La Ruta del Peregrino (the pilgrimage route) stretches a distance of 117 kilometers through the vast and imposing mountain range of Jalisco, Mexico. Approximately two million people participate each year in this religious phenomenon to meet the Virgin of Talpa as an act of devotion, faith, and gratitude. This book conveys the feeling of travelling on the pilgrim's route and encountering architectural monuments and their infrastructure, like shelters and viewpoints, embedded in the harsh landscape. Each introduced landmark, designed by renowned architects, sparks a dialogue about sustainability and austerity, landscape and architecture. Landscape of Faith is a documentation of the way architecture can increase the identity of a pilgrimage route and add layers of meaning that reach far beyond the religious.

This fine Palladian house known as New Park was built between 1777 and 1783 and became part of the golden age of the Georgian country house. Its owner, James Sutton, was one of a new breed of landowners, benefitting from the proceeds of the boom in late eighteenth century trade and from local political influence. The house was a celebration of the dynamism and success of Georgian Devizes, built on its thriving wool trade. As neoclassicism became the defining style for the late eighteenth English country house, New Park, later re-named Roundway Park, perfectly represented the high ambition of the age, the product of the prestigious architect, James Wyatt, and landscape designer, Humphry Repton. Roundway continued to prosper in the Victorian and Edwardian eras under the ownership of the Colston family of Bristol fame. In 1938, on the death of Rosalind Colston, the first Lady Roundway, the house and estate were, on the surface, indistinguishable from their Victorian heyday. But just sixteen years later, the estate had been sold and the house largely demolished as the effects of family tragedy and the weight of social and economic change took their toll. The Forgotten Country House tells for the first time the story of Roundway's rise and fall, the people who built and owned it, lived and worked there, and the contribution they made to their local community. It paints a vivid picture of the lives of gentry families who far outnumbered their more aristocratic counterparts and who played a central role in the rural communities that characterised much of Britain up until the mid-twentieth century. Part family history, part love letter to the English country house, Simon Baynes draws on family papers and new research to pay a fitting, evocative tribute not just to his ancestors, but also to a lost world and the people who lived in it.

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1922 edition. Excerpt: ...of less bulk with a cock running with water that people may there wash their hands. As touching the conduit at Holborn Cross it shall be viewed by the Chamberlain who is to report on the costs for the perfection thereof. Repert. vm, f. 27. Thursday 24 April 4 Edward VI 1550 Item this day Sir William Laxton Sir Marten Bowes knights, Mr. Judde Mr. Dobbs and Mr Hynde aldermen are appointed to "travayele" for the conveying of waste water of the conduit in Latheberye and of the great Conduite to St. John's in Walbroke and to London Wall or to one of those two places as they shall think most mete for the better serving of the citizens of this City of water. Repert. xn, f. 224. Tuesday 7 May 36 Elizabeth 1594 At this court it is ordered that Sir Richard Martyn knight, Mr. Skynner, Mr. Moseley aldermen Mr. Chamberlen John Blount Clothworker and Richard Proctor merchannt tailor or any fower or more of them shall finde out some convenyent place in Cheapside for placing of a cesterne there for the receipt of such water as shalbe brought thither by Bevis Bullmer Esquire. And Henry Woodwall to warne them to meet togeather and to attend on them. Repert. xxm, f. 210b. Tuesday 12 November 36 Elizabeth 1594 Item it is ordered that the twenty tonnes of Thames water which is to be brought into Cheapsyde by Beavis Bullmer Esq. shalbe brought to the Crosse there according to the reportes of Mr. Soame Mr. Moseley, Aldermen and other commytties formerly in that behalf appointed. And that the said Commytties shall have consideration for the altering of the stones and all other necessary thinges that are to be done at the said Crosse for the water worke there. Ibid. f. 313b. Tuesday 13 June 1592. Item whereas Richard Hill fownder hath of long time kept...

Built for Federico II Gonzaga Duke of Mantua between 1525 and 1536, Palazzo Te is the masterpiece of Renaissance artist, designer and architect Giulio Romano, the most accomplished and favoured of all Raphael's pupils. Ugo Bazzotti, former director of the Palazzo Te, takes the reader via superb photography through the atriums, halls, courtyards and gardens that constitute this elaborate masterpiece of Mannerist decoration, explaining its history and the inventiveness and versatility of its creator, Giulio Romano. From the erotic scenes of the Sala di Psiche to the famous Sala di Giganti, based on the mythological defeat of the Titans by the gods of Olympus, the High Renaissance ideal of classical harmony and balance is overtaken by breathtaking illusionist techniques, with images of giants, falling masonry and the gods' thunderbolts filling the visitor's imagination.

