'Unable to rely on heaven, we look to Shakespeare as a contemporary conscience' Peter Conrad Coriolanus, a famed warrior turned politician, is driven from Rome as a traitor when he arrogantly speaks out against popular rule and loses the good will of the starving people. Banished and embittered, he allies himself with his former enemies and begins to plot a merciless revenge on Rome. Shakespeare's politically ambiguous late tragedy of a great soldier who fails to be a great leader questions the notion of heroism and what power really means. Used and Recommended by the National Theatre General Editor Stanley Wells Edited by G. R. Hibbard Introduction by Paul Prescott

This 2001 book presents the first modernized and edited version of the 1622 Othello. By taking this earliest published version of Othello as a book in its own right, Scott McMillin accounts for the mystery of its thousands of differences from the Folio version by arguing that the Quarto was printed from a theatre script reflecting cuts and actors' interpolations made in the playhouse. McMillin explains that the playhouse script was apparently taken from dictation by a scribe listening to the actors themselves, and thus reveals how Othello was spoken in seventeenth-century performance. This edition, which consists of a detailed introduction, quarto text, select collation and textual notes, is an important book for scholars in Shakespeare and Elizabethan-Jacobean drama, with wide ramifications for other Shakespeare textual studies and for students of early theatre history.

The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. Edited and introduced by Martin Butler, this first New Cambridge Shakespeare edition of Cymbeline takes full account of the critical and historical scholarship produced in the late twentieth century. It foregrounds the romance, tragicomedy and Jacobean stagecraft that shape the play and offers a refreshingly unsentimental reading of the heroine, Innogen. Butler pays greater attention than his predecessors to the politics of 1610, especially to questions of British union and nationhood. He also offers a lively account of Cymbeline's stage history from 1610 to the present day. The text has been edited from the 1623 Folio and features a detailed commentary on its linguistic and historical features.

In this useful guide, Paul Cantor provides a clearly structured introduction to Shakespeare's most famous tragedy. Cantor examines Hamlet's status as tragic hero and the central enigma of the delayed revenge in the light of the play's Renaissance context. He offers students a lucid discussion of the dramatic and poetic techniques used in the play. In the final chapter he deals with the uniquely varied reception of Hamlet on the stage and in literature generally from the seventeenth century to the present day.

Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948, Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of that year's textual and critical studies and of the year's major British performances. The theme for Volume 74 is 'Shakespeare and Education. The complete set of Survey volumes is also available online at https://www.cambridge.org/core/what-we-publish/collections/shakespeare-survey This fully searchable resource enables users to browse by author, essay and volume, search by play, theme and topic and save and bookmark their results.

Pericles was one of the most popular plays in the Jacobean theatre, and it has regained much of that popularity in the modern theatre. In a wide-ranging introduction, Roger Warren draws on his experience of the play in rehearsal and performance to explore the reasons for this enduring popularity. Unfortunately Pericles survives only in a corrupt text, the Quarto of 1609: many passages are nonsensical, others appear to be missing altogether. Earlier editions have merely published a cleaned-up version of the Quarto, leaving crucial differences unaddressed; but this edition offers a conjectural reconstruction of what the original play might have been like. It is based on that published in the Oxford Complete Works of 1986, modified in the light of its use in several productions since then. It draws upon George Wilkin's narrative The Painful Adventures of Pericles (1608) to emend some of the Quarto's errors and to supply some of the missing material. It does so in the belief that the play is a collaboration between Shakespeare and Wilkins himself. The case for this is fully argued in the Introduction, which also explains the complex textual situation for the general reader. The entire Quarto text is reprinted in an appendix, together with the passages from Wilkin's narrative that have particularly contributed to the reconstruction, so that readers can see for themselves how the reconstruction has been made. It is hoped that this treatment of the play provides a much more comprehensive edition than has so far been available, making it more useful for actors, students, and the general reader.

