This book explores the transmission of copyrighted sound recordings to the public by over-the-air AM/FM radio stations which is an activity that implicates the right of public performance under the Copyright Act. However, under current law, terrestrial radio broadcasters who play copyrighted music need only compensate songwriters for the performance of their musical compositions and not the holders of the copyright in the sound recording. Sound recording copyright holders assert that there is no justifiable reason for the copyright law to treat sound recordings differently from other categories of performable copyrighted works. They maintain that recording artists deserve to be fairly compensated by broadcast radio for public performance of their works just as songwriters and music publishers are currently being paid for such activity.

Market and technological changes are creating challenges to the long-standing business models employed by broadcast television networks and local television stations, but at the same time generating potential opportunities for those networks and stations. These changes generally are strengthening the position of parties that control popular program content in their negotiations with distributors of that programming. The changes also may be affecting the three pillars of U.S. government media policy - localism, diversity of voices and competition - and damping the effectiveness of existing regulations intended to foster them. This book explores the transitions being made in broadcast television with a focus on the market forces affecting broadcast news networks and the Satellite Television Extension and Localism Act of 2010 (STELA).

The inside story behind the success of KISS FM, the former London pirate radio station, is revealed for the first time by Grant Goddard in his new book 'KISS FM: From Radical Radio To Big Business.' The subtitle of the book is 'The Inside Story Of A London Pirate Radio Station's Path To Success.' In 1985, KISS FM had been just one of many illegal pirate radio stations in London playing black music that had been largely ignored by licensed broadcasters. By 1989, KISS FM had won an FM radio licence to broadcast legally in London, having fought off dozens of competing bids from some of the biggest names in broadcasting and industry. By 1991, KISS FM was attracting an audience of one million listeners a week, making it one of the most successful radio station launches in British broadcasting history. The inside story of how a small London pirate radio station was transformed into one of Britain's most successful youth brands is uncovered in this new book. KISS FM's remarkable trajectory was the culmination of a long-running campaign for a black music radio station in London that had been started in 1970 by soul music pirate Radio Invicta. The book also documents the determination of the government and the commercial radio industry to rid Britain forever of pirate radio stations, and the abject failure of their desperate efforts. Goddard was a senior member of the KISS FM management team that steered the transformation from weekend pirate station to successful radio broadcaster. His detailed account will be of interest to KISS FM listeners, the dance music community, media students, broadcast historians, pirate radio enthusiasts and business readers interested to understand how a successful enterprise can be built from almost nothing. This comprehensive, meticulously researched book offers a rare glimpse into the dark and secretive world of pirate radio in London, revealing the naked ambition and greed of some of those involved, as well as the duplicity and lies deployed to destroy others who got in their way. At the same time, it charts the achievement of Goddard's childhood ambition to launch Britain's first licensed black music radio station, and the consequences of that success. Author Grant Goddard is a London-based media analyst specialising in the radio broadcasting sector. For thirty years, he has worked in the radio industry as a senior manager and consultant, in the UK and overseas, and has written extensively about the radio business for consumer and trade magazines. This is his second book.

This book charts the struggle to achieve a national radio broadcasting service in Britain after World War 1. It starts with young wireless engineers struggling to develop radio systems capable of transmitting speech to aircraft during the war. It then follows those same engineers for the next five years, and details their early experimental broadcasts from the Marconi New Street works that included the famous 1920 broadcast by Dame Nellie Melba. The Marconi engineers then created the 2MT Writtle station. Its sparkling success led the same engineers to design and then build the BBC, starting in 1923. This then is the story of those amazing times. It is aimed at a wide readership, not just lovers of historic or technical tomes. The book does include separate technical/historical appendices on the Writtle, Chelmsford and 2LO transmitters, the Dutch station PCGG, Belgian station OTL and even the village of Writtle itself. The book also looks at the work of many early pioneers who tried to make broadcasting happen even sooner, including Grindell Matthews, Mahlon Loomis, Reginald Fessenden and David Hughes. It includes an overview of the explosion in radio broadcasting in America along with a detailed Glossary and Appendices on all aspects of the new science of radio. With over 200 photographs, it draws on over 25 years of research and includes much previously unpublished archive material.

