Based on the letters and diaries of six members of Queen Victoria's household, Serving Victoria offers unique insight into the queen and her court. Seen through the eyes of her servants--including the governess to the royal children, her maid of honor, her chaplain, and her personal physician--Victoria emerges as more vulnerable, more emotional, more selfish, more comical than the austere figure depicted in her portraits.

We see a woman prone to fits of giggles, who wept easily and often, who shrank from confrontation yet insisted on controlling the lives of those around her. We witness her extraordinary and debilitating grief at the death of her husband, Albert, and her sympathy toward the tragedies that afflicted her household.

A perfect foil to the pomp and circumstance, prudery and conservatism that has become synonymous with Victoria's reign, Serving Victoria is an unforgettable glimpse of what it meant to serve the queen.

She has been called America's princess - and with good reason. Long before she married a prince, Grace Kelly had the looks and bearing of royalty. Born and raised in Philadelphia, the daughter of an Irish Catholic father and a German immigrant mother, Grace's blend of blonde-haired, blue-eyed beauty and poise was dubbed a "snow-covered volcano" by director Alfred Hitchcock. But like most icons, there is more to Grace than what you see in film. While, on the surface, she appeared to have lived a real-life fairy tale filled with handsome men, beautiful clothes and an adoring public, in reality, her life seems to have been more of an often sad reflection of the times in which she lived. It was a time of movie megastars, of hushed-up love affairs, of prejudice and gossip, and of images not always being what they appeared to be. Long before the world admired Kate Middleton's sophisticated sense of style, and long before the world fell in love with young Lady Diana's shy smile, there was a breathtakingly beautiful princess from Philadelphia. Her name was Grace Kelly, and this is her story.

This book is part of the TREDITION CLASSICS series. The creators of this series are united by passion for literature and driven by the intention of making all public domain books available in printed format again - worldwide. At tredition we believe that a great book never goes out of style. Several mostly non-profit literature projects provide content to tredition. To support their good work, tredition donates a portion of the proceeds from each sold copy. As a reader of a TREDITION CLASSICS book, you support our mission to save many of the amazing works of world literature from oblivion.

This book is part of the TREDITION CLASSICS series. The creators of this series are united by passion for literature and driven by the intention of making all public domain books available in printed format again - worldwide. At tredition we believe that a great book never goes out of style. Several mostly non-profit literature projects provide content to tredition. To support their good work, tredition donates a portion of the proceeds from each sold copy. As a reader of a TREDITION CLASSICS book, you support our mission to save many of the amazing works of world literature from oblivion.

This Is A New Release Of The Original 1901 Edition.

This Is A New Release Of The Original 1858 Edition.

This Is A New Release Of The Original 1873 Edition.

This Is A New Release Of The Original 1873 Edition.

We know that Shakespeare was a pen name coined by Francis Bacon to conceal himself as the author of the plays. There is no source of official recognition of Robert Devereux as the person on the first folio but with a little knowledge of Bacon's biography and some commonsense a confirmation would be very exciting. Why Robert Devereux is the Image of Shakespeare guides you through the evidence that is quite compelling and opens the door for real Shakespeare scholarship.

Reprint of the biography of Queen Victoria, originally published in 1921.

Learn about the lives and reigns of 48 English monarchs, from the ninth century to the present day, including Alfred the Great, William the Conqueror, Richard the Lion-hearted, Richard III, Henry VIII, Elizabeth I, Oliver Cromwell, George III, Victoria, and Elizabeth II. Also includes descriptions of the Houses of Lancaster, York, Tudor, and Stuart.

An anthology of Royal Wedding Poems collected on the streets of St Andrews, to celebrate the marriage of Prince William and Miss Kate Middleton. Playful and endearing reflections from the public. With special contributions from literature students and international poets, this book offers many treasures that delight the reader and capture the vibrant public enthusiasm ahead of the wedding. (the 10th PoemCatcher title and 1st birthday celebration)

This book addresses the age-old problem of those persons, for reasons of advantage, who would, through false statements and manufactured evidence, have others believe that they were descendants of royalty when, in fact, they were not. Though the list of these false claimants to a throne is a lengthy one, the author illuminates the individuals and circumstances of those considered the most interesting. This work is an interesting resource for the student of sovereigns and royal families. Paperback, (1882), 2014, 276 pp.

This book is part of the TREDITION CLASSICS series. The creators of this series are united by passion for literature and driven by the intention of making all public domain books available in printed format again - worldwide. At tredition we believe that a great book never goes out of style. Several mostly non-profit literature projects provide content to tredition. To support their good work, tredition donates a portion of the proceeds from each sold copy. As a reader of a TREDITION CLASSICS book, you support our mission to save many of the amazing works of world literature from oblivion.

