At the forefront of modern architecture, tiny houses exemplify today's ideals of minimalism, personal freedom, and low-impact construction-not to mention impeccable style and comfort. In multi-page spreads this book features highly detailed, full-color interior and exterior shots, along with informative texts that explore the inspiration and context of each home. From off-the- grid woodland dwellings that take you away from it all to high- density solutions to the urban housing crisis, these homes pack a lot of design ingenuity into their small spaces. While some of these structures feature state-of-the-art architectural flourishes and luxurious amenities, others are modest and environmentally sustainable retreats designed specifically for travel, creative pursuits, or affordable housing. Each of these homes offers endlessly innovative inspiration for building and living in your home, in spaces that fit your needs.

In the architecture of Richard Neutra (1892-1970), inside and outside find their perfect modernist harmony. As the Californian sun glints off sleek building surfaces, vast glass panel walls allow panoramic views over mountains, gardens, palm trees, and pools. Neutra moved to the United States from his native Vienna in 1923 and settled in Los Angeles. He displayed his affinity with architectural settings early on with the Lovell House, set on a landscaped hill with views of the Pacific Ocean and Santa Monica Mountains. Later projects such as the Kaufmann House and Nesbitt House would continue this blend of art, landscape, and living comfort, with Neutra's clients often receiving detailed questionnaires to define their precise needs. This richly illustrated architect introduction presents the defining projects of Neutra's career. As crisp structures nestle amid natural wonders, we celebrate a particularly holistic brand of modernism which incorporated the ragged lines and changing colors of nature as much as the pared down geometries of the International Style. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts, and plans)

An ancient hilltop fortress. A crusader citadel in the West Bank. A fairytale medieval castle fallen into ruin. From ancient times to the end of the nineteenth century, Abandoned Castles explores more than 100 forts, castles and defensive strongholds from all around the globe. From medieval Japanese castles to Spanish colonial forts in West Africa to Norman stone keeps, the book ranges widely across history. Many have long ceased to serve a purpose, but then, like the crusader castle Krak de Chevaliers in Syria today, their impenetrable walls become the site of more fighting centuries later. Others, such as the Cathar Chateau de Queribus in southern France, stand high above peaceful coastlines, testament to the wars of the past. Some are beautiful, others brutal, but each tells a story about the way we fought and defended ourselves, and how the building has survived and aged, long after the people it was built by are gone. With 150 outstanding colour photographs, Abandoned Castles is a brilliant pictorial examination of castles, forts, keeps, and defensive fortifications from the ancient world to the end of the nineteenth century.

Homelessness is a growing global problem that requires local discussions and solutions. In the face of the coronavirus pandemic, it has noticeably become a collective concern. However, in recent years, the official political discourse in many countries around the world implies that poverty is a personal fault, and that if people experience homelessness, it is because they have not tried hard enough to secure shelter and livelihood.   Although architecture alone cannot solve the problem of homelessness, the question arises: What and which roles can it play? Or, to be more precise, how can architecture collaborate with other disciplines in developing ways to permanently house those who do not have a home? Who’s Next? Homelessness, Architecture, and Cities seeks to explore and understand a reality that involves the expertise of national, regional, and city agencies, non-governmental organizations, health-care fields, and academic disciplines.  Through scholarly essays, interviews, analyses of architectural case studies, and research on the historical and current situation in Los Angeles, Moscow, Mumbai, New York, São Paulo, San Francisco, Shanghai, and Tokyo, this book unfolds different entry points toward understanding homelessness and some of the many related problems.  The book is a polyphonic attempt to break down this topic into as many parts as needed, so that the specificities and complexities of one of the most urgent crises of our time rise to the fore.

Designed to dominate the surrounding area, to house powerful garrisons, offer sumptuous quarters for local nobility, and to discourage and repel enemy attacks, castles dominated England and Wales for more than half a millennium. Though some were built before 1066, the Norman Conquest left a lasting legacy in the form of fortifications ranging from small earthworks now barely discernible, to mighty and dominating stone fortresses. This book examines why castles were so essential to medieval warfare, their importance in domestic politics, and the day-to-day lives of those who lived and worked within them. It also shows how the development of new technologies affected their construction and design, and why they eventually fell into disrepair in the late Middle Ages. Beautifully illustrated with stunning photographs, this is the perfect guide for any castle enthusiast seeking to discover more about medieval fortifications and their inhabitants.

