For over a thousand years stories of Christian belief and great moments in British history have filled the windows of our cathedrals and parish churches. The glow of painted and stained glass, its radiant colours and vivid pictures, has inspired generations of audiences and artists.
This beautifully illustrated book traces the development of a unique art from its earliest beginnings in Anglo-Saxon England to the present day. It includes fascinating descriptions of medieval and renaissance glass, the religious upheavals of the sixteenth and seventeenth centuries which saw thousands of windows destroyed, the rebirth of the craft in Georgian and Victorian Britain, and the pioneering of exciting new styles and techniques by modern artists.
Explanations of how stained glass windows are made, the secrets of medieval glaziers, the subjects that can be seen and where the best examples from the seventh to twenty-first centuries can be found add to its pleasures.

A beginner friendly guide to making stained glass art using the most popular and accessible method, copper foil.

The traditional art form of stained glass has become extremely popular again and this collection has everything you need to know to get started on this exciting craft. The effect of sunlight streaming through colourful stained glass is visually stunning and this collection brings the craft right up to date with techniques and projects for a new audience.

There are step-step-instructions and photographs for all the main techniques including creating patterns, glass cutting, polishing, using foils and soldering. Artist and stained glass expert, Noor Springael, also explains how to prepare your workspace, how to work with templates, framing and display techniques and important safety information.

Noor shares all her tips and tricks for making beautiful projects including colour palette, using glass overlays and composition. There are 17 projects ranging from wall hangings, sun catchers, decorative windows, glass floral bouquets, jewellery, candle holders, frames and mirrors. Full sized templates are included for all of the projects.

Henry Holiday (1839-1927) was a polymath who counted figures such as Lewis Carroll, William Morris, Edward Burne-Jones and Emmeline Pankhurst as his friends. Most significantly, he was unquestionably one of the greatest stained-glass artists of the Victorian-Edwardian period, yet his considerable achievements have not received the recognition that they deserve. Taking Holiday's commissions for New York State churches as its focus, George Bryant's ground-breaking study places the artist's transatlantic accomplishments in the context of the social, artistic, religious and economic shifts that shaped his success in the US during America's Gilded Age - a period where existing social hierarchies were challenged by new money and European immigration that ended with the outbreak of the First World War. Also providing a clear understanding of the technical and aesthetic differences that set Holiday's stained glass apart from that of his contemporaries such as Edward Burne-Jones, La Farge, and Tiffany, Bryant's truly original publication, based on substantial archival research, makes a significant contribution to our understanding of nineteenth-century stained-glass design and Henry Holiday's important achievements.

The stained glass windows of Holy Trinity Church at Long Melford in Suffolk are one of the glories of England's medieval heritage. Most stained glass from this period was destroyed in the Reformation, when the Tudor boy king Edward VI ordered religious imagery in churches to be destroyed, and later in the Civil War. The glass at Long Melford is a rare survival. Its mainly secular images show East Anglian dignitaries and their wives, some of them familiar names in the history of the Wars of the Roses, and provide an unparalleled record of 15th-century costumes, heraldry and hairstyles. The 36 line-drawn images based on the figures in the windows - with an introduction on the history of Long Melford and a short biography of each character - will provide hours of colouring entertainment for adults and children alike. Long Melford's stained glass is in urgent need of conservation. All proceeds from the sale of this book go to the restoration fund

Lino Tagliapietra is arguably the world's finest living glassblower. Raised on the island of Murano, the Venetian glass center, Tagliapietra began learning the trade at the age of 11 from Muranese masters and had earned the title of maestro by age 21. He first came to Seattle in 1979, and openly shared his unsurpassed experience, understanding, and knowledge of traditional Venetian glassblowing techniques with artists in the United States. In return, he gained an appreciation for the American artists' quest for creative expression through experimentation and individual creativity, pushing him beyond his excellence in execution and into the realm of studio art.

Claudia Gorbman explores Tagliapietra's current work in "Maestro," which presents masterpieces created during the past decade (2002-2012). Her essay investigates the medium of glass as alchemy (its dichotomies, pleasures and properties) as well as the artist himself and his role in universally elevating the art and craft of glassmaking and changing the course of contemporary glass worldwide.

Claudia Gorbman is professor of film studies at the University of Washington Tacoma. She is the author of "Unheard Melodies" (a book on film music), the translator and editor of five books by the French critic and composer Michel Chion, and co-editor of the forthcoming "Oxford Handbook of New Audiovisual Aesthetics."

