Musicians rapping in kriolu--a hybrid of Portuguese and West African languages spoken in Cape Verde--have recently emerged from Lisbon's periphery. They popularize the struggles with identity and belonging among young people in a Cape Verdean immigrant community that shares not only the kriolu language but its culture and history. Drawing on fieldwork and archival research in Portugal and Cape Verde, Derek Pardue introduces Lisbon's kriolu rap scene and its role in challenging metropolitan Portuguese identities. Pardue demonstrates that Cape Verde, while relatively small within the Portuguese diaspora, offers valuable lessons about the politics of experience and social agency within a postcolonial context that remains poorly understood. As he argues, knowing more about both Cape Verdeans and the Portuguese invites clearer assessments of the relationship between the experience and policies of migration. That in turn allows us to better gauge citizenship as a balance of individual achievement and cultural ascription. Deftly shifting from domestic to public spaces and from social media to ethnographic theory, Pardue describes an overlooked phenomenon transforming Portugal, one sure to have parallels in former colonial powers across twenty-first-century Europe.

**As featured on Barack Obama's Summer 2022 Reading List** Winner of the Gordon Burn Prize Winner of the 2022 Andrew Carnegie Medal for Excellence in Nonfiction Finalist for the National Book Critics Circle Award Finalist for the Pen/Diamonstein-Spievogel Award for the Art of the Essay Shortlisted for the National Book Award 'Gorgeous' - Brit Bennett 'Pure genius' - Jacqueline Woodson 'One of the most dynamic books I have ever read' - Clint Smith At the March on Washington, Josephine Baker reflected on her life and her legacy. She had spent decades as one of the most successful entertainers in the world, but, she told the crowd, "I was a devil in other countries, and I was a little devil in America, too". Inspired by these words, Hanif Abdurraqib has written a stirring meditation on Black performance in the modern age, in which culture, history and his own lived experience collide. With sharp insight, humour and heart, Abdurraqib explores a sequence of iconic and intimate performances that take him from mid-century Paris to the moon -- and back down again, to a cramped living room in Columbus, Ohio. Each one, he shows, has layers of resonance across Black and white cultures, the politics of American empire, and his own personal history of love and grief -- whether it's the twenty-seven seconds of 'Gimme Shelter' in which Merry Clayton sings, or the magnificent hours of Aretha Franklin's homegoing; Beyonce's Super Bowl show or a schoolyard fistfight; Dave Chapelle's skits or a game of spades among friends.

'The Art Album' is an illustrated book celebrating the long-standing relationship between the visual arts and hip-hop music, and is the result of a collaboration between two giants of the American music scene. Dawud Knuckles is a veteran of the record industry in America. In the 1990s, his friends founded the hip-hop record label Ruff Ryders, with whom he worked for many years as a videographer. He has subsequently worked with many recording artists on interviews, special projects, tours, and documentaries for Ruff Ryders. Through his career in the music industry, Dawud has made many influential contacts, including Russell and Danny Simmons, who contributes to the book. The Simmons insightfully explores the themes of a selection of songs and how the subculture of hip-hop relates to, and has influenced contemporary art. Each chapter of the book will have a theme- for example, the theme of one chapter will be New York, and the title of the chapter will be 'Empire State of Mind'- Jay-Z's epic single which peaked within the top in 10 in 10 countries in 2009. Lyrics from the song will be presented beside contemporary art inspired by New York, an exclusive commentary from Russell and Danny Simmons (celebrated artist and philanthropist), and a contextualizing text from legendary writer and activist Nikki Giovanni, as well as other academics. This concept of presenting songs, art, and interviews alongside each other will offer an incomparable insight into the influence that hip-hop has on contemporary culture, and the unrivaled significance that this subculture has risen to. This collaboration between so many big names in music, art and academia is a unique project.

They have become known around the world as the ultimate pop-culture power couple. Favourites of the paparazzi, Kim Kardashian and Kanye West are both worth millions in their own right. She is the queen of reality TV and an all-around business mogul, he's a rapper, fashion designer and outspoken award show favourite. Together they are Kimye - glitzy, globetrotting icons and parents of one very stylish kid, North West. Without question they are the biggest news in entertainment today, making headlines around the world on a daily basis. America's 'other' first couple were friends before they hooked up, although Kanye admitted to holding a torch for Kim for years. They may have their share of haters, and Kim came under fire when she filed for divorce from Humphries less than three months after their wedding. But in a recent lavish Italian ceremony fit for royalty, she and Kanye tied the knot, cementing their superstar status once and for all. Nadia Cohen's brilliant, unauthorised biography traces the rise of Kimye, the world's most glamorous couple.

NaS Lost is the Nas book only Byron Crawford could write, and not just due to literacy issues in the hip-hop community. Billed as a tribute to the little homey, it is in fact a tribute, but not in the way that an article in XXL magazine is a tribute to a rapper. NaS Lost considers the artist's career in its totality, from its amazing highs to its crushing lows -- and some of everything in between. Discussed in NaS Lost: The 2001 beef with Jay-Z. What really led to this dispute? Nas and Jay-Z as Eskimo brothers. How the two of them became related in a sense. Nas' albums. Is it true what Jay-Z said, that Nas has a one hot album every 10 year average? Illmatic's five mic review in The Source. Was it really the best album of its era? The dreaded n-word. If KKKramer can say it, why can't Nas? Ghostwriting allegations. Can anything dream hampton says on Twitter be believed? The Virginia Tech controversy. What is the real cause of most school shootings? The hostage situation in Africa. Who was to blame there, Nas, the promoters, or the continent of Africa? Nas' marriage to Kelis. Bad idea, or worst idea of all time? Nas as a parent. Why is his teenage daughter posting her birth control on Instagram? Cultural tourism. Why is it that SPIN magazine likes a Chief Keef album more than Life Is Good?

Why is the battle between good and evil a recurring theme in rap lyrics? What role does the devil play in hip hop? What exactly does it mean when rappers wear a diamond-encrusted "Jesus" around their necks? Why do rappers acknowledge God during award shows and frequently include prayers in their albums? Rap and Religion: Understanding the Gangsta's God tackles a sensitive and controversial topic: the juxtaposition-and seeming hypocrisy-of references to God within hip hop culture and rap music. This book provides a focused examination of the intersection of God and religion with hip hop and rap music. Author Ebony A. Utley, PhD, references selected rap lyrics and videos that span three decades of mainstream hip hop culture in America, representing the East Coast, the West Coast, and the South in order to account for how and why rappers talk about God. Utley also describes the complex urban environments that birthed rap music and sources interviews, award acceptance speeches, magazine and website content, and liner notes to further explain how God became entrenched in hip hop.