The lure of a home by the ocean resonates with us all, bringing to mind the beauty and changing moods of the water, the intoxicating salty scent and the sound of waves against the shore. But what makes a beach house, and how does the idea of a home by the coast differ across the world? This stunning edition showcases a global snapshot of beautifully designed coastal homes, with a diverse mix of types, from Hamptons style to more minimalist residences, reflecting the different landscapes and locations. Lavishly illustrated with full-colour images of award-winning architecture combined with spectacular views, this curated list brings together the most recent designs from highly regarded architects to produce the best examples of contemporary beach house residential design. This book is a captivating glimpse into the irresistible world of modern and stylish contemporary living in homes that take full advantage of their beachside settings.

The stepped terraced house is a type of building that meets modern housing requirements: it is economical and offers ample living space with the comfort of terrace and garden. Rising to popularity with the advent of new social movements it was forgotten with the progressive erosion of the new ideas of society and relegated them to obscurity or even to their disqualification as eyesores. Yet the enduring satisfaction of residents and ecological advantages of green houses make terraced housing as attractive as ever. The buildings studied in the book are not only architectural icons today; even today, one can still learn from them about what residential buildings need. One proponent of this building style was Harry Gluck; part of his text pleading the case for a green city is printed here.

In this book the author explores the sociological foundations of domestic design in eighteenth-century France, the acknowledged leader of domestic architecture in this period. Focusing on the Place Vendôme, which was developed by the financiers of Paris, she examines the representational strategies and dilemmas of French elites, which were crucial to the formation of a French mode of design. Through analyses of social distinctions and ambitions, Ziskin explores the manner in which the dwellings of the Place Vendôme embodied beliefs about the nature of society and the appropriate relations among social groups.

The German Catholic immigrants who founded St. John the Baptist parish on the central Minnesota prairie effected a remarkable transfer of tradition to their new environment. Fred W. Peterson reveals how they inherited folk culture, aesthetic values, and religious beliefs which were directly embodied in the brick farmhouses, dairy farms, and churches they built between 1858 and 1915. Building Community, Keeping the Faith is compelling reading for students of architecture, religion, immigration, and ethnicity -- indeed for anyone interested in the complex influence European culture exerted on the development of America.

House design in Britain and Ireland is guided by climate, landscape and local resources just as much as the centuries-old traditions that have influenced architectural shape and form. Today's best-known and emerging architects interpret their briefs with imaginative flair: they are transforming houses for the next generation of families by blending their renewed vigour for a local aesthetic with new materials and trends. Many of the new houses featured in British & Irish Modern reflect the architect's focus on redefining local expectations for form by beautifully juxtaposing the traditional with contemporary structures, thus forging a new vernacular. Architects across this region are wholeheartedly seeking opportunities to re-use existing structures in myriad ways, resulting in surprising and remarkably unique renditions of old houses and buildings made new. Shown in stunning, full-colour photographic detail are hundreds of pages of new and renovated houses, cottages and even converted barns nestled in misty rural valleys, including new and retrofitted modern inner-city terraces and townhouses that make the best use of available space. Houses are selected for levels of comfort, use of materials, and dramatic expression of traditional and contemporary architecture, as well as houses that capitalise on longer and warmer summers imposed by changing weather patterns in this corner of the globe. Houses are designed with indoor spaces and intimate courtyards for play and recreation that draw in light and shield from the extreme weather elements yet maintain an eye on sustainability and affordability. British & Irish Modern reveals a rich array of works that showcase how architecture in Britain and Ireland today has much to teach the world about creative, high-calibre design, innovative application of materials, and cautious but clever reliance on resources.

The reissue of a design classic—the book that revolutionized the practice of architecture.

When it was published in 1932, this cornerstone edition of Ramsey and Sleeper's Architectural Graphic Standards was the very first book to present the accepted architectural practices of the time in a clear and accessible graphic form.

Now finally available in paperback, this landmark reference still has much to offer us today, with beautifully illustrated practical information on traditional architectural standards, methods, and materials that cannot be found elsewhere.

