On August 11 1973 the first Hip Hop party was held in the rec room of 1520 Sedgwick Ave in the Bronx, NY. On that day a young man named DJ Kool Herc would become a legend. Many other individuals were instrumental in making the DJ an artist and not just a person who played records. This book will teach children of all ages the origins of the DJ, one of the five elements of Hip Hop.

Through rap and hip hop, entertainers have provided a voice questioning and challenging the sanctioned view of society. Examining the moral and social implications of Kanye West's art in the context of Western civilization's preconceived ideas, the contributors consider how West both challenges religious and moral norms and propagates them.

The Mindset of a Champion follows the career of legendary blogger Byron Crawford a/k/a Bol, founder and editor of the eponymous hip-hop blog, from a dark, foul-smelling dorm room in the middle of nowhere, to his pioneering work in the field of online hip-hop journalism, in which he either coined or popularized several slang terms that are generally frowned upon, attempted to have Kanye West banned from the Grammys (years before the incident with Taylor Swift), and witnessed a vicious, passionate sexual attack perpetrated by an animal, which is described here in detail. From there, it's on to his career as one of the first - and best, he would say - professional hip-hop bloggers, at XXL magazine, where he was involved in a number of controversies, including beefs with rappers like Bun B and Lupe Fiasco, posts that mysteriously disappeared from the Internets almost as soon as they appeared, and threats of boycotts by Muslims and black feminists. Nary a feeling is spared as he reveals the hilarious true stories behind the rise and fall of his career as a semi-professional hip-hop journalist.

Now a global and transnational phenomenon, hip hop culture continues to affect and be affected by the institutional, cultural, religious, social, economic and political landscape of American society and beyond. Over the past two decades, numerous disciplines have taken up hip hop culture for its intellectual weight and contributions to the cultural life and self-understanding of the United States. More recently, the academic study of religion has given hip hop culture closer and more critical attention, yet this conversation is often limited to discussions of hip hop and traditional understandings of religion and a methodological hyper-focus on lyrical and textual analyses. Religion in Hip Hop: Mapping the Terrain provides an important step in advancing and mapping this new field of Religion and Hip Hop Studies. The volume features 14 original contributions representative of this new terrain within three sections representing major thematic issues over the past two decades. The Preface is written by one of the most prolific and founding scholars of this area of study, Michael Eric Dyson, and the inclusion of and collaboration with Bernard 'Bun B' Freeman fosters a perspective internal to Hip Hop and encourages conversation between artists and academics.

Early hip hop film musicals have either been expunged from cinema history or excoriated in brief passages by critics and other writers. Hip Hop on Film reclaims and reexamines productions such as Breakin' (1984), Beat Street (1984), and Krush Groove (1985) in order to illuminate Hollywood's fascinating efforts to incorporate this nascent urban culture into conventional narrative forms. Such films presented musical conventions against the backdrop of graffiti-splattered trains and abandoned tenements in urban communities of color, setting the stage for radical social and political transformations. Hip hop musicals are also part of the broader history of teen cinema, and films such as Charlie Ahearn's Wild Style (1983) are here examined alongside other contemporary youth-oriented productions. As suburban teen films banished parents and children to the margins of narrative action, hip hop musicals, by contrast, presented inclusive and unconventional filial groupings that included all members of the neighborhood. These alternative social configurations directly referenced specific urban social problems, which affected the stability of inner city families following diminished governmental assistance in communities of color during the 1980s. Breakdancing, a central element of hip hop musicals, is also reconsidered. It gained widespread acclaim at the same time that these films entered the theaters, but the nation's newly discovered dance form was embattled--caught between a multitude of institutional entities such as the ballet academy, advertising culture, and dance publications that vied to control its meaning, particularly in relation to delineations of gender. As street-trained breakers were enticed to join the world of professional ballet, this newly forged relationship was recast by dance promoters as a way to invigorate and ""remasculinize"" European dance, while young women simultaneously critiqued conventional masculinities through an appropriation of breakdance. These multiple and volatile histories influenced the first wave of hip hop films, and even structured the sleeper hit Flashdance (1983). This forgotten, ignored, and maligned cinema is not only an important aspect of hip hop history, but is also central to the histories of teen film, the postclassical musical, and even institutional dance. Kimberley Monteyne places these films within the wider context of their cultural antecedents and reconsiders the genre's influence.