Kempe offers a radical revaluation of the life, work and reputation of Charles Eamer Kempe (1837-1907), one of the most remarkable and influential figures in late Victorian and Edwardian church art. Kempe's name became synonymous with a distinctive style of stained glass, furnishing and decoration deriving from late mediaeval and early Renaissance models. To this day, his hand can be seen in churches and cathedrals worldwide. Drawing on newly available archive material, Adrian Barlow evaluates Kempe's achievement in creating a Studio or School of artists and craftsmen who interpreted his designs and remained fiercely loyal to his aesthetic and religious ideals. He assesses his legacy and reputation today, as well as exploring his networks of patrons and influence, which stretched from the Royal Family and the Church of England hierarchy to the literary and artistic beau monde. These networks intersected at Kempe's stunning Sussex country house, Old Place, his 'Palace of Art'. Created to embody his ideals of beauty and history, it holds the key to understanding his contradictory personality, his public and private faces. This book will appeal to everyone interested in Victorian art in general and stained glass in particular. Detailed and wide-ranging, Kempe tells a compelling story.

A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ARTIST. Tiffany was highly skilled in jewellery design, ceramics, enamels, and metalwork but he is best known for his beautiful stained-glass designs. Using opalescent glass in a variety of colours and textures, he created a stunning range of jewel-like Art Nouveau works. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

A beautifully illustrated guide to the world of Victorian stained glass and its manufacturers and designers. Victorian stained glass - magnificent, colourful and artistic - adorns countless British churches, municipal buildings and homes. Across the decades, several artistic movements influenced these designs, from the Gothic Revival, through the Arts and Crafts Movement and into Art Nouveau as a new century dawned. Historian Trevor Yorke shows how craftsmen re-learned the lost medieval art of colouring, painting and assembling stained glass windows - but also, in this age of industry, how windows were templated and mass produced. Showcasing the exquisite glass generated by famous designers such as A.W.N. Pugin, Pre-Raphaelites William Morris and Edward Burne-Jones, and by leading manufacturers such as Clayton and Bell, this beautifully illustrated book introduces the reader to many wonderful examples of Victorian stained glass and where it can be found.

Rowan LeCompte (1925-2014) was a world-renowned stained-glass artist best known for his work in Washington National Cathedral that spanned an unprecedented 70 years of artistic commission. Rowan LeCompte: Master of Stained Glass celebrates LeCompte's artistic inspiration, distinctive technique, and unique perspective on a medieval decorative art, which he transformed into a fine art for modern times. The book traces his fascinating trajectory, from a determined teenager to a charming octogenarian with a clear vision of what stained glass can do within and beyond cathedral walls. More than an artist biography, this book illuminates the essence of human nature and its balance of light and darkness. Growing up in Baltimore, young Rowan LeCompte was fascinated by colour and light, collecting coloured glass fragments that his older brother - Stuart, a scientist - had discarded from his lab at Johns Hopkins. A visit to the Washington National Cathedral at age 14 would prove transformative for LeCompte, who later described the day as his "second birthday." At age 15, LeCompte knew what he wanted to do for the rest of his life: combine his love of architecture and painting through the study of stained glass. Just a year later, he earned his first commission in the National Cathedral: the very place that forged his destiny. Rowan LeCompte's seven decades of work not only fulfilled his teen ambition beyond expectations - it changed the art of stained glass itself. Rowan LeCompte: Master of Stained Glass takes readers behind-the-scenes of LeCompte's process, hearing from the artist first-hand about his unexpected inspirations - and rejected ideas - for colour and design, and illustrating his work from the first 'cartoon' storyboards of windows, to painting the finishing touches on some of his best-known work. This beautiful 4-color photo art book tells of the complete history of Rowan's life, incorporating brilliant full-colour photos of many of the windows which highlight the details of the imagination and innovation of this modern artist working in an ancient medium. It was his single-minded determination to create works that make the world a more beautiful place that will mark Rowan LeCompte as a great master for years to come. Rowan LeCompte: Master of Stained Glass is a companion to Peter Swanson's two films about Rowan. One of these films, Let There Be Light, documented LeCompte's final commission for the Washington National Cathedral's centennial celebration. The film won the Best of Festival award at Washington, D.C.'s Independent Film Festival.

