Elgar Research Agendas outline the future of research in a given area. Leading scholars are given the space to explore their subject in provocative ways, and map out the potential directions of travel. They are relevant but also visionary. Since the financial crisis of 2008, the anthropological study of economic activity has profoundly changed. A Research Agenda for Economic Anthropology poses new questions for anthropologists about the post-recession world, interrogating common social and political assumptions and stimulating innovative directions for research in economic anthropology. Employing a broad range of intellectual orientations, this comprehensive book tackles the most pressing developments in economic anthropology. The stimulating and thought-provoking chapters engage with the major features of modern economies, including inequality, debt, financialisation, neoliberalism and the ethics of economic practice, as well as with the effects of social mobilisation and activism. The contributors shed light on previously overlooked topics, reassess familiar subjects that need a fresh approach and share their own predilections concerning the modern economic world. With contributors ranging from senior academics to those early in their career, this work is critical reading for any anthropologist concerned with the economy and economic activity. Those searching for novel questions or for a sense of the direction of the discipline will particularly benefit from this book's broad, inquisitive approach. Economic sociologists and geographers will also gain from the comprehensive coverage of the many facets of modern economies. 'The chapters in James Carrier's provocative new collection give us stimulating ideas that set us well on the way to a new kind of economic anthropology. Anybody who finds themselves simultaneously fascinated and yet puzzled by what seems to be the ever more ''economized'' kind of society we live in will find much to attract them in these wide-ranging pages. And this won't just be anthropologists (or broad-minded economists), but students old and young, some seeking a new take on an old issue - markets and the state, inequality, or ethical action; others instead urged to reach toward new challenges - expanding our ideas of ''management'', thinking about resources along a time dimension, or reflecting on how politics is expressed in the language of finance. And there is much more. The opposite of a comprehensive ''wrapping-up'' exercise, this lively collection provides us with a distinct set of starting points that take us into exciting new fields within, and well beyond, economic anthropology. Lively, challenging and rewarding reading.' - Gavin Smith, University of Toronto, Canada and the National University of Ireland

A niece of Jane Austen and a novelist herself, Catherine Hubback was fifty-two years old when she left England for America. She travelled to California on the Transcontinental Railroad and settled in Oakland, on the eastern shore of San Francisco Bay. Her son Edward shared her household and commuted by ferryboat to a wheat brokerage in the City. In letters to her eldest son John and his wife Mary in Liverpool, Catherine conveys her delight - and her exasperation - at her new environment. She portrays her neighbours with a novelist's wry wit and brings her English sensibility to bear on gardening with unfamiliar plants and maintaining a proper wardrobe in a dry climate. She writes vividly of her adventures as she moves about a landscape recognizable to present-day residents, at a time when boats rather than bridges spanned the bay, and hot springs were the main attraction in the Napa Valley. In an atmosphere of financial unrest, she writes freely of her anxieties, while supplementing Edward's declining income by making lace and teaching the craft to other women. She recalls her 'prosperous days' in England, but finds pleasure in small things and assuredly takes her place in a society marked by great disparities in wealth. In addition to transcriptions of the letters, this highly readable edition offers pertinent information on many of the people and places mentioned, explanatory notes, and striking illustrations. The introduction places the letters in context and tells the story of Catherine Hubback, whose life evolved in ways unprecedented in the Austen family.

The acclaimed and award-winning book about what a rare mushroom can teach us about sustaining life on a fragile planet.

Matsutake is the most valuable mushroom in the world—and a weed that grows in human-disturbed forests across the northern hemisphere. Through its ability to nurture trees, matsutake helps forests to grow in daunting places. It is also an edible delicacy in Japan, where it sometimes commands astronomical prices. In all its contradictions, matsutake offers insights into areas far beyond just mushrooms and addresses a crucial question: what manages to live in the ruins we have made?

A tale of diversity within our damaged landscapes, The Mushroom at the End of the World follows one of the strangest commodity chains of our times to explore the unexpected corners of capitalism. Here, we witness the varied and peculiar worlds of matsutake commerce: the worlds of Japanese gourmets, capitalist traders, Hmong jungle fighters, industrial forests, Yi Chinese goat herders, Finnish nature guides, and more. These companions also lead us into fungal ecologies and forest histories to better understand the promise of cohabitation in a time of massive human destruction.

By investigating one of the world's most sought-after fungi, The Mushroom at the End of the World presents an original examination into the relation between capitalist destruction and collaborative survival within multispecies landscapes, the prerequisite for continuing life on earth.

"One of the season's most talked about cultural studies" ("Los Angeles" "Times")--an incisive and irreverent appreciation of nerds that combines history, sociology, psychology, and memoir from noted journalist and self-proclaimed nerd Ben Nugent.
Most people know a nerd when they see one, but yet can't define just what a nerd is exactly. "American Nerd: The Story of My People "gives readers the history of" "the concept of nerdiness and its related subcultures. What makes Dr. Frankenstein the archetypal nerd? Where did the modern jock come from? When and how did being a self-described nerd become trendy? As the nerd emerged in the nineteenth century, and popped up again and again in college humor journals and sketch comedy, our culture obsessed over the phenomenon.
"Part history, part memoir, and all funny" ("GQ"), "American Nerd" is critically acclaimed writer Benjamin Nugent's entertaining fact-finding mission. He seeks the best definition of nerd and illuminates the common ground between nerd subcultures that might seem unrelated: high-school debate team kids and ham radio enthusiasts, medieval reenactors and pro-circuit videogame players. Why do the same people who like to work with computers also enjoy playing Dungeons & Dragons? How are those activities similar? This clever, enlightening book will appeal to the nerd (and anti-nerd) that lives inside everyone.

