Brick has long been a trusted material, used worldwide by builders who appreciate its strength and versatility. It offers proven value to both traditional works and contemporary designs. The venerable material has even become a trendsetter; as the New York Times recently reported, "Bricks Return with Style in New High-End Buildings." Following the popular first volume of Folio, Folio 2 features the most inspiring new brick buildings in North America and Australia. Here single-family homes, university buildings, cultural centres, showroom interiors, and more show the possibilities of brick. Each project uses material manufactured by Glen-Gery in a variety of shapes, colours, and textures, from conventional brick to glass brick to custom-designed brick for unique implementations. The buildings are thoroughly documented in photos and drawings, and with texts based on new interviews with their designers - a who's who of both up-and-coming and established architecture firms.

The Idea of the Cottage in English Architecture is a history of the late Georgian phenomenon of the architect-designed cottage and the architectural discourse that articulated it. It is a study of small buildings built on country estates, and not so small buildings built in picturesque rural settings, resort towns and suburban developments. At the heart of the English idea of the cottage is the Classical notion of retreat from the city to the countryside. This idea was adopted and adapted by the Augustan-infused culture of eighteenth-century England where it gained popularity with writers, artists, architects and their wealthy patrons who from the later eighteenth century commissioned retreats, gate-lodges, estate workers' housing and seaside villas designed to 'appear as cottages'. The enthusiasm for cottages within polite society did not last. By the mid-nineteenth century, cottage-related building and book publishing had slowed and the idea of the cottage itself was eventually lost beneath the Tudor barge-boards and decorative chimneystacks of the Historic Revival. And yet while both designer and consumer have changed over time, the idea of the cottage as the ideal rural retreat continues to resonate through English architecture and English culture.

A new way of looking at the medieval castle - as a cultural reflection of the society that produced it, seen through art and literature. Medieval castles have traditionally been explained as feats of military engineering and tools of feudal control, but Abigail Wheatley takes a different approach, looking at a range of sources usually neglected in castle studies. Evidence from contemporary literature and art reveals the castle's place at the heart of medieval culture, as an architecture of ideas every bit as sophisticated as the church architecture of the period. This study offers a genuinely fresh perspective. Most castle scholars confine themselves to historical documents, but Wheatley examines literary and artistic evidence for its influence on and response to contemporary castle architecture. Sermons, sealsand ivory caskets, local legends and Roman ruins all have their part to play. What emerges is a fascinating web of cultural resonances: the castle is implicated in every aspect of medieval consciousness, from private religious contemplation to the creation of national mythologies. This book makes a compelling case for a new, interdisciplinary approach to castle studies. ABIGAIL WHEATLEY gained her PhD at the Centre for Medieval Studies, University of York.

This book presents an architectural overview of Dublin's mass-housing building boom from the 1930s to the 1970s. During this period, Dublin Corporation built tens of thousands of two-storey houses, developing whole communities from virgin sites and green fields at the city's edge, while tentatively building four-storey flat blocks in the city centre. Author Ellen Rowley examines how and why this endeavour occurred. Asking questions around architectural and urban obsolescence, she draws on national political and social histories, as well as looking at international architectural histories and the influence of post-war reconstruction programmes in Britain or the symbolisation of the modern dwelling within the formation of the modern nation. Critically, the book tackles this housing history as an architectural and design narrative. It explores the role of the architectural community in this frenzied provision of housing for the populace. Richly illustrated with architectural drawings and photographs from contemporary journals and the private archives of Dublin-based architectural practices, this book will appeal to academics and researchers interested in the conditions surrounding Dublin's housing history.

Everyone deserves a decent and affordable home, a truth (almost) universally acknowledged. But housing in the UK has been in a state of crisis for decades, with too few homes built, too often of dubious quality, and costing too much to buy, rent or inhabit. It doesn't have to be like this. Bringing together a wealth of experience from a wide range of housing experts, this completely revised edition of The Housing Design Handbook provides an authoritative, comprehensive and systematic guide to best practice in what is perhaps the most contentious and complex field of architectural design. This book sets out design principles for all the essential components of successful housing design - including placemaking, typologies and density, internal and external space, privacy, security, tenure, and community engagement - illustrated with case studies of schemes by architecture practices working across the UK and continental Europe. Written by David Levitt and Jo McCafferty - two recognised authorities in the field - and with contributions from more than twenty other leading practitioners, The Housing Design Handbook is an essential reference for professionals and students in architecture and design as well as for government bodies, housing associations and other agencies involved in housing.