"Digital radio switchover is unlikely to ever happen in the UK" writes radio specialist Grant Goddard. His book offers a blow-by-blow chronicle of the efforts to implement 'DAB' as a replacement for FM and AM radio in Britain, from the deliberations of the Digital Radio Working Group in 2008 to the legislation of the Digital Economy Act during the final days of the Labour government in 2010. Goddard uncovers a secret deal struck between the government and the UK commercial radio industry to force DAB radio upon the British public. He also exposes a wealth of inaccurate and distorted information published by radio industry lobbyists as part of their campaign to convince the government and consumers that take-up of DAB radio has been a success in the UK and overseas. Whereas, the data in this book show that consumer interest in DAB radio had already started slowing down, making digital radio switchover unlikely to ever happen in the UK. Grant Goddard is a London-based media analyst specialising in the radio broadcasting sector. For thirty years, he has worked in the radio industry as a senior manager and consultant, both in the UK and overseas, and has written extensively about the radio business for consumer and trade magazines.

This title explores the development of local television news and the economic and social factors that elevated it to prominence.As the chief source of information for many people and a key revenue stream for the country's broadcast conglomerates, local television news has grown from a curiosity into a powerful journalistic and cultural force. In ""A Newscast for the Masses"", Tim Kiska examines the evolution of television news in Detroit, from its beginnings in the late 1940s, when television was considered a ""wild young medium,"" to the early 1980s, when cable television permanently altered the broadcast landscape. Kiska shows how the local news, which was initially considered a poor substitute for respectable print journalism, became the cornerstone of television programming and the public's preferred news source.Kiska begins his study in 1947 with the first Detroit television broadcast, made by WWJ-TV. Owned by the Evening News Association, the same company that owned the Detroit News, WWJ developed a credible broadcast news operation as a cross-promotional vehicle for the newspaper. Yet by the late 1960s WWJ was unseated by newcomers WXYZ-TV and WJBK-TV, whose superior coverage of the 1967 Detroit riots lured viewers away from WWJ. WXYZ-TV would eventually become the most powerful news outlet in Detroit with the help of its cash-rich parent company, the American Broadcasting Corporation, and its use of sophisticated survey research and advertising techniques to grow its news audience.Though critics tend to deride the sensationalism and showmanship of local television news, Kiska demonstrates that over the last several decades newscasts have effectively tailored their content to the demands of the viewing public and, as a result, have become the most trusted source of information for the average American and the most lucrative source of profit for television networks.""A Newscast for the Masses"" is based on extensive interviews with journalists who participated in the development of television in Detroit and careful research into the files of the McHugh and Hoffman consulting firm, which used social science techniques to discern the television viewing preferences of metro Detroiters. Anyone interested in television history or journalism will appreciate this detailed and informative study.

There is a great deal at stake for everyone in the future of Arab television. Political and social upheavals in this central but unsettled region are increasingly played out on television screens and in the tussles over programming that take place behind them. Al-Jazeera is of course only one player among a still-growing throng of satellite channels, which now include private terrestrial stations in some Arab states. It is an industry urgently needing to be made sense of; this book does exactly this in a very readable and authoritative way, through exploring and explaining the evolving structures and content choices in both entertainment and news of contemporary Arab television. It shows how owners, investors, journalists, presenters, production companies, advertisers, regulators and media freedom advocates influence each other in a geolinguistic marketplace that encompasses the Arab region itself and communities abroad.
Probing internal and external interventions in the Arab television landscape, the book offers a timely and compelling sequel to Naomi Sakr's 'Satellite Realms: Transnational Television, Globalization and the Middle East', which won the Middle Eastern Studies Book Prize in 2003.

The developments in digital television technology provide the unprecedented opportunity to drastically extend the role of television as a content delivery channel. E-health, e-commerce, e-government, and e-learning are only a few examples of value-added services provided over digital televisions infrastructures. These changes in the television industry challenge companies to adjust their strategies in order to meet the opportunities and threats in this new environment.Interactive Digital Television: Techniques and Applications presents the developments in the domain of interactive digital television covering both technical and business aspects. This book focuses on analyzing concepts, research issues, and methodological approaches, presenting existing solutions such as systems and prototypes for researchers, academicians, scholars, professionals and practitioners.