Using an intersectional approach, Marriage, Divorce, and Distress in Northeast Brazil explores rural, working-class, black Brazilian women's perceptions and experiences of courtship, marriage and divorce. In this book, women's narratives of marriage dissolution demonstrate the ways in which changing gender roles and marriage expectations associated with modernization and globalization influence the intimate lives and the health and well being of women in Northeast Brazil. Melanie A. Medeiros explores the women's rich stories of desire, love, respect, suffering, strength, and transformation.

This is the first full-length book to provide an introduction to badhai performances throughout South Asia, examining their characteristics and relationships to differing contexts in Bangladesh, India, and Pakistan. Badhai's repertoires of songs, dances, prayers, and comic repartee are performed by socially marginalised hijra, khwaja sira, and trans communities. They commemorate weddings, births and other celebratory heteronormative events. The form is improvisational and responds to particular contexts, but also moves across borders, including those of nation, religion, genre, and identity. This collaboratively authored book draws from anthropology, theatre and performance studies, music and sound studies, ethnomusicology, queer and transgender studies, and sustained ethnographic fieldwork to examine badhai's place-based dynamics, transcultural features, and communications across the hijrascape. This vital study explores the form's changing status and analyses these performances' layered, scalar, and sensorial practices, to extend ways of understanding hijra-khwaja sira-trans performance.

Say the words "evangelical worship" to anyone in the United States - even if they are not particularly religious - and a picture will likely spring to mind unbidden: a mass of white, middle-class worshippers with eyes closed, faces tilted upward, and hands raised to the sky. Yet despite the centrality of this image, many scholars have underestimated evangelical worship as little more than a manipulative effort to arouse devotional exhilaration. It is frequently dismissed as a reiteration of nineteenth-century revivalism or a derivative imitation of secular entertainment - three Christian rock songs and a spiritual TED talk. But by failing to engage this worship seriously, we miss vital insights into a form of Protestantism that exerts widespread influence in the United States and around the world. Evangelical Worship offers a new way forward in the study of American evangelical Christianity. Weaving together insights from American religious history and liturgical studies, and drawing on extensive fieldwork in seven congregations, Melanie C. Ross brings contemporary evangelical worship to life. She argues that corporate worship is not a peripheral "extra" tacked on to a fully-formed spiritual, political, and cultural movement, but rather the crucible through which congregations forge, argue over, and enact their unique contributions to the American mosaic known as evangelicalism.

This issue moves beyond the binary of life and death to explore how the gray areas in between-precarious life, slow death-call into question assumptions about the social in social theory. In these "collateral afterworlds," where the line between life and death is blurred, the presumed attachments of sociality to life and solitude to death are no longer reliable. The contributors focus on the daily experiences of enduring a difficult present unhinged from any redeeming future, addressing topics such as drug treatment centers in Mexico City, solitary death in Japan, Inuit colonial violence, human regard for animal life in India, and intimacies forged between grievously wounded soldiers. Engaging history, film, ethics, and poetics, the contributors explore the modes of intimacy, obligation, and ethical investment that arise in these spaces. Contributors. Anne Alison, Naisargi N. Dave, Angela Garcia, Fady Joudah, Julie Livingston, Elizabeth A. Povinelli, Solmaz Sharif, Lisa Stevenson, Zoe H. Wool

Afghanistan in the 20th century was virtually unknown in Europe and America. At peace until the 1970s, the country was seen as a remote and exotic land, visited only by adventurous tourists or researchers. Afghan Village Voices is a testament to this little-known period of peace and captures a society and culture now lost. Prepared by two of the most accomplished and well-known anthropologists of the Middle East and Central Asia, Richard Tapper and Nancy Tapper-Lindisfarne, this is a book of stories told by the Piruzai, a rural Afghan community of some 200 families who farmed in northern Afghanistan and in summer took their flocks to the central Hazarajat mountains. The book comprises a collection of remarkable stories, folktales and conversations and provides unprecedented insight into the depth and colour of these people's lives. Recorded in the early 1970s, the stories range from memories of the Piruzai migration to the north a half century before, to the feuds, ethnic strife and the doings of powerful khans. There are also stories of falling in love, elopements, marriages, childbirth and the world of spirits. The book includes vignettes of the narrators, photographs, maps and a full glossary. It is a remarkable document of Afghanistan at peace, told by a people whose voices have rarely been heard.

Most cultural critics theorize modernity as a state of disenchanted distraction, one linked to both the rationalizing impulses of scientific and technological innovation and the kind of dispersed, fragmented attention that characterizes the experience of mass culture. Patrick Kindig's Fascination, however, tells a different story, showing that many fin-de-siecle Americans were in fact concerned about (and intrigued by) the modern world's ability to attract and fix attention in quasi-supernatural ways. Rather than being distracting, modern life in their view had an almost magical capacity to capture attention and overwhelm rational thought. Fascination argues that, in response to the dramatic scientific and cultural changes of the late nineteenth and early twentieth centuries, many American thinkers and writers came to conceive of the modern world as fundamentally fascinating. Describing such diverse phenomena as the electric generator, the movements of actresses, and ethnographic cinema as supernaturally alluring, they used the language of fascination to process and critique both popular ideologies of historical progress and the racializing logic upon which these ideologies were built. Drawing on an archive of primary texts from the fields of medicine, (para)psychology, philosophy, cultural criticism, and anthropology-as well as creative texts by Harriet Prescott Spofford, Charles Chesnutt, Theodore Dreiser, Paul Laurence Dunbar, Edward S. Curtis, Robert J. Flaherty, and Djuna Barnes-Kindig reconsiders what it meant for Americans to be (and to be called) modern at the turn of the twentieth century.