Holbein Soft Pastels are a range of carefully selected artist quality colours with a soft powdery consistency that glides smoothly onto paper. Richly pigmented, they offer excellent blending and covering power.

Colours are tested in line with the standards of Holbein’s watercolour range for the best possible lightfastness and are composed mainly of colours with no or minor discolouration. Batches of each colour are monitored to guarantee an even distribution of pigment and binder.

This set contains 36 assorted soft pastels in a selection of essential colours.

Jackson’s Handmade Soft Pastels are high quality, artist grade pastels. This set includes 196 soft and bright colours from the range, carefully packed in the Jackson's Empty Pastel Storage Case. This set contains the entire Jackson's Soft Pastel range, minus 447, 405, 299 and 402.

Jackson's Soft Pastels are made carefully by hand which makes them very soft with a smooth, buttery consistency. They have a low binder to pigment ratio which makes them rich and luminous, allowing for both subtle and bold mark making.

Their excellent lightfast qualities mean that pastel paintings created with them will not deteriorate over time. The four fluorescent colours are the only exception; like all fluorescent colours they are not lightfast.

The pastels are made solely from pigments, a bentonite clay binder, and calcium carbonate (chalk). Each pastel measures approximately 55mm in length and 15mm in diameter.

Dimensions: 300mm x 200mm x 150mm.

Jackson’s Square Soft Pastels are great quality and easy to use. This set of 12 provides a great range of colours for artists working with soft pastels.

The edges of each pastel can be used for fine detail, while the flat sides are great for bold strokes and laying down large sections of colour. They can be easily blended and used with water.

This set contains an assorted selection of vibrant colours that are non-toxic and easy to clean, making them great for entry-level, beginners, and students. Ideal for use on a range of white, black, or coloured surfaces.

Jackson’s Square Soft Pastels are great quality and easy to use. This set of 24 provides a great range of colours for artists working with soft pastels.

The edges of each pastel can be used for fine detail, while the flat sides are great for bold strokes and laying down large sections of colour. They can be easily blended and used with water.

This set contains an assorted selection of vibrant colours that are non-toxic and easy to clean, making them great for entry-level, beginners, and students. Ideal for use on a range of white, black, or coloured surfaces.

The most popular and vibrant violets, all in one special box. Terry Ludwig have combined the 14 most requested violets and added a selection of other colours to this set.

Terry Ludwig pastels are crafted with a broad range of pigments by hand with minimal natural binders. This renders highly concentrated, velvety pastels. The square shape delivers thick, broad strokes or thin, precise lines where necessary.

As each pastel is handcrafted, the size and shape may vary slightly.

This set includes 1 of each of the following colors: V100, V570, V200, V220, V230, V344, V150, V300, V020, V250, V030, V060, V140, V330, V210, V270, V052, V574, V130, V420, V346, V280, V080, V520, V290, V571, V345, V055, V050, V500.

The PanPastel General Realism Set features a selection of 20 PanPastels and assorted tools as recommended by artist and teacher Kirsty Rebecca.Kirsty is an award winning Australian artist, who specialises in realistic wildlife, pet portraiture, human portraiture, florals, landscapes, and still life. She creates drawing and painting tutorials that are easy to follow, so you can create realistic and professional artwork, even if you’re just starting out.Kirsty uses PanPastel colours for creating underpaintings to use with pastel pencils, although she sometimes uses PanPastel as a stand-alone medium as well.Explore her website here.PanPastel Colours are professional grade soft pastel colours packed in a unique pan format (cake-like) so that they can be mixed and applied like paint. They contain very little dust for a cleaner working environment.This set contains: 1 x Hansa Yellow 1 x Yellow Ochre Tint 1 x Permanent Red Extra Dark 1 x Permanent Red 1 x Magenta 1 x Violet Shade 1 x Ultramarine Blue 1 x Phthalo Blue Extra Dark 1 x Phthalo Blue Tint 1 x Turquoise 1 x Permanent Green Extra Dark 1 x Chromium Oxide Green 1 x Burnt Sienna Extra Dark 1 x Burnt Sienna 1 x Burnt Sienna Tint 1 x Raw Umber 1 x Paynes Grey Tint 1 x Paynes Grey 1 x Black 1 x Titanium White 1 x Palette Tray with Cover 3 x Sofft Painting Knives 15 x Sofft Knife Covers 2 x Sofft Sponge Bars 4 x Sofft Mini Applicators

PanPastel Colours are artist-quality soft pastel colours in a unique pan format, so that they can be mixed and applied like paint.

The soft pastel colour is contained in pans ready to be applied to a surface with your finger, a brush, or the special Pan Pastel applicator. They have very little dust for a cleaner working environment.

Dawn Emerson is the author of the book 'Pastel Innovations'. She uses PanPastel as a tool for both pastel painting and mixed media that enables her to apply colour and layer more creatively, physically and spontaneously.