Alexander Leggatt has written a new Introduction to this updated edition of Russell Fraser's text on one of Shakespeare's most ambiguous plays. Leggatt's interest in performance informs his introduction and account of the instability of the main characters. He offers a thoughtful account of the play's critical and theatrical fortunes to the end of the twentieth century, as well as of the audience experience. An updated reading list completes the edition. First Edition Hb (1986): 0-521-22150-1 First Edition Pb (1986): 0-521-29365-0

A new section of the Introduction to this updated edition considers important professional theater productions and the large output of scholarly criticism on the play which have appeared in recent years. The Reading List has been revised and augmented to reflect the scope of the revised edition. First Edition Hb (1985): 0-521-22194-3 First Edition Pb (1985): 0-521-29389-8

The story of Katherina and her marriage to Petruchio has been popular in the theater for four centuries, but the joke of taming an unruly woman has long been growing increasingly controversial. This edition examines how theater directors and performers have explored the complexities of Katherina's story and that of Christopher Sly, the poor man whose story frames hers. It surveys productions in the English-speaking world, reviewing precise details of the stage action in a social and political context.

A new section of the Introduction to this updated edition considers important professional theater productions and the large output of scholarly criticism on the play which have appeared in recent years. The Reading List has been revised and augmented to reflect the scope of the revised edition. First Edition Hb (1985): 0-521-22194-3 First Edition Pb (1985): 0-521-29389-8

A revised edition of this intriguing and complex play, updated to cover recent critical thinking and stage history. Troilus and Cressida is a tragedy often labelled a "problem" play because of its apparent blend of genres and its difficult themes. Set in the Trojan Wars it tells a story of doomed love and honour, offering a debased view of human nature in war-time and a stage peopled by generally unsympathetic characters. The revised edition makes an ideal text for study at undergraduate level and above.

Sonnets by William Shakespeare in 16 point type.

Magic and Civil War-- Collected here are all three parts of King Henry VI. The three plays cover the time from Henry's ascension to the throne to his eventual death at the hands of Richard, the Duke of Gloucester. Henry had a particularly contentious and difficult reign, with civil war and treachery his constant companions. Thy noble father in the thickest throngs, Cried full for Warwick, his thrice valiant son, Until with thousand swords he was beset, And many wounds made in his aged breast,

This edition of Shakespeare's "A Midsummer Night's Dream" reprints the Bevington edition of the play accompanied by four sets of primary documents and illustrations thematically arranged to offer a richly textured understanding of early modern culture and Shakespeare's work within that culture. The texts, including facsimiles of period documents, conduct literature, county records, reports of court entertainments, and Queen Elizabeth's speeches, contextualize the play's treatment of popular and royal festivity, communities of women (including Amazons, gossips, and nuns), marriage expectations, and the supernatural. Editorial features designed to help students read the play in light of the historical documents include an intelligent and engaging general introduction, an introduction to each thematic group of documents, thorough headnotes and glosses for the primary documents (presented in modern spelling), and an extensive bibliography.

Described by the TLS as 'a formidable bibliographical achievement ... destined to become a key reference work for Shakespeareans', Shakespeare in Print is now issued in a revised and expanded edition offering a wealth of new material, including a chapter which maps the history of digital editions from the earliest computer-generated texts to the very latest digital resources. Murphy's narrative offers a masterful overview of the history of Shakespeare publishing and editing, teasing out the greater cultural significance of the ways in which the plays and poems have been disseminated and received over the centuries from Shakespeare's time to our own. The opening chapters have been completely rewritten to offer close engagement with the careers of the network of publishers and printers who first brought Shakespeare to print, additional material has been added to all chapters, and the chronological appendix has been updated and expanded.

Henry IV, Part One has been one of Shakespeare's most popular plays since it was first produced, and was reprinted several times during the playwright's lifetime. The play encompasses the tragic pathos of Hotspur's death, the thrill of Hal's battlefield valour, the intrigue of power politics, and the broad humour of tavern scenes. It has been performed as a play that celebrates England and engenders national pride, but also as a play that thumbs its nose at patriotism and notions of empire. This Broadview Edition provides a discussion of the play's performance history, and both the introduction and footnotes encourage readers to think about the play as a performance text. The appendices gather a selection of historical sources and contemporary philosophical and political writings from England and Europe, and interleaved pages throughout the play provide illustrations and extended discussion of key phrases, plot points, and allusions in the text. Further historical and performance materials are available on the Internet Shakespeare Editions website.

