This soldier's pocketbook from 1944, and the tale of its creation, reveal a fascinating moment of history: a snapshot of prejudices, expectations, assumptions and fears. It was created in conditions of secrecy to prepare British and Allied soldiers for entering and occupying Germany - but at a time when even victory was not guaranteed. What would they face? How would they be treated? How would they manage a population they were used to thinking of only as "enemy combatants"?Part practical guide, part everyman's history of the German people, part propaganda tool, it is an instantly absorbing window on an uncertain time. It shows how the Allied civilian and military command wanted to condition the ordinary serviceman's thoughts about what he would encounter. Today's reader will find here opinionated comment and crude stereotype, but also subtle insights and humor - intentional and unintentional. The pocketbook says as much about the mindset of its British compilers as it does about the German people or about the Nazi regime that eventually the soldiers would topple. An illuminating introduction, drawing on the National Archives' unique original records, reveals the intelligence community's misgivings and disagreements about the content of the pocketbook as it went through its various stages.

This book offers a unique perspective on contemporary Polish cinema's engagement with histories of Polish violence against their Jewish neighbours during the Holocaust. Moving beyond conventional studies of historical representation on screen, the book considers how cinema reframes the unwanted knowledge of violence in its aftermaths. The book draws on Derridean hauntology, Didi-Huberman's confrontations with art images, Levinasian ethics and anamorphosis to examine cinematic reconfigurations of histories and memories that are vulnerable to evasion and formlessness. Innovative analyses of Birthplace (Lozinski, 1992), It Looks Pretty From a Distance (Sasnal, 2011), Aftermath (Pasikowski, 2012), and Ida (Pawlikowski, 2013) explore how their rural filmic landscapes are predicated on the radical exclusion of Jewish neighbours, prompting archaeological processes of exhumation. Arguing that the distressing materiality of decomposition disturbs cinematic composition, the book examines how Poland's aftermath cinema attempts to recompose itself through form and narrative as it faces Polish complicity in Jewish death.

Delving into a traditionally underexplored period, this book focuses on the treatment of Greek Jews under the dictatorship of Ioannis Metaxas in the years leading up to the Second World War. Almost 86% of Greek Jews died in the Holocaust, leading many to think this was because of Metaxas and his fascist ideology. However, the situation in Greece was much more complicated; in fact, Metaxas in his policies often attempted to quash anti-Semitism. The Fourth of August Regime and Greek Jewry, 1936-1941 explores how the Jews fit (and did not fit) into Metaxas's vision for Greece. Drawing on unpublished archival sources and Holocaust survivor testimonies, this book presents a ground-breaking contribution to Greek history, the history of Greek anti-Semitism, and sheds light on attitudes towards Jews during the interwar period.

What did Hitler really want to achieve: world domination. In the early twenties, Hitler was working on this plan and from 1933 on, was working to make it a reality. During 1940 and 1941, he believed he was close to winning the war. This book not only examines Nazi imperial architecture, armament, and plans to regain colonies but also reveals what Hitler said in moments of truth. The author presents many new sources and information, including Hitler's little known intention to attack New York City with long-range bombers in the days of Pearl Harbor.

For six decades, John Knoepfle has been writing poems, and he's still going strong. Knoepfle writes love poems, among the best we have, of the joys, loneliness, danger and the infinite transformations of marriage. He writes narrative poems, surreal, sardonic and magical about astronauts on the moon or an angry farmer and a prophetic owl. He recovers the stories of folks who never made it into the history books. Always he has a respect for the spoken word and lays his lines out on the page so that you too can hear it. And a spiritual force runs through his books like the slow and powerful rivers of the Midwest he inhabits. Both moving and humorous, Knoepfle's autobiography shows us how by hard work and lucky accident he came to be the poet he is.

The so-called Phony War from September 1939 to May 1940 occupies a peculiar yet distinct place in popular memory. All the sensations of war, except the fighting, were present; yet, instead of massed air attacks and great land battles, very little happened. The British government was said to be complacent, and the people downright bored. Then, France fell to German attack, and the small British army was evacuated (minus its equipment) from Dunkirk. Reaction to this major strategic catastrophe was naturally to blame the men deemed guilty for bringing the nation to the verge of humiliating defeat. In sharp contrast to previous studies, Smart argues that there was more to the phony war than governmental complacency, that the period was more than a foolish or frivolous ante-chamber to a later more heroic phase.

The extent to which the "guilty men" verdict on the first nine months of Britain's Second World War has stuck remains surprising. The notion that the phony war was a necessary, indeed over-determined, prelude to catastrophe has become cemented over time. Examining the workings of the Anglo-French leadership during this period, Smart picks this thesis apart and argues that disaster was not necessarily, still less inevitably, just around the corner. He concludes that Anglo-French decision-making during this time was basically sound, that the soldiers were well equipped and in good-heart, and that there was no malaise eating away at the entente. This study offers a challenging reappraisal of the phony war from a British perspective.

"Al Ataque" is an excellent book that describes the preparation a bomb group goes through before being deployed overseas as well as the problems of shipping some five thousand men and supplies along with some eighty B-24 aircraft from a stateside base to a foreign country. The book then details the establishment of Torretta Field that was used by the 461st for the duration of the war in Europe. The 461st Bomb Group flew two hundred and twenty-three combat missions between April 1944 and April 1945. Each of these is described in the book. Personal experiences of veterans who were actually part of the 461st are included.

