Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Virginia Woolf compared her to a caterpillar; Anne Frank kept pictures of her on the wall of her annex; Jimi Hendrix played her tune; Haile Selassie gave her a gold tiara; Dirk Bogarde watched Death in Venice with her; Andy Warhol envied her fame; Donald Trump offended her; E.M. Forster confessed he would have married her, if only she had been a boy.

Queen Elizabeth II was famous for longer than anyone who has ever lived. When people spoke of her, they spoke of themselves; when they dreamed of her, they dreamed of themselves. She mirrored their hopes and anxieties. To the optimist, she seemed an optimist; to the pessimist, a pessimist; to the awestruck, charismatic; and to the cynical, humdrum. Though by nature reserved and unassuming, her presence could fill presidents and rock gods with terror. For close to a century, she inhabited the psyche of a nation.

Combining biography, essays, cultural history, dream diaries, travelogue and satire, the bestselling and award-winning author of Ma'am Darling and One Two Three Four: The Beatles in Time presents a kaleidoscopic portrait of this most public yet private of sovereigns.

***A Best Book of 2022, The Times*** ***Book of the Year, Spectator*** A myth-busting biography of Henrietta Maria, wife of Charles I, which retells the dramatic story of the civil war from her perspective Henrietta Maria, Charles I's queen, is the most reviled consort to have worn the crown of Britain's three kingdoms. Condemned as that 'Popish brat of France', a 'notorious whore' and traitor, she remains in popular memory the wife who wore the breeches and turned her husband Catholic - so causing a civil war - and a cruel and bigoted mother. Leanda de Lisle's White King was hailed as 'the definitive modern biography about Charles I' (Observer). Here she considers Henrietta Maria's point of view, unpicking the myths to reveal a very different queen. We meet a new bride who enjoyed annoying her uptight husband, a leader of fashion in clothes and cultural matters, an innovative builder and gardener and an advocate of the female voice in public affairs. No bigot, her closest friends included 'Puritans' as well as Catholics, and she led the anti-Spanish faction at court linked to the Protestant cause in the Thirty Years' War. When civil war came, the strategic planning and fundraising of his 'She Generalissimo' proved crucial to Charles's campaign. The story takes us to courts across Europe, and looks at the fate of Henrietta Maria's mother and sisters, who also faced civil wars. Her estrangement from her son Henry is explained, and the image of the Restoration queen as an irrelevant crone is replaced with Henrietta Maria as an influential 'phoenix queen', presiding over a court with 'more mirth' even than that of the Merry Monarch, Charles II. It is time to look again at this despised queen and judge if she is not in fact one of our most remarkable. 'this is revisionist history at its absolute best' ANDREW ROBERTS 'beautifully written and endlessly fascinating' ALEXANDER LARMAN 'popular history of the finest kind' RONALD HUTTON

In this tribute to the late Diana, Princess of Wales, Karl-Werner Antrack looks at her life and those that affected it. He looks in detail at the many conspiracy theories surrounding her death, and how it has affected those that Diana left behind, and the 'revelations' revealed by those she is said to have trusted while alive. The state of the world post-Diana is also looked at including the war on Iraq, and Britain's relations with the US. Altogether, this book is a useful compilation of much of the hype which has surrounded the death of Princess Diana, but at the heart of it we must remember she was a loving mother who cared for all those less fortunate than herself, and it is hopefully this memory that shall live on...

Following her death in September 2022, the outpouring of affection and admiration for the Queen was as touching as it was remarkable. She had been a matriarch to the nation for over seven decades, and tens of millions of people - in Britain and across the world - poured forth their heartfelt respect for this extraordinary woman in the ten days of mourning that followed. Including a queue of up to twenty-four hours' wait, momentous ceremonial processions across two countries and emotional coffin-side vigils from the monarch's closest family members - these were events the scale of which are unlikely to be repeated. In this insightful biography, veteran royal biographer Andrew Morton charts Elizabeth's life, from her ascent to the throne at twenty-five, through fifteen Prime Ministers; the turmoil and tragedies of family life that dogged her until the end; a once-in-a-lifetime pandemic, during which she became the reassuring face of hope and optimism, solidifying her status as grandmother to the nation; and on to her record-breaking Platinum Jubilee, the first UK monarch to reign for over seventy years. Now updated with a compelling new epilogue bringing the Queen's story to its close, this definitive account offers revelatory insights into the life of an inimitable woman, the likes of whom we will never see again.

In The Identities of Catherine de' Medici, Susan Broomhall provides an innovative analysis of the representational strategies that constructed Catherine de' Medici and sought to explain her behaviour and motivations. Through her detailed exploration of the identities that the queen, her allies, supporters, and clients sought to project, and how contemporaries responded to them, Broomhall establishes a new vision of this important sixteenth-century protagonist, a clearer understanding of the dialogic and dynamic nature of identity construction and reception, and its consequences for Catherine de' Medici's legacy, memory, and historiography.

An amazing woman from Bourne, Collyweston and Maxey who had a profound impact on history but has been virtually forgotten in our Lincolnshire locality. Read tales of her survival from the traumatic birth of her son (Henry VII) when aged only thirteen, her ever-changing fortunes in the Wars of the Roses, being condemned as a traitor by Richard III and her eventual triumph, which saw her become the matriarch of the Tudor dynasty. As the only blood link from the Normans to our present Royal Family (documented here), her legacy through her symbols and academia is still far-reaching today.

Twenty-five years after her tragic death, James Patterson tells the heartbreaking true story of Princess Diana's life as a mother and a global icon.

At the age of thirteen, she became Lady Diana Spencer. At twenty, Princess of Wales. At twenty-one, she earned her most important title: Mother.

As she fell in love, first with Prince Charles and then with her sons, William and Harry, the world fell in love with the young royal family - Diana most of all. With one son destined to be King and one needing to find his own way, she taught them lessons about royal tradition and also real life. 'William and Harry will be properly prepared,' Diana once promised. 'I am making sure of this.'

Even after her tragic death, the strength of her love for her sons remains an enduring inspiration, not only for the two princes, but for the entire world.