Victory at Home is at once an institutional history of the federal War Manpower Commission and a social history of the southern labor force within the commission's province. Charles D. Chamberlain explores how southern working families used America's rapid wartime industrialization and an expanded federal presence to gain unprecedented economic, social, and geographic mobility in the chronically poor region. Chamberlain looks at how war workers, black leaders, white southern elites, liberal New Dealers, nonsouthern industrialists, and others used and shaped the federal war mobilization effort to fill their own needs. He shows, for instance, how African American, Latino, and white laborers worked variously through churches, labor unions, federal agencies, the NAACP, and the Urban League, using a wide variety of strategies from union organizing and direct action protest to job shopping and migration. Throughout, Chamberlain is careful not to portray the southern wartime labor scene in monolithic terms. He discusses, for instance, conflicts between racial groups within labor unions and shortfalls between the War Manpower Commission's national directives and their local implementation. An important new work in southern economic and industrial history, Victory at Home also has implications for the prehistory of both the civil rights revolution and the massive resistance movement of the 1960s. As Chamberlain makes clear, African American workers used the coalition of unions, churches, and civil rights organizations built up during the war to challenge segregation and disenfranchisement in the postwar South.

The fall of 2016 saw the release of the widely popular First World War video game Battlefield 1. Upon the game's initial announcement and following its subsequent release, Battlefield 1 became the target of an online racist backlash that targeted the game's inclusion of soldiers of color. Across social media and online communities, players loudly proclaimed the historical inaccuracy of black soldiers in the game and called for changes to be made that correct what they considered to be a mistake that was influenced by a supposed political agenda. Through the introduction of the theoretical framework of the 'White Mythic Space', this book seeks to investigate the reasons behind the racist rejection of soldiers of color by Battlefield 1 players in order to answer the question: Why do individuals reject the presence of people of African descent in popular representations of history?

During World War II, author Dale J. Satterthwaite was a B-25 pilot who flew more than seventy missions over Italy and France in 1944. "Truth Flies with Fiction," his memoir, presents a truthful, firsthand account of the missions and adventures of the real Catch-22 airmen.

A personal tale full of humor and tragedy, this memoir provides insight into the life of a B-25 bomber pilot, as well as the experience of being part of an elite and highly decorated bomb group. Satterthwaite was awarded the Distinguished Flying Cross twice, the Presidential Unit Citations twice, and the Air Metal eight times.

Told through journal entries and letters written home to Satterthwaite's fiancee, Eleanor, "Truth Flies with Fiction" includes dozens of photos showing the airplanes in action, including the aftermath of the Vesuvius eruption that destroyed eight-eight airplanes at the Pompeii airbase. With a unique perspective, this firsthand account explains the equipment, missions, and tactics of World War II airmen and brings their experiences to life."

In 1942, the United States War Department distributed a handbook to American servicemen that advised them on the peculiarities of the "British, their country, and their ways."

Over sixty years later, this newly published reproduction from the rich archives of the Bodleian Library offers a fascinating glimpse into American military preparations for World War II. The guide was intended to alleviate the culture shock for soldiers taking their first trip to Great Britain, or, for that matter, abroad. The handbook is punctuated with endearingly nostalgic advice and refreshingly candid quips such as: "The British don't know how to make a good cup of coffee. You don't know how to make a good cup of tea. It's an even swap."

By turns hilarious and poignant, many observations featured in the handbook remain relevant even today. Reproduced in a style reminiscent of the era, "Instructions for American Servicemen in Britain" is a powerfully evocative war-time memento that offers a unique perspective on the longstanding American-British relationship and reveals amusingly incisive American perceptions of the British character and country.

"I lived the same life as everyone else, the life of ordinary people, the masses." Sitting in a prison cell in the autumn of 1944, Hans Fallada sums up his life under the National Socialist dictatorship, the time of "inward emigration." Under conditions of close confinement, in constant fear of discovery, he writes himself free from the nightmare of the Nazi years. His frank and sometimes provocative memoirs were thought for many years to have been lost. They are published here for the first time.

The confessional mode did not come naturally to Fallada the writer of fiction, but in the mental and emotional distress of 1944, self-reflection became a survival strategy. In the "house of the dead" he exacts his political revenge on paper. "I know that I am crazy. I'm risking not only my own life, I'm also risking the lives of many of the people I am writing about," he notes, driven by the compulsion to write. And write he does: about spying and denunciation, about the threat to his livelihood and his literary work, about the fate of many friends and contemporaries such as Ernst Rowohlt and Emil Jannings. To conceal his intentions and to save paper, he uses abbreviations. His notes, constantly exposed to the gaze of the prison warders, become a kind of secret code. He finally succeeds in smuggling the manuscript out of the prison, although it remained unpublished for half a century.

These revealing memoirs by one of the best-known German writers of the 20th century will be of great interest to all readers of modern literature.

During World War II, Allied casualty rates in the air were high. Of the roughly 125,000 who served as aircrew with Bomber Command, 59,423 were killed or missing and presumed killed-a fatality rate of 45.5%. With odds like that, it would be no surprise if there were as few atheists in cockpits as there were in foxholes; and indeed, many airmen faced their dangerous missions with beliefs and rituals ranging from the traditional to the outlandish. Military historian S. P. MacKenzie considers this phenomenon in Flying against Fate, a pioneering study of the important role that superstition played in combat flier morale among the Allies in World War II. Mining a wealth of documents as well as a trove of published and unpublished memoirs and diaries, MacKenzie examines the myriad forms combat fliers' suspicions assumed, from jinxes to premonitions. Most commonly, airmen carried amulets or talismans-lucky boots or a stuffed toy; a coin whose year numbers added up to thirteen; counterintuitively, a boomerang. Some performed rituals or avoided other acts, e.g., having a photo taken before a flight. Whatever seemed to work was worth sticking with, and a heightened risk often meant an upsurge in superstitious thought and behavior. MacKenzie delves into behavior analysis studies to help explain the psychology behind much of the behavior he documents-not slighting the large cohort of crew members and commanders who demurred. He also looks into the ways in which superstitious behavior was tolerated or even encouraged by those in command who saw it as a means of buttressing morale. The first in-depth exploration of just how varied and deeply felt superstitious beliefs were to tens of thousands of combat fliers, Flying against Fate expands our understanding of a major aspect of the psychology of war in the air and of World War II.

