Containing ten essays by anthropologists on the beliefs and practices associated with witches and sorcerers in Eastern Africa, the chapters in this book are all based on field research and new information which is studied within its wider social context. First published in 1963.

The struggle for status within sport is a microcosm of the struggle for rights, freedom and recognition within society. Injustices within sport often reflect larger injustices in society as a whole. In South Africa, for example, sport has been crucial in advancing the rights and liberty of oppressed groups. The geographical and chronological range of the essays in Ethnicity, Sport, Identity reveal the global role of sport in this advance.

The collection examines cases of discrimination directed at individuals or groups, resulting in their exclusion from full participation in sport and their consequent struggle for inclusion. It shows how ethnic and national identity are sources of social cohesion and political assertion within sport, and it illustrates the manner in which sport has served to project ethnicity in various, often contradictory ways. It depicts sport as an agent of conservatism and radicalism, superiority and subordination, confidence and lack of confidence, and as a source of disenfranchisement and enfranchisement. That sport has been, and continues to be, a potent means of both ethnic restriction and release can no longer be ignored.

R for Political Data Science: A Practical Guide is a handbook for political scientists new to R who want to learn the most useful and common ways to interpret and analyze political data. It was written by political scientists, thinking about the many real-world problems faced in their work. The book has 16 chapters and is organized in three sections. The first, on the use of R, is for those users who are learning R or are migrating from another software. The second section, on econometric models, covers OLS, binary and survival models, panel data, and causal inference. The third section is a data science toolbox of some the most useful tools in the discipline: data imputation, fuzzy merge of large datasets, web mining, quantitative text analysis, network analysis, mapping, spatial cluster analysis, and principal component analysis. Key features: Each chapter has the most up-to-date and simple option available for each task, assuming minimal prerequisites and no previous experience in R Makes extensive use of the Tidyverse, the group of packages that has revolutionized the use of R Provides a step-by-step guide that you can replicate using your own data Includes exercises in every chapter for course use or self-study Focuses on practical-based approaches to statistical inference rather than mathematical formulae Supplemented by an R package, including all data As the title suggests, this book is highly applied in nature, and is designed as a toolbox for the reader. It can be used in methods and data science courses, at both the undergraduate and graduate levels. It will be equally useful for a university student pursuing a PhD, political consultants, or a public official, all of whom need to transform their datasets into substantive and easily interpretable conclusions.

In Designs for the Pluriverse Arturo Escobar presents a new vision of design theory and practice aimed at channeling design's world-making capacity toward ways of being and doing that are deeply attuned to justice and the Earth. Noting that most design-from consumer goods and digital technologies to built environments-currently serves capitalist ends, Escobar argues for the development of an "autonomous design" that eschews commercial and modernizing aims in favor of more collaborative and placed-based approaches. Such design attends to questions of environment, experience, and politics while focusing on the production of human experience based on the radical interdependence of all beings. Mapping autonomous design's principles to the history of decolonial efforts of indigenous and Afro-descended people in Latin America, Escobar shows how refiguring current design practices could lead to the creation of more just and sustainable social orders.

This book sheds light on the issues of structural violence perpetrated against the tribes and analyzes the infringement of human rights of the tribes in the neo-liberal hegemonic context, due to which the tribes are going through massive upheaval - induced displacement and dispossession of livelihood. The mechanism of structural violence is embedded in the global capitalism, which has its roots in colonialism and imperialism. Tribal movements of the central-eastern India, inspired by human rights exigencies, are up against this imperial project that violates the trajectories of state-led development initiatives for the reason that these movements have been brutally suppressed by the military forces. This has given a political impetus to the tribes for self-assertion. Similarly, tribal activism in the central-eastern India during the twenty-first century addresses the issue of violence in nature and the infringement of human rights in the context of development-induced displacement and the spread of extremism. The book is based on the collection of data from the field investigations done during the last seven years, and it will fill the vacuum in the history of tribal movements in the neo-liberal era. Print edition not for sale in South Asia (India, Sri Lanka, Nepal, Bangladesh, Pakistan and Bhutan)