Housing is an essential, but complex, product, so complex that professionals involved in its production, namely, architects, real estate developers and urban planners, have difficulty agreeing on "good" housing outcomes. Less-than-optimal solutions that have resulted from a too narrow focus on one discipline over others are familiar: high design that is costly to build that makes little contribution to the public realm, highly profitable but seemingly identical "cookie-cutter" dwellings with no sense of place and well-planned neighborhoods full of generically designed, unmarketable product types. Differing roles, languages and criteria for success shape these perspectives, which, in turn, influence attitudes about housing regulation. Real estate developers, for example, prefer projects that can be built "as-of-right" or "by-right," meaning that they can be approved quickly because they meet all current planning, zoning and building code requirements. Design-focused projects, heretofore "by-design," by contrast, often require time to challenge existing regulatory codes, pursuing discretionary modifications meant to maximize design innovation and development potential. Meanwhile, urban planners work to establish and mediate the threshold between by-right and by-design processes by setting housing standards and determining appropriate housing policy. But just what is the right line between "by-right" and "by-design"? By-Right, By-Design provides a historical perspective, conceptual frameworks and practical strategies that cross and connect the diverse professions involved in housing production. The heart of the book is a set of six cross-disciplinary comparative case studies, each examining a significant Los Angeles housing design precedent approved by-variance and its associated development type approved as of right. Each comparison tells a different story about the often-hidden relationships among the three primary disciplines shaping the built environment, some of which uphold, and others of which transgress, conventional disciplinary stereotypes.

How do you build a yurt? A Bedouin tent? What about a kathe? What's a yaranga? How about a hogan? Can you stay warm in an igloo? Are there secrets to living, thriving and surviving in specific climates? In this unique and exquisite little book, Jonathan Horning examines basic shelters from all over the world: mud-brick adobe structures, nomads' tents, travellers' quick fixes, timber frame buildings, and modern solutions, including straw bale designs and geodesic domes. WOODEN BOOKS are small but packed with information. "Fascinating" FINANCIAL TIMES. "Beautiful" LONDON REVIEW OF BOOKS. "Rich and Artful" THE LANCET. "Genuinely mind-expanding" FORTEAN TIMES. "Excellent" NEW SCIENTIST. "Stunning" NEW YORK TIMES. Small books, big ideas.

The great walled castles of the medieval world continue to fascinate the modern world. Today, the remains of medieval forts and walls throughout Europe are popular tourist sites. Unlike many other books on castles, "The Medieval Fortress" is unique in its comprehensive treatment of these architectural wonders from a military perspective."The Medieval Fortress" includes an analysis of the origins and evolution of castles and other walled defenses, a detailed description of their major components, and the reasons for their eventual decline. The authors, acclaimed fortification experts J.E. and H.W. Kaufmann, explain how the military strategies and weapons used in the Middle Ages led to many modifications of these structures. All of the representative types of castles and fortifications are discussed, from the British Isles, Ireland, France, Germany, Moorish Spain, Italy, as far east as Poland and Russia, as well as Muslim and Crusader castles in the Middle East. Over 200 photographs and 300 extraordinarily detailed technical drawings, plans, and sketches by Robert M. Jurga accompany and enrich the main text.

Houses on the side of a mountain, on rocky terrain, or on cliffs by the sea--a perfect blend of contextual architecture and interior design that channels our shared desire for peace and tranquility. Whether because of their impossible location in many cases, or the irregularity of the terrain, the slope of the plots and their geological characteristics, innovative solutions are required in the planning of the structures and the building of the foundations.

Critic and historian Mercedes Daguerre explores Latin America's evolving modernist tradition through the one-family houses of the region's leading contemporary architects. The book demonstrates the architects' diverse and rich interpretation of modernist principles through case studies of 19 homes built in Mexico, Chile, Brazil, Peru, Uruguay, and Argentina. Architects featured include Paulo Mendes da Rocha, winner of the 2006 Pritzker Architecture Prize.

Critic and historian Mercedes Daguerre presents 20 innovative houses by 20 leading contemporary architects and explores how domestic architecture has responded to the changing nature of family life. Featured architects include established stars such as Dutch architect Rem Koolhaas, Tadao Ando of Japan and Glenn Murcutt of Australia as well as a number of emerging practices. Case study houses are drawn from all over the world and span a diverse range of geographical settings from inner city Manhattan to the sand dunes of Victoria in Australia.

