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Books > Music > Contemporary popular music > Rock & pop > Rap & hip-hop
NaS Lost is the Nas book only Byron Crawford could write, and not
just due to literacy issues in the hip-hop community. Billed as a
tribute to the little homey, it is in fact a tribute, but not in
the way that an article in XXL magazine is a tribute to a rapper.
NaS Lost considers the artist's career in its totality, from its
amazing highs to its crushing lows -- and some of everything in
between. Discussed in NaS Lost: The 2001 beef with Jay-Z. What
really led to this dispute? Nas and Jay-Z as Eskimo brothers. How
the two of them became related in a sense. Nas' albums. Is it true
what Jay-Z said, that Nas has a one hot album every 10 year
average? Illmatic's five mic review in The Source. Was it really
the best album of its era? The dreaded n-word. If KKKramer can say
it, why can't Nas? Ghostwriting allegations. Can anything dream
hampton says on Twitter be believed? The Virginia Tech controversy.
What is the real cause of most school shootings? The hostage
situation in Africa. Who was to blame there, Nas, the promoters, or
the continent of Africa? Nas' marriage to Kelis. Bad idea, or worst
idea of all time? Nas as a parent. Why is his teenage daughter
posting her birth control on Instagram? Cultural tourism. Why is it
that SPIN magazine likes a Chief Keef album more than Life Is Good?
They have become known around the world as the ultimate pop-culture
power couple. Favourites of the paparazzi, Kim Kardashian and Kanye
West are both worth millions in their own right. She is the queen
of reality TV and an all-around business mogul, he's a rapper,
fashion designer and outspoken award show favourite. Together they
are Kimye - glitzy, globetrotting icons and parents of one very
stylish kid, North West. Without question they are the biggest news
in entertainment today, making headlines around the world on a
daily basis. America's 'other' first couple were friends before
they hooked up, although Kanye admitted to holding a torch for Kim
for years. They may have their share of haters, and Kim came under
fire when she filed for divorce from Humphries less than three
months after their wedding. But in a recent lavish Italian ceremony
fit for royalty, she and Kanye tied the knot, cementing their
superstar status once and for all. Nadia Cohen's brilliant,
unauthorised biography traces the rise of Kimye, the world's most
glamorous couple.
Arising from the street corners and underground clubs, Rebel Music:
Resistance through Hip Hop and Punk, challenges standardized
schooling and argues for equity, peace, and justice. Rebel Music is
an important, one-of-a-kind book that takes readers through fun,
radical, educational chapters examining Hip Hop and Punk songs,
with each section addressing a particular social issue. Rebel Music
values the experiences found in both movements as cultural capital
that is de-valued in the current oppressive, standard, test-driven,
rule-bound, and corporate schooling experience, making youth "just
another brick in the wall." This collection is a "rebel yell" to
administrators, teachers, parents, police, politicians, and
counsellors who demonize Hip Hop and Punk to listen up and respect
youth culture. Finally, Rebel Music is a celebration of radical
voices and an organizing tool for those who use music to challenge
oppression.
Early hip hop film musicals have either been expunged from cinema
history or excoriated in brief passages by critics and other
writers. Hip Hop on Film reclaims and reexamines productions such
as Breakin' (1984), Beat Street (1984), and Krush Groove (1985) in
order to illuminate Hollywood's fascinating efforts to incorporate
this nascent urban culture into conventional narrative forms. Such
films presented musical conventions against the backdrop of
graffiti-splattered trains and abandoned tenements in urban
communities of color, setting the stage for radical social and
political transformations. Hip hop musicals are also part of the
broader history of teen cinema, and films such as Charlie Ahearn's
Wild Style (1983) are here examined alongside other contemporary
youth-oriented productions. As suburban teen films banished parents
and children to the margins of narrative action, hip hop musicals,
by contrast, presented inclusive and unconventional filial
groupings that included all members of the neighborhood. These
alternative social configurations directly referenced specific
urban social problems, which affected the stability of inner city
families following diminished governmental assistance in
communities of color during the 1980s. Breakdancing, a central
element of hip hop musicals, is also reconsidered. It gained
widespread acclaim at the same time that these films entered the
theaters, but the nation's newly discovered dance form was
embattled--caught between a multitude of institutional entities
such as the ballet academy, advertising culture, and dance
publications that vied to control its meaning, particularly in
relation to delineations of gender. As street-trained breakers were
enticed to join the world of professional ballet, this newly forged
relationship was recast by dance promoters as a way to invigorate
and ""remasculinize"" European dance, while young women
simultaneously critiqued conventional masculinities through an
appropriation of breakdance. These multiple and volatile histories
influenced the first wave of hip hop films, and even structured the
sleeper hit Flashdance (1983). This forgotten, ignored, and
maligned cinema is not only an important aspect of hip hop history,
but is also central to the histories of teen film, the
postclassical musical, and even institutional dance. Kimberley
Monteyne places these films within the wider context of their
cultural antecedents and reconsiders the genre's influence.