Communities and Cultural Heritage explores the relationship between communities, their cultural heritage and the global forces that control most of the world's wealth and resources in today's world. Bringing together scholars and heritage practitioners from nine countries, this book contributes to the ongoing dialogue on community heritage by analysing impediments to full community participation. The underminin of local communities comes at a high price. As the chapters in this book demonstrate, the knowledge embedded within traditional and Indigenous heritage creates communities that are more resilient to environmental and social stressors and more responsive to contemporary challenges such as climate change, environmental degradation, post-disaster recovery and relocation. Cultural heritage practices often fail to capitalise upon local knowledge and traditional skills and undervalue the potential contribution of local communities in finding creative and resourceful solutions to the issues they are confronting. Arguing that the creation of successful community heritage project requires ongoing reflection on the aims, methods, financing and acceptable outcomes of projects, the volume also demonstrates that the decolonization of Western-focussed heritage practices is an ongoing process, by which subaltern groups are brought forward and given a space in the heritage narrative. Reflecting on trends that impact communities and heritage sites across different geographical regions, Communities and Cultural Heritage will be of interest to academics, students and practitioners of cultural heritage,archaeology and anthropology around the world.

Social anthropology is, in the classic definition, dedicated to the study of distant civilizations in their traditional and contemporary forms. But there is a larger aspiration: the comparative study of all human societies in the light of those challengingly unfamiliar beliefs and customs that expose our own ethnocentric limitations and put us in our place within the wider gamut of the world's civilizations. Thematically guided by social setting and cultural expression of identity, Social and Cultural Anthropology in Perspective is a dynamic and highly acclaimed introduction to the field of social anthropology, which also examines its links with cultural anthropology. A challenging new introduction critically surveys the latest trends, pointing to weaknesses as well as strengths.

Presented in a clear, lively, and entertaining fashion, this volume offers a comprehensive and up-to-date guide to social anthropology for use by teachers and students. Skillfully weaving together theory and ethnographic data, author Ioan M. Lewis advocates an eclectic approach to anthropology. He combines the strengths of British structural-functionalism with the leading ideas of Marx, Freud, and Levi-Strauss while utilizing the methods of historians, political scientists, and psychologists. One of Lewis' particular concerns is to reveal how insights from "traditional" cultures illuminate what we take for granted in contemporary industrial and post-industrial society. He also shows how, in the pluralist world in which we live, those who study "other" cultures ultimately learn about themselves. Social anthropology is thus shown to be as relevant today as it has been in the past.

The religious imagination is alive and well in the movies. Contrary to those who criticize Hollywood, popular movies very often have metaphorically represented God on the screen. From Clint Eastwood as an avenging angel in "Pale Rider and "Nicolas Cage as a love-sick angel in "City of Angels, "to Jessica Lange as an angel of death in "All That Jazz, "and from George Burns as God in "Oh God "to Audrey Hepburn in "Alwaysto "pure white light in "Fearless "and "Flatliners, "God is very much present in the movies. Images of angels and God used by movie makers are explored here.

This intelligent, insightful volume is an exercise in urban anthropology. Religious imagination is the subject and the movie house is its location. The authors show that the religious imagination is irrepressible, and shows up in our best-known example of popular cultures, movies. Contrary to conservative opinion that suggests that Hollywood is anti-religious, Greeley and Bergesen find just the opposite. Ordinary movies, not explicitly about religion and not made by particularly religious individuals often demonstrate some basic religious theme, point, or message. "God in the Movies "does not judge or approve, recommend or criticize; the authors simply alert the reader to the great variety of metaphors for God, angels, heaven, and hell, from beautiful women to white light at the end of the tunnel to Groundhog Day. They are not concerned with explicitly religious movies. This is not a study of "Ben Huror The Last Temptations of Christ, "but rather of ordinary mass-release movies, including "Field of Dreams, Always, All That Jazz, Commandments, Babette's Feast, Fearless, Breaking the Waves, Jacob's Ladder, Flatliners, Ghost, Pale Rider, Star Wars, 2001, Dogma, "and even Japanimation, like "Ghost in the Shell."

The authors' vivid explication of various cinematic metaphors for God is accompanied by an analysis of what these movies tell about our sociological attitudes toward life and death. They also discuss the social conditions that give rise to various kinds of imagery and forms of movies. In a real sense, this book is for both the professional concerned with religion, sociology, cultural studies, anthropology, media and cinema studies, and the layperson interested in how popular movies also contain religious imagery.