Ancient Greek Houses and Households Chronological, Regional, and Social Diversity Edited by Bradley A. Ault and Lisa C. Nevett "The volume represents a significant step towards a deeper and more nuanced understanding of Greek houses and households."--"BMCR" "An excellent update on new finds in the domestic sphere in Greece and a cautious start to the development of new theories and methods for addressing the archaeological and textual evidence."--"Classical Outlook" Seeking to expand both the geographical range and the diversity of sites considered in the study of ancient Greek housing, "Ancient Greek Houses and Households" takes readers beyond well-established studies of the ideal classical house and now-famous structures of Athens and Olynthos. Bradley A. Ault and Lisa C. Nevett have brought together an international team of scholars who draw upon recent approaches to the study of households developed in the fields of classical archaeology, ancient history, and anthropology. The essays cover a broad range of chronological, geographical, and social contexts and address such topics as the structure and variety of households in ancient Greece, facets of domestic industry, regional diversity in domestic organization, and status distinctions as manifested within households. "Ancient Greek Houses and Households" views both Greek houses and the archeological debris found within them as a means of investigating the basic unit of Greek society: the household. Through this approach, the essays successfully point the way toward a real integration between material and textual data, between archeology and history. Contributors include William Aylward (University of Wisconsin, Madison), Nicholas Cahill (University of Wisconsin, Madison), Manuel Fiedler (Freie Universitat, Berlin), Franziska Lang (Humboldt Universitat, Berlin), Monike Trumper (Universitat Heidelberg), and Barbara Tsakirgis (Vanderbilt University, Nashville). Bradley A. Ault is Associate Professor of Classics at the University at Buffalo, of the State University of New York. He is the author of "The Houses: The Organization and Use of Domestic Space, Excavations at Ancient Halieis," Vol. 2. Lisa C. Nevett teaches in the Departments of Classical Studies and the History of Art at the University of Michigan. She is the author of "House and Society in the Ancient Greek World" and "Domestic Space in Classical Antiquity." 2005 200 pages 6 x 9 45 illus. ISBN 978-0-8122-3875-4 Cloth $59.95s 39.00 World Rights Archaeology, Classics, Architecture Short copy: Expanding both the geographical range and the diversity of sites considered in the study of ancient Greek housing, "Ancient Greek Houses and Households" views Greek houses and the archaeological artifacts found within them as a means of investigating the basic unit of Greek society: the household.

From the eighteenth-century single-room "mansions" of Delaware's Cypress Swamp district to the early twentieth-century suburban housing around Philadelphia and Wilmington, the architectural landscape of the mid-Atlantic region is both rich and varied. In this pioneering field guide to the region's historic vernacular architecture, Gabrielle Lanier and Bernard Herman describe the remarkably diverse building traditions that have overlapped and influenced one another for generations.

With more than 300 illustrations and photographs, "Everyday Architecture of the Mid-Atlantic" explores the character of pre-1940 domestic and agricultural buildings in the towns and rural landscapes of southern New Jersey, Delaware, and coastal Maryland and Virginia. Approaching their subject "archaeologically," the authors examine the "layers" of a structure's past to show how it has changed over time and to reveal telling details about its occupants and the community in which they lived. The book provides architectural information as well as a working methodology for anyone wanting to explore and learn from traditional architecture and landscapes.

The authors conclude that, as a vital cultural artifact, the distinctive architecture of the mid-Atlantic needs to be identified, recorded, and preserved. "Everyday Architecture of the Mid-Atlantic" gives proof to the insights architecture offers into who we are culturally as a community, a region, and a nation.

While the Edwardian castles of Conwy, Beaumaris, Harlech and Caernarfon are rightly hailed as outstanding examples of castle architecture, the castles of the native Welsh princes are far more enigmatic. Where some dominate their surroundings as completely as any castle of Edward I, others are concealed in the depths of forests, or tucked away in the corners of valleys, their relationship with the landscape of which they are a part far more difficult to discern than their English counterparts. This ground-breaking book seeks to analyse the castle-building activities of the native princes of Wales in the thirteenth century. Whereas early castles were built to delimit territory and as an expression of Llywelyn I ab Iorwerth’s will to power following his violent assumption of the throne of Gwynedd in the 1190s, by the time of his grandson Llywelyn II ap Gruffudd’s later reign in the 1260s and 1270s, the castles’ prestige value had been superseded in importance by an understanding of the need to make the polity he created - the Principality of Wales - defensible. Employing a probing analysis of the topographical settings and defensive dispositions of almost a dozen native Welsh masonry castles, Craig Owen Jones interrogates the long-held theory that the native princes’ approach to castle-building in medieval Wales was characterised by ignorance of basic architectural principles, disregard for the castle’s relationship to the landscape, and whimsy, in order to arrive at a new understanding of the castles’ significance in Welsh society. Previous interpretations argue that the native Welsh castles were created as part of a single defensive policy, but close inspection of the documentary and architectural evidence reveals that this policy varied considerably from prince to prince, and even within a prince’s reign. Taking advantage of recent ground-breaking archaeological investigations at several important castle sites, Jones offers a timely corrective to perceptions of these castles as poorly sited and weakly defended: theories of construction and siting appropriate to Anglo-Norman castles are not applicable to the native Welsh example without some major revisions. Princely Ambition also advances a timeline that synthesises various strands of evidence to arrive at a chronology of native Welsh castle-building. This exciting new account fills a crucial gap in scholarship on Wales’ built heritage prior to the Edwardian conquest and establishes a nuanced understanding of important military sites in the context of native Welsh politics.