Summary: Frustrations of a single woman and the Napoleonic heir of France that led to their marriage in the most magnificent wedding during the most romantic era of European history
Principals: Emperor Napoleon III; Eug nie de Montijo, Countess of Teba; and her girlhood and lifetime love, the Duke of Sesto
Theme: The ultimate unrequited love story: a woman who tried to commit suicide twice, devastated that the Dukes of Alba and Sesto each preferred her sister. Eug nie reluctantly agreed to marry Napoleon's nephew and emerged as one of the most powerful women in history.
Influence: The Vanderbilts and Astors spent millions copying her in Gilded Age Newport and New York. "It was the strange fate of Eug nie Marie de Montijo...to become known...as one of the greatest beauties of her time, and later...personally influential in European events and destinies of three generations..." (New York Times)
Unique Features: Recipe of original Imperial Wedding cake of 1853; recipe of Marie-Antoinette's favorite pastry
Timeliness: Current projects to rebuild the Tuileries Palace and the Palace of Saint-Cloud, art-filled historic monuments burned in war and terror; the Louvre recently paid $10.7 for one of Eug nie's brooches; Eug nie's items at Metropolitan Museum of Art, N.Y., Louvre, Malmaison; Mexico and Cinco de Mayo; Imperial Wedding with 200,000 people at N tre-Dame Cathedral similar to Charles and Diana's in 1981 and Royal Wedding of 2011.
What other woman:
- Became Regent of France three times?
-Was the last woman to wear all the Crown Jewels of France including a 140.64 carat diamond?
- Lived in the Palaces of the Tuileries, Saint-Cloud, Fontainebleau and Compi gne?
- Used the Palace of Versailles for parties?
- Collected Marie-Antoinette's possessions?
- Used the Petit Trianon for her retreat?
- Was the first muse of French haute couture?
- Inspired Louis Vuitton, Creed, Guerlain, Christofle?
- Made Biarritz a jet-set destination?
- Had Washington Irving, Prosper M rim e and Stendhal as childhood story tellers?
- Belonged to families mentioned in Don Quixote?
- Was bridesmaid to Queen Isabel II of Spain?
- Urged occupation of Mexico and Cochin-China (Vietnam)?
- Forged a lifetime friendship with Queen Victoria?
- Made decisions leading to the Franco-Prussian War and the burning of Paris?
- Fled past 60,000 rioters and survived to age 94?

This extensive book review - written by an expert on the murder of Princess Diana - exposes Alan Power as a fraudster. Over 200 separate errors are shown, but with Power's propensity for repetition there are actually well over 500. The most disturbing factor is the nature of the errors - the 180 page review reveals that Power has deliberately duped his readers. There are many instances of Power fraudulently altering sworn witness evidence to fit with his pre-determined false scenario of what occurred. Alan Power Exposed shows that Power's book is a minefield of deceptive writing, manipulation of evidence, misinformation and misrepresentation of the facts. In the end it becomes impossible for the reader of The Princess Diana Conspiracy to discern what is fact and what is fiction or fantasy. At one point Power writes: "Rest assured, my perception is not given to exaggeration or fancy but is based on the facts" - but unfortunately the truth is quite the opposite. Power's claims of carrying out a ten year investigation and scrutinising the inquest evidence are shown to be false. Questions are raised over the book's authorship - there is evidence indicating the probability that there was more than one writer. The review also addresses the incredible "coincidence" in the timing of Power's publication - it was published within days of the Scotland Yard announcement that it was scoping new information on the crash, an allegation by Soldier N that the SAS were involved. Alan Power Exposed includes an analysis dealing with the reasons why there are so many critical errors in The Princess Diana Conspiracy - it is not an accident. The review raises the very real possibility that Power's book may in the future be used by the Establishment to deal a strategic blow against the entire Princess Diana conspiracy movement. This is an incisive review written by John Morgan, who has authored nine investigative books on the assassination of Princess Diana. He is viewed by many as the world's leading expert on the circumstances around the 1997 crash in Paris' Alma Tunnel. This is a must read for anyone who has read - or intends to read - Alan Power's book, The Princess Diana Conspiracy: The Evidence of Murder.

*Includes pictures.
*Includes a bibliography for further reading.

