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Books > Music > Contemporary popular music > Rock & pop > Rap & hip-hop

Cartographies of Youth Resistance - Hip-Hop, Punk, and Urban Autonomy in Mexico (Paperback): Maurice Rafael Magana Cartographies of Youth Resistance - Hip-Hop, Punk, and Urban Autonomy in Mexico (Paperback)
Maurice Rafael Magana
R614 Discovery Miles 6 140 Ships in 12 - 17 working days

In his exciting new book, based on a decade of ethnographic fieldwork, Maurice Magana considers how urban and migrant youth in Oaxaca embrace subcultures from hip-hop to punk and adopt creative organizing practices to create meaningful channels of participation in local social and political life. In the process, young people remake urban space and construct new identities in ways that directly challenge elite visions of their city and essentialist notions of what it means to be indigenous in the contemporary era. Cartographies of Youth Resistance is essential reading for students and scholars interested in youth politics and culture in Mexico, social movements, urban studies, and migration.

To the Break of Dawn - A Freestyle on the Hip Hop Aesthetic (Hardcover): William Jelani Cobb To the Break of Dawn - A Freestyle on the Hip Hop Aesthetic (Hardcover)
William Jelani Cobb
R1,953 R1,632 Discovery Miles 16 320 Save R321 (16%) Ships in 12 - 17 working days

View the Table of Contents. Read the Introduction.

aTo the Break of Dawn marks a crucial turning point in hip-hop writing. . . . By opening the discourse on hip-hopas aesthetic, Cobb spearheads a new sub-genre, and perhaps a return or revolution in hip-hop aesthetics.a
--"Black Issues Book Review"

a[P]eels back the many digitized layers of hip-hop to explore the evolution of the MC, from African folkloric traditions to the global (and often hypercommercial) phenomenon it is today.
a--"Utne"

SEE ALSO: "Pimps Up, Hoas Down: Hip Hopas Hold on Young Black Women" by T. Denean Sharpley-Whiting.

aTo the Break of Dawn is smart, funny, conversational -- a book to touch off serious study of the modern MC.a
--"The Austin Chronicle"

aUpon finishing To The Break of Dawn any objective fan will acknowledge that Cobb has done a commendable job in chronicling rapas evolution and explaining its multiple influences and impact.a
--"City Paper"

aTo the Break of Dawn dissects the evolution of hip hop lyricism from its most primitive beginnings to its current manifestation as a global phenomenon. Author Jelani Cobb examines issues of race, geography, genre and bravado in this overview of hip hopas lyrical art. Covering words from B.I.G., Cube, Obie Trice and Pimp C, Cobb offers an intellectual and up-to-date report on hip hopas most powerful elementa
--"The Source Magazine"

aWhat makes William Jelani Cobb's To the Break of Dawn so refreshing is that it centers on what hip-hop is, rather than on what it does. Eschewing the common practice of treating rap lyrics as just another way to talk about race, politics or the self, Cobb treats them as art. His aim is ambitious: toarticulate hip-hop's aesthetic principles while tracing its roots back to the aancestral poetic and musical traditionsa of black oral culture, from Sunday sermons to gut-bucket blues. To the Break of Dawn celebrates lyrical invention, the artists and even the particular rhymes that make hip-hop great. For the uninitiated, it is Hip-Hop 101, offering a rich overview of rap's verbal artistry. For the aficionado, it alternately affirms and challenges deeply held beliefs of what is valuable in hip-hop.a
--"Washington Post Book World"

aThis book makes an important contribution to hip-hop history. . . . Cobbas writing style is engaging, and the book benefits from the legitimacy provided by the authoras background: he is a former MC who grew up with the culture.a
--"Choice"

aOn literally every page [Cobb] displays a tremendous command of language and history as he aexamines the aesthetic, stylistic, and thematic evolution of hip hop from its inception in the South Bronx to the present era.a But make no mistake: this groundbreaking work is an artfully constructed and vividly written look at athe artistic evolution of rap music and its relationship to earlier forms of black expression.a Much of the book's pleasure also comes from Cobb's ability to afreestylea serious and humorous insights-from how artists such as Tupac and Nas sometimes astepped outside the conventions of hip-hop to pen sympathetic narratives about the sexual exploitation of young women, a to how LL Cool J's pioneering aI Need a Beata sounded alike he'd raided every entry in an SAT book.a aa
--"Publishers Weekly" (starred review)

aVital stuff for hip hop fans eager to know more about their favorite culturalidiomas development and underpinnings.a
--"Booklist"