Covering all facets of building construction from foundations to interior finishes, it will be valued by a new generation of architects, design professionals, and others involved in the restoration and renovation of historic buildings as well as anyone with an interest in architectural history.

This book, which fills a gap on the materiality of lived relations, examines households within the context of their immediate physical surroundings of home and shows how human interactions are reflected in built forms. Houses are dynamic participants in family life in many ways. They often pre-date the origins and outlast the life spans of their inhabitants, but they can exert a powerful influence on the organization of behaviors and the values of family members, as well as on the forms and flows of family life across the generations. Constituting wealth, investment, security and inheritance, they are an objective in and of themselves in many domestic strategies.
Drawing on developments within anthropology, archaeology, architecture and social history, the authors demonstrate, through detailed case studies, how household or family relations can usefully be mined to re-situate social theory in both space and time. Space, boundaries, family cycles, historic changes, migration patterns, ethnicity, memory and gender are all interrogated for the light they shed on how people interact with the physical world around them and what this means culturally and symbolically. Europe is an especially rich focus for this kind of analysis because it is distinguished by its long, well-documented history and a recent period of intense change.

For millions of people in the English-speaking world, the now standard image of the British country house is Brideshead Castle in Wiltshire: the domed and doomed baroque country seat of the Marchmain family seen in the BBC adaptation of Evelyn Waugh's novel, Brideshead Revisited. In real life, the house used for the television series is Castle Howard, one of the largest and most opulent private homes in England, located on 10,000 acres of gardens, parkland, and woods in North Yorkshire, now visited by more than 200,000 tourists a year.
Between 3,500 and 4,000 country houses--large, often elegantly furnished and surrounded by extensive estates--remain more or less intact in England today, although frequently converted to non-residential uses. Whether in public or private hands, the best known of them have become a major magnet for British and foreign tourists, attracting about 20 million paying visitors each year. Country houses, with their furnishings and landscaped settings, have been called England's one important contribution to art history. They figure prominently in the ongoing debate over how much of any "National Heritage" is worth preserving.
In The Fate of the English Country House, David Littlejohn describes the past glories and troubled present condition of "the stately homes of England," both those that continue to serve as private houses, and those that have been turned into museums, tourist attractions, convention centers, hotels, country clubs, schools, apartments, hospitals, even prisons. By means of extensive conversations with their owners and managers (the book contains more than 50 photographs of the houses), the author takes us on a private tour of these remarkable places and evaluates the many proposals that have been put forward for their survival.
In the opening chapter we meet three near-neighbors in Oxfordshire, whose personal accounts introduce many of the themes of the book: the 11th Duke of Marlborough, whose family has been living at Blenheim Palace since 1710; the 21st Baron Saye and Sele, whose ancestors built romantic, moated Broughton Castle between the fourteenth and nineteenth centuries; and the Honorable Ann Harcourt, mistress of Stanton Harcourt Manor, which has belonged to her family since the twelfth century.
Most of the conversations revolve around the financial, legal, and strategic problems of owning and running an immense, archaic estate, designed for an age of unquestioned privilege, grandiose entertaining, and an almost unlimited pool of servants: a time before income, capital gains, or inheritance taxes had to be taken into account, before one had to open one's gates to the hordes of tourists out "Doing the Statelies" between Easter Sunday and the end of October. Littlejohn finds that as government support for privately owned historic houses dries up, more and more of them are being converted to other uses, or left empty to decay, their paintings and furnishings sent to the auction houses to help pay tax and repair bills.
As they grow more and more difficult to justify or maintain, English country houses have become increasingly "endangered species" in today's alien economic and political climate. What is at stake is a major piece of England's architectural and cultural heritage, no easier to defend than superannuated ocean liners or great Victorian hotels. The Fate of the English Country House addresses the immediate future of these homes and allows readers to contemplate the history of great houses that have, in some cases, been owned and occupied by the same families for 200, 400, 600, or even 900 years.