In this book the author traces the metaphysical, mythical, socio-cultural, environmental and spatial roles of the courtyard in the domestic architecture of India-from early civilization and Vedic times to Islamic and colonial in uences.This book documents traditional courtyard dwelling types across India within diverse climatic, cultural as well as geographic zones such as West (Gujarat, Rajasthan, Maharashtra), South (Tamil Nadu, Kerala, Karnataka, Goa), East (Bihar, West Bengal), Central (Madhya Pradesh) and North (Uttar Pradesh, Delhi, Jammu and Kashmir). Courtyard Houses of India documents, analyses and infers the attributes and manifestations of traditional courtyard houses and examines the diverse interpretations of those as applied in contemporary homes.

The stories of Ireland's best-known castles. Majestic and magnificent, designed to both intimidate and inspire, castles are a common feature across Ireland's landscape, with over 1000 examples remaining - some intact, some in ruins, all awesome. This book celebrates the most popular Irish castles, from the Norman fortress of Bunratty to the five-star splendour of Ashford, from medieval Malahide to dramatic Dunluce, as well as introducing you to some of Ireland's most famous castle owners such as Grace O'Malley (Rockfleet) and W.B. Yeats (Thoor Ballylea).

This survey presents the most striking, innovative and unusual white houses by contemporary architects spanning the globe from Asia to the Americas, showcasing inspirational residential projects by established and emerging talents, including Aires Mateus, Jakob + Macfarlane, Jurgen Mayer and Shinichi Ogawa. From radical new takes on traditional building forms in Latin America to state-of-the-art urban projects in Europe and Japan, each featured house employs the apparent simplicity of white to reflect light and accent materiality, pressing the frontiers of form to the point of abstraction. A white house is also a statement, translating a desire to stand out, just as it may also create a neutral surface for expression. This stylish and timeless publication therefore celebrates a universal form for all people and lifestyles.

During the Middle Ages, castles and other fortified buildings were a common feature of the European landscape. As central powers rose and fell, the insecurity of the time inspired a revival of fortification techniques first introduced in the Roman Empire. Despite limitations in construction techniques and manpower, medieval fortifications were continuously adapted to meet new political circumstances and weapons technology. Here is an illustrated guide to the architecture of medieval fortifications, from the first castles to the fortified cities of the fifteenth and sixteenth centuries. In hundreds of detailed and thoroughly researched pen-and-ink drawings, artist Jean-Denis G.G. Lepage introduces the reader to a heterogeneous group of buildings whose unique characteristics show the development and diversity of European medieval military architecture. Each drawing is accompanied by detailed text describing types of buildings (e.g., motte-and-bailey castles), built-in defenses (arrow slits, pepper-pot towers), and particular castles and cities (the Mont-Saint-Michel, the city of Jerusalem). Elements of medieval warfare and weaponry are also covered in drawings and text.

Shelter II is the second in a series of books about people building their own homes in different parts of the world. The principles outlined in Shelter, published almost 40 years ago, seem even more important today: relearning the still-usable skills of the past and doing more hand work in providing life's necessities.

Some of England's grandest country houses are to be found in this prosperous rural county. The Elizabethan Renaissance Kirby Hall, the Jacobean mansion at Apethorpe, the late 17th-century French-inspired Boughton, Hawksmoor's stately Baroque Easton Neston, and the interiors of Althorp provide a fascinating survey of changing taste through the centuries. Complementing them are smaller buildings of great character, supreme among them those of Sir Thomas Tresham: the eccentric and ingenious Triangular Lodge at Rushton and the evocative New Beild at Lyveden. Of no less interest are the fine churches, from Anglo-Saxon Brixworth to the noble Gothic of Warmington, Rushden and Finedon and from All Saints, Northampton, one of the grandest 17th-century churches outside London, to Comper's St. Mary's, Wellingborough. Chief among the towns, Northampton has not only distinguished Victorian and Edwardian public, commercial and industrial buildings but also the principal work in England by Charles Rennie Mackintosh.

As we stand on the cusp of a fundamental restructuring of the housing and building industries, this book provides timely insights into the promise of prefabricated housing. The idea of a more industrialised approach to house building is not a new one: since the 19th century, designers, inventors, engineers, builders, developers, and entrepreneurs have all been fascinated by the idea of the factory-built, modular home. But international housing affordability crises, emerging technologies, and concerns for more sustainable building practices have given a new urgency to the need to transform building construction in the 21st century. Richly illustrated and drawing on historical examples and contemporary design studies, the book takes the reader through the foundations of prefab, leading up to a discussion of contemporary problems and opportunities. It includes a broad international survey of leading companies and their products, and draws on research from an international team of experts in the field. This book suggests a future scenario for industrialised house building that will both challenge the existing industry and stimulate the public imagination.

With its pale pink sandstone, picturesque domes and dramatic setting, Drumlanrig is one of Scotland's most romantic castles, its history entwined with that of the country itself. The twists and turns of its story are here captured atmospherically in words and pictures. It took a decade for a medieval stronghold to emerge in 1689 as the palace that greets visitors today. The legacies of three ducal families have combined to create a collection of imposing portraits and rare French furniture. Stately interiors lead to delightful, intimate spaces and an unforgettable Rembrandt. Still home to the heirs of William, 1st Duke of Queensbury, the castle continues to evolve and impress to this day.