aAt a time when academics are just beginning to recognize hip hop as a legitimate form, William Jelani Cobb, a child of rap himself, brings an unparalleled level of understanding to the music. His historically informed yet hip-to-the-tip viewpoint roots readers in the art form rather than the hype.a
--Chuck D

aWith poetic passion and surgical precision, William Jelani Cobb's engaging exploration of the hip hop aesthetic lovingly demonstrates that, when it comes to beats and rhymes, the beauty of the (bass) god resides in the details.a
--Joan Morgan, author of "When Chickenheads Come Home to Roost"

aFinally, a hip hop study that captures the verve and swagger that marked the work of our critical forebears Albert Murray and Amiri Baraka. In his brilliant new tome, William Jelani Cobb bridges the gap between the majesty of the blues and the gully regality of hip hop.a
--Mark Anthony Neal, author of "New Black Man"

"Wow! "To the Break of Dawn" is a crucial contribution to hip hop history. I'm thrilled that William Jelani Cobb has documented hip hop's relationship to the blues. If you want to truly understand how hip hop was born, read this booka
--MC Lyte

"aTo the Break of Dawn" tells the serious story of hip hop's artistic roots, and in the process revels in the great MCs who stand at the crossroads of music and literature. In a crowded field of hip hop scholars, pundits, and journalists, "To the Break of Dawn" puts William Jelani Cobb way out in front.a
--Ta-Nehisi Coates

aUpon finishing To the Break of Dawn, any objective fan will acknowledge that Cobb has done a commendable job in chronicling rapasevolution and explaining its multiple influences and impact. Hereas a fresh look at a music that continues to electrify, confound, alienate, and fascinate.a
--"Nashville City Paper"

"He'll idle with some prelim scratches to let the crowd know what's coming next. And if his boy got skills enough, if the verbal game is tight enough, that right there will be the kinetic moment, that blessed split-second when beat meets rhyme."

With roots that stretch from West Africa through the black pulpit, hip-hop emerged in the streets of the South Bronx in the 1970s and has spread to the farthest corners of the earth. To the Break of Dawn uniquely examines this freestyle verbal artistry on its own terms. A kid from Queens who spent his youth at the epicenter of this new art form, music critic William Jelani Cobb takes readers inside the beats, the lyrics, and the flow of hip-hop, separating mere corporate rappers from the creative MCs that forged the art in the crucible of the street jam.

The four pillars of hip hop--break dancing, graffiti art, deejaying, and rapping--find their origins in traditions as diverse as the Afro-Brazilian martial art Capoeira and Caribbean immigrants' turnstile artistry. Tracing hip-hop's relationship to ancestral forms of expression, Cobb explores the cultural and literary elements that are at its core. From KRS-One and Notorious B.I.G. to Tupac Shakur and Lauryn Hill, he profiles MCs who were pivotal to the rise of the genre, verbal artists whose lineage runs back to the black preacher and the bluesman.

Unlike books that focus on hip-hop as a social movement or a commercial phenomenon, To the Break of Dawn tracks the music's aesthetic, stylistic, and thematic evolution from its inception to today's distinctly regional sub-divisions and styles. Written with an insider's ear, the book illuminates hip-hop's innovations in a freestyle form that speaks to both aficionados and newcomers to the art.

Bad Fat Black Girl - Notes from a Trap Feminist (Paperback): Sesali Bowen Bad Fat Black Girl - Notes from a Trap Feminist (Paperback)
Sesali Bowen
R380 R308 Discovery Miles 3 080 Save R72 (19%) Ships in 9 - 15 working days