'The Art Album' is an illustrated book celebrating the
long-standing relationship between the visual arts and hip-hop
music, and is the result of a collaboration between two giants of
the American music scene. Dawud Knuckles is a veteran of the record
industry in America. In the 1990s, his friends founded the hip-hop
record label Ruff Ryders, with whom he worked for many years as a
videographer. He has subsequently worked with many recording
artists on interviews, special projects, tours, and documentaries
for Ruff Ryders. Through his career in the music industry, Dawud
has made many influential contacts, including Russell and Danny
Simmons, who contributes to the book. The Simmons insightfully
explores the themes of a selection of songs and how the subculture
of hip-hop relates to, and has influenced contemporary art. Each
chapter of the book will have a theme- for example, the theme of
one chapter will be New York, and the title of the chapter will be
'Empire State of Mind'- Jay-Z's epic single which peaked within the
top in 10 in 10 countries in 2009. Lyrics from the song will be
presented beside contemporary art inspired by New York, an
exclusive commentary from Russell and Danny Simmons (celebrated
artist and philanthropist), and a contextualizing text from
legendary writer and activist Nikki Giovanni, as well as other
academics. This concept of presenting songs, art, and interviews
alongside each other will offer an incomparable insight into the
influence that hip-hop has on contemporary culture, and the
unrivaled significance that this subculture has risen to. This
collaboration between so many big names in music, art and academia
is a unique project.
A selection of written rhymes from a youth poet influenced by hip
hop and school life.
On August 11 1973 the first Hip Hop party was held in the rec room
of 1520 Sedgwick Ave in the Bronx, NY. On that day a young man
named DJ Kool Herc would become a legend. Many other individuals
were instrumental in making the DJ an artist and not just a person
who played records. This book will teach children of all ages the
origins of the DJ, one of the five elements of Hip Hop.
The most entertaining, well thought out collaboration Hip-Hop
Quotes for hip-hop enthusiasts that will not only keep you
entertained but remind you of some of the best times in your life
and in Hip-Hop Cop a copy today
Infinite Crab meats is an all you can eat buffet of probing,
insightful hip-hop journalism. It's like Crab Legs Night at an
actual Chinese buffet, except you don't have to wrestle with
rednecks in order to make sure you get a plate. Have as much as
you'd like. Pretend you're Rick Ross.
Discussed in Infinite Crab Meats: The author's beef with
controversial, venture capital-funded rap lyrics website Rap
Genius, as discussed in the New York Times Rick Ross' love of
decadent seafood, and its health consequences The emergence of a
cottage industry built around collecting pictures of teenage girls
with extremely large breasts Allegations that Chief Keef was
involved in the gang-related murder of fellow young Chicago rapper
Lil JoJo The campaign to have XXL editor in chief Vanessa Satten
fired for posting a controversial Too Short video Hot 97 refusing
to play local New York artists, like Sean Price, and calling them
"minor league rappers" Kreayshawn's occasional racist outburst on
Twitter Sexual assault allegations against Indian-American hipster
rap group Das Racist, and Indian sexual behavior more generally
Brian B.Dot Miller's intense debate with SPIN magazine's Jordan
Sargent on whether or not white people should be allowed to write
about rap music
Some of the many things you'll learn: Why it's impossible to
subsist on a steady diet of ramen noodles What Geek Squad really
does with your computer The importance of occasionally looking up
at a woman's face How much it would cost to fap to completion using
the Internets at FedEx Office Why Totinos pizza rolls are superior
to Totinos frozen pizza The origin of the term Black People Twitter
At least two different ways to commit wire fraud The best way to
talk a girl into letting you "drop a digit" on her Why a
combination Pizza Hut and Taco Bell is more of a Taco Bell than a
Pizza Hut
"Hypnotic Music Secrets" is written by Grammy award-winning
engineer/producer Khaliq Glover also known as Khaliq-O-Vision based
on his vast experience of working with the world's top recording
artists. Some of his clients include Michael Jackson, Prince,
Herbie Hancock, Justin Timberlake, Christina Aguilera, Marcus
Miller, Jeffrey Osborne, and more. See how a young kid went from
Pittsburgh's St. Clair Village Projects, and other poor
neighborhoods, and was able to make his way to California and end
up working side-by-side with the music industry's top elite
recording artists. Khaliq explains why music is irresistible to
everyone from around the world, no matter what language they speak,
or what culture they come from. In this book you will learn some of
the secrets used by the world's top recording artist to make their
music irresistible. SOME OF THE THINGS YOU WILL LEARN... * The
elements that make a song a hit * What advertising and the music
industry have in common * Tips from interviews with recording
legends * Lessons learned from Michael Jackson doing "We Are The
World" * Why hip-hop is hypnotic * Why the vocal is always King (or
Queen) * How subliminal suggestion is used in hit music * Resources
to help further your music career
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