"I loved the 70s - and that's both the 1970s and the 1870s. There's obviously always something about a decade that starts with a seven that means the design dial is turned to 11; colours get bolder, shapes get badder and style flies its freak flag. So, thank goodness resplendent 70s temptress Estelle Bilson has committed pen to paper so that the world can enjoy her take on the era of soft squares, teak, shag and Artex." - Laurence Llewelyn-Bowen "[Estelle Bilson] gives people the courage to use [her] products without fear - [she is] brilliant - I think [she] is the most important creative look since Conran." Barbara Hulanicki OBE From disco and glam to space age and psychedelic, there's no denying the huge impact the 70s had on style and design. But how do you bring the era's maximalism to your interior without it looking like a cluttered junk shop or a period pastiche? Estelle Bilson aka @70shousemanchester transformed her unremarkable 3-bedroom terraced home into a 70s wonderland, using a thrifty eye and vintage know-how. In her first book, she shows you how to bring the same creative magic to your home with her expert advice, tips and tricks on choosing colour, pattern, shapes and materials - whether you're after a few nods to the era, or the full 70s fantasy. 70s House is the definitive guide to the most daring decade in design, covering everything from shag carpets and supergraphics, to Hornsea ceramics and G Plan furniture. The book is split into three sections: 70s influences - what shaped the era?; How to bring the 70s to your interior design; and At home with 70s House Manchester. And of course, it wouldn't be the 70s without a good old-fashioned shindig - Estelle also reveals her secrets to throwing the grooviest get-together, complete with vintage recipes and record selections to match. Part interiors guide, part manual for living, this loud-and-proud book will bring not only 70s colour and kitsch to the modern day, but also the rebellious spirit, pure joy and freewheeling energy epitomised by the era. Because the 70s is so much more than the decade that taste forgot.

Warm, inviting, embracing the indoor-outdoor lifestyle with a touch of the exotic, tropical modern homes are a dream of paradise realized. Contemporary tropical residential architecture has risen from a geographically specific homegrown aesthetic to a source of inspiration for the world's great modern architects and designers. Set in exotic locales, with pools, lush foliage, colorful gardens, these homes define a way of life. Frequently elegant and uncluttered, the houses serve as models of smart and beautiful design with lots of ideas for homeowners who do not necessarily live in a tropical or subtropical climate, but who wish to have something of that appeal and sensitivity in their own home. This book presents some of the most innovative interpretations of the genre from the past five years by internationally recognized architects and interior decorators, such as Tadao Ando, as well the work of young up-and-comers of great talent, including German-born, Bali-based Alexis Dornier, and Mexico's Roof Arquitectos. Selected residences span the globe, from the southern United States, the Caribbean, and tropical regions of Latin America, to Southeast Asia, northern Australasia, and Africa. Modern Tropical explores the exotic material, color, cultural, environmental, and aesthetic choices of some of contemporary architecture's most beautiful residential properties. Each house is introduced with breathtaking interior and exterior photography and orientation plans, giving readers an in-depth glimpse of the rapidly evolving symbiosis between nature and shelter, indoor and outdoor, and rustic and polished, in a definitive examination of tropical modern living.

"Tiny Homes on the Move" chronicles 21st-century nomads -- people who inhabit homes that are compact and mobile, either on wheels or in the water. In photos and stories, this fascinating book explores modern travelers who live in vans, pickup trucks, buses, trailers, sailboats, and houseboats that combine the comforts of home with the convenience of being able to pick up and go at any time. With over 1,000 color photos accompanying the stories and descriptions of these moveable sanctuaries, this is a valuable and inspirational book for anyone thinking outside the box about shelter.

