(Faber Piano Adventures ). The 2nd Edition Level 2A Theory Book has thematic tie-in with the Level 2A Lesson Book, inviting students into the pages for deeper understanding. A wide variety of theory activities engage students with eighth notes, phrases, transposition, and 5-finger scales. Composer biographies provide valuable context for Lesson Book pieces while helping students review key concepts.

(Guitar Solo). 20 songs carefully arranged for solo guitar in standard notation and tablature, including: Beauty and the Beast * Can You Feel the Love Tonight * Colors of the Wind * It's a Small World * So This Is Love (The Cinderella Waltz) * Some Day My Prince Will Come * When You Wish upon a Star * A Whole New World * You'll Be in My Heart * and more.

Performed on an acoustic steel-string guitar with open tunings and a finger-picking technique, Hawaiian slack key guitar music emerged in the mid-nineteenth century. Though performed on a non-Hawaiian instrument, it is widely considered to be an authentic Hawaiian tradition grounded in Hawaiian aesthetics and cultural values. In Listen But Don't Ask Question Kevin Fellezs listens to Kanaka Maoli (Native Hawaiian) and non-Hawaiian slack key guitarists in Hawai'i, California, and Japan, attentive to the ways in which notions of Kanaka Maoli belonging and authenticity are negotiated and articulated in all three locations. In Hawai'i, slack key guitar functions as a sign of Kanaka Maoli cultural renewal, resilience, and resistance in the face of appropriation and occupation, while in Japan it nurtures a merged Japanese-Hawaiian artistic and cultural sensibility. For diasporic Hawaiians in California, it provides a way to claim Hawaiian identity. By demonstrating how slack key guitar is a site for the articulation of Hawaiian values, Fellezs illuminates how slack key guitarists are reconfiguring notions of Hawaiian belonging, aesthetics, and politics throughout the transPacific.

Aimed at providing advice and direction for the frustrated guitarist, Guthrie Govan focuses on how you can expand your potential by refining your playing techniques, allowing you to tackle more complex riffs and solos. This title is accompanied by an instructional CD.

(Instrumental Folio). Play 50 of your favorite pop tunes on your instrument of choice This collection features arrangements written in accessible keys and ranges with lyrics and chord symbols. Songs include: All My Loving * Blowin' in the Wind * Clocks * Don't Stop Believin' * Every Breath You Take * Fireflies * Hey, Soul Sister * In My Life * Love Story * My Girl * Nights in White Satin * Sweet Caroline * Unchained Melody * Viva La Vida * What a Wonderful World * You've Got a Friend * and more.

(Music Sales America). What do Robert Johnson, Beck, the Beatles, Pearl Jam, the Eagles, Led Zeppelin, Sonic Youth, Ry Cooder, and Ben Harper have in common? They have all at one time or another used open-tuned guitars to make their music. This book provides an introduction to the two most popular open tunings with over 300 chord shapes for open D and open G tuned guitar, useful tips on tuning and string set-up, music scores for four songs using open tuning chord shapes, a glossary of favorite chords and recommended listening. "What a super book, this is such fun. I could use this for the next album." David Bowie.

The first book devoted to the composers, instrument makers and amateur players who advanced the great guitar vouge throughout Western Europe during the early decades of the nineteenth century. Contemporary critics viewed the fashion for the guitar with sheer hostility, seeing in it a rejection of true musical value. After all, such trends advanced against the grain of mainstream musical developments of ground-breaking (often Austro-German) repertoire for standard instruments. Yet amateur musicians throughout Europe persisted; many instruments were built to meet the demand, a substantial volume of music was published for amateurs to play, and soloist-composers moved freely between European cities. This book follows these lines of travel venturing as far as Moscow, and visiting all the great musical cities of the period, from London to Vienna, Madrid to Naples. The first section of the book looks at eighteenth-century precedents, the instrument - its makers and owners, amateur and professional musicians, printing and publishing, pedagogy, as well as aspects of repertoire. The second section explores the extensive repertoire for accompanied song and chamber music. A final substantive section assembles chapters on a wide array of the most significant soloist-composers of the time. The chapters evoke the guitar milieu in the various cities where each composer-player worked and offer a discussion of some representative works. This book, bringing together an international tally of contributors and never before examined sources, will be of interest to devotees of the guitar, as well as music historians of the Romantic period.

Fiddle Time is a great series for young violinists. Packed with lively original tunes, well-known pieces, and easy duets, the series is carefully paced and organized to build confidence every step of the way. The new editions contain all your favourite pieces from the previous books, back by popular demand.

Intermediate-level solos based on 68 fiddling favorites of reels, jigs, hornpipes and all styles of barn-dance tunes is not only interesting and fascinating, it is also very beneficial for the development of technique. As technique studies, in their respective grades, these barn-dance tunes are in a class by themselves. Excellent repertoire. Guitar chords included.