Eltham Palace is famous for its links with royalty and national events over a period of three and a half centuries, between the reigns of Edward I and James I. This richly illustrated book follows these important moments in the building's history, along with the parallel stories of its architecture, gardens, vineyards and parks. The staff responsible for its upkeep and the effects on the local community of having a royal building in its midst are also chronicled here. What remains of the Palace's former splendour today are the moat bridge, part of its outer court and the magnificent great hall, built for Edward IV, which survived long years of use as a barn after the Civil Wars. A 1930s mansion now adjoins the hall and both buildings are administered by English Heritage. Eltham Palace was central to its local community as well as to the aristocratic levels of international society. While the court was at Eltham the palace was the centre of administration for the whole country as far as that part of the royal government which travelled round the country with the monarch was concerned. During such visits a great many people came to Eltham on official and personal business, the largest numbers arriving at Easter when alms were distributed to the poor. Surviving records are numerous and document many aspects of the royal manor and the parish, including sports and ceremonies and the activities of the home farm. The book traces the palace from its medieval and Tudor beginnings, with court visits, the arrivals of foreign royalty and ambassadors, and the tournaments and festivities, through the unfortunate destruction of many of its royal buildings in the 17th century, up to Eltham Palace's state and purpose today. Containing many details concerning the palace and people of Eltham which do not appear in earlier descriptions of its history, this vivid and in-depth work will be of great interest to local and tourists, as well as those interested in such a rich royal heritage and architectural history.

Chawton House is famous today as the home of Jane Austen's brother Edward, who was adopted by a wealthy relative, Thomas Knight, and inherited his Hampshire estate. Edward offered the former bailiff's cottage close to the great house to his mother, who lived there with her unmarried daughters Jane and Cassandra. The house is now a study centre and library, for women's writing especially, but when this book was published in 1911 the building was still the Knight family home. Montagu Knight, the grandson of Edward, supplied material from the archives of the manor, while the book was largely written by his cousin William Austen Leigh, the son of Jane's nephew and memorialist. It covers the history of the manor from the Norman Conquest to the death of the second Edward in 1879, and, apart from the Austen connection, is a fascinating illustrated history of a typical English parish.

Sandy Isenstadt examines how architects, interior designers, and landscape designers worked to enhance spatial perception in middle class houses visually. The desire for spaciousness reached its highest pitch where it was most lacking, in the small, single-family houses that came to be the cornerstone of middle class life in the nineteenth century. In direct conflict with actual dimensions, spaciousness was linked to a tension unique to the middle class - between spatial aspirations and financial limitations. Although rarely addressed in a sustained fashion by theorists and practitioners, and the inhabitants of houses themselves, Isenstadt argues that spaciousness was central to the development of modern American domestic architecture, with explicit strategies for perceiving space being pivotal to modern house design. Through professional endorsement, concern for visual space found its way into discussion of real estate and law.

The leading industry association's handbook for going green in the kitchen and bath Kitchen & Bath Sustainable Design is the National Kitchen and Bath Association's complete guide to "greening" these important rooms. The first book to focus exclusively on kitchen and bath sustainability, this full color guide covers every consideration for both remodels and new construction, making it a handy reference for any kitchen and bath professional. Case studies of award-winning projects demonstrate how space, budget, and sustainability can come together to create beautiful, functional, efficient rooms, and illustrations throughout provide visual examples of the techniques discussed. The book includes information on greening one's practice for the client's benefit, plus an appendix of additional resources and instructional materials for classroom use. Outside of general heating and cooling, kitchen appliances use the bulk of a household's energy. Kitchens and baths together use an average of 300 gallons of water per day for a family of four, and both rooms are high-use areas that require good air quality. Kitchen & Bath Sustainable Design provides a handbook to designing these rooms for sustainability, without sacrificing comfort or livability. With comprehensive guidance on approaching these rooms sustainably, readers will: * Communicate better with builders, clients, and potential clients * Understand technical considerations, and the criteria that make a design "green" * Conduct a full design analysis, including life cycle costing and efficiency * Learn the ratings systems and standards in play in the green kitchen and bath The biggest elements of sustainable interior design energy efficiency, water use, and materials selection are all major players in the kitchen and bath. Clients are increasingly demanding attention to sustainability issues, and designers must be up to date on the latest guidelines, best practices, and technology. Kitchen & Bath Sustainable Design is the complete technical and practical guide to green design for the kitchen and bath professional.