Using archaeology and social anthropology, and more than 100 original line drawings and photographs, An Archaeology of Images takes a fresh look at how ancient images of both people and animals were used in the Iron Age and Roman societies of Europe, 600 BC to AD 400 and investigates the various meanings with which images may have been imbued. The book challenges the usual interpretation of statues, reliefs and figurines as passive things to be looked at or worshipped, and reveals them instead as active artefacts designed to be used, handled and broken. It is made clear that the placing of images in temples or graves may not have been the only episode in their biographies, and a single image may have gone through several existences before its working life was over. Miranda Aldhouse Green examines a wide range of other issues, from gender and identity to foreignness, enmity and captivity, as well as the significance of the materials used to make the images. The result is a comprehensive survey of the multifarious functions and experiences of images in the communities that produced and consumed them. Challenging many previously held assumptions about the meaning and significance of Celtic and Roman art, An Archaeology of Images will be controversial yet essential reading for anyone interested in this area.

In an era of rapid change for Africa, this nomadic tribe clings to its traditional way of life. This book examines their society, and provides the first full published description of human life in the area. The author, a social anthropologist, spent more than two years among the Samburu; as an adopted member of one of their clans, he perceived how their values and attitudes are closely interwoven with a social system that resists change. Case studies support the general analysis throughout. Originally published in 1965.

The Djanggawul religious cult is the focus for this study because it is more important to the Aborigines themselves than other religious cults in the north-eastern region of Arnhem land. The book includes chapters on the following: * Significance of the Djanggawul * The Djanggawul Myth and Content of the Myth * The Djanggawul Songs * The Djanggawul Song Cycle: Parts 1 The book includes an extensive glossary and index. First published in 1952.

Writing Spaces examines and compares discourses of architecture, urbanism and the built environment between 1960 and 2000, a period in which economies and cultures in the world became ever more interdependent; in which technologies revolutionised production and communications, and when the social and spatial organisation of built environments and cities were massively transformed.

As a response to these developments, social theory has been recast, arguing that space is the medium of social change and hence political struggle.

eBook available with sample pages: 0203402685

When Ecuador's cut-flower industry took off in the mid-1980s, it rode a wave of international credit peddling and currency speculation that would lead countries of the Global South into successive debt crises and northern financial firms to fortune and dominion. By the start of the twenty-first century, as the Ecuadorian economy collapsed and its ties with international finance became strained, flower exporters rebuilt their businesses around the profitability of their indigenous labor force, drawing local communities deeply into new plantation systems taking over the highlands. In A Feast of Flowers, Christopher Krupa goes inside Ecuador's booming cut-flower industry to chronicle the ways its capitalist pioneers built a booming export industry around a racial ideology, turning indigenous people's purported differences into resources for industrial expansion. At the core of this racial system is a belief, central to postcolonial science and politics in Ecuador, in capitalism's unique capacity to change people's racial identity and to liberate oppressed populations from racial subordination. Krupa shows how such views not only guide how indigenous people are today incorporated into demanding labor systems in Ecuador's new export plantations, but also how indigenous minds and bodies became sites of study and intervention by scientists, politicians, and economic planners throughout the last century, all looking to change indigenous people in some way. Combining nearly two decades of ethnographic and historical research, A Feast of Flowers shows how aggressive capitalist expansion in postcolonial contexts may revive longstanding intersections between race and economy to facilitate new modes of dispossession under the guise of humanitarian intervention.

This volume is concerned with two of the fundamental topics of social anthropology, kinship and marriage, approached from a variety of viewpoints by an international group of contributors of diverse experience and background. The wide range of subjects examined includes: Incest, epistemology, linguistics, prescriptive alliance and methodology. Fieldwork from the following countries is drawn on: Burma, Sri Lanka, New Guinea, Australia, Africa and South America.

Focussing on the problems of change and resistance to change that mark the African sub-continent, this book examines Africa's place in the world from earliest times. It considers the nature of its peoples in their prehistoric development, the ways in which their cultures were oriented, and the ways in which these cultures guided their reactions to European ideas. It also assesses the human responses to industrial, technological and economic changes and the re-discovery by the Africans of African culture. Originally published in 1962.

First published in English 1960. The historical value of Hertz's writings is that they are a representative example of the culmination of two centuries of development of sociological thought in France, from Montesquieu to Durkheim and his pupils. In the intervening years since publication, that development has grown into the systematic comparative study of primitive institutions, based on a great body of ethnographic facts from all over the world: in effect social anthropology.