Chords and lyrics for 40 of Nirvana's most popular songs, including: About a Girl * All Apologies * Big Cheese * Come as You Are * Floyd the Barber * Heart Shaped Box * The Man Who Sold the World * Mexican Seafood * Smells like Teen Spirit * Something in the Way * You Know You're Right * and more. 6 inch. x 9 inch.

(Book). When Leo Fender added a bass to his growing family of instruments 50 years ago, he created a new world for musicians and revolutionized an industry in the process. Using hundreds of photographs, this exciting release chronicles the evolution of that instrument from 1951 to 2001, providing background, history and highly researched facts vital to understanding everything about this remarkable member of the Fender family. A must for all music fans

Technology and the Stylistic Evolution of the Jazz Bass traces the stylistic evolution of jazz from the bass player's perspective. Historical works to date have tended to pursue a 'top down' reading, one that emphasizes the influence of the treble instruments on the melodic and harmonic trajectory of jazz. This book augments that reading by examining the music's development from the bottom up. It re-contextualizes the bass and its role in the evolution of jazz (and by extension popular music in general) by situating it alongside emerging music technologies. The bass and its technological mediation are shown to have driven changes in jazz language and musical style, and even transformed creative hierarchies in ways that have been largely overlooked. The book's narrative is also informed by investigations into more commercial musical styles such as blues and rock, in order to assess how, and the degree to which, technological advances first deployed in these areas gradually became incorporated into general jazz praxis. Technology and the Jazz Bass reconciles technology more thoroughly into jazz historiography by detailing and evaluating those that are intrinsic to the instrument (including its eventual electrification) and those extrinsic to it (most notably evolving recording and digital technologies). The author illustrates how the implementation of these technologies has transformed the role of the bass in jazz, and with that, jazz music as an art form.

(Ukulele Chord Songbook). This series features convenient 6 x 9 books with complete lyrics and chord symbols above the lyrics for dozens of great songs. Each song also includes chord grids at the top of every page and the first notes of the melody for easy reference. These books are perfect for people who don't read music but want to strum chords and sing, and are equally ideal for more advanced, music-reading ukulele players who don't feel like wading through note-for-note notation. This collection features 100 favorites from the Fab Four: Across the Universe * Back in the U.S.S.R. * Carry That Weight * Dear Prudence * Eight Days a Week * Good Day Sunshine * Here Comes the Sun * If I Fell * Love Me Do * Michelle * Ob-La-Di, Ob-La-Da * Revolution * Something * Ticket to Ride * We Can Work It Out * and many more.

(Berklee Guide). This chord dictionary from the assistant chair of Berklee's guitar department includes 100+ chord forms, from basic 7th chords to guide tone chords and triads over bass notes. It is organized to reveal chord relationships and help guitarists learn voicings quickly and thoroughly. Includes notes, fretboard diagrams and tab for each chord. 6 x 9

(Music Sales America). This second volume of the popular classical guitar method features instruction, graded exercises, practice studies, and a survey of the guitar repertoire. Volume Two develops technique, sightreading, and includes an advanced repertoire of thirty works.

(Guitar Educational). This book/CD pack explores all the main components necessary for crafting well-balanced rhythmic and melodic phrases. It also explains how these phrases are put together to form cohesive solos. Many styles are covered rock, blues, jazz, fusion, country, Latin, funk and more and all of the concepts are backed up with musical examples. The 50 ideas are divided into five main sections: The Basics covers fundamental but all too often forgotten techniques, such as slurs and vibrato, that can breathe new life into your phrases; Melodic Concepts explores various aspects of melodic phrasing, such as motifs, chromaticism and sequences; Harmonic Embellishments discusses the melodic potential of harmonic intervals (dyads), chords and chord partials; Rhythmic Concepts explores various aspects of rhythmic phrasing, such as accents, free-time phrasing and metric modulation, and how it pertains to melodic soloing; Solo Structure all of the topics discussed in the book come together to help form the big picture. The companion CD contains 89 demos for listening, and most tracks feature full-band backing. Also available for keyboard, tenor saxophone and trumpet.

This is a collection of 47 big-note, level 1 easy solos on old favorites designed to build technique, range, and endurance while maintaining student interest. These familiar folk tunes are fun to play and ideal as a supplement to any method. All of the solos in this text may be played together in ensemble with the Fun With Viola, Fun With Cello, and Fun With String Bass books. Basic information on parts of the violin and tuning is included. The tunes in this book provide an excellent source of practice material for learning note values, articulations, and dynamics. Bowings are included throughout the book.

(Bass Instruction). A walking bass line is the most common approach to jazz bass playing, but it is also used in rock music, blues, rockabilly, R&B, gospel, Latin, country and many other types of music. The term 'walking' is used to describe the moving feeling that quarter notes create in the bass part. The specific goal of this book is to familiarize players with the techniques used to build walking bass lines and to make them aware of how the process works. Through the use of 90-minutes' worth of recorded rhythm tracks, players will have the opportunity to put the new learning directly into action. This book literally gives bassists the tools they need to build their own walking bass lines.