Contains:

1 x Colorless Blender 010
1 x Magenta 430.5
1 x Magenta Shade 430.3
1 x Magenta Extra Dark 430.1
1 x Pearl Medium - White FINE 011
1 x Violet 470.5
1 x Violet Shade 470.3
1 x Violet Extra Dark 470.1
1 x Neutral Grey 820.5
1 x Paynes Grey 840.3
1 x Phthalo Blue 560.5
1 x Phthalo Blue Extra Dark 560.1
1 x Titanium White 100.5
1 x Black 800.5
1 x Ultramarine Blue 520.5
1 x Ultramarine Blue Extra Dark 520.1
1 x Raw Umber Tint 780.8
1 x Phthalo Green Tint 620.8
1 x Phthalo Green 620.5
1 x Phthalo Green Extra Dark 620.1
1 x Bright Yellow Green Shade 680.3
1 x Chromium Oxide Green 660.5
1 x Raw Umber 780.5
1 x Raw Umber Extra Dark 780.1
1 x Turquoise 580.5
1 x Burnt Sienna 740.5
1 x Red Iron Oxide Shade 380.3
1 x Burnt Sienna Extra Dark 740.1
1 x Hansa Yellow 220.5
1 x Diarylide Yellow 250.5
1 x Yellow Ochre 270.5
1 x Yellow Ochre Shade 270.3
1 x Orange Tint 280.8
1 x Orange 280.5
1 x Orange Shade 280.3
1 x Orange Extra Dark 280.1
1 x Permanent Red Tint 340.8
1 x Permanent Red 340.5
1 x Permanent Red Shade 340.3
1 x Permanent Red Extra Dark 380.1
4 x Sofft Sponge Bars
4 x Sofft Angle Slice Sponge
2 x Palette Trays with Covers

Sennelier Soft Pastels are composed of high quality pure pigment grounded with a natural transparent binder.

It took over three years, at the turn of the 20th Century, to formulate the Sennelier range of Extra Soft Pastels “à l’écu” and thus to create one of the largest chromatic range of pastels. Throughout the century, this range of tones has evolved, but the heart of its making remains unchanged.

The high quality composition of “à l’écu” pastels is the result of a perfect balance between binder and pigment. For gradient shades, increasing amounts of mineral fines are added, ultimately tending towards white. The exceptional brightness is the result of the pigment and of the natural mineral fines discovered by Sennelier in 1905 and that have been used ever since.

Sennelier Soft Pastels are composed of high quality pure pigment grounded with a natural transparent binder.

It took over three years, at the turn of the 20th Century, to formulate the Sennelier range of Extra Soft Pastels “à l’écu” and thus to create one of the largest chromatic range of pastels. Throughout the century, this range of tones has evolved, but the heart of its making remains unchanged.

The high quality composition of “à l’écu” pastels is the result of a perfect balance between binder and pigment. For gradient shades, increasing amounts of mineral fines are added, ultimately tending towards white. The exceptional brightness is the result of the pigment and of the natural mineral fines discovered by Sennelier in 1905 and that have been used ever since.

Sennelier Soft Pastels are composed of high quality pure pigment grounded with a natural transparent binder.

It took over three years, at the turn of the 20th Century, to formulate the Sennelier range of Extra Soft Pastels “à l’écu” and thus to create one of the largest chromatic range of pastels. Throughout the century, this range of tones has evolved, but the heart of its making remains unchanged.

The high quality composition of “à l’écu” pastels is the result of a perfect balance between binder and pigment. For gradient shades, increasing amounts of mineral fines are added, ultimately tending towards white. The exceptional brightness is the result of the pigment and of the natural mineral fines discovered by Sennelier in 1905 and that have been used ever since.

Sennelier Soft Pastels are composed of high quality pure pigment grounded with a natural transparent binder.

It took over three years, at the turn of the 20th Century, to formulate the Sennelier range of Extra Soft Pastels “à l’écu” and thus to create one of the largest chromatic range of pastels. Throughout the century, this range of tones has evolved, but the heart of its making remains unchanged.

The high quality composition of “à l’écu” pastels is the result of a perfect balance between binder and pigment. For gradient shades, increasing amounts of mineral fines are added, ultimately tending towards white. The exceptional brightness is the result of the pigment and of the natural mineral fines discovered by Sennelier in 1905 and that have been used ever since.

Sennelier Soft Pastels are composed of high quality pure pigment grounded with a natural transparent binder.

It took over three years, at the turn of the 20th Century, to formulate the Sennelier range of Extra Soft Pastels “à l’écu” and thus to create one of the largest chromatic range of pastels. Throughout the century, this range of tones has evolved, but the heart of its making remains unchanged.

The high quality composition of “à l’écu” pastels is the result of a perfect balance between binder and pigment. For gradient shades, increasing amounts of mineral fines are added, ultimately tending towards white. The exceptional brightness is the result of the pigment and of the natural mineral fines discovered by Sennelier in 1905 and that have been used ever since.

Unison Colour Pastels are made in Northumberland and contain only pure pigments. Unison groups the colours together in sets of related hues, instead of adding white or black pigment to the colours. The result is intense and vibrant shades, not muddied by the blending of colours.

