Featuring an introductory interview with LL Cool J and epilogue from Paul Rosenberg, Eminem's manager In 1999, a former dishwasher from Detroit became the most influential music artist in the world. Eminem's dexterity, wit and honesty turned him into one of the biggest-selling artists of all time and changed the landscape of music and pop culture as we know it. Then, in 2006, at the height of his fame, he all but disappeared. Beset by non-stop controversies, bewildering fame, a debilitating drug problem and personal tragedies, he withdrew from the world. Over the next decade, he struggled and suffered through what he would call his "wilderness years" but eventually managed to get sober, get clean and get, triumphantly, back to the top. Not Afraid is the definitive account of that story. In this revelatory book, which follows on directly from the bestselling Whatever You Say I Am, rock journalist Anthony Bozza chronicles the personal and spiritual growth of one of music's most enduring and enigmatic artists through the insights of those closest to him, including Royce da 5'9", LL Cool J, Mr Porter, Paul Rosenberg and other friends and associates. Capturing Eminem's toughest years in his own words, Not Afraid is a uniquely intimate portrait of an incredibly private man known by many to be the greatest rapper alive.

"Remixing multilingualism" is conceptualised in this book as engaging in the linguistic act of using, combining and manipulating multilingual forms. It is about creating new ways of 'doing' multilingualism through cultural acts and identities and involving a process that invokes bricolage. This book is an ethnographic study of multilingual remixing achieved by highly multilingual participants in the local hip hop culture of Cape Town. In globalised societies today previously marginalized speakers are carving out new and innovating spaces to put on display their voices and identities through the creative use of multilingualism. This book contributes to the development of new conceptual insights and theoretical developments on multilingualism in the global South by applying the notions of stylization, performance, performativity, entextualisation and enregisterment. This takes place through interviews, performance analysis and interactional analysis, showing how young multilingual speakers stage different personae, styles, registers and language varieties.