"Remixing multilingualism" is conceptualised in this book as engaging in the linguistic act of using, combining and manipulating multilingual forms. It is about creating new ways of 'doing' multilingualism through cultural acts and identities and involving a process that invokes bricolage. This book is an ethnographic study of multilingual remixing achieved by highly multilingual participants in the local hip hop culture of Cape Town. In globalised societies today previously marginalized speakers are carving out new and innovating spaces to put on display their voices and identities through the creative use of multilingualism. This book contributes to the development of new conceptual insights and theoretical developments on multilingualism in the global South by applying the notions of stylization, performance, performativity, entextualisation and enregisterment. This takes place through interviews, performance analysis and interactional analysis, showing how young multilingual speakers stage different personae, styles, registers and language varieties.

An inside look at women graffiti artists around the world Since the dawn of Hip Hop graffiti writing on the streets of Philadelphia and New York City in the late 1960s, writers have anonymously inscribed their tag names on trains, buildings, and bridges. Passersby are left to imagine who the author might be, and, despite the artists' anonymity, graffiti subculture is seen as a "boys club," where the presence of the graffiti girl is almost unimaginable. In Graffiti Grrlz, Jessica Nydia Pabon-Colon interrupts this stereotype and introduces us to the world of women graffiti artists. Drawing on the lives of over 100 women in 23 countries, Pabon-Colon argues that graffiti art is an unrecognized but crucial space for the performance of feminism. She demonstrates how it builds communities of artists, reconceptualizes the Hip Hop masculinity of these spaces, and rejects notions of "girl power." Graffiti Grrlz also unpacks the digital side of Hip Hop graffiti subculture and considers how it widens the presence of the woman graffiti artist and broadens her networks, which leads to the formation of all-girl graffiti crews or the organization of all-girl painting sessions. A rich and engaging look at women artists in a male-dominated subculture, Graffiti Grrlz reconsiders the intersections of feminism, hip hop, and youth performance and establishes graffiti art as a game that anyone can play.

"Hip Hop" is more than Rap Music. There are five "elements" that make up Hip Hop culture: DJing, MCing, B-Boying, Graffiti writing, and Knowledge. This book is a special collection of the four books DJ, MC, B-Boy, and Graffiti (A Children's Guide to Hip Hop). This book will help children of all ages learn about how the different elements started and grew into the world-wide phenomenon that came to be known as Hip Hop.

Chris Burton and Gary Thompson have compiled a fascinating collection of flyers advertising secret parties on the Bristol circuit in the 80s and conducted a series of interviews with the people behind the leading hip hop crews of the day. The result is a book that covers an area in Bristol's (and the UK's) musical development that has never before been documented. Nothing seemed to daunting for the young DJs, MCs and rappers as they took over abandoned buildings, moved in the sound systems and partied al night long. The only publicity was word of mouth and flyers. Many of the artists behind the flyers such as FLX, Inkie and Nick Walker have gone on to gain national and international recognition while many of the crews have become music superstars.