Creative and practical, Kicking Glass is a step-by-step guide for those wanting to practice the popular craft of stained glass. From simple suncatchers and boho lamps to exquisite 3D constructions and delicately-poised glass butterflies, experienced artist Neile Cooper guides you through the magical world of stained glass with a creative handbook for both the novice and more experienced crafter alike. Beautifully illustrated with photographs of Neile's own work including her glorious glass cabin in the woods as well as pieces from some of today's most stylish designers, Kicking Glass is packed with ideas to guide and inspire. This book provides comprehensive technical instruction in the copper foil method, covering everything from tools and supplies to exploratory techniques such as including foraged and found objects into your work. Skills are demonstrated through tutorials with photos, instructional drawings and 16 stunning patterns. Whether you're looking to decorate your windows, create lovely gifts for friends and family or design your own epic masterpiece, Kicking Glass is the essential modern guide to stained glass making.

A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ARTIST. Tiffany was highly skilled in jewellery design, ceramics, enamels, and metalwork but he is best known for his beautiful stained-glass designs. Using opalescent glass in a variety of colours and textures, he created a stunning range of jewel-like Art Nouveau works. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

This is the first full study of the important medieval stained glass of Merton College, Oxford. The scheme in the chapel is exceptionally well preserved; with the nave of York Minster, it represents the largest surviving set of early fourteenth-century windows in Britain. Research for this volume in the rich college archives has provided a new date for them, and identified the glazier, whose business is considered locally. Outstanding early fifteenth-century panels from the transepts are attributed to the workshop of Thomas Glazier, who had worked for William of Wykeham, Chancellor of England. Seven windows in the Old Library contain the earliest glazing to survive from any English library. The glass will therefore be of interest to many students of English medieval art and architecture. A general introduction also explores the potential of the monument for study within a university context. Merton was a model for the self-governing graduate college of the later middle ages in England. The glass invites consideration of the relationship between art and ideas, in a lost astrological window, for example; and the self-presentation of the scholar and college communities, both to themselves and to the society that supported them. As a result of the central place of the universities in national life, the Merton glass was an inspiration during the Gothic revival to artists and glazing businesses such as the Pre-Raphaelite John Everett Millais, and Morris, Marshall, Faulkner & Co. The medieval glass is catalogued, fully illustrated and supported with restoration diagrams. There are forty colour plates. The post-medieval glass is also catalogued.

Illustrated with more than 300 photos, this guide covers everything you need to know to begin working with glass. Learn the materials and tools needed, types of glass, and successful techniques, focusing on the copper foil method. While emphasizing the beauty and creativity that's easy to enjoy about this craft, the book offers detailed step-by-step photo instructions for tracing, cutting, grinding, foiling, assembly, soldering, patina use, and more. The 33 projects, each rated in difficulty level, cover a wide range of styles and techniques. All of them beautifully showcase the gorgeous array of art glass available today, and they serve as useful additions to your everyday life or as exceptional gifts: a mobile, candy dish, cutlery holder, mirror frames, lamps, jewelry, and even clocks.

104 stained glass projects using all the well-known themes of Art Nouveau: swirling forms, florals, peacocks and sensuous women. Sourcebook for use or for inspiration. 104 projects on 60 plates.

This fun-filled guide offers step-by-step details on how to create 120 lovely lightcatchers: butterflies, birds, fish, wreaths, musical instruments, sailboats, teddy bear, many more.

Sure to be popular with stained glass workers, these 96 lovely floral patterns include graceful irises, poppies, lilies and tulips in a variety of styles, abstract and geometric patterns, and other exquisite designs adaptable to innumerable projects. Introduction. List of suppliers. Color illustrations on covers.

Apocalypse reproduces the Apocalypse Cycle of the Great East Window of York Minster in its entirety and in full colour for the very first time. Stunning photography presents each panel in detail, accompanied by expert commentary. The book is both a testament to the remarkable combination of skill, scholarship and cutting-edge technology that has gone into the conservation of the window, and an important study of the significance of the Apocalypse narrative both in the early 15th century and today.

For nearly two decades, Preston Singletary has straddled two unique cultures, melding his Tlingit ancestry with the dynamism of the Studio Glass Movement. In the process, he has created an extraordinarily distinctive and powerful body of work that depicts cultural and historical images in richly detailed, beautifully hued glass. Singletary has translated the visual vocabulary of patterns, narratives, and systems of Native woodcarving and painted art into glass, a material historically associated with Native peoples through an extensive network of trading routes. Singletary entered the world of glassblowing as an assistant, mastering the techniques of the European tradition as he worked alongside Seattle-area artists such as Benjamin Moore and Dante Marioni. He also had opportunities to learn the secrets of the Venetian glass masters while working with Italian legends Lino Tagliapietra and Pino Signoretto. The Northwest Native icons, supernatural beings, transformative themes, animal spirits, shamanism, and basketry design of Singletary's Tlingit heritage are manifested in his work, creating a unique whole that resonates on many levels and reveals a new artistic direction. This mid-career retrospective of his work includes contributions by Melissa G. Post, Steven Clay Brown, and Walter Porter, as well as a DVD of Singletary working in his studio. Preston Singletary's works are in museum collections around the world, including the National Museum of the American Indian; Museum of Fine Arts, Boston; Seattle Art Museum; Corning Museum of Glass; Mint Museum of Art; the Heard Museum; and the Handelsbanken (Stockholm, Sweden).

