More facts Less substance The newest entry in the #1 "New York Times" bestselling Useless Information series.
The useless information never ends in the newest, most crucially meaningless entry in the Useless Information series. This latest cornucopia of amazingly pointless facts and figures will have trivia buffs marveling at all the things they never needed to know.

This book explains the deep influence of biological methods and theories on the practice of Americanist archaeology by exploring W. C. McKern's use of Linnaean taxonomy as the model for development of a pottery classification system.

By the early 20th century, North American archaeologists had found evidence of a plethora of prehistoric cultures displaying disparate geographic and chronological distributions. But there were no standards or algorithms for specifying when a culture was distinct or identical to another in a nearby or distant region.

Will Carleton McKern of the Milwaukee Public Museum addressed this fundamental problem of cultural classification beginning in 1929. He modeled his solution--known as the Midwestern Taxonomic Method--on the Linnaean biological taxonomy because he wanted the ability to draw historical and cultural "relationships" among cultures. McKern was assisted during development of the method by Carl E. Guthe, Thorne Deuel, James B. Griffin, and William Ritchie.

This book studies the 1930s correspondence between McKern and his contemporaries as they hashed out the method's nuances. It compares the several different versions of the method and examines the Linnaean biological taxonomy as it was understood and used at the time McKern adapted it to archaeological problems. Finally, this volume reveals how and why the method failed to provide the analytical solution envisioned by McKern and his colleagues and how it influenced the later development of Americanist archaeology.

"Cats is 'dogs,' and rabbits is 'dogs,' and so's parrots; but this `ere 'tortis' is a insect," a porter explains to an astonished traveler in a nineteenth-century Punch cartoon. Railways were not the only British institution to schematize the world. This enormously entertaining book captures the fervor of the Victorian age for classifying and categorizing every new specimen, plant or animal, that British explorers and soldiers and sailors brought home. As she depicts a whole complex of competing groups deploying rival schemes and nomenclatures, Harriet Ritvo shows us a society drawing and redrawing its own boundaries and ultimately identifying itself. The experts (whether calling themselves naturalists, zoologists, or comparative anatomists) agreed on their superior authority if nothing else, but the laymen had their say--and Ritvo shows us a world in which butchers and artists, farmers and showmen vied to impose order on the wild profusion of nature. Sometimes assumptions or preoccupations overlapped; sometimes open disagreement or hostility emerged, exposing fissures in the social fabric or contested cultural territory. Of the greatest interest were creatures that confounded or crossed established categories; in the discussions provoked by these mishaps, monstrosities, and hybrids we can see ideas about human society--about the sexual proclivities of women, for instance, or the imagined hierarchy of nations and races. A thoroughly absorbing account of taxonomy--as zoological classification and as anthropological study--The Platypus and the Mermaid offers a new perspective on the constantly shifting, ever suggestive interactions of scientific lore, cultural ideas, and the popular imagination.

This text can be read at many levels. Not least it is an extraordinary inventory - an illustrated summary of all the Earthly creatures that have ever lived. Whatever living thing you come across, from E-coli to an oak tree or an elephant, this book will show you what kind of creature it is, and how it relates to all others. Yet there are far too many creatures to present merely as a catalogue. The list of species already described is vast enough - nearly two million - but there could in reality be as many as 30 million different animals, plants, fungi and protists - and perhaps another 400 million different bacteria and archaea. In the 4000 million years or so since life first began on Earth, there could have been several thousand billion different species. The only way to keep track of so many is to classify - placing similar creatures into categories, which nest within larger categories, and so on. As the centuries have passed, so it has become clear that the different groups are far more diverse than had ever been appreciated. Thus Linneus in the 18th century placed all living things in just two kingdoms, Animals and Plants.

This book gives a rather exhaustive list of isotropy subgroups of the 230 crystallographic space groups. The symmetry changes for the vast majority of observed phase transitions in crystalline solids can be found in the list. With each entry, information is given concerning both physical and abstract characteristics of the phase transitions.