Controlling Sex in Captivity is the first book to examine the nature, extent and impact of the sexual activities of Axis prisoners of war in the United States during the Second World War. Historians have so far interpreted the interactions between captors and captives in America as the beginning of the post-war friendship between the United States, Germany and Italy. Matthias Reiss argues that this paradigm is too simplistic. Widespread fraternisation also led to sexual relationships which created significant negative publicity, and some Axis POWs got caught up in the U.S. Army's new campaign against homosexuals. By focusing on the fight against fraternisation and same-sex activities, this study treads new ground. It stresses that contact between captors and captives was often loaded with conflict and influenced by perceptions of gender and race. It highlights the transnational impact of fraternisation and argues that the prisoners' sojourn in the United States also influenced American society by fuelling a growing concern about social disintegration and sexual deviancy, which eventually triggered a conservative backlash after the war.

With a New Introduction by Benjamin Ferencz, Chief Prosecutor for the United States at the Nuremberg War Crimes Trial Originally published three years before the withdrawal of U.S. troops in 1973, this important book was not a polemic, but a sober account of the Vietnam conflict from the perspective of international law. Framed in reference to the Nuremberg Trials that followed the Second World War, it described problems the United States may have to face due to its involvement in the Vietnam conflict. After presenting a general history of war crimes and an account of the Nuremberg Trials, Taylor turns his attention to Vietnam. Among other points, he examined parallels between actions committed by American troops during the then-recent My Lai Massacre of 1968 and Hitler's SS in Nazi-occupied Europe. Commissioned for this edition, Ferencz's introduction evaluates Taylor's study and its lessons for the present and future. When this book was published in 1970, Telford Taylor had concluded that U.S. involvement in the war in Vietnam was an American tragedy: "Somehow we failed ourselves to learn the lessons we undertook to teach at Nuremberg." What were those lessons? How acceptable were they? Which laws of war could realistically be enforced on a raging battlefield against an implacable foe? Forty years later, it is worth re-examining how it came about that this powerful and humanitarian country could have come to be seen by many as a giant "prone to shatter what we try to save. -From the Introduction by Benjamin B. FerenczTelford Taylor 1908-1998] was chief counsel for the prosecution at the Nuremberg Trials. Later Professor of Law at Columbia University, he was a vigorous opponent of Senator Joseph McCarthy and an outspoken critic of U.S. actions during the Vietnam War. His books include Sword and Swastika: Generals and Nazis in the Third Reich (1952), Grand Inquest: The Story of Congressional Investigations (1955) and The Anatomy of the Nuremberg Trials: A Personal Memoir (1992). Benjamin Ferencz, a member of Taylor's legal staff, was the Chief Prosecutor for the United States at the Nuremberg War Crimes Trial. He is the author of Defining International Aggression-The Search for World Peace (1975), Adjunct Professor of International Law, Pace University and founder of the Pace Peace Center.

This study of a series of artistic representations of the Asia Pacific War experience in a variety of Japanese media is premised on Walter Davis' assertion that traumatic events and experiences must be 'constituted' before they can be assimilated, integrated and understood. Arguing that the contribution of the arts to the constitution, integration and comprehension of traumatic historical events has yet to be sufficiently acknowledged or articulated, the contributors to this volume examine how various Japanese authors and other artists have drawn upon their imaginative powers to create affect-charged forms and images of the extreme violence, psychological damage and ideological contradiction surrounding the War. In so doing, they seek to further the process whereby reading and viewing audiences are encouraged to virtually engage, internalize, 'know' and respond to trauma in concrete, ethical terms.

A British Fascist in the Second World War presents the edited diary of the British fascist Italophile, James Strachey Barnes. Previously unpublished, the diary is a significant source for all students of the Second World War and the history of European and British fascism. The diary covers the period from the fall of Mussolini in 1943 to the end of the war in 1945, two years in which British fascist Major James Strachey Barnes lived in Italy as a 'traitor'. Like William Joyce in Germany, he was involved in propaganda activity directed at Britain, the country of which he was formally a citizen. Brought up by upper-class English grandparents who had retired to Tuscany, he chose Italy as his own country and, in 1940, applied for Italian citizenship. By then, Barnes had become a well-known fascist writer. His diary is an extraordinary source written during the dramatic events of the Italian campaign. It reveals how events in Italy gradually affected his ideas about fascism, Italy, civilisation and religion. It tells much about Italian society under the strain of war and Allied bombing, and about the behaviour of both prominent fascist leaders and ordinary Italians. The diary also contains fascinating glimpses of Barnes's relationship with Ezra Pound, with Barnes attaching great significance to their discussion of economic issues in particular. With a scholarly introduction and an extensive bibliography and sources section included, this edited diary is an invaluable resource for anyone interested in learning more about the ideological complexities of the Second World War and fascism in 20th-century Europe.

Soldiers disguised as a herd of cows, cork bath mats for troops crossing streams and a tank with a piano attachment for camp concerts are just some of the absurd inventions to be found in this book of cartoons designed to keep spirits up during the Second World War. These intricate comic drawings poke gentle fun at both the instruments of war and the indignity of the air-raid shelter in Heath Robinson's inimitable style.