Domestic Space in France and Belgium offers a new addition to the growing body of work in Interior Studies. Focused on late 19th and early 20th-century France and Belgium, it addresses an overlooked area of modernity: the domestic sphere and its conception and representation in art, literature and material culture. Scholars from the US, UK, France, Italy, Canada and Belgium offer fresh and exciting interpretations of artworks, texts and modern homes. Comparative and interdisciplinary, it shows through a series of case-studies in literature, art and architecture, how modernity was expressed through domestic life at the turn of the century in France and Belgium.

The Front Room: Diaspora Migrant Aesthetics in the Home, originally published in 2009, has become a beloved and much-praised source, providing fascinating revelations into the post-war British experience of immigrants, the decoration of their living spaces and their position in society in relation to decolonisation. The 'front room' (emanating from the Victorian parlour) provides an outlet to respond to the feelings of displacement, exile and alienation and the rebuilding of a home in a strange land. Primarily concerned with Caribbean homes, The Front Room also looks at Moroccan, Surinamese, Antillean and Indonesian migrant groups in Holland-encompassing, through texts, archival documents and artistic photographs, the important cultural markers that are expressed through the domestic interiors of migrants. The author examines how this intimate space within the home raises issues of class, race, migration, aspiration, religion, family, gender, identity and alienation. He also looks at the transition from the colonial post-colonial modernity by placing the book in the context of his own family's migrant experience. While this revised edition includes updates of the original essays from leading social commentators Stuart Hall, Denise Noble, Carol Tulloch and Dave Lewis, as well as poems by Khadijah Ibrahiim and Dorothea Smartt, and paintings by Sonia Boyce, Kimathi Donkor and Njideka Akunyili Crosby. It also examines the iteration of the 'front room' in post apartheid South Africa and discusses how sound system culture emerged from the front room, as well as adding to the rich oral histories from different generations reflecting on their personal experiences of the front room and discussing the artefacts and objects found in them in terms of their cultural significance. The Front Room documents how the 'Windrush' generation's settlement in Britain contributed to the making of multicultural society, and raises questions about our lived experience and notions of the 'home', as many more people globally look for a roof over their heads in the 21st century. The book is richly illustrated with intriguing photographs of installations based on front rooms of the time and the contemporary living room and their associated objects.

A delightful journey through the glamorous story of the English country house party by the bestselling historian. Croquet. Parlour games. Cocktails. Welcome to a glorious journey through the golden age of the country house party - and you are invited. Our host, celebrated historian Adrian Tinniswood, traces the evolution of this quintessentially British pastime from debauched royal tours to the flamboyant excess of the Bright Young Things. With cameos by the Jazz Age industrialist, the bibulous earl and the off-duty politician - whether in moated manor houses or ornate Palladian villas - Tinniswood gives a vivid insight into weekending etiquette and reveals the hidden lives of celebrity guests, from Nancy Astor to Winston Churchill, in all their drinking, feasting, gambling and fornicating. The result is a deliciously entertaining, star-studded, yet surprisingly moving portrait of a time when social conventions were being radically overhauled through the escapism of a generation haunted by war - and a uniquely fast-living period of English history. Praise for The Long Weekend: 'Delicious, occasionally fantastical, revealing in ways that Downton Abbey never was. It is as if Tinniswood is at the biggest, wildest, most luxuriantly decadent party ever thrown, and he knows everyone.' Observer 'A deliciously jaunty and wonderfully knowledgeable book. Tinniswood displays a terrific insider's grasp of gossip . A meticulous, irresistible story.' Spectator 'Elegant, encyclopedic and entertaining . A confident and skilled historian who understands the mores of his era and wears his learning lightly . Deserves to be on every costume drama producer's bookshelf.' Times