"Sesali Bowen is poised to give Black feminism the rejuvenation it needs. Her trendsetting writing and commentary reaches across experiences and beyond respectability. I and so many Black girls still figuring out who they are in this world will gain so much from whatever she has to say."-Charlene A. Carruthers, activist and author of Unapologetic: A Black, Queer and Feminist Mandate for Radical Movements "Sesali perfectly vocalizes the inner dialogue, and daily mantras needed to be a Bad Bitch."-Gabourey Sidibe, actor, director, and author of This is Just My Face: Try Not To Stare "A powerful call for a more inclusive and 'real' feminism."-Publishers Weekly (starred review) "Bowen writes from an authentic space for Black women who are often left out of feminist conversations due to respectability politics, but who are just as deserving of the same voice and liberation."-Booklist (starred review) From funny and fearless entertainment journalist Sesali Bowen, Bad Fat Black Girl combines rule-breaking feminist theory, witty and insightful personal memoir, and cutting cultural analysis for an unforgettable, genre-defining debut. Growing up on the south side of Chicago, Sesali Bowen learned early on how to hustle, stay on her toes, and champion other Black women and femmes as she navigated Blackness, queerness, fatness, friendship, poverty, sex work, and self-love. Her love of trap music led her to the top of hip-hop journalism, profiling game-changing artists like Megan Thee Stallion, Lizzo, and Janelle Monae. But despite all the beauty, complexity, and general badassery she saw, Bowen found none of that nuance represented in mainstream feminism. Thus, she coined Trap Feminism, a contemporary framework that interrogates where feminism meets today's hip-hop. Bad Fat Black Girl offers a new, inclusive feminism for the modern world. Weaving together searing personal essay and cultural commentary, Bowen interrogates sexism, fatphobia, and capitalism all within the context of race and hip-hop. In the process, she continues a Black feminist legacy of unmatched sheer determination and creative resilience. Bad bitches: this one's for you.

Black Gods of the Asphalt - Religion, Hip-Hop, and Street Basketball (Paperback): Onaje X. O. Woodbine Black Gods of the Asphalt - Religion, Hip-Hop, and Street Basketball (Paperback)
Onaje X. O. Woodbine
R556 R466 Discovery Miles 4 660 Save R90 (16%) Ships in 12 - 17 working days

J-Rod moves like a small tank on the court, his face mean, staring down his opponents. "I play just like my father," he says. "Before my father died, he was a problem on the court. I'm a problem." Playing basketball for him fuses past and present, conjuring his father's memory into a force that opponents can feel in each bone-snapping drive to the basket. On the street, every ballplayer has a story. Onaje X. O. Woodbine, a former streetball player who became an all-star Ivy Leaguer, brings the sights and sounds, hopes and dreams of street basketball to life. He shows that big games have a trickster figure and a master of black talk whose commentary interprets the game for audiences. The beats of hip-hop and reggae make up the soundtrack, and the ballplayers are half-men, half-heroes, defying the ghetto's limitations with their flights to the basket. Basketball is popular among young black American men but not because, as many claim, they are "pushed by poverty" or "pulled" by white institutions to play it. Black men choose to participate in basketball because of the transcendent experience of the game. Through interviews with and observations of urban basketball players, Onaje X. O. Woodbine composes a rare portrait of a passionate, committed, and resilient group of athletes who use the court to mine what urban life cannot corrupt. If people turn to religion to reimagine their place in the world, then black streetball players are indeed the hierophants of the asphalt.

Grime Kids - The Inside Story of the Global Grime Takeover (Paperback): Dj Target Grime Kids - The Inside Story of the Global Grime Takeover (Paperback)
Dj Target 1
R302 R247 Discovery Miles 2 470 Save R55 (18%) Ships in 9 - 15 working days

For fans of Wiley, Dizzee Rascal and Stormzy, Grime Kids is the definitive inside story of Grime. 'An essential read for anyone with the slightest interest in the birth of Grime' The Wire 'Sharp and nostalgic' The Observer A group of kids in the 90s had a dream to make their voice heard - and this book documents their seminal impact on today's pop culture. DJ Target grew up in Bow under the shadow of Canary Wharf, with money looming close on the skyline. The 'Godfather of Grime' Wiley and Dizzee Rascal first met each other in his bedroom. They were all just grime kids on the block back then, and didn't realise they were to become pioneers of an international music revolution. A movement that permeates deep into British culture and beyond. Household names were borne out of those housing estates, and the music industry now jumps to the beat of their gritty reality rather than the tune of glossy aspiration. Grime has shaken the world and Target is revealing its explosive and expansive journey in full, using his own unique insight and drawing on the input of grime's greatest names. What readers are saying about Grime Kids: 'Fantastic depiction of the inception of a genre that has spanned the millennium' 'Brilliant insight in to grim music from one of the pioneers of the scene' 'This book really sums up the feeling of being a DJ perfectly'

Holy Hip Hop in the City of Angels (Paperback): Christina Zanfagna Holy Hip Hop in the City of Angels (Paperback)
Christina Zanfagna
R842 R721 Discovery Miles 7 210 Save R121 (14%) Ships in 12 - 17 working days

At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program for monographs. Visit www.luminosoa.org to learn more. In the 1990s, Los Angeles was home to numerous radical social and environmental eruptions. In the face of several major earthquakes and floods, riots and economic insecurity, police brutality and mass incarceration, some young black Angelenos turned to holy hip hop-a movement merging Christianity and hip hop culture-to "save" themselves and the city. Converting street corners to airborne churches and gangsta rap beats into anthems of praise, holy hip hoppers used gospel rap to navigate complicated social and spiritual realities and to transform the Southland's fractured terrains into musical Zions. Armed with beats, rhymes, and bibles, they journeyed through black Lutheran congregations, prison ministries, African churches, reggae dancehalls, hip hop clubs, Nation of Islam meetings, and Black Lives Matter marches. Zanfagna's fascinating ethnography provides a contemporary and unique view of black LA, offering a much-needed perspective on how music and religion intertwine in people's everyday experiences.

