NAMED ONE OF THE BEST BOOKS OF THE YEAR BY "THE NEW YORK TIMES BOOK REVIEW "AND "THE BOSTON GLOBE"
This richly entertaining biography chronicles the eventful life of Queen Victoria's firstborn son, the quintessential black sheep of Buckingham Palace, who matured into as wise and effective a monarch as Britain has ever seen. Granted unprecedented access to the royal archives, noted scholar Jane Ridley draws on numerous primary sources to paint a vivid portrait of the man and the age to which he gave his name.
Born Prince Albert Edward, and known to familiars as "Bertie," the future King Edward VII had a well-earned reputation for debauchery. A notorious gambler, glutton, and womanizer, he preferred the company of wastrels and courtesans to the dreary life of the Victorian court. His own mother considered him a lazy halfwit, temperamentally unfit to succeed her. When he ascended to the throne in 1901, at age fifty-nine, expectations were low. Yet by the time he died nine years later, he had proven himself a deft diplomat, hardworking head of state, and the architect of Britain's modern constitutional monarchy.
Jane Ridley's colorful biography rescues the man once derided as "Edward the Caresser" from the clutches of his historical detractors. Excerpts from letters and diaries shed new light on Bertie's long power struggle with Queen Victoria, illuminating one of the most emotionally fraught mother-son relationships in history. Considerable attention is paid to King Edward's campaign of personal diplomacy abroad and his valiant efforts to reform the political system at home. Separating truth from legend, Ridley also explores Bertie's relationships with the women in his life. Their ranks comprised his wife, the stunning Danish princess Alexandra, along with some of the great beauties of the era: the actress Lillie Langtry, longtime "royal mistress" Alice Keppel (the great-grandmother of Camilla Parker Bowles), and Lady Randolph Churchill, mother of Winston.
Edward VII waited nearly six decades for his chance to rule, then did so with considerable panache and aplomb. A magnificent life of an unexpectedly impressive king, "The Heir Apparent" documents the remarkable transformation of a man--and a monarchy--at the dawn of a new century.
Praise for" The Heir Apparent"
"If "The Heir Apparent"] isn't "the "definitive life story of this fascinating figure of British history, then nothing ever will be."--"The Christian Science Monitor
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""The Heir Apparent" is smart, it's fascinating, it's sometimes funny, it's well-documented and it reads like a novel, with Bertie so vivid he nearly leaps from the page, cigars and all."--Minneapolis "Star Tribune"
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"I closed "The Heir Apparent" with admiration and a kind of wry exhilaration."--"The Wall Street Journal"
"Ridley is a serious scholar and historian, who keeps Bertie's flaws and virtues in a fine balance."--"The Boston Globe"
"Brilliantly entertaining . . . a landmark royal biography."--"The Sunday Telegraph"
"Superb."--"The New York Times Book Review"

"From the Hardcover edition."

Anna was the 'last woman standing' of Henry VIII's wives - and the only one buried in Westminster Abbey. How did she manage it? Anna, Duchess of Cleves: The King's 'Beloved Sister' looks at Anna from a new perspective, as a woman from the Holy Roman Empire and not as a woman living almost by accident in England. Starting with what Anna's life as a child and young woman was like, the author describes the climate of the Cleves court, and the achievements of Anna's siblings. It looks at the political issues on the Continent that transformed Anna's native land of Cleves - notably the court of Anna's brother-in-law, and its influence on Lutheranism - and Anna's blighted marriage. Finally, Heather Darsie explores ways in which Anna influenced her step-daughters Elizabeth and Mary, and the evidence of their good relationships with her. Was the Duchess Anna in fact a political refugee, supported by Henry VIII? Was she a role model for Elizabeth I? Why was the marriage doomed from the outset? By returning to the primary sources and visiting archives and museums all over Europe (the author is fluent in German, and proficient in French and Spanish) a very different figure emerges to the 'Flanders Mare'.

The queenship of the first European Renaissance queen regnant never ceases to fascinate. Was she a saint or a bigoted zealot? A pious wife or the one wearing the pants? Was she ultimately responsible for genocide? A case has been made to canonize her. Does she deserve to be called Saint Isabel? As different groups from fascists to feminists continue to fight over Isabel as cultural capital, we ask which (if any) of these recyclings are legitimate or appropriate. Or has this figure taken on a life of her own? Contributors to this volume: Roger Boase, David A. Boruchoff, John Edwards, Emily Francomano, Edward Friedman, Cristina Guardiola-Griffiths, Michelle Hamilton, Elizabeth Teresa Howe, Hilaire Kallendorf, William D. Phillips, Jr., Nuria Silleras-Fernandez, Caroline Travalia, and Jessica Weiss.