This small house on the sea in a small city near Rome is one of the most amazing experiments made by the Italian architect. Strictly connected to the landscape, such as the Adalberto Libera's casa Malaparte in Capri, this building captures the landmarks of the Roman coast through small deformations in its composition. This particular research inspected by the Architect that, at the first glance, could remember an expressionist gesture, is instead a very interesting work on how to evolve the modern Italian architecture in a "contemporary" way avoiding that nostalgic behaviour taken by many members of Modern Italian Rationalist Architecture Movement (MIAR). As usual this book looks inside, outside and around this building as a "lecture" held by the writer.

Throughout the world, Passive House is now recognised as the best method to create comfortable, healthy, low energy buildings and it is a key component of the 21st century's green economic revolution.

Written by one of the UK's leading passive house architects, this book contains essays that reveal the technical and creative secrets of Passive House design, as well as containing case studies of some of the world's best examples of beautiful, technically excellent buildings that still feel great even when the power supply is turned down to almost nothing.

Whether you are an architect, client, student or construction professional, this book is an enlightening introduction to Passive House and a valuable source of inspiration.

In a climate that ranges from cold, dark and unforgiving to endless sun and crystalline skies, the homes of the Nordic countries are lifted by ever-changing and dramatic natural light balanced by an intrinsic sense of warmth. Nordic architects today are as much informed by vernacular traditions and natural materials as their forebears, but the most recent generation of practitioners reflects a new appetite for spatial exploration and changing lifestyles. Divided into four chapters - rural cabins, coastal retreats, town houses and country homes - this survey of over forty of Scandinavia's finest and most innovative houses features work by a broad spectrum of leading architects, such as Jon Danielsen Aarhus, Tham & Videgard, Snorre Stinessen, Reiulf Ramstad and Todd Saunders. Structured by terrain to reveal the full diversity of the landscape and its architectural challenges, the book is full of fresh thinking about living spaces that are at once universal and distinctively Nordic. From country houses complete with traditional Nordic fireplaces, saunas, window seats and verandas, to remote cabin hideaways and artist's studios, there are details and grand ideas that can be applied to residential design anywhere. A reference section includes an appendix of architectural plans.

Climate, environment, history, and technology are transforming architecture worldwide. The second volume in the Homes for Our Time series documents this housing revolution. What role do homes play in our endangered world? How can they innovate? In Sri Lanka, Palinda Kannangara created the Frame Holiday Structure on a budget of $ 40,000. Built from steel scaffolding, exposed brick, and wood floors, the house can be easily disassembled and moved, adapting to the reality of the nearby floodplain. Luciano Lerner Basso's Fortunata House in Brazil accommodates the surrounding nature: it was built around a tree of an endangered species and sits upon stilts so as not to disturb the forest floor. Miller Hull's Loom House near Seattle has been called "the world's most environmentally ambitious home renovation" because of its reliance on recycled materials and its efficient energy use. Modern architectural history has been viewed primarily from a Western perspective and formed by men. More than 60 buildings from Vietnam, South Africa, India, China, and beyond-designed by men, women, and collectives-mark the end of this era. There is no longer a predominant style, and there probably never will be again. With photos by renowned architectural photographers, and precise descriptions as well as drawings from architectural offices, Philip Jodidio charts the diverse, sustainable architecture of the future. The private homes featured range from modest to extravagant. A beautiful house is always also a dream-and this book invites you to do just that.

Updates the highly acclaimed original edition with extensive new material that relates to the form, essence, and age of each Dutch barn as well as the evolution of the barn building era.

Gregory D. Huber updates John Fitchen's The New World Dutch Barn with extensive new material. Added to Fitchen's descriptions of barn types, framing style, and exterior appearance is research information that relates to the form, fabric, and essence of each Dutch barn. Huber notes the secondary expressions seen in barns in various locations in both New York and New Jersey, the evolution of the barn building tradition, and why only one of the four major tie-beam types found in the Netherlands proliferates in America.