This is a beautifully illustrated discussion on the making of stained glass and its enduring iconography. Stained glass is a monumental art, a corporate enterprise dependent on collaboration between patron and artist. Combining the fields now known as decorative arts, architecture, and painting, the window transforms our experience of space. Windows of coloured glass were essential features of medieval and Renaissance buildings - they provided not only light but also specific and permanent imagery that proclaimed the importance of place. Beautifully illustrated, this volume addresses the making of a stained glass window, its iconography and architectural context, the patrons and collectors, and the challenges of restoration and display. The featured works include examples from Austria, Belgium, England, France, Germany, and the Netherlands, and cover a range of subjects from religious scenes to heraldic panels and secular scenes.

Some of the most breathtaking art in America lies behind doors that few ever open. One such masterpiece is The Prophetic Quest, a series of ten monumental stained glass windows in the Keneseth Israel synagogue, just north of Philadelphia. This informative and exquisitely illustrated volume pulls back the curtain on this little-known work of art. Designed by the renowned American artist Jacob Landau, The Prophetic Quest encompasses ten masterful abstract pieces of stained glass that depict the lives and words of the biblical prophets, each towering nearly twenty-five feet high and spanning five feet across. Featuring essays recounting Landau’s vision, the history of his project, and detailed interpretive commentary on each window, this book presents an immersive experience of Landau’s religious masterwork. Personal reflections written by artists, art historians, poets, clergy, and congregants about their experience of The Prophetic Quest round out the volume with new ways to view and appreciate Landau’s creation. Gorgeously illustrated, this book sheds light on American synagogue art and the history of stained glass in America, and it cements Landau’s reputation as one of the leading American protest artists. The volume features essays by the editors as well as Alicia Suskin Ostriker, Rita Rosen Poley, and Lance J. Sussman, along with additional reflections from fifteen other contributors and the photography of Tom Crane.

The touchstones of Gothic monumental art in France - the abbey church of Saint-Denis and the cathedrals of Chartres, Reims, and Bourges - form the core of this collection dedicated to the memory of Anne Prache. The essays reflect the impact of Prache's career, both as a scholar of wide-ranging interests and as a builder of bridges between the French and American academic communities. Thus the authors include scholars in France and the United States, both academics and museum professionals, while the thematic matrix of the book, divided into architecture, stained glass, and sculpture, reflects the multiple media explored by Prache during her long career. The essays employ a varied range of methodologies to explore Gothic monuments. The chapters in the architectural section include an intensive archeological analysis of the foundations of Reims Cathedral, the close reading of a late medieval literary text for a symbolic understanding of Paris, and essays that explore the medieval use of practical geometry in designing entire buildings and their components. Saint-Denis, Reims, and Chartres, all monuments studied by Prache, are discussed in the next part, on stained glass. These chapters demonstrate how old problems can be clarified by new evidence, whether from the accessibility of previously unknown archival information, for Reims, or through revelations that arise from restoration, at Chartres. These essays also include a study showing the complexity of making attributions for the storied glass of Saint-Denis. The final set of essays likewise takes different approaches to sculpture, whether constructing links to the liturgy at Reims, or discussing the meaning of a sculptural ensemble studied by Prache early in her career, the cloister of Notre-Dame-en-Vaux in ChAclons-en-Champagne, or scrupulously examining the faAade sculpture at Bourges Cathedral for insights into the design process. As a whole, the volume provides a window onto key directions in the study of

Dubbed the Cathedral of France and first church of French Christendom, the Gothic cathedral of Reims was the coronation site of more than two dozen French kings--and a target of German bombardment in World War I. Before 1914 its medieval stained glass had enjoyed the fame of Chartres and Bourges. The first extensive study focusing on the stained glass of this preeminent cathedral, The Gothic Stained Glass of Reims Cathedral offers a groundbreaking analysis of its glazing program. Through unique insights into the clerical agenda and its influence over a building devoted to the coronation of the French monarchy, Lillich considers the stained glass in the context of building chronology, political events, and artistic movements to present a completely new understanding of the stained glass of Reims.