This book examines social change in Africa through the lens of hip hop music and culture. Artists engage their African communities in a variety of ways that confront established social structures, using coded language and symbols to inform, question, and challenge. Through lyrical expression, dance, and graffiti, hip hop is used to challenge social inequality and to push for social change. The study looks across Africa and explores how hip hop is being used in different places, spaces, and moments to foster change. In this edited work, authors from a wide range of fields, including history, sociology, African and African American studies, and political science explore the transformative impact that hip hop has had on African youth, who have in turn emerged to push for social change on the continent. The powerful moment in which those that want change decide to consciously and collectively take a stand is rooted in an awareness that has much to do with time. Therefore, the book centers on African hip hop around the context of "it's time" for change, Ni Wakati.

The underground is a multi-faceted concept in African American culture. Peterson uses Richard Wright, KRS-One, Thelonius Monk, and the tradition of the Underground Railroad to explore the manifestations and the attributes of the underground within the context of a more panoramic picture of African American expressivity within hip-hop.

Ja Rule, actor, singer, songwriter, and one of the most multi-dimensional rap artists of his time, tells his compelling story-from his youth to his rise to international fame to his transformative two years in Federal prison-and reveals the man beneath the legend. Unruly is two stories that offer one complete picture of a man and his world: the angry, fatherless rapper, Ja Rule who was "raised by the streets"; and Jeffrey Atkins, the insightful, reflective father and loyal husband who learned the hard way how to be a good man. Filled with never-before-revealed anecdotes and sixteen pages of black-and-white photos, Unruly shows the determination that it takes to become a man in today's society. Ja Rule considers the lack of role models for many young black men today-a void that leads to bad choices and the wrong paths. Recalling his youth, he illuminates the seductive pull of the streets and the drug dealers who were his earliest role models. Jeffrey Atkins offers practical wisdom-reflection, growth and hope learned first-hand as an inmate, father, husband, and community role model. He speaks fondly of men who inspired Unruly-the inmates he met in prison whose misguided ideas of masculinity landed them behind bars-and Louis Farrakhan who mediated the televised encounter with Ja Rule's adversary, 50 Cent. Unruly is a compelling, personal look at the duality and conflicts that arise in the African-American male psyche from a man who has enjoyed breathtaking fame and suffered heartbreaking misfortune.

Hip-Hop Within and Without the Academy explores why hip-hop has become such a meaningful musical genre for so many musicians, artists, and fans around the world. Through multiple interviews with hip-hop emcees, DJs, and turntablists, the authors explore how these artists learn and what this music means in their everyday lives. This research reveals how hip-hop is used by many marginalized peoples around the world to help express their ideas and opinions, and even to teach the younger generation about their culture and tradition. In addition, this book dives into how hip-hop is currently being studied in higher education and academia. In the process, the authors reveal the difficulties inherent in bringing this kind of music into institutional contexts and acknowledge the conflicts that are present between hip-hop artists and academics who study the culture. Building on the notion of bringing hip-hop into educational settings, the book discusses how hip-hop is currently being used in public school settings, and how educators can include and embrace hip-hop s educational potential more fully while maintaining hip-hop s authenticity and appealing to young people. Ultimately, this book reveals how hip-hop s universal appeal can be harnessed to help make general and music education more meaningful for contemporary youth."