After the success of his richly illustrated Encyclopaedia of Cottage, Farm, and Villa Architecture and Furniture (1833), which is also reissued in this series, the landscape gardener John Claudius Loudon (1783 1843) received a great deal of correspondence from interested readers. This prompted him and the Encyclopaedia's contributors to publish this supplement in 1842. Loudon and his colleagues had continued to study a range of rural buildings - from homes to farms and schools - in England and Scotland, while at the same time receiving architectural designs and detailed letters from North America and Australia. The supplement draws on this wealth of material to discuss developments in the use of building materials as well as innovations in design. The focus is on cottages, farms, pubs, schools and almshouses. Construction methods and furnishings are also discussed. As with the volume it supplements, this work contains a plethora of detailed illustrations."

With over 1000 photographs, Shelter is a classic celebrating the imagination, resourcefulness, and exuberance of human habitat. First published in 1973, it is not only a record of the countercultural builders of the '60s, but also of buildings all over the world. There is a history of shelter and the evolution of building types. Tents, yurts, timber buildings, barns, small homes, domes, etc. There is a section on building materials, including heavy timber construction and stud framing, as well as stone, straw bale construction, adobe, plaster and bamboo. There are interviews with builders and tips on recycled materials and wrecking. The spirit of the '60s counterculture is evident throughout the book, and the emphasis is on creating your own shelter (or space) with your own hands. A joyful, inspiring book.

For the past decade, the Los Angeles architect Michael Maltzan has designed multiunit housing in a city known for its proliferation of single-family residences. Working with the Skid Row Housing Trust, these projects advance new forms of supportive housing that address the services and infrastructures needed for their particular populations of inhabitants. For Maltzan, housing manifests an incredibly complex set of spatial problems-social, economic, political, typological, aesthetic, and urban-that recast architecture's role in framing the social relationships and individual challenges of everyday urban life. Social Transparency includes a recent lecture by Maltzan at Columbia University's Graduate School of Architecture, Planning and Preservation, as well as reflections from fellow practitioners on this sustained engagement with housing and the city.

From Los Angeles to Boston and Chicago to Miami, US cities are struggling to address the twin crises of high housing costs and household instability. In most cities, debates over the appropriate course of action have been defined by two poles: building more housing or enacting stronger tenant protections. These options are often treated as mutually exclusive, with support for one implying opposition to the other. Shane Phillips takes on this tension in The Affordable City, arguing that effectively addressing the housing crisis requires that cities support both tenant protections and housing abundance. To improve affordability, cities must build new homes that serve all people and accommodate the needs of a growing population and changing demographics. At the same time, they must also protect existing residents from harm and help them share in the benefits of investment in their communities. Phillips explains that the solution to America's housing crisis comes down to three priorities that he calls the Three S's: Supply, Stability, and Subsidy. Supply is about having enough homes for everyone. Stability is about recognizing and upholding the dignity of housing, especially related to tenant protections and rental housing preservation. Subsidy is about ensuring that everyone enjoys the benefits of abundant housing and stable, accessible communities. Far from being in conflict, these three goals can and should be mutually reinforcing, both technically and politically. In The Affordable City, Phillips offers 55 policy recommendations, beginning with a set of principles and general recommendations that should apply to all housing policy. These are followed by sections covering the Three S's of Supply, Stability, and Subsidy, with a moral and economic case for why each is essential and recommendations for making them work together. Phillips ends with a policy blueprint and implementation plan for each policy, including whether it should be pursued as an immediate, medium-term, or long-term priority. To address the housing crisis, we need everyone in the fight. The Affordable City is an essential tool for professional city planners, policymakers, public officials, and advocates working to improve affordability and increase community resilience through local action.

