronson, Leonard Nimoy, Robert Redford, and Robert Duvall) as well as established Hollywood players (Lee van Cleef, Lee Marvin, Patricia Neal, Barbara Stanwyck, and Dorothy Malone). The show set new standards for TV action and pioneered a more adventurous approach to the representation of violence on TV, which in turn provoked considerable controversy as well as acclaim. Tise Vahimagi details in this text the development of the "Gangster" genre and "The Untouchables'" relations to American cinema and television of the 1950s and 1960s, offering a sidelight onto the social and political event of the period. This book also includes illustrations and detailed credits providing a full production history for followers of of the series.

From the first notions of 'seeing by electricity' in 1878, through the period of the first demonstration of rudimentary television in 1926 and up to 1940, when war brought the advance of the technology to a temporary halt, the development of television gathered about it a tremendous history. Following the discovery of the photo-conductive effect, numerous schemes for television were suggested but it was in the wake of Baird's early demonstrations that real industrial interest developed and the pace of progress increased. Much research and development work was undertaken in the UK, the US, Germany and France. By 1936 television technology had advanced to the point where high definition broadcasting was realistic. This meticulous and deeply researched book presents a balanced and thorough international history of television from 1878 to 1940, considering the factors - technical, commercial and social - that influenced and led to the establishment of public services in many countries. Highly illustrated throughout, this is a major book in the study of history of science, technology and media.

Global Television and Film is the first non-specialist introduction to the economics of the contemporary film and television business. It explains how these global media markets operate taking into account the unique nature of cultural products and the consequences for public policy and business strategy.

Public broadcasting is the single most important social, cultural, and journalistic institution of the twentieth century. In the past fifteen years it has been assaulted politically, ideologically, technologically, and is everywhere in retreat. This book considers the idea of public service broadcasting and examines in detail the assault made upon it with specific emphasis on global developments and events in the United Kingdom, Japan, Europe, and the United States. Michael Tracey argues that public service broadcasting has been a vital and democratically significant institution now experiencing a terminal decline brought about by changes in political, economic, and technological circumstances. Based on years of research and extensive contact with leading public broadcasters around the world the author examines the idea of public service broadcasting and how for the most part it has vainly (and often ineffectually) struggled to survive in recent years . The author concludes that public broadcasting is, as was once said of Weimar, a corpse on leave. Its likely disappearance constitutes an indication of a real and deep-seated crisis within liberal democracy.