This is a practical, how-to guide to producing and presenting radio to a professional standard. Packed with day-to-day advice that captures the essence and buzz of live broadcasting; from preparing your show before it goes out, last minute changes to running orders, deciding what to drop in over a track, how to sell a feature or promote a programme, setting up competitions, thinking fast in a phone in- this book will help you do all that and more. It covers network and commercial, music and talk radio skills. It will particularly suit the independent local or community radio sector, where people often start out. It features advice from industry professionals, covers industry-wide best practice with enough 'need-to-know' technical information to get you up and running, and distills tried and tested practical tips from a specialist BBC radio trainer, and award-winning radio broadcaster with over 15 years of experience. A handbook you wouldn't want to be without before you go on air.

What television viewers around the world watch often depends less on popularity or government policies than on the personal relationships between buyers and sellers in the international programme market. A few thousand acquisitions and distribution professionals decide what programmes the earth's inhabitants can watch, and who can watch them. This book provides an inside look at the cultural assumptions and business practices of these television merchants. It argues that the market in television programs responds principally to institutional needs, rather than to the wishes of the viewing public or the skills of television's creative artists. Leaving aside conventional questions about the production contexts, textual strategies, or popular reception of entertainment television worldwide, this project trains its focus on the business practices of global television sales in order to provide a lucid overview of the diversity of firms, business practices, and programming genres present in international television. Consequently, this volume provides the first comprehensive portrait of the operations of the international television business, the people who work in the business, and the ideas that circulate among these businesspeople. Such a portrait is crucial to any theoretical treatment of television globalisation, since international television executives determine global television flows in the first instance, based on their own understandings of the economics of the business and the preferences of their primary audiences.

Dozens of books currently available address some aspect of digital television, yet almost all of these texts deal exclusively with engineering and production issues associated with implementing new hardware and software. "Digital Television: DTV and the Consumer" offers a pragmatic, more socially oriented basis for understanding digital television. Beginning with a basic summary of how digital television works and how it evolved into its present state in the different television viewing environments (over-the-air, cable and satellite), author and researcher Book then offers the reader a more practical understanding of how digital television is currently being consumed in the household. Additionally, the text presents a summary of what consumers are saying regarding their digital television experience and what this data suggests for the future development of digital television business models.

Unique to this volume are numerous "Innovator Essays" by some of the industry's digital television pioneers. These insightful essays - from significant DTV innovators such as Jim Goodmon, president and CEO of Capitol Broadcasting, home of the first commercial digital television broadcast - give brief snapshots of critical moments in the transition and rollout of DTV, while focusing on what the future holds for consumers and the broadcast and electronics industries.

The latest entry in Blackwell Publishing's "Media and Technology" series, "Digital Television: DTV and the Consumer" provides media students, scholars, and professionals a compelling perspective of the social and cultural presence of this emerging technological phenomenon.

Blackness has always played a central role in the American imagination. Therefore, it should not be surprising that popular television--a medium that grew up with the Civil Rights Movement--has featured blackness as both a foil and a key narrative theme throughout its sixty-year existence. Ironically, in modern "colorblind" times, we are faced with a unique turn of events--blackness is actually overrepresented in television sitcoms and dramas.
Channeling Blackness: Studies on Television and Race in America presents fifteen classic and contemporary studies of the shifting, complex relationship between popular television and blackness. Using a variety of methodological and theoretical approaches, these essays examine four key issues that have framed popular and scholarly inquiries into the nature of race on television:
* The black-white binary * The power of media * Distinguishing between "negative" and "positive" images * The relative importance of markets versus racial motives in television
Firmly establishing popular television as a central cultural forum in our society, Channeling Blackness looks at how television has profoundly shaped and been shaped by America's ambivalent relationship with blackness. It provides numerous examples of how our current interaction with television distinguishes the lived experiences of today from those of the past. The book also shows how the entertainment function of television often masks its ideological purpose, particularly its role in reflecting and reproducing America's racial order. A useful supplement in any number of courses on race and society, Channeling Blackness is an ideal text for advanced undergraduate and graduate courseson race and media, media and society, television studies, television criticism, communication studies, and African American and ethnic studies.