Across small cottages and lavish villas, beach houses and forest refuges, discover the world's finest crop of new homes. This cutting-edge global digest features such talents as Shigeru Ban, MVRDV, and Marcio Kogan alongside up-and-coming names like Aires Mateus, Xu Fu-Min, Vo Trong Nghia, Desai Chia, and Shunri Nishizawa. Here, there are homes in Australia and New Zealand, from China and Vietnam, in the United States and Mexico, and on to less expected places like Ecuador and Costa Rica. The result is a sweeping survey of the contemporary house and a revelation that homes across the globe may have more in common than expected. Among guava trees and abandoned forts in Western India is a sanctuary designed for and by Kamal Malik of Malik Architecture. The House of Three Streams is a sprawling spectacle with high ceilings, verandas, and pavilions, perched atop a ridge overlooking two ravines. A medley of steel, glass, wood, and stone, the house weaves along the contour of the landscape, almost as an extension of the forest. Encina House by Aranguren & Gallegos, an elegant, sloping structure reminiscent of a gazebo, similarly inhabits its surrounding vista. Ensconced in a pine forest north of Madrid, the lower level is embedded in rock and connected to the upper by a natural stone wall. Shinichi Ogawa's Seaside House is an immaculate two-story minimalist marvel in Kanagawa that overlooks the Pacific. Its living area spills onto a cantilevered terrace and infinity pool, almost dissolving into the ocean as one seamless entity. In Vietnam, Shunri Nishizawa's House in Chau Doc exudes tropical sophistication with exposed timber beams, woven bamboo, plants, concrete panels, and inner balconies and terraces. Its corrugated iron panels act as moveable walls and shutters, ushering in views of surrounding rice fields. These homes-along with more than 50 others-are each remarkably distinct in design. They all, however, toe the line between inside and outside, each one symbiotic with its surroundings.

In a world that fetishises aesthetic frivolity and iconographic bombast at the expense of substance and nuance, the critically acclaimed work of Johnsen Schmaling Architects stands out for its conceptual rigor, profound simplicity, and quiet repose. Formally restrained and informed by innovative tectonic and material experimentations, Johnsen Schmaling's precisely crafted architecture creates poetic atmospheres of enduring clarity. Johnsen Schmaling: On Rigor is the firm's first monograph and provides an in-depth look at thirteen seminal residential and commercial projects. The book reveals how the architects' unique reading of context and cultural memory translates into an abstract palette of architectural operations that guide the entire design process, from initial concepts to intricate, meticulously detailed material assemblies.The crisply designed book features beautiful photography and delightful graphics that Illustrate how the projects came to life.

The mayhaus in Frankfurt's Roemerstadt is the only residential building in the style of the Neues Frankfurt of the 1920s that has been completely restored. The book explains the functions of the model house using current photographs and historical plans. Via the text level, which zooms from the city via the housing estate and then the street into the building, the mayhaus, including the famous Frankfurt cuisine, is classified in terms of architectural history and socio-cultural aspects. Text in English and German.

Text in English & German. In the area along the Weser, there was a great deal of building activity between the Reformation and the Thirty Years War which was helped along by economic prosperity. Little affected later by war or modernisation, high quality Renaissance castles, aristocratic estates, town halls and civic architecture have survived here in exceptional density. This facet of Central European Renaissance architecture started to be appreciated in the early 20th century. This led to the concept of the Weser Renaissance, oriented above all towards formal and regional history, and still popular today, like a kind of brand. The present volume offers a representative selection of the region's castles and palaces for the first time, dealing with both princely residences and seats of the nobility. Architecture and court culture are placed in a European context that goes beyond older approaches based on the stylistic history and shows that forms demonstrating princely prestige have qualities in common well outside the region. Michael Bischoff's introductory text provides an overview of Renaissance architecture in the Weser area. Uwe Albrecht and Julian Jachmann explain the terminology and function of princely architecture. Heiner Borggrefe analyses early Renaissance architectural ornamentation, G Ulrich Grossmann covers the topic after the mid-16th century. Thomas Fusenig writes on the arts and sciences at the courts. Rolf Schoenlau discusses aspects of building materials in terms of economic history. Hillert Ibbeken deals with the sandstone that is most frequently used from a geological point of view. The descriptive catalogue is by Katja Schoene and Michael Bischoff.

"Welcome to the world of ultra-glamorous architecture as featured in new coffee table book Archiphantasy (The Images Publishing Group), penned by prolific architect Alexander Wong. The weighty, lavish tome showcases more than 30 cinemas, private homes, shops and hotels that have been designed by his visionary Hong-Kong-based firm Alexander Wong Architects." - Daily Mail In this highly-anticipated monograph, Alexander Wong presents a selection of incisive essays on contemporary architecture and design concepts, along with a wide range of magnificently photographed works, including dynamic retail spaces, glamorous and unique residential interiors, futuristic cinema design, office spaces of the future, and so much more. Each project highlights how Wong combines the best of what Asia-Pacific has to offer in superior design with an abstract aesthetic, yet high attention to detail.