This book provides a comprehensive and contemporary examination of the right-to-die issues facing society now that vast improvements in public health care and medicine have resulted in people not only living longer but taking much longer to die-often in great pain and suffering. In 1900, the average age at which people died in America was 47 years of age; the primary causes of death were tuberculosis and other respiratory illnesses. In the 21st century, as a result of better health care and working conditions as well as advances in medical technology, we live much longer-as of 2016, about 80 years. A much larger proportion of Americans now die from chronic diseases that generally appear at an advanced age, such as heart disease, cancer, or chronic obstructive pulmonary disease (COPD). Should this fundamental change in human lifespan alter how society and government view right-to-die legislation? What are the pros and cons of giving a mentally competent person who is terminally ill and in great pain the right to end his or her life? The Right to Die: A Reference Handbook provides a complete examination of right-to-die issues in the United States that dissects the complex arguments for and against a person's liberty to receive a physician's assistance to hasten death. It covers the legal aspects and the politics of the right-to-die controversy, analyzes the battles over the right to die in state and federal courts, and supplies primary source documents that illustrate the political, medical, legal, religious, and ethical landscape of the right to die. Additionally, the book examines how members of our society typically die has changed in the past 150 years and how the practice of medicine has evolved over that time; explains why the right to die is strongly opposed by many religious groups as well as members of the medical profession; considers the "slippery slope" argument against doctor-assisted suicide; and identifies the reasons that the disabled, the poor, the elderly and infirm, and some members of ethnic, racial, and religious minority groups typically fear physician-assisted death. Provides readers a clear picture of the complexity of the right-to-die controversy as it has emerged in the courts and in the political branches of state and federal governments Presents perspectives written by advocates for and against the right to die that give personal insight into the reasons for their positions Supplies a selection of primary source documents that represent viewpoints from both sides of the right-to-die controversy Includes a fully annotated chapter that provides readers with secondary resources such as books, journal articles, and medical reports with which to explore the issue further

Georgia O'Keeffe spent almost 40 years of her life in the American Southwest. Her two houses in New Mexico; at Ghost Ranch and Abiquiu and the landscapes around them became essential elements in her paintings. The mountains and arroyos, the skulls and the Jimson weeds, a ladder against a wall, a door; all transformed by her genius into a quintessentially American art. Astonishingly, the history of these houses has never before been written. In this volume, Barbara Buhler Lynes and Agapita Judy Lopez create a vibrant picture of O'Keeffe at home. Drawing on O'Keeffe's correspondence, Lynes and Lopez set forth their fascinating story. An essay by architect Beverly Spears describes the distinctive characteristics of adobe architecture and its construction, and the many individuals involved with the house are identified. An appendix provides valuable information about the materials used in resorting the Abiquiu house. Photographs made especially for this book show the houses as they are today, plus dozens of photographs made by major photographers during her life show her living in the houses. Photographs of her painting and specific architectural components of the Abiquiu house are also included. These photographs and their accompanying texts offer for the first time a compelling picture of O'Keeffe's life in New Mexico, how each house satisfied different aspects of the artist's personal and professional needs and how O'Keeffe gradually transformed these Spanish Pueblo Revival style houses to reflect her modernist aesthetic.

This comprehensive reference work contains scale drawings of every type of detailing used in contemporary residential architecture. Each section contains at least 50 drawings drawn to a set range of scales: 1:5, 1:10 or 1:50, with detailed keys explaining construction and material. Each drawing is cross-referenced to other details from the same house. The opening section of the book forms a directory that shows interior and exterior images of the source houses, together with credits, a brief descriptive text and information as to which details from that house are included. The houses in this section are organized by main construction material (wood, concrete, glass etc). The book will be an invaluable reference work for all architects showing the best examples of residential detailing from around the world.

Modular Tiny Apartment Plans has more than 150 floor plans, sections, sketches and elevations, as well as all the construction details for a total of 30 projects. The new urban housing projects usually have a lower number of square feet than a few years ago, and also seeks to reduce costs and optimize the available space. Normally the tendency is to unify the dining, living room and kitchen in the same environment, and the elimination of internal partitions to give spaciousness and allow more natural light.

Kansas City has a rich heritage of residential architecture that speaks to the importance of this Midwestern metropolis during its boom years between 1880 and 1930. The forty houses covered here were erected by the city's leading plutocrats, such as newspaper publisher William Rockhill Nelson, whose fortune helped establish the Nelson-Atkins Museum; minerals magnate August R. Meyer; lumber baron Robert A. Long; oilman Ernest C. Winters; and Walter E. Bixby of Kansas City Life Insurance. Among the noted architects profiled are Edward W. Tanner; Henry F. Hoit; Louis S. Curtiss; the New York firm of George Brown Post in collaboration with Kansas City based architect Roger Gilman (Dean of RISD, 1919-1929); and Mary Rockwell Hook (one of the first women to study at the Ecole des Beaux Arts in Paris). Most of these houses were designed in the European and American revival styles prevalent during this period, although distinguished by a unique Midwestern sensibility.

Built in 1889 and now home to the Art Gallery of Greater Victoria, the Spencer Mansion is a magnificent building with a rich and layered history. With detailed research, historian and author Robert Ratcliffe Taylor describes the original appearance of the house, designed by William Ridgway Wilson for Alexander Green and his family, as well as its inhabitants over the decades. Also known as Gyppeswyk, after the village in England where Green wed Theophila Rainer, the house is more commonly referred to as the Spencer Mansion, after later owners David and Emma Spencer. The book also chronicles the brief period when the residence served as BC's Government House and concludes with the story of how the house came to function as an art gallery. A unique book, 'The Spencer Mansion' showcases a true gem of Victoria's architecture and history.