They have become known around the world as the ultimate pop-culture power couple. Favourites of the paparazzi, Kim Kardashian and Kanye West are both worth millions in their own right. She is the queen of reality TV and an all-around business mogul, he's a rapper, fashion designer and outspoken award show favourite. Together they are Kimye - glitzy, globetrotting icons and parents of one very stylish kid, North West. Without question they are the biggest news in entertainment today, making headlines around the world on a daily basis. America's 'other' first couple were friends before they hooked up, although Kanye admitted to holding a torch for Kim for years. They may have their share of haters, and Kim came under fire when she filed for divorce from Humphries less than three months after their wedding. But in a recent lavish Italian ceremony fit for royalty, she and Kanye tied the knot, cementing their superstar status once and for all. Nadia Cohen's brilliant, unauthorised biography traces the rise of Kimye, the world's most glamorous couple.

Philosophy and Hip-Hop: Ruminations on Postmodern Cultural Form opens up the philosophical life force that informs the construction of Hip-hop by turning the gaze of the philosopher upon those blind spots that exist within existing scholarship. Traditional Departments of Philosophy will find this book a solid companion in Contemporary Philosophy or Aesthetic Theory. Inside these pages is a project that parallels the themes of existential angst, corporate elitism, social consciousness, male privilege and masculinity. This book illustrates the abundance of philosophical meaning in the textual and graphic elements of Hip-hop, and thus places Hip-hop within the philosophical canon.

The most entertaining, well thought out collaboration Hip-Hop Quotes for hip-hop enthusiasts that will not only keep you entertained but remind you of some of the best times in your life and in Hip-Hop Cop a copy today

The Organic Globalizer is a collection of critical essays which takes the position that hip-hop holds political significance through an understanding of its ability to at once raise cultural awareness, expand civil society's focus on social and economic justice through institution building, and engage in political activism and participation. Collectively, the essays assert hip hop's importance as an "organic globalizer:" no matter its pervasiveness or reach around the world, hip-hop ultimately remains a grassroots phenomenon that is born of the community from which it permeates. Hip hop, then, holds promise through three separate but related avenues: (1) through cultural awareness and identification/recognition of voices of marginalized communities through music and art; (2) through social creation and the institutionalization of independent alternative institutions and non-profit organizations in civil society geared toward social and economic justice; and (3) through political activism and participation in which demands are articulated and made on the state. With editorial bridges between chapters and an emphasis on interdisciplinary and diverse perspectives, The Organic Globalizer is the natural scholarly evolution in the conversation about hip-hop and politics.

Infinite Crab meats is an all you can eat buffet of probing, insightful hip-hop journalism. It's like Crab Legs Night at an actual Chinese buffet, except you don't have to wrestle with rednecks in order to make sure you get a plate. Have as much as you'd like. Pretend you're Rick Ross.

Discussed in Infinite Crab Meats: The author's beef with controversial, venture capital-funded rap lyrics website Rap Genius, as discussed in the New York Times Rick Ross' love of decadent seafood, and its health consequences The emergence of a cottage industry built around collecting pictures of teenage girls with extremely large breasts Allegations that Chief Keef was involved in the gang-related murder of fellow young Chicago rapper Lil JoJo The campaign to have XXL editor in chief Vanessa Satten fired for posting a controversial Too Short video Hot 97 refusing to play local New York artists, like Sean Price, and calling them "minor league rappers" Kreayshawn's occasional racist outburst on Twitter Sexual assault allegations against Indian-American hipster rap group Das Racist, and Indian sexual behavior more generally Brian B.Dot Miller's intense debate with SPIN magazine's Jordan Sargent on whether or not white people should be allowed to write about rap music

Some of the many things you'll learn: Why it's impossible to subsist on a steady diet of ramen noodles What Geek Squad really does with your computer The importance of occasionally looking up at a woman's face How much it would cost to fap to completion using the Internets at FedEx Office Why Totinos pizza rolls are superior to Totinos frozen pizza The origin of the term Black People Twitter At least two different ways to commit wire fraud The best way to talk a girl into letting you "drop a digit" on her Why a combination Pizza Hut and Taco Bell is more of a Taco Bell than a Pizza Hut