East African Hip Hop - Youth Culture and Globalization (Paperback): Mwenda Ntarangwi East African Hip Hop - Youth Culture and Globalization (Paperback)
Mwenda Ntarangwi
R526 R462 Discovery Miles 4 620 Save R64 (12%) Ships in 12 - 17 working days

In this book, Mwenda Ntarangwi analyzes how young hip hop artists in the East African nations of Kenya, Uganda, and Tanzania showcase the opportunities and challenges brought by the globalization of music. Combining local popular music traditions with American and Jamaican styles of rap, East African hip hop culture reflects the difficulty of creating commercially accessible music while honoring tradition and East African culture. Ntarangwi pays special attention to growing cross-border exchanges within East African hip hop, collaborations in recording music and performances, and themes and messages that transcend local geographic boundaries.

In using hip hop as a medium for discussing changes in East African political, economic, and social conditions, artists vocalize their concerns about economic policies, African identity, and political establishments, as well as important issues of health (such as HIV/AIDS), education, and poverty. Through three years of fieldwork, rich interviews with artists, and analysis of live performances and more than 140 songs, Ntarangwi finds that hip hop provides youth an important platform for social commentary and cultural critique and calls attention to the liberating youth music culture in East Africa.

The Hip Hop Wars - What We Talk About When We Talk About Hip Hop--and Why It Matters (Paperback): Tricia Rose The Hip Hop Wars - What We Talk About When We Talk About Hip Hop--and Why It Matters (Paperback)
Tricia Rose
R497 Discovery Miles 4 970 Ships in 12 - 17 working days

Hip-hop is in crisis. For the past dozen years, the most commercially successful hip-hop has become increasingly saturated with caricatures of black gangstas, thugs, pimps, and 'hos. The controversy surrounding hip-hop is worth attending to and examining with a critical eye because, as scholar and cultural critic Tricia Rose argues, hip-hop has become a primary means by which we talk about race in the United States . In The Hip-Hop Wars , Rose explores the most crucial issues underlying the polarized claims on each side of the debate: Does hip-hop cause violence, or merely reflect a violent ghetto culture? Is hip-hop sexist, or are its detractors simply anti-sex? Does the portrayal of black culture in hip-hop undermine black advancement? A potent exploration of a divisive and important subject, The Hip-Hop Wars concludes with a call for the regalvanization of the progressive and creative heart of hip-hop. What Rose calls for is not a sanitized vision of the form, but one that more accurately reflects a much richer space of culture, politics, anger, and yes, sex, than the current ubiquitous images in sound and video currently provide.

The Gospel Of Hip Hop - The First Instrument (Hardcover): KRS-One The Gospel Of Hip Hop - The First Instrument (Hardcover)
KRS-One
R823 R707 Discovery Miles 7 070 Save R116 (14%) Ships in 10 - 15 working days

"The Gospel of Hip Hop: First Instrument," the first book from the "I Am Hip Hop," is the philosophical masterwork of KRS ONE. Set in the format of the Christian Bible, this 800-plus-page opus is a life-guide manual for members of Hip Hop Kulture that combines classic philosophy with faith and practical knowledge for a fascinating, in-depth exploration of Hip Hop as a life path. Known as "The Teacha," KRS ONE developed his unique outlook as a homeless teen in Brooklyn, New York, engaging his philosophy of self-creation to become one of the most respected emcees in Hip Hop history. Respected as Hip Hop's true steward, KRS ONE painstakingly details the development of the culture and the ways in which we, as "Hiphoppas," can and should preserve its future.
"The Teacha" also discusses the origination of Hip Hop Kulture and relays specific instances in history wherein one can discover the same spirit and ideas that are at the core of Hip Hop's current manifestation. He explains Hip Hop down to the actual meaning and linguistic history of the words "hip" and "hop," and describes the ways in which "Hiphoppas" can change their current circumstances to create a future that incorporates Health, Love, Awareness, and Wealth (H-LAW).
Committed to fervently promoting self-reliance, dedicated study, peace, unity, and truth, The "Teacha" has drawn both criticism and worship from within and from outside of Hip Hop Kulture. In this beautifully written, inspiring book, KRS ONE shines the light of truth, from his own empirical research over a 14-year period, into the fascinating world of Hip Hop.