The War for Legitimacy in Politics and Culture 1936-1946 presents the first investigation of how the phenomenon of political legitimacy operated within Europe's political cultures during the period of the Second World War. Amidst the upheavals of that turbulent period in Europe's twentieth-century history, a wide variety of contenders for power emerged, each of which claimed to possess the right to rule.Exploring political discourse, state propaganda, and high and low culture, the book argues that legitimacy lay not with rulers, and still less in the barrel of a gun, but in the values behind differing approaches to "good" government. An important contribution to the study of the political culture of wartime Europe, this volume will be essential reading for both political scientists and twentieth-century historians.

View the Table of Contents. Read the Preface.

"Laboras Home Front is an outstanding contribution. Balanced and fair-minded, Kerstenas richly documented account puts the AFL at the center of wartime labor relations and domestic history generally. . . . Kersten also sheds new light on the key role of the AFL in the emergence of social democratic liberalism during the era of World War II."
--Robert H. Zieger, University of Florida

"Labor's Home Front is the work of a careful and thorough historian. Kersten establishes the centrality of the often neglected American Federation of Labor to the story of labor's uphill efforts during World War II to breathe life into the lofty ideals embodied in the Four Freedoms. He skillfully weaves his case studies--on gender, race, union rivalries, safety, the open shop, and postwar planning--into a narrative fully attentive to the evolution of the Federation's ideology and politics, poignantly conveying the spirit of sacrifice and suffering without romanticizing his subjects. This is a genuinely important book."
--Eric Arnesen, author of "Brotherhoods of Color: Black Railroad Workers and the Struggle for Equality"

One of the oldest, strongest, and largest labor organizations in the U.S., the American Federation of Labor (AFL) had 4 million members in over 20,000 union locals during World War II. The AFL played a key role in wartime production and was a major actor in the contentious relationship between the state, organized labor, and the working class in the 1940s. The war years are pivotal in the history of American labor, but books on the AFL's experiences are scant, with far more on the radical Congress of Industrial Unions(CIO).

Andrew E. Kersten closes this gap with Labor's Home Front, challenging us to reconsider the AFL and its influence on twentieth-century history. Kersten details the union's contributions to wartime labor relations, its opposition to the open shop movement, divided support for fair employment and equity for women and African American workers, its constant battles with the CIO, and its significant efforts to reshape American society, economics, and politics after the war. Throughout, Kersten frames his narrative with an original, central theme: that despite its conservative nature, the AFL was dramatically transformed during World War II, becoming a more powerful progressive force that pushed for liberal change.

Of the three categories that Raul Hilberg developed in his analysis of the Holocaust-perpetrators, victims, and bystanders-it is the last that is the broadest and most difficult to pinpoint. Described by Hilberg as those who were "once a part of this history," bystanders present unique challenges for those seeking to understand the decisions, attitudes, and self-understanding of historical actors who were neither obviously the instigators nor the targets of Nazi crimes. Combining historiographical, conceptual, and empirical perspectives on the bystander, the case studies in this book provide powerful insights into the complex social processes that accompany state-sponsored genocidal violence.

This book examines works of four German-Jewish scholars who, in their places of exile, sought to probe the pathology of the Nazi mind: Wilhelm Reich's The Mass Psychology of Fascism (1933), Erich Fromm's Escape from Freedom (1941), Siegfried Kracauer's From Caligari to Hitler: A Psychological History of the German Film (1947), and Erich Neumann's Depth Psychology and a New Ethic (1949). While scholars have examined these authors' individual legacies, no comparative analysis of their shared concerns has yet been undertaken, nor have the content and form of their psychological inquiries into Nazism been seriously and systematically analyzed. Yet, the sense of urgency in their works calls for attention. They all took up their pens to counter Nazi barbarism, believing, like the English jurist and judge Sir William Blackstone, who wrote in 1753 - scribere est agere ("to write is to act").

The Donauschwaben, a mostly unknown ethnic group of Germans, migrated to Yugoslavia in the late 1700s. Endless boundary conflicts varyingly defined their land as Hungary, Yugoslavia, or Serbia. During World War II their ethnicity unfairly marked them as Nazi sympathizers despite their noncombatant status. They found themselves on the wrong side of every border as a wave of anti-German resentment legitimized their persecution and eradication.

"TAKEN: A Lament for a Lost Ethnicity" relates the intimate memoirs of Joseph Schaeffer, an ethnic Donauschwaben. Joseph's childhood is stolen the day the Russians march into town. He is captured and taken from his land and family to a slave labor camp of endless suffering and years of imprisonment. Hope is restored after a courageous escape and eventual immigration to the United States. This enduring tale of survival eventually reunites the Schaeffer family and life begins anew.

""TAKEN" is a testament to one man's tenacity and courage and an affirmation of hope and life in a world full of despair and death. The plight of refugees in post-war central Europe is an important, yet neglected story. Joseph Schaeffer's life and memories bring poignancy and immediacy to that story. Kathryn Schaeffer Pabst ably crafts the memoir and deserves our appreciation for bringing her father's story of survival to us."-Eugene Edward Beiriger, Ph.D., Associate Professor of History, DePaul University