Open House discusses the topic of temporary housing in architecture, art, design and humanitarian aid. The phenomenon of tiny houses fascinates and is currently trending in various media. In times of large migratory movements from poor to rich countries there is also an urgent demand for temporary housing in many places. Eighteen international authors explore the intentions behind such constructions, their underlying principles and the lifestyle they convey. Their contributions reveal how these concepts relate to the very notion of habitat, to space, to pragmatic criteria, as well as to the time in which they are elaborated. Moreover, addresses various issues of individual housing through the featured original installations, and spatial experiments. Open House is published in conjunction with a two-year research project and an open-air exhibition of the same title in Geneva in summer 2022. Book and exhibition comprise around 40 designs by artists, architects, designers, architecture schools and research institutions, as well as humanitarian organisations, such as Andrea Zittel, EPFL Laboratoire ALICE, Global Shelter Cluster, Gramazio Kohler Research at ETH Zurich, Jean Prouve, John Armleder, Kengo Kuma, Kerim Seiler, Matti Suuronen, Maurizio Cattelan and Philippe Parreno, the UNHCR, and others. Text in English and French.

To respond to the unique opportunities of each client and site, Bates Masi + Architects has developed an approach rather than a devotion to a particular style. Careful study of the needs of the site and owners uncovers a guiding concept particular to each project. That concept is distilled to its essence so that it can inform the design at all scales, from massing to materials to details. The consistency of the concept is evident in the finished product. The result is an architecture that is cohesive, innovative, contextual, and full of details that delight. Architecture of Place is the follow up to Bespoke Home, the first comprehensive survey of Bates Masi’s fifty-plus years of work published in 2016. It focuses on the firm’s recent residential portfolio. Using each house as a case study, the book documents Bates Masi’s design process with concept images, diagrams, architectural models, and narratives for each project. This book demonstrates how influences of the physical and historical context, as well as the client, are distilled into a guiding concept for each project. With over 200 pages of photos and drawings of extraordinary second homes, Architecture of Place will appeal to architects and design devotees alike.

A deft interweaving of architectural and social history For aristocrats and gentry in 18th-century Ireland, the townhouses and country estates they resided in were carefully constructed to accommodate their cultivated lifestyles. Based on new research from Irish national collections and correspondence culled from papers in private keeping, this publication provides a vivid and engaging look at the various ways in which families tailored their homes to their personal needs and preferences. Halls were designed in order to simultaneously support a variety of activities, including dining, music, and games, while closed porches allowed visitors to arrive fully protected from the country's harsh weather. These grand houses were arranged in accordance with their residents' daily procedures, demonstrating a distinction between public and private spaces, and even keeping in mind the roles and arrangements of the servants in their purposeful layouts. With careful consideration given to both the practicality of everyday routine and the occasional special event, this book illustrates how the lives and residential structures of these aristocrats were inextricably woven together. Published in association with the Paul Mellon Centre for Studies in British Art

Household organization is complicated, and achieving uncluttered yet functional rooms usually depends on choosing good storage options. This book explores various storage solutions for apartments of all different sizes in terms of the style of each house, the available space, natural light, and color.

Castles were among the most dominant features of the medieval landscape and many remain impressive structures to the present day. This paperback edition of a book first published in hardback in 2002 is a fascinating and provocative study which looks at castles in a new light, using the theories and methods of landscape studies. For the first time castles are examined not as an isolated phenomenon, but in relation to their surrounding human as well as physical landscapes. Taking a thematic approach, the study examines a broad range of evidence - archaeological, documentary and topographical - to put castles back into the medieval landscape and assess their contribution to its evolution. Far more than simply a book about castles, this is a study of the impact of power and authority on the landscape. O.H. Creighton is Lecturer in Archaeology at the University of Exeter. He is the author (with R.A. Higham) of Medieval Castles (Shire, 2003).

Diener & Diener Architects, based in Basel and Berlin and one of Switzerland's leading contemporary firms, have had a special focus on residential architecture throughout its 40 years of existence. The origins of the work are based in the previous studio of Marcus Diener, founded in 1942 and joined in 1976, and taken over entirely in 1980, by his son Roger Diener. This new monograph documents comprehensively this 'recherche patiente' of four decades. It discusses 30 realised designs and unbuilt proposals that exemplify Diener & Diener's philosophy, based on their characteristics and individual urban context. Illustrated with photographs, floor and site plans as well as archival images and plans, and drawing on the firms archive and Roger Diener's collected lectures, the authors investigate the typological design process on which each project is based. Diener & Diener update and adapt fundamental types to the requirements and restraints of each new task. The consistency of this approach constitutes the significance of their work in contemporary housing.