This new edition contains all the scales and arpeggios required for ABRSM's Grades 1-5 Viola exams. Contains all scales and arpeggios for the revised syllabus from 2012, with bowing patterns and suggested fingering, and a helpful introduction including advice on preparing for the exam.

This volume contains valuable practice material for candidates preparing for ABRSM Viola exams, Grades 1-5. Includes many specimen tests for the revised sight-reading requirements from 2012, written in attractive and approachable styles and representative of the technical level expected in the exam.

This new edition contains all the scales and arpeggios required for ABRSM's Grades 6-8 Cello exams. Contains all scales and arpeggios for the revised syllabus from 2012, with bowing patterns and suggested fingering, and a helpful introduction including advice on preparing for the exam.

This new edition contains all the scales and arpeggios required for ABRSM's Grade 8 Violin exam. Includes all Grade 8 scales and arpeggios for the revised syllabus from 2012, with bowing patterns and suggested fingering, along with a helpful introduction including advice on preparing for the exam.

Lionel Tertis (1876-1975) stands in the company of YsaYe, Kreisler, Casals, Thibaud and Rubinstein as one of the greatest instrumentalists - and arguably the greatest viola player - of all time. Many composers, including Bax, Holst and Vaughan Williams, wrote significant works for him; he was a member of a number of prominent string quartets; and he was later to design and promote his own 'Tertis model' viola. Tertis is virtually synonymous with the increasing importance of the viola as a solo and recital instrument alongside the violin and the cello. This updated paperback edition tells how he rose from humble beginnings to become 'the father of the modern viola'. It explores in detail his long and distinguished career, persuading composers to write works for the viola, arranging existing works for the instrument, editing and performing, and teaching and coaching, notably at the Royal Academy of Music. JOHN WHITE is a prominent viola teacher and performer. He was a founder member of the Alberni String Quartet and later played with the London Philharmonic Orchestra and the Stadler Trio and collaborated with composers Alan Bush, Lennox Berkeley and Alan Richardson in performances of their works. White was Professor of Viola at the Royal Academy of Music for over thirty years and has chaired four international viola congresses in the UK since 1978. In recognition of his outstanding contributions to the viola, he was awarded the Silver Alto Clef for 2010 by the International Viola Society.

Performed on an acoustic steel-string guitar with open tunings and a finger-picking technique, Hawaiian slack key guitar music emerged in the mid-nineteenth century. Though performed on a non-Hawaiian instrument, it is widely considered to be an authentic Hawaiian tradition grounded in Hawaiian aesthetics and cultural values. In Listen But Don't Ask Question Kevin Fellezs listens to Kanaka Maoli (Native Hawaiian) and non-Hawaiian slack key guitarists in Hawai'i, California, and Japan, attentive to the ways in which notions of Kanaka Maoli belonging and authenticity are negotiated and articulated in all three locations. In Hawai'i, slack key guitar functions as a sign of Kanaka Maoli cultural renewal, resilience, and resistance in the face of appropriation and occupation, while in Japan it nurtures a merged Japanese-Hawaiian artistic and cultural sensibility. For diasporic Hawaiians in California, it provides a way to claim Hawaiian identity. By demonstrating how slack key guitar is a site for the articulation of Hawaiian values, Fellezs illuminates how slack key guitarists are reconfiguring notions of Hawaiian belonging, aesthetics, and politics throughout the transPacific.

Two volumes containing well-crafted arrangements and original compositions, presented in chronological order, from the 16th century right up to the present day. Includes contrasting styles, from Louis Couperin to Giles Swayne and William Byrd to Gavin Bryars. Pieces feature on the ABRSM Double Bass syllabus at Grades 1-6 (Volume 1: Grades 1-3, Volume 2: Grades 4-6). This is also an invaluable source of repertoire to explore for further study.

(Manuscript Paper). Features 64 pages of manuscript paper with standard notation and tablature staves, plus a music notation guide and a guitar notation legend. Pages are sized and punched to fit in 3-ring binders.

David Coverdale (formerly of Deep Purple) formed Whitesnake in 1978. Throughout the history of the band many excellent musicians have come and gone including John Sykes, Adrian Vandenberg, Vivian Campbell, Ian Paice (Deep Purple) and the legendary Steve Vai. This Jam With songbook enables guitarist to play along with the band emulating the style of the Pros with 9 Whitesnake tracks expertly arranged in guitar tab format and a playalong CD.