"If I wasn't an actor, I think I'd have gone mad. You have to have extra voltage, some extra temperament to reach certain heights. Art is a little bit larger than life - it's an exhalation of life and I think you probably need a little touch of madness." - Laurence Olivier

A lot of ink has been spilled covering the lives of history's most influential figures, but how much of the forest is lost for the trees? In Charles River Editors' British Legends series, readers can get caught up to speed on the lives of Britain's most important men and women in the time it takes to finish a commute, while learning interesting facts long forgotten or never known.

Of all the great actors of the 20th century, none personifies acting royalty more than Laurence Olivier, and some of this is simply due to the fact that he was actually knighted in 1947, along with a lengthy list of other honors that include being named a life peer in 1970 and admission to the Order of Merit in 1984. To speak of The Right Honourable Lord Laurence Olivier is not a figure of speech but rather a fact. Of course, in addition to the literal sense of the term, there is undeniably a manner in which Laurence Olivier qualifies as acting royalty, as it is not for nothing that Spencer Tracy once referred to Olivier as "the greatest actor in the English-speaking world" (Bacall). It is also important to note that Tracy refers to Olivier not as a film or theater actor specifically, because much of Olivier's lofty standing derives from his ability to successfully navigate different mediums like stage, film, and television. The breadth of mediums in which he worked, the various roles he inhabited within them (actor, producer, director), and the formidable time span of his career lend Olivier's career a scope of perhaps unmatched magnitude.

Indeed, Laurence Olivier worked for so long and was so successful that few actors receive the level of visibility that he still enjoys, even more than two decades after his death. While his theatrical performances exist only as memories, his cinematic adaptations of several of Shakespeare's most famous plays remain the most canonical even to this day. Hamlet, for example, has been produced for the screen by several famous directors, but his version, released in 1948, is the most well-known and best-received. It is through his films that viewers also gain a full appreciation of his creative style, as Olivier assumed full authorial control (from actor to director to producer) over many of his films, particularly the Shakespearean ones. In this sense, it is appropriate to claim that Laurence Olivier was not only a storied actor but also an artist who worked best when enjoying full authority over his productions.

Laurence Olivier's career was incredibly decorated, but questions still remain regarding the relationship between his career and his life outside of the stage and screen. To what extent do Olivier's upbringing and personal life cohere with or complicate the reputation he cultivated through his body of work? Other aspects of his life that are consequential and are yet often overlooked include his strict childhood, his experience fighting in World War Two, his discreet sexual life, and his troubled marriage to actress Vivien Leigh.

British Legends: The Life and Legacy of Laurence Olivier examines the life and work of one of the world's most critically acclaimed actors. Along with pictures of important people, places, and events, you will learn about Olivier like never before, in no time at all.

*Includes pictures of Marat and important people, places, and events in his life.
*Includes a detailed analysis of Marat's notorious assassination and his legacy.
*Includes a Bibliography for further reading.
"People, give thanks to the gods Your most redoubtable enemy has fallen beneath the scythe of Fate." - Jean-Paul Marat
A lot of ink has been spilled covering the lives of history's most influential figures, but how much of the forest is lost for the trees? In Charles River Editors' French series, readers can get caught up to speed on the lives of France's most important men and women in the time it takes to finish a commute, while learning interesting facts long forgotten or never known.
King Louis XVI gave the French Revolution a scapegoat. Robespierre gave the French Revolution a leader. And Jean-Paul Marat (1743-1793) gave the French Revolution a voice. One of the most memorable and notorious revolutionaries, Marat became one of the Revolution's best known figures through his speeches, writings, and scathing attacks on everyone he perceived as "enemies of the revolution." It's possible that the Jacobins might not have come to power in 1793 without Marat's fiery work championing the lower classes and branding his political foes with the harshest demagoguery. No revolutionary was more passionate, determined and willing to die for the cause.
Marat's work during the French Revolution and his notorious death at the height of it remain the best known details of his life. Indeed, the image of the Death of Marat by Jacques-Louis David is one of the most commonly associated with the Revolution. But those facts have obscured what the man himself was really like. A trained scientist who served as a doctor before the Revolution, Marat counted among his acquaintances luminaries like Goethe and Benjamin Franklin. At the same time, Marat was an Enlightened political philosopher who advocated for basic human rights and reforms such as fair trials by jury.
Of course, all of his work took a backseat to his writing as "Friend of the People" at the beginning of the Revolution, setting Marat down his fateful path. Perhaps no revolutionary has a more controversial legacy; Marat has long been praised by those who appreciate his work on behalf of the masses, and reviled by those who point out his violence and the course of the Jacobin-led Reign of Terror. French Legends: The Life and Legacy of Jean-Paul Marat looks at the life and work of one of history's most famous revolutionaries, explaining his role in the French Revolution and analyzing his legacy. Along with pictures of important people, places, and events, you will learn about Marat like you never have before, in no time at all.