Explores the origins and evolution of Georgian landscape architecture, a period of innovative and diverse garden structures in which some of the era's greatest architects experimented with different forms, styles, and new technology The invention and evolution of the Georgian landscape garden liberated garden buildings from the corset of formality, allowing them to structure much more extensive areas of garden and park. One of the leading authorities on Georgian landscape architecture, Roger White explores a genre in which some of the era's greatest architects experimented with different forms, styles, and new technology. Covering not just the obvious adornments of parks and gardens such as temples, summerhouses, grottoes, towers and "follies," the book also explores structures with predominantly practical functions including mausolea, boathouses, dovecotes, stables, kennels, deer pens, barns, and cowsheds, all of which could be dressed up to make an architectural impact. White examines these structures not only architecturally but from a functional and cultural viewpoint, considering questions of stylistic origins and development. Focussing on the contributions of Britain's leading eighteenth-century architects-Vanbrugh, Hawksmoor, Gibbs, Kent, Adam, Chambers, Wyatt, and Soane-Georgian Arcadia provides a richly illustrated account of a period of innovative and diverse garden building.

Against the brilliant blue sky, the buildings of Saskatchewan emerge from the landscape as symbols of a proud and resilient people, who have consistently drawn on the best of the world, while forging their own way.
From the Art Deco period to Post-Modernism to today's concerns about sustainability, "Architecture of Saskatchewan"shows the clash between functionality and beauty, and exposes how the light, colour, and seasons of the prairie are reflected within the construction of its buildings.
This book beautifully illustrates the evolution of the province's architectural profession and its rich built heritage, while revealing something essential about the geography of the place and its tough and spirited people.

These days, the architect and designer are both tasked with the challenge of designing the 'perfect' new home, be it traditional or modern in style, and everything in between. This grand edition pulls together an exceedingly diverse collection of 100 of the best contemporary houses from across the globe, each showcasing new and recent cutting-edge residential designs by some of the world's leading architects and designers. Following Images Publishing's incredibly successful 100 of the World's Best Houses series, this splendid volume features hundreds of stunning full-colour photographs that help underline the sensitivity of today's design practitioners to the natural environment, as well as the care and attention paid to stunning interior design and comfortable, practical everyday living. Each project illustrates how architects and designers showcase their authentic individual expression but work tirelessly to adapt their signature styles to accommodate the challenges posed by local topography and variations in climate, along with a sharp focus on optimum strategies for sustainable living. A touchstone for those looking to understand contemporary architectural trends across the world, 100 Houses rounds up a superb and unique collection that is at once exceptional, inspiring, and informative.

Housing is an essential, but complex, product, so complex that professionals involved in its production, namely, architects, real estate developers and urban planners, have difficulty agreeing on "good" housing outcomes. Less-than-optimal solutions that have resulted from a too narrow focus on one discipline over others are familiar: high design that is costly to build that makes little contribution to the public realm, highly profitable but seemingly identical "cookie-cutter" dwellings with no sense of place and well-planned neighborhoods full of generically designed, unmarketable product types. Differing roles, languages and criteria for success shape these perspectives, which, in turn, influence attitudes about housing regulation. Real estate developers, for example, prefer projects that can be built "as-of-right" or "by-right," meaning that they can be approved quickly because they meet all current planning, zoning and building code requirements. Design-focused projects, heretofore "by-design," by contrast, often require time to challenge existing regulatory codes, pursuing discretionary modifications meant to maximize design innovation and development potential. Meanwhile, urban planners work to establish and mediate the threshold between by-right and by-design processes by setting housing standards and determining appropriate housing policy. But just what is the right line between "by-right" and "by-design"? By-Right, By-Design provides a historical perspective, conceptual frameworks and practical strategies that cross and connect the diverse professions involved in housing production. The heart of the book is a set of six cross-disciplinary comparative case studies, each examining a significant Los Angeles housing design precedent approved by-variance and its associated development type approved as of right. Each comparison tells a different story about the often-hidden relationships among the three primary disciplines shaping the built environment, some of which uphold, and others of which transgress, conventional disciplinary stereotypes.