The country house was the focal point of Georgian architecture, landscape and society. This book explores the meaning of this distinct cultural form using a wide range of examples and approaches. Dana Arnold presents an analysis of the social and cultural significance of the country house, and her work is complemented by essays from experts in a variety of disciplines. Illustrations, showing exteriors, interiors and landscapes of houses ranging from Blenheim and Harewood to lesser known examples such as A la Ronde, provide a thorough historical and visual survey of the period. This title offers fresh interpretations and enables the reader to gain an insight into the pivotal role the country house played in 18th- and early 19th-century society.

This detailed guide to the model tenement building displayed at Edinburgh's International Exhibition of Industry Science and Art in 1886 was first published in that year. A prominent figure in Scottish architecture and engineering, Sir James Gowans (1821 90) designed and built railways, roads, and stone houses during his long career, including a model village in West Lothian named Gowanbank. His intention in designing tenement buildings was to produce a standardised model that would make homes more affordable. This short book considers the tenement designs, including the situation of staircases, drainage, materials, and the mode of construction. Gowans' book also features chapters on the Prince Albert Victor Sundial, built to commemorate the opening of the exhibition by the prince, the Memorial Mason's pillars erected in Edinburgh, and the Electric Tramway. Gowans was made Lord Dean of Guild of the city of Edinburgh in 1885.

A comprehensive study of domestic buildings in London from about 1200 to the Great Fire in 1666. John Schofield describes houses and such related buildings as almshouses, taverns, inns, shops and livery company halls, drawing on evidence from surviving buildings, archaeological excavations, documents, panoramas, drawn surveys and plans, contemporary descriptions, and later engravings and photographs. Schofield presents an overview of the topography of the medieval city, reconstructing its streets, defences, many religious houses and fine civic buildings. He then provides details about the mediaeval and Tudor London house: its plan, individual rooms and spaces and their functions, the roofs, floors and windows, the materials of construction and decoration, and the internal fittings and furniture. Throughout the text he discusses what this evidence tells us about the special restrictions or pleasures of living in the capital; how certain innovations of plan and construction first occurred in London before spreading to other towns; and how notions of privacy developed. The text is illustrated and accompanied by a selective gazetteer of 201 sites in the City of London and its immediate

Sean Godsell, an award-winning pioneer of 'Australian bush minimalism', has established himself as an influence on the global architecture scene. This survey of his residential architecture features twelve houses and dwellings across Australia, each illustrated with full-colour photography and the architect's hand-drawn plans and exploratory sketches, which illuminate how each house connects to its surrounding landscape. Featuring an essay by Godsell about the influences of Australia's particular landscapes and culture, this survey also includes an introduction by leading critic and commentator Philip Goad about the achievements of Godsell's career, and the global importance of his visionary designs. With a complete illustrated chronology.

In this book, which was originally published in 2005, Amanda Lillie challenges the urban bias in Renaissance art and architectural history by investigating the architecture and patronage strategies, particularly those of the Strozzi and the Sassetti clans, in the Florentine countryside during the fifteenth century. Based entirely on archival material that remained unpublished at the time of publication, her book examines a number of villas from this period and reconstructs the value systems that emerge from these sources, which defy the traditional, idealized interpretation of the 'renaissance villa'. Here, the house is studied in relation to the families who lived in them and to the land that surrounded them. The villa emerges as a functional, utilitarian farming unit upon whose success families depended, and where dynastic and patrimonial values could be nurtured.

This book is an introduction to the vernacular or 'minor' architecture of the villages of the Venetian lagoon, excluding the historic centre of the city itself. This 1989 study provides an authoritative account of their architectural style and development and a companion volume to Dr Goy's Chioggia and the Villages of the Venetian Lagoon (1985). In a broadly based and fully illustrated discussion, the author aims to show how certain, often palatial, architectural forms found in the Venetian metropolis were modified when transferred to the outlying, 'suburban' communities of the lagoon, which were constructed in far more trying conditions when materials and skilled labour were both in short supply. The book offers an encyclopaedic guide to almost all aspects of the building process, paying particular attention to materials, motifs, decoration and the organisation of labour, and also gives valuable English translations of such primary sources as Sansovino and Palladio.