For fans of "Downton Abbey," this "New York Times" bestseller is the enthralling true story of family secrets and aristocratic intrigue in the days before WWI
After the Ninth Duke of Rutland, one of the wealthiest men in Britain, died alone in a cramped room in the servants' quarters of Belvoir Castle on April 21, 1940, his son and heir ordered the room, which contained the Rutland family archives, sealed. Sixty years later, Catherine Bailey became the first historian given access. What she discovered was a mystery: The Duke had painstakingly erased three periods of his life from all family records--but why? As Bailey uncovers the answers, she also provides an intimate portrait of the very top of British society in the turbulent days leading up to World War I.

About the Author John Stevens Cabot Abbott (September 19, 1805 - June 17, 1877), an American historian, pastor, and pedagogical writer, was born in Brunswick, Maine to Jacob and Betsey Abbott. -Wikipedia For more eBooks visit www.kartindo.com

Voltaire's History of Charles XII King of Sweden
By Voltaire
INTRODUCTION
THE "Life of Charles XII" that Mr. John Burns once bought for a penny in the New Cut an incident in itself historical if one looks at it in the right way--was, he writes to say, an English version of Voltaire's book. The "Histoire de Charles XII, Roi de Suede," was first published at Rouen in 1731, first freely translated into English by Alexander Henderson in 1734, and soon afterwards reduced into a chap-book, which made the King a proverbial hero in English fairs and market places. There have been other translations since Henderson's, and it is now retranslated by Miss Todhunter with a closer correspondence than his to Voltaire's original.
The book may claim a particular right to an English hearing, apart from the main interest of its subject. It was in England that the life of Charles XII was written by Voltaire, when he was on a visit of exigency there after the Rohan escapade and his second Bastille imprisonment. The effect of this stay in England was that of a determining event in his career. "Voltairism" writes Mr. John Morley, "may be said to have begun from the flight of its founder from Paris to London. This, to borrow a name from the most memorable instance of outward change marking inward revolution, was the decisive 'hegira, ' from which the philosophy of destruction in a formal shape may be held seriously to date." We may supplement this passage from the criticism of a French critic of another school, who says, "England at this time was worked by a spirit of dog matic irreligion which based itself on a false erudition, a bold criticism and an insidious metaphysic. It was the time of Woolston, of Toland, of Tindal, of Chubb, of Collins, of Bolingbroke. Until then, an insouciant disciple and imitator of the epicureans of the Temple and the rous of the Regency, Voltaire had only ventured on impiety by sallies; dogmas and mysteries had so far only Inspired him with bon mots. In the school of the English philosophers he learnt to reason out his incredulity."
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Windham Press is committed to bringing the lost cultural heritage of ages past into the 21st century through high-quality reproductions of original, classic printed works at affordable prices.
This book has been carefully crafted to utilize the original images of antique books rather than error-prone OCR text. This also preserves the work of the original typesetters of these classics, unknown craftsmen who laid out the text, often by hand, of each and every page you will read. Their subtle art involving judgment and interaction with the text is in many ways superior and more human than the mechanical methods utilized today, and gave each book a unique, hand-crafted feel in its text that connected the reader organically to the art of bindery and book-making.
We think these benefits are worth the occasional imperfection resulting from the age of these books at the time of scanning, and their vintage feel provides a connection to the past that goes beyond the mere words of the text.