Recent advances in technologies and home-generated renewable energy have made building away from urban and rural infrastructures more practical and affordable than ever. This survey of the world's most innovative off-grid homes reveals the cuttingedge architecture and technology that is enabling us to escape to some of the most extraordinary natural environments on the planet. All of the houses featured in this book are fully, or almost fully, self-sufficient in terms of energy, water and, in some cases, food. Architecture and interior design expert Dominic Bradbury reveals how each architect has made everyday living in these wild and natural settings a rewarding and tempting reality. From snowbound cabins in the far Northern Hemisphere to coastal retreats that can only be accessed by boat, the diverse projects collected here show the innovative ways in which architects and their clients are tackling extreme climates, remoteness and construction challenges to enable a new way of life that is both liberating and sustainable. The imperative to reduce our carbon footprints and refocus on renewable sources of energy is having a profound impact on our domestic lives. This fascinating survey demonstrates that creative architecture, design and technology are redefining the possibilities for leading a truly rewarding and responsible lifestyle.

This lively interpretation of the changing design of US farmhouses during the 19th century is founded on owner-designed farmhouse plans from the East and Midwest, which are complemented by letters, biographical data, and over one hundred illustrations. In explaining how these transformations reflected changing aspirations and social and economic conditions , focusing on the eventual segregation of male and female domains, this study offers important new insights into the nature of American vernacular architecture and its role in US social history.

The twentieth century offered up countless visions of domestic life, from the aspirational to the radical. Whether it was the dream of the fully mechanised home or the notion that technology might free us from home altogether, the domestic realm was a site of endless invention and speculation. But what happened to those visions? Are the smart homes of today the future that architects and designers once predicted, or has 'home' proved resistant to radical change? Home Futures: Living in Yesterday's Tomorrow -accompanying a major Design Museum exhibition of the same title-explores a number of different attitudes toward domestic life, tracing the social and technological developments that have driven change in the home. It proposes that we are already living in yesterday's tomorrow, just not in the way anyone predicted. This book begins with a lavishly illustrated catalogue portraying the 'home futures' of the twentieth century and beyond, from the work of Ettore Sottsass and Joe Colombo to Google's recent forays into the smart home. The catalogue is followed by a reader consisting of newly commissioned essays by writers such as Dan Hill and Justin McGuirk, which explore the changes in the domestic realm in relation to space, technology, society, economy and psychology.

Nostalgic yet modernly apropos, Porch Living provides the venue of venues to grasp the goodness of both the home and garden. From the contemporary yet classically rooted outdoor fabrics and furnishings that make porches chic and cherished, to the hanging baskets and planters chock-full of seasonal delights, today's porches offer comfort and elegance, and, most importantly, an addition to the home and garden. Whether jettisoned boldly into parterres aplenty or delightfully diminutive, a grand outdoor salon or sleeping nook, the porch represents how we live and how to gloriously live hinged to and romantically suspended in the home and garden.

James T. Farmer III is the author of A Time to Plant. His company, James Farmer Designs, specializes in landscape and interior design. James is a proponent of garden living and entertaining, and weaving the bounties of the garden into daily life. He has appeared on the Today show and is a regular contributor to Southern Living. Find him at www.JamesFarmer.com. He lives in Kathleen, Georgia.

The happy space nestled betwixt nature and nest

Norfolk is a county sadly rich in "lost" country houses; this account and gazetteer offer a comprehensive account of them. Winner of the general non-fiction category in the East Anglian Book Awards 2016. The country houses lost from the landscape since the late nineteenth century exercise a peculiar grip on the English imagination, seeming to symbolise the passing of a world of taste and elegance, of stability and deference: a world destroyed by modernity. This important new book argues that most previous studies of the subject have been characterised by nostalgia and vagueness, and by a tendency to exaggerate the scale of the destruction and simplify its causes. It presents a balanced, systematic analysis of country house losses in Norfolk, discussing the scale and chronology of destruction. The authors argue that the loss of great houses was not an entirely new development of the twentieth century, they explain the varied reasons why houses were abandoned and destroyed, and they explore the archaeological traces which these places, their gardens and parks, have left in the modern landscape. Their arguments are illuminated by a full and lavishly-illustrated gazetteer. This book, the results of many years of fieldwork and documentary research, will be essential reading for all those interested in the history of the country house, in the development of the post-medieval landscape, and in the archaeology and history of the county of Norfolk. Tom Williamson is Professor of Landscape History at the University of East Anglia; Ivan Ringwood is an independent historical researcher; Sarah Spooner is Lecturer in Landscape History at the University of East Anglia.