Public radio stands as a valued national institution, one whose fans and listeners actively support it with their time and their money. In this new history of this important aspect of American culture, author Jack W. Mitchell looks at the dreams that inspired those who created it, the all too human realities that grew out of those dreams, and the criticism they incurred from both sides of the political spectrum. As National Public Radio's very first employee, and the first producer of its legendary "All Things Considered," Mitchell tells the story of public radio from the point of view of an insider, a participant, and a thoughtful observer. He traces its origins in the progressive movement of the 20th century, and analyzes the people, institutions, ideas, political forces, and economic realities that helped it evolve into what we know as public radio today. NPR and its local affiliates have earned their reputation for thoughtful commentary and excellent journalism, and their work is especially notable in light of the unique struggles they have faced over the decades. More than any other book published on the subject, Mitchell's provides an accurate guide to public radio's development, offering a balanced analysis of how it has fulfilled much of its promise but has sometimes fallen short. This comprehensive overview of their mission will fascinate listeners whose enjoyment and support of public radio has made it possible, and made it great.

On 8 September 2003 the Federal Communications Commission approved the merger of Univision Communications, Inc., the dominant Spanish language media company in the US (which owns the leading Spanish language broadcast television network, cable television network, television station group, music recording and publishing company, and Internet site) and Hispanic Broadcasting Corporation (HBC), the largest Spanish language radio operator in the US. The Commission explicitly rejected the argument that there is something unique about the needs of the Spanish speaking population in the US or about the financing, production, or distribution of Spanish language programming for US household, that requires a distinction to be made between Spanish language media outlet and other media outlets. The Hispanic community is the largest minority community in the US, but it is not linguistically homogeneous. Although most Hispanics speak English well, almost 8 million Hispanics speak English either 'not at all' or 'not well'. Survey data indicate that Latino household tend to watch television as a family, rather than as individuals; when family members have varying levels of English proficiency, the family is likely to watch Spanish language programming -- particularly for news -- to accommodate those with limited understanding of English. As a result, more than half of all bilingual (Spanish-English) Latino adults prefer to watch primarily Spanish-language news programming on television. This book provides detailed tables of demographic, viewing, and market information on the Spanish-speaking population as well as detailed analysis of public policy issues.

During the second half of the 20th century, the developments in television broadcasting exerted an immeasurable influence over our social, cultural and economic practices. This volume presents an overview, written by leading media scholars, which traces the history of broadcasting in two major centres of television development and export: Great Britain and the USA. to make connections between events and tendencies that both unite and differentiate these national broadcasting traditions. From the origins of the public service and commercial systems of broadcasting to the contemporary period of technological and economic convergence, this book provides an accessible overview of the history of television technology, institutions, policies, programmes and audiences.

This is the fascinating history of the innovative work of Wisconsin's educational radio stations, from the first broadcast by experimental station 9XM at the University of Wisconsin to the network of stations known today as Wisconsin Public Radio. Randall Davidson provides the first comprehensive history of the University of Wisconsin radio station, WHA; affiliated state-owned station, WLBL; and the post-World War II FM stations that formed the WPR network. Davidson describes how, with homemade equipment and ideas developed from scratch, 9XM became a tangible example of "the Wisconsin Idea," bringing the educational riches of the university to all the state's residents.

If a judgment were ever rendered on all the multi-million words I have spoken into microphones, I hope something like this could be said: 'He [Huntley] had a great respect, almost an awe, of the medium in which he worked. He regarded it as a privilege, not a license.... Perhaps the best I might hope is that by some accident of voice tone or arrangement of words I did, on a few occasions, excite, exhort, annoy or provoke a few of my fellow human beings to think with their heads, not the viscera'"-Chet Huntley. This biography of NBC newsman Chet Huntley, who, along with David Brinkley, anchored NBC's "Huntley-Brinkley Report," covers his youth on a farm in Montana, his education and his graduation from the University of Washington, his development as a radio personality and news reporter for stations in Seattle, Spokane, Portland, and his work for CBS, ABC and NBC radio and television in Los Angeles from 1939 to 1955. It also details his move to New York and his work on the "Huntley-Brinkley Report" from 1956 to 1970, his retirement from the news business, his supervision of the development of the Big Sky Ski resort in Montana, and his death from cancer in 1974 at the age of 62.