Someone Has to Care (Paperback): Christian Scharen Someone Has to Care (Paperback)
Christian Scharen
R467 R385 Discovery Miles 3 850 Save R82 (18%) Ships in 10 - 15 working days
Choreographing in Color - Filipinos, Hip-Hop, and the Cultural Politics of Euphemism (Paperback): J. Lorenzo Perillo Choreographing in Color - Filipinos, Hip-Hop, and the Cultural Politics of Euphemism (Paperback)
J. Lorenzo Perillo
R1,502 R988 Discovery Miles 9 880 Save R514 (34%) Ships in 12 - 17 working days

In Choreographing in Color, J. Lorenzo Perillo investigates the development of Filipino popular dance and performance since the late 20th century. Drawing from nearly two decades of ethnography, choreographic analysis, and community engagement with artists, choreographers, and organizers, Perillo shifts attention away from the predominant Philippine neoliberal and U.S. imperialist emphasis on Filipinos as superb mimics, heroic migrants, model minorities, subservient wives, and natural dancers and instead asks: what does it mean for Filipinos to navigate the violent forces of empire and neoliberalism with street dance and Hip-Hop? Employing critical race, feminist, and performance studies, Perillo analyzes the conditions of possibility that gave rise to Filipino dance phenomena across viral, migrant, theatrical, competitive, and diplomatic performance in the Philippines and diaspora. Advocating for serious engagements with the dancing body, Perillo rethinks a staple of Hip-Hop's regulation, the "euphemism," as a mode of social critique for understanding how folks have engaged with both racial histories of colonialism and gendered labor migration. Figures of euphemism - the zombie, hero, robot, and judge - constitute a way of seeing Filipino Hip-Hop as contiguous with a multi-racial repertoire of imperial crossing, thus uncovering the ways Black dance intersects Filipino racialization and reframing the ongoing, contested underdog relationship between Filipinos and U.S. global power. Choreographing in Color therefore reveals how the Filipino dancing body has come to be, paradoxically, both globally recognized and indiscernible.

Real Love, No Drama - The Music of Mary J. Blige (Hardcover): Danny Alexander Real Love, No Drama - The Music of Mary J. Blige (Hardcover)
Danny Alexander
R625 R556 Discovery Miles 5 560 Save R69 (11%) Ships in 12 - 17 working days

Mary J. Blige is an icon who represents the political consciousness of hip hop and the historical promise of soul. She is an everywoman, celebrated by Oprah Winfrey and beloved by pop music fans of all ages and races. Blige has sold over fifty million albums, won numerous Grammys, and even played at multiple White House events, as well as the 2013 Nobel Peace Prize ceremony. Displaying astonishing range and versatility, she has recorded everything from Broadway standards to Led Zeppelin anthems and worked with some of popular music's greatest artists-Aretha Franklin, Eric Clapton, Elton John, Whitney Houston, Sting, U2, and Beyonce, among them. Real Love, No Drama: The Music of Mary J. Blige tells the story of one of the most important artists in pop music history. Danny Alexander follows the whole arc of Blige's career, from her first album, which heralded the birth of "hip hop soul," to her critically praised 2014 album, The London Sessions. He highlights the fact that Blige was part of the historically unprecedented movement of black women onto pop radio and explores how she and other women took control of their careers and used their music to give voice to women's (and men's) everyday struggles and dreams. This book adds immensely to the story of both black women artists and artists rooted in hip hop and pays tribute to a musician who, by expanding her reach and asking tough questions about how music can and should evolve, has proven herself an artistic visionary.