*Includes pictures of Victoria and important people, places, and events in her life.
*Discusses the legacy of Victoria and the Victorian era, as well as their depiction in pop culture.
"Since it has pleased Providence to place me in this station, I shall do my utmost to fulfil my duty towards my country; I am very young and perhaps in many, though not in all things, inexperienced, but I am sure that very few have more real good will and more real desire to do what is fit and right than I have." - Queen Victoria, 1837
A lot of ink has been spilled covering the lives of history's most influential figures, but how much of the forest is lost for the trees? In Charles River Editors' British Legends series, readers can get caught up to speed on the lives of Great Britain's most important men and women in the time it takes to finish a commute, while learning interesting facts long forgotten or never known.
England has had no shortage of influential monarchs, but among its queens only Queen Elizabeth I and Queen Victoria had the age they lived in literally named after them. Both the Elizabethan era and Victorian era have come to symbolize a golden age of peace and progress in every aspect of British life, with the long reigns of both queens also providing stability.
Of course, there was a critical difference between those two queens: Elizabeth I still wielded great power in the 16th century, whereas Victoria was a constitutional monarch who had to deal with more limited power over the workings of the British government. But in a way, that made Victoria even more unique, as she still proved able to mold the cultural identity of a nearly 65 year long epoch. Furthermore, Victoria established some of the ceremonial customs of the British monarch and became both the forerunner and role model of subsequent queens, a legacy that continues to endure with her great-great granddaughter, Queen Elizabeth II.
Though Britain's longest reigning monarch is now mostly associated with conservative values (particularly strict morality and traditional social and gender roles), Victoria and her era oversaw the cultural and technological progress of Britain and the West in general, architectural revivals, and the expansion of imperialism. While some of these developments have been perceived negatively over a century later, Britons of the 19th century and early 20th century often viewed the Victorian Era as the height of their nation's power and influence.
British Legends: The Life and Legacy of Queen Victoria chronicles the life and reign of Queen Victoria, while examining the enduring legacy of the era in British history named after her. Along with pictures of important people, places, and events in her life, you will learn about Queen Victoria like you never have before, in no time at all.

*Includes pictures.
*Includes quotes about Vivien's life and career, including her own quotes.
*Includes a bibliography for further reading.
"I'm not a film star, I am an actress. Being a film star is such a false life, lived for fake values and for publicity." - Vivien Leigh
A lot of ink has been spilled covering the lives of history's most influential figures, but how much of the forest is lost for the trees? In Charles River Editors' British Legends series, readers can get caught up to speed on the lives of Britain's most important men and women in the time it takes to finish a commute, while learning interesting facts long forgotten or never known.
The 1930s were the height of the classical Hollywood era, and it is no accident that 1939 has historically been designated as the pinnacle of Hollywood film history. The era was known for its lavish studio productions, with MGM, RKO, Warner Brothers, Paramount, and 20th Century Fox all operating at the height of their powers. Every major studio possessed a long roster of contract players, with films released at such a rapid pace that it made for an especially competitive environment within the industry. Even while America remained in the throes of the Great Depression, the film industry continued to flourish, and movies easily supplanted the theater as the main attraction for American entertainment.
Of course, what made 1939 the watershed year was the release of several critically acclaimed movies, including The Wizard of Oz and Mr. Smith Goes to Washington. But the most famous of the bunch, and perhaps the most famous movie of all, is Gone With the Wind, and one of the most remarkable aspects of the film is that the quintessential Southern belle was played by Vivien Leigh, a British actress still relatively unknown in Hollywood. Vivien was an accomplished stage actress and had already appeared in foreign films during the 1930s, but she was a complete dark horse to get the iconic role she's still associated with, and it only came about because of her persistence in getting cast for the role. 30 years after Gone With the Wind was released, one film critic credited Selznick's "inspired casting" of Vivien Leigh as Scarlett with the film's success. Another 30 years later, the same critic wrote that Leigh "still lives in our minds and memories as a dynamic force rather than as a static presence."
While Gone With the Wind made Leigh a big name practically overnight, she continued to buck the usual trend by doing Broadway and even appearing on stage in London during the 1940s, instead of focusing on movies. A lot of this was no doubt due to her famous marriage to Laurence Olivier, himself an accomplished stage and film actor. At the same time, Vivien became notorious for being difficult to work with and unusually temperamental, a byproduct of bipolar disorder that frequently affected her mood and occasionally left her incoherently hysterical.
Nevertheless, Vivien was able to recapture the magic in 1951's A Streetcar Named Desire, which cast her in the role of Southern belle yet again. Phyllis Harnoll praised Leigh's Blanche DuBois by saying that, in the London stage production of the play, she showed, "proof of greater powers as an actress than she had hitherto shown." In fact, it was actually during her time as DuBois that she reached the pinnacle of her stage career. Likewise, her role in the movie was described as one "of the greatest performances ever put on film" and "one of those rare performances that can truly be said to evoke both fear and pity."
Unfortunately, her life and career faced constant upheaval by both her mental and physical maladies, including tuberculosis, which led to a premature death in 1967. British Legends: The Life and Legacy of Vivien Leigh examines the life and career of one of Hollywood's most famous actresses.

Boris Godunov ruled Russia in the late 16th and early 17th century. He is the subject of the well-known opera, which closely follows N. M. Karamzin's account, in his classic 12-volume opus, History of the Russian State. The Reign of Boris Godunov is excerpted from this work; this is the first time any of this material has been available in English. A translation of the entire History is planned for publication in 2015. The intended audience is the intelligent layman.