The first part of this book considers what kind of study social anthropology is, the types of questions social anthropologists ask and how they go about obtaining the answers. The second part discusses the more important fields in which social anthropologists have advanced our knowledge of other cultures: kinship and marriage, social order, economic relations and magical and religious institutions. The important theme of social change is also discussed. First published in 1964.

In this important book, a leading authority on Japanese religions brings together for the first time in English his extensive work on the subject. The book is important both for what it reveals about Japanese religions, and also because it demonstrates for western readers the distinctive Japanese approaches to the study of the subject and the different Japanese intellectual traditions which inform it. The book includes historical, cultural, regional and social approaches, and explains historical changes and regional differences. It goes on to provide cultural and symbolic analyses of festivals to reveal their full meanings, and examines Japanese religions among Japanese and non-Japanese communities abroad, exploring the key role of religion in defining Japanese ethnic identity outside Japan.

Recognized as a major work when first published, this title has, over the years, become a classic. Forming the basis of modern social anthropology, We the Tikiopia stands in the forefront of its literature. The book is an excellent example of fieldwork analysis of a primitive society; a complete account of the working of a primitive kinship system; and an exhaustive and sophisticated study of Polynesian social institutions. First published in 1936.

Recent research in Africa has shown a wide range of political systems, from small societies of wandering hunters to large states of several million people comparable with mediaeval European feudal kingdoms. In between are many societies in which a central government is lacking; the political system is based upon a balance of power between many small groups, which with their lack of classes or specialized political offices, have been called 'ordered anarchies'. First published in 1958.

Chinese idioms and practices of separation are relevant to the experiences of ordinary people in many social domains, ranging from gender and kinship, to religion and the politics of ethnic identity. The contributors focus on a number of distinct yet closely interrelated case studies including:
* separation laments sung by women at marriages and funerals
* popular stories about gods who must leave their families in order to achieve 'recognition'
* attempts of the ghostly dead to make connection with the living
* dislocations from ancestral lands caused by dam-building projects
* the role of pilgrimmage in the construction of identity among Chinese Muslims
In addressing - through these case studies - the central theme of separation, this book also provides a good general introduction to many of the classic debates within anthropological and historical analyses of China. It will, therefore, prove an interesting and useful resource to students of Asian studies and anthropology as well as to the general reader with an interest in the chinese cultural tradition.

eBook available with sample pages: 0203613457

Based on ethnographic research among African Pentecostal Christians living in the UK, this book addresses themes of migration and community formation, religious identity and practice, and social and political exclusion. With attention to strained kinship relationships, precarious labour conditions, and struggles for legal and social legitimacy, it explores the ways in which intimacy with a Pentecostal God - and with fellow Christians - has been shaped by the challenges of everyday life for Africans in the UK. A study of religious subjectivity and the success of the so-called 'prosperity' gospel, African Pentecostalism in Britain examines the manner in which the presence of God is realised for believers through their complex and often-fraught relationships of trust and intimacy with others. As such, it will appeal to sociologists and anthropologists with interests in migration and religion.

When first published in 1988, this classic study was the first to relate the dynamics of the Maasai age organisation to the tensions within the family. Together, these provide the twin strands of a man's career and, opposed ritually, reflecting a fundamental ambivalence in Maasai thought. The analysis is illustrated with extensive case material from the the Matapato, selected for this study as a typical Maasai group.

The tea ceremony and the martial arts are intimately linked in the popular and historical imagination with Zen Buddhism, and Japanese culture. They are commonly interpreted as religio-aesthetic pursuits which express core spiritual values through bodily gesture and the creation of highly valued objects. Ideally, the experience of practising the Zen arts culminates in enlightenment.
This book challenges that long-held view and proposes that the Zen arts should be understood as part of a literary and visual history of representing Japanese culture through the arts. Cox argues that these texts and images emerged fully as systems for representing the arts during the modern period, produced within Japan as a form of cultural nationalism and outside Japan as part of an orientalist discourse.
Practitioners' experiences are in fact rarely referred to in terms of Zen or art, but instead are spatially and socially grounded. Combining anthropological description with historical criticism, Cox shows that the Zen arts are best understood in terms of a dynamic relationship between an aesthetic discourse on art and culture and the social and embodied experiences of those who participate in them.