The Rap Year Book - The Most Important Rap Song From Every Year Since 1979, Discussed, Debated, and Deconstructed (Paperback):... The Rap Year Book - The Most Important Rap Song From Every Year Since 1979, Discussed, Debated, and Deconstructed (Paperback)
Shea Serrano; Foreword by Ice T; Illustrated by Arturo Torres 1
R505 R433 Discovery Miles 4 330 Save R72 (14%) Ships in 12 - 17 working days

The Rap Year Book takes readers on a journey that begins in 1979, widely regarded as the moment rap as a genre became recognised as part of music's landscape and comes right up to the present. Shea Serrano deftly pays homage to the most important song of each year. Serrano also examines the most important moments that surround the history and culture of rap music-from artists' backgrounds, to issues of race and safety, to the rise of hip-hop and the struggles among its major players-both personal and professional. Covering East Coast and West Coast, famous rapper feuds, chart toppers and show stoppers, The Rap Year Book takes an in-depth look at the last thirty-five years of the most influential genre of music to come out of the last generation. Complete with quizzes, infographics, lyric maps, hilarious and informative footnotes, portraits of the artists, and the occasional rebuttal essay by other prominent music writers, The Rap Year Book is both a narrative and illustrated guide to some of the most iconic and influential songs ever created under the umbrella of rap music. Serrano cites a variety of sources to form his arguments including biographies, magazines and documentaries, as well as his own experiences growing up at a time when hip-hop was becoming a prevalent force in the music industry. With its all-encompassing look at the ups and downs of rap music, and the landmark songs that are its tent-poles, this book will be perfect for anyone who is a fan of the genre.

Street Scriptures - Between God and Hip-Hop (Paperback): Alejandro Nava Street Scriptures - Between God and Hip-Hop (Paperback)
Alejandro Nava
R710 Discovery Miles 7 100 Ships in 9 - 15 working days

This book explores an important aspect of hip-hop that is rarely considered: its deep entanglement with spiritual life. The world of hip-hop is saturated with religion, but rarely is that element given serious consideration. In Street Scriptures, Alejandro Nava focuses our attention on this aspect of the music and culture in a fresh way, combining his profound love of hip-hop, his passion for racial and social justice, and his deep theological knowledge. Street Scriptures offers a refreshingly earnest and beautifully written journey through hip-hop's deep entanglement with the sacred. Nava analyzes the religious heartbeat in hip-hop, looking at crosscurrents of the sacred and profane in rap, reggaeton, and Latinx hip-hop today. Ranging from Nas, Kendrick Lamar, Chance the Rapper, Lauryn Hill, and Cardi B to St. Augustine and William James, Nava examines the ethical-political, mystical-prophetic, and theological qualities in hip-hop, probing the pure sonic and aesthetic signatures of music, while also diving deep into the voices that invoke the spirit of protest. The result is nothing short of a new liberation theology for our time, what Nava calls a "street theology."

Baring Unbearable Sensualities - Hip Hop Dance, Bodies, Race, and Power (Hardcover): Rosemarie A. Roberts Baring Unbearable Sensualities - Hip Hop Dance, Bodies, Race, and Power (Hardcover)
Rosemarie A. Roberts
R2,009 R1,895 Discovery Miles 18 950 Save R114 (6%) Ships in 9 - 15 working days

Theorizing the experiences of black and brown bodies in hip hop dance Baring Unbearable Sensualities brings together a bold methodology, an interdisciplinary perspective and a rich array of primary sources to deepen and complicate mainstream understandings of Hip Hop Dance, an Afro-diasporic dance form, which have generally reduced the style to a set of techniques divorced from social contexts. Drawing on close observation and interviews with Hip Hop pioneers and their students, Rosemarie A. Roberts proposes that Hip Hop Dance is a collective and sentient process of resisting oppressive manifestations of race and power. Roberts argues that the experiences of marginalized black and brown bodies materialize in and through Hip Hop Dance from the streets of urban centers to contemporary worldwide expressions. A companion web site contains over 30 video clips referenced in the text.

The Butterfly Effect - How Kendrick Lamar Ignited the Soul of Black America (Paperback): Marcus J. Moore The Butterfly Effect - How Kendrick Lamar Ignited the Soul of Black America (Paperback)
Marcus J. Moore 1
R450 R367 Discovery Miles 3 670 Save R83 (18%) Ships in 9 - 15 working days

Kendrick Lamar understands and employs blues, jazz, and soul in his music, which makes it startling. His work is more than merely brilliant; it is magic. - Toni Morrison Kendrick Lamar has been described as the poet Laurette of hip-hop, perceptive, philosophical, unapologetic, fearless, and an innovative storyteller whose body of work has been compared to James Joyce and James Baldwin. He is a visionary who will go down as history as one of the most important artists of all time. Now, for the first time, we will be taken on a journey of Lamar's life. Told through his three albums, The Butterfly Effect gives unparalleled insight into his background, influences and the importance of his music. With exclusive interviews with his family, friends, and record producers, this book is the must-read for any fan.