Unison's pastels contain very little binder, making them truly soft and smooth. They are mixed to meticulous recipes and are based on traditional pigments such as cadmiums, cobalts and natural and synthetic earths. Sticks vary slightly due to the hand-making process.

Sticks vary slightly due to the hand-making process.

Unison Colour Pastels are made in Northumberland and contain only pure pigments. Unison groups the colours together in sets of related hues, instead of adding white or black pigment to the colours. The result is intense and vibrant shades, not muddied by the blending of colours.

Unison's pastels contain very little binder, making them truly soft and smooth. They are mixed to meticulous recipes and are based on traditional pigments such as cadmiums, cobalts and natural and synthetic earths. Sticks vary slightly due to the hand-making process.

Sticks vary slightly due to the hand-making process.

Unison Colour Pastels are made in Northumberland and contain only pure pigments. Unison groups the colours together in sets of related hues, instead of adding white or black pigment to the colours. The result is intense and vibrant shades, not muddied by the blending of colours.

Unison's pastels contain very little binder, making them truly soft and smooth. They are mixed to meticulous recipes and are based on traditional pigments such as cadmiums, cobalts and natural and synthetic earths. Sticks vary slightly due to the hand-making process.

Sticks vary slightly due to the hand-making process.

Unison Colour Pastels are made in Northumberland and contain only pure pigments. Unison groups the colours together in sets of related hues, instead of adding white or black pigment to the colours. The result is intense and vibrant shades, not muddied by the blending of colours.

Unison's pastels contain very little binder, making them truly soft and smooth. They are mixed to meticulous recipes and are based on traditional pigments such as cadmiums, cobalts and natural and synthetic earths. Sticks vary slightly due to the hand-making process.

Sticks vary slightly due to the hand-making process.

Unison Colour Pastels are made in Northumberland and contain only pure pigments. Unison groups the colours together in sets of related hues, instead of adding white or black pigment to the colours. The result is intense and vibrant shades, not muddied by the blending of colours.

Unison's pastels contain very little binder, making them truly soft and smooth. They are mixed to meticulous recipes and are based on traditional pigments such as cadmiums, cobalts and natural and synthetic earths. Sticks vary slightly due to the hand-making process.

Sticks vary slightly due to the hand-making process.

Unison Colour Pastels are made in Northumberland and contain only pure pigments. Unison groups the colours together in sets of related hues, instead of adding white or black pigment to the colours. The result is intense and vibrant shades, not muddied by the blending of colours.

Unison's pastels contain very little binder, making them truly soft and smooth. They are mixed to meticulous recipes and are based on traditional pigments such as cadmiums, cobalts and natural and synthetic earths. Sticks vary slightly due to the hand-making process.

Sticks vary slightly due to the hand-making process.

Unison Colour Pastels are made in Northumberland and contain only pure pigments. Unison groups the colours together in sets of related hues, instead of adding white or black pigment to the colours. The result is intense and vibrant shades, not muddied by the blending of colours.

Unison's pastels contain very little binder, making them truly soft and smooth. They are mixed to meticulous recipes and are based on traditional pigments such as cadmiums, cobalts and natural and synthetic earths. Sticks vary slightly due to the hand-making process.

Sticks vary slightly due to the hand-making process.

Unison Colour Pastels are made in Northumberland and contain only pure pigments. Unison groups the colours together in sets of related hues, instead of adding white or black pigment to the colours. The result is intense and vibrant shades, not muddied by the blending of colours.

Unison's pastels contain very little binder, making them truly soft and smooth. They are mixed to meticulous recipes and are based on traditional pigments such as cadmiums, cobalts and natural and synthetic earths. Sticks vary slightly due to the hand-making process.

Sticks vary slightly due to the hand-making process.

Unison Colour Pastels are made in Northumberland and contain only pure pigments. Unison groups the colours together in sets of related hues, instead of adding white or black pigment to the colours. The result is intense and vibrant shades, not muddied by the blending of colours.

Unison's pastels contain very little binder, making them truly soft and smooth. They are mixed to meticulous recipes and are based on traditional pigments such as cadmiums, cobalts and natural and synthetic earths. Sticks vary slightly due to the hand-making process.

Sticks vary slightly due to the hand-making process.

Unison Colour Pastels are made in Northumberland and contain only pure pigments. Unison groups the colours together in sets of related hues, instead of adding white or black pigment to the colours. The result is intense and vibrant shades, not muddied by the blending of colours.

Unison's pastels contain very little binder, making them truly soft and smooth. They are mixed to meticulous recipes and are based on traditional pigments such as cadmiums, cobalts and natural and synthetic earths. Sticks vary slightly due to the hand-making process.

Sticks vary slightly due to the hand-making process.

Unison Colour Pastels are made in Northumberland and contain only pure pigments. Unison groups the colours together in sets of related hues, instead of adding white or black pigment to the colours. The result is intense and vibrant shades, not muddied by the blending of colours.

Unison's pastels contain very little binder, making them truly soft and smooth. They are mixed to meticulous recipes and are based on traditional pigments such as cadmiums, cobalts and natural and synthetic earths. Sticks vary slightly due to the hand-making process.

Sticks vary slightly due to the hand-making process.