Blending cultural, religious and media history, Tona Hangen offers a detailed look into the world of religious radio. She uses recordings, sermons, fan mail and other sources to tell the stories of the determined broadcasters and devoted listeners who, together, transformed American radio evangelism from an on-air novelty in the 1920s into a profitable and wide-reaching industry by the 1950s. Hangen traces the careers of three of the most successful Protestant radio evangelists - Paul Rader of Chicago, Aimee Semple McPherson of Los Angeles and Charles Fuller of Pasadena - and examines the strategies they used to bring their messages to listerners across the nation. Initially shut out of network radio and free airtime, both of which were available only to mainstream Protestant and Catholic groups, evangelical broadcasters gained access to the airwaves with paid-time programming. By the mid-20th century millions of Americans regularly tuned in to evangelical programming, making it one of the medium's most distinctive and durable genres. The voluntary contributions of these listeners in turn helped to bankroll religious radio's remarkable growth. Revealing the entwined development of evangelical religion and modern mass media, Hangen demonstrates that the history of one is incomplete without the history of the other; both are important to understanding American culture in the 20th century.

This book presents information on minority commercial radio and television ownership in the United States. It reviews the history of such ownership and the role of viewpoint diversity in a changing industry. It also continues the data collection efforts, examining the current status of minority commercial broadcast ownership.

The United States is vitally dependent upon the use of the radio spectrum to carry out national policies and achieve national goals. Use of the spectrum is vital to the security and welfare of the Nation and to the conduct of its foreign affairs. This use exerts a powerful influence upon our everyday lives, in countless ways, annually contributing significantly to the Nation's growth and economy. The radio spectrum is a limited natural resource which is accessible to all nations. It is imperative that we develop and administer our use of this resource wisely so as to maintain a free democratic society and to stimulate the healthy growth of the Nation, while ensuring its availability to serve future requirements in the best interest of the Nation. Therefore, consistent with our international treaty obligations and with due regard for the rights of other nations, the national objectives for the use of the radio spectrum are to make effective, efficient, and prudent use of the spectrum in the best interest of the Nation, with care to conserve it for uses where other means of communication are not available or feasible. This revised NIA report details the policies and plans geared towards government oversight of the national radio spectrum, an asset we cannot afford to overlook.

A collection of essays by leading media professionals and academics, which debates the past, present and future of British television drama. Writers, producers and television executives reflect on the changing face of TV drama, and academics present case studies on critical approaches, general topics and specific programmes.

This continuation of the history of shortwave broadcasting takes up the story at the end of the Cold War, exploring the many developments in the context of an era of wide political change. Propaganda, religious and other areas of broadcasting are examined in different cultural settings.

Throughout the world, television has become an important part of the way in which political candidates and parties present their messages to voters during election campaigns. This is particularly true in campaigns at the national level where voters have little personal contact with candidates and must rely on experiencing candidates through the media. Despite the importance of the media for voter-government interaction, however, many new reform governments in the post-communist era in Eastern European countries failed to appreciate the demands of creating workable new media systems.

"Salant, CBS, and the Battle for the Soul of Broadcast Journalism" tells the story of CBS News during its golden era. The late Richard S. Salant was president of CBS News for sixteen years throughout the 1960s and 1970s. He became widely recognized by journalists as the "patron saint of television news." During his tenure, Salant confronted issues of enormous importance - Vietnam, the civil rights movement, and Watergate - and launched the first thirty-minute E"vening News, CBS Morning News," and "60 Minutes," Along the way, he hired Mike Wallace, Roger Mudd, Dan Rather, and Diane Sawyer. This first-person account, compiled and edited by Susan and Bill Buzenberg during the years since Salant's death in 1993, is an important part of the history of broadcast journalism, an inside story of the politicians and journalists who shaped our recent history, and an eloquent alarm about the current erosion of broadcast journalism standards.