Hip Hop at Europe's Edge - Music, Agency, and Social Change (Paperback): Adriana N. Helbig, Milosz Miszczynski Hip Hop at Europe's Edge - Music, Agency, and Social Change (Paperback)
Adriana N. Helbig, Milosz Miszczynski; Contributions by Adriana N. Helbig, Milosz Miszczynski, Gentian Elezi, …
R758 Discovery Miles 7 580 Ships in 12 - 17 working days

Responding to the development of a lively hip hop culture in Central and Eastern European countries, this interdisciplinary study demonstrates how a universal model of hip hop serves as a contextually situated platform of cultural exchange and becomes locally inflected. After the Soviet Union fell, hip hop became popular in urban environments in the region, but it has often been stigmatized as inauthentic, due to an apparent lack of connection to African American historical roots and black identity. Originally strongly influenced by aesthetics from the US, hip hop in Central and Eastern Europe has gradually developed unique, local trajectories, a number of which are showcased in this volume. On the one hand, hip hop functions as a marker of Western cosmopolitanism and democratic ideology, but as the contributors show, it is also a malleable genre that has been infused with so much local identity that it has lost most of its previous associations with "the West" in the experiences of local musicians, audiences, and producers. Contextualizing hip hop through the prism of local experiences and regional musical expressions, these valuable case studies reveal the broad spectrum of its impact on popular culture and youth identity in the post-Soviet world.

The Big Payback - The History of the Business of Hip-Hop (Paperback): Dan Charnas The Big Payback - The History of the Business of Hip-Hop (Paperback)
Dan Charnas
R567 R495 Discovery Miles 4 950 Save R72 (13%) Ships in 10 - 15 working days

"The Big Payback" takes readers from the first $15 made by a "rapping DJ" in 1970s New York to the multi-million-dollar sales of the Phat Farm and Roc-a-Wear clothing companies in 2004 and 2007. On this four-decade-long journey from the studios where the first rap records were made to the boardrooms where the big deals were inked, "The Big Payback" tallies the list of who lost and who won. Read the secret histories of the early long-shot successes of Sugar Hill Records and Grandmaster Flash, Run DMC's crossover breakthrough on MTV, the marketing of gangsta rap, and the rise of artist/ entrepreneurs like Jay-Z and Sean "Diddy" Combs.

300 industry giants like Def Jam founders Rick Rubin and Russell Simmons gave their stories to renowned hip-hop journalist Dan Charnas, who provides a compelling, never-before-seen, myth-debunking view into the victories, defeats, corporate clashes, and street battles along the 40-year road to hip-hop's dominance.

Lost in the Storm - From prison to the pulpit (Paperback): David Marmolejo Rocha Lost in the Storm - From prison to the pulpit (Paperback)
David Marmolejo Rocha
R503 R424 Discovery Miles 4 240 Save R79 (16%) Ships in 10 - 15 working days
The Hip Hop & Obama Reader (Paperback): Travis L Gosa, Erik Nielson The Hip Hop & Obama Reader (Paperback)
Travis L Gosa, Erik Nielson
R1,162 Discovery Miles 11 620 Ships in 12 - 17 working days

Barack Obama flipped the script on more than three decades of conventional wisdom when he openly embraced hip hop-often regarded as politically radioactive-in his presidential campaigns. Just as important was the extent to which hip hop artists and activists embraced him in return. This new relationship fundamentally altered the dynamics between popular culture, race, youth, and national politics. But what does this relationship look like now, and what will it look like in the decades to come? The Hip Hop & Obama Reader attempts to answer these questions by offering the first systematic analysis of hip hop and politics in the Obama era and beyond. Over the course of 14 chapters, leading scholars and activists offer new perspectives on hip hop's role in political mobilization, grassroots organizing, campaign branding, and voter turnout, as well as the ever-changing linguistic, cultural, racial, and gendered dimensions of hip hop in the U.S. and abroad. Inviting readers to reassess how Obama's presidency continues to be shaped by the voice of hip hop and, conversely, how hip hop music and politics have been shaped by Obama, The Hip Hop & Obama Reader critically examines hip hop's potential to effect social change in the 21st century. This volume is essential reading for scholars and fans of hip hop, as well as those interested in the shifting relationship between democracy and popular culture.