This is the first modernized and edited version of the 1622 Othello. By taking this earliest published version of Othello as a book in its own right, Scott McMillin accounts for the mystery of its thousands of differences from the Folio version. This edition, which consists of a detailed introduction, quarto text, select collation and textual notes, is an important book for scholars in Shakespeare and Elizabethan-Jacobean drama, with wide ramifications for other Shakespeare textual studies and for students of early theater history.

Karl Klein introduces Shakespeare's play as a complex exploration of a corrupt, moneyed society, and Timon himself as a rich and philanthropic nobleman who is forced to recognize the inherent destructiveness of the Athenian society from which he retreats in disgust and rage. Klein establishes Timon as one of Shakespeare's late works, arguing that evidence for other authors is inconclusive. He shows the play to be neither tragedy, satire nor comedy, but a subtle and complete drama whose main characters contain elements of all three genres.

Edited, introduced and annotated by Cedric Watts, Emeritus Professor of English, University of Sussex. In Henry IV, Part 1, the King is in a doubly ironic position. His rebellion against Richard II was successful, but now he himself is beset by rebels, led by the charismatic Harry Hotspur. The King's son, Prince Hal, seems to be more concerned with the pleasures of the tavern world and the company of the fat rogue, Falstaff, than with concerns of state. Eventually, however, Hal proves a courageous foe of the rebels. This history play is lively in its interplay of political intrigue and boisterous comedy, subtle in the connections between high statecraft and low craftiness, exuberant in its range of vivid characters, and memorable in its thematic concern with honour, loyalty and the quest for power. In Henry IV, Part 2, the King is ailing, Falstaff is ageing, and the kingdom itself, where rebellion is still rife, seems diseased or debilitated. The comedy has a melancholy undertone, and the politics verge on the Machiavellian. Eventually, the resourceful Hal, inheriting the crown as Henry V, must prove that he can uphold justice in the realm. Here Shakespeare demonstrates a mastery of thematic complexity and subtlety, and shows the price in human terms that may be exacted by political success.

The Newly Revised Signet Classic Shakespeare Series

The work of the world's greatest dramatist edited by outstanding scholars.

This edition of The Tempest is the first dedicated to its stage history. Dymkowski examines four centuries of mainstream, regional, and fringe productions in Britain, nineteenth- and twentieth-century American stagings, and recent Australian, Canadian, French, Italian, and Japanese productions. She analyzes the cultural significance of changes in theatrical representation, eg. when and why Caliban began to be represented by a black actor, and Ariel became a man's role rather than a woman's. The commentary annotates each line of the play with details about acting, setting, textual alteration and contemporary reception.

The Quarto text of King Henry V is of unique importance. It has the authority of being transcribed by actors in Shakespeare's own company as a record of their first performances of the play at the Globe in 1599. Half as long as the 1623 First Folio version, it represents a practical staging text that streamlined the script supplied by Shakespeare. Andrew Gurr examines each variant from the Folio text in detail, shedding new light on what happened to scripts that the Shakespeare company bought from their resident playwright.

Write as if from the desk of the Bard himself with this Shakespeare-themed stationery set.

Often considered to be the greatest poet in the English language, William Shakespeare is the writer of such classic plays as Hamlet, Macbeth, King Lear, and A Midsummer Night's Dream. His work is known for its elegant, rhythmic (and often bawdy) verse and universal themes such as love and marriage, war and politics, madness and revenge. Now readers can celebrate their love of Shakespeare with this finely crafted literary stationery set.

Designed for the letter-writers, note-takers, and card-senders of the world, this stationery set includes:

• Ruled pocket journal
• 20 blank notecards, featuring classic Shakespeare quotes
• 20 envelopes
• 20 embossed sticker seals

Designed to look like a classic book of Shakespearean verse, this collectible set gives fans a unique way to celebrate the words and legacy of their favorite playwright.