Sue Kwon: Rap Is Risen - New York Photographs 1988-2008 (Hardcover): Sue Kwon Sue Kwon: Rap Is Risen - New York Photographs 1988-2008 (Hardcover)
Sue Kwon; Introduction by Jeff Mao
R1,263 Discovery Miles 12 630 Ships in 12 - 17 working days
Hell Is Round the Corner - The Unique No-Holds Barred Autobiography (Paperback): Tricky Hell Is Round the Corner - The Unique No-Holds Barred Autobiography (Paperback)
Tricky
R455 R373 Discovery Miles 3 730 Save R82 (18%) Ships in 9 - 15 working days

Tricky is one of the most original music artists to emerge from the UK in the past 30 years. His signature technique - layered, eerie, downtempo hip-hop coupled with deep, questioning lyrics - took the UK by storm in the early 1990s and was part of the sound that defined the post-rave generation. This unique, no-holds barred autobiography is not only a portrait of an incredible artist - it is also a gripping slice of social history packed with hair-raising anecdotes and voices from the margins of society. Tricky examines how his creativity has helped him find a different path to that of his relatives, some of whom were bare-knuckle fighters and gangsters, and how his mother's suicide has had a lifelong effect on him, both creatively and psychologically. From the Bronx to Berlin, via Paris and LA, Tricky has continued to push himself in new directions as a performer. With his unique heritage and experience, his story will be one of the most talked-about music autobiographies of the decade.

Hip-Hop at the End of the World - The Photography of Brother Ernie (Hardcover): Ernst Paniccioli Hip-Hop at the End of the World - The Photography of Brother Ernie (Hardcover)
Ernst Paniccioli
R1,324 R1,048 Discovery Miles 10 480 Save R276 (21%) Ships in 10 - 15 working days

Filled with more than 250 images of artists including Ice Cube, The Notorious B.I.G., LL Cool J, Naughty by Nature, Public Enemy, 50 Cent, N.W.A, Snoop Dogg, Lil' Kim, Flavor Flav, Lauren Hill, Queen Latifah, TLC, many that have never before been published, this book is set to become the new hip-hop photography bible With exclusive, behind-the-scenes access, preeminent photographer Brother Ernie captures the last four decades of the evolution of hip-hop--the styles that grew from it, and the artists who shaped it. Complete with Brother Ernie's personal anecdotes of time spent with subjects, and stories behind the photographs, Hip-Hop at the End of the World shares intimate moments from the most important era of hip-hop. After picking up a camera in the 1973 to document the graffiti art that dominated New York City, Ernest Paniccioli started his journey of whole-heartedly capturing the scene during the most fertile years of hip-hop. Always armed with a 35mm camera, he successfully photographed nearly every rapper of note since the genre's inception, making him the go-to photographer for magazines like Word Up and Rap Masters. Hip Hop at the End of the World is a carefully curated selection of photographs from Brother Ernie's extensive archives, celebrating over 40 years of swag in one of the most complete records of the most crucial movements in American music.

The History of Hip Hop (Paperback): Eric Reese The History of Hip Hop (Paperback)
Eric Reese
R353 Discovery Miles 3 530 Ships in 10 - 15 working days
In Hip Hop Time - Music, Memory, and Social Change in Urban Senegal (Paperback): Catherine M. Appert In Hip Hop Time - Music, Memory, and Social Change in Urban Senegal (Paperback)
Catherine M. Appert
R1,321 Discovery Miles 13 210 Ships in 10 - 15 working days

In the twenty-first century, Senegalese hip hop-"Rap Galsen"-has reverberated throughout the world as an exemplar of hip hop resistance in its mobilization against government corruption during a series of tumultuous presidential elections. Yet Senegalese hip hop's story goes beyond resistance; it is a story of globalization, of diasporic movement and memory, of imagined African pasts and contemporary African realities, and of urbanization and the banality of socio-economic struggle. At particular moments in Rap Galsen's history, origin narratives linked hip hop to a mythologized Africa through the sounds of indigenous oralities. At other times, contrasting narratives highlighted hip hop's equally mythologized roots in the postindustrial U.S. inner city and African American experience. As Senegalese youth engage these globally circulating narratives, hip hop performance and its stories negotiate their place in a rapidly changing world. In Hip Hop Time explores this relationship between popular music and social change, framing Senegalese hip hop as a musical movement deeply tied to both indigenous performance practices and changing social norms in urban Africa. Author Catherine Appert takes us from Senegalese hip hop's beginnings among cosmopolitan youth in Dakar's affluent neighborhoods in the 1980s, to its spread throughout the city's ghettoized working class neighborhoods in the mid- to late-'90s, and into the present day, where political activism and hip hop musicality vie for position in local and global arenas. An ethnography of the inextricability of musical and social meaning in hip hop practice, In Hip Hop Time charts new intellectual